A few examples of appraisal values for
VIEW OF BOSTON

• CHROMOLITHOGRAPH, "BIRD'S EYE VIEW OF
  CHROMOLITHOGRAPH, "BIRD'S EYE VIEW OF BOSTON", MID 19TH...Color Chromolithograph, "Bird's Eye View of Boston", mid 19th Century, linen mat and frame. 17 ¾ in. x 27 in. Overall 26 ½ in. x 34 ½ in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• 6 "HISTORIC AMERICA VIEW OF BOSTON"
  6 "HISTORIC AMERICA VIEW OF BOSTON" PORCELAIN PLATES6 "Historic America View of Boston" Porcelain Plates, by Johnson Bros. England Diameter 10 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• AFTER THOMAS POWNALL, VIEW OF BOSTON(British,
  AFTER THOMAS POWNALL, VIEW OF BOSTON(British, 1722-1805) A View of the City of Boston the Capitol of New England/Drawn on the spot by his Excellency, Governor Pownal 1757, engraving on wove paper, sheet 9-1/4 x 19-3/4 in.; painted wood frame, 17-1/2 x 28 in. Note: This is a later version of Pownall's view, published in Drake's History and Antiquities of Boston. Condition: hinged in, with folds as issued, light toning and foxing
• AFTER EDUARD HILDEBRANDT, (GERMAN, 1819-1869),
  AFTER EDUARD HILDEBRANDT, (GERMAN, 1819-1869), VIEW OF BOSTON'S OLD FEATHER STORE, WITH QUINCY MARKET AT RIGHT, WATERCOLOR, SIGHT: 7 X 10 IN., FRAME: 10 X 13 IN.After EDUARD HILDEBRANDT, (German, 1819-1869) View of Boston''s Old Feather Store, with Quincy Market at Right, watercolor inscribed Boston 1844, l.l. sight: 7 x 10 in., frame: 10 x 13 in. Condition:
• JOHN WHORF, (AMERICAN, 1903-1959), VIEW
  JOHN WHORF, (AMERICAN, 1903-1959), VIEW OF BOSTON HARBOR, WATERCOLOR, SHEET: 19 3/4 X 26 IN., FRAME: 28 X 34 IN.JOHN WHORF, (American, 1903-1959) View of Boston Harbor, watercolor signed John Whorf, l.r. sheet: 19 3/4 x 26 in., frame: 28 x 34 in. Provenance: A Maine Perspective: The Collection of a New England Gentleman. Other Notes: - Spanierman Gallery, New York, label verso. - The Milch Galleries, New York, label verso. Condition: Condition: Hinged at top edges. Overall good condition, colors strong.
• VIEW OF BOSTON AFTER AMBROISE LOUIS
  VIEW OF BOSTON AFTER AMBROISE LOUIS GARNERAY 19TH CENTURY HAND-COLORED ETCHING, 11.75" X 15" SIGHT. FRAMED 22.5" X 26.5".VIEW OF BOSTON AFTER AMBROISE LOUIS GARNERAY, 19th Century, Titled "Vue de Boston". Engraved by Sigismond Himely (1801-1872). Dimensions: Hand-colored etching, 11.75" x 15" sight. Framed 22.5" x 26.5".
• HAND-COLORED PRINT OF BOSTON HARBOR
  HAND-COLORED PRINT OF BOSTON HARBOR IN THE 18TH CENTURY CIRCA 1904 10.25” X 54.25”. FRAMED 12.5” X 56.5”.HAND-COLORED PRINT OF BOSTON HARBOR IN THE 18TH CENTURY, Circa 1904, By Christian Remick. Initialed upper right in cartouche "C.R.". Initials preceded by "To John Hancock Esq. This Perspective View of Boston Harbor, Island, & Men of War & Landing Y. 29. & 14th Regmt. Sony. 1st. of Oct. 68. As Taken from End of Long Wharf...". Cartouche upper left contains "Explan" and key of twenty ships and landmarks. Dimensions: 10.25" x 54.25". Framed 12.5" x 56.5". Provenance: Property of a direct descendant of Thomas Jefferson, the contents of the Brick House at Coolidge Point, Manchester by the Sea, Massachusetts.
• HAND-COLORED ENGRAVING "BIRD'S EYE VIEW
  HAND-COLORED ENGRAVING "BIRD'S EYE VIEW OF BOSTON AND ITS ENVIRONS" LATE 19TH CENTURY 9.5" X 14" SIGHT. FRAMED 19.5" X 23.5".HAND-COLORED ENGRAVING "BIRD'S EYE VIEW OF BOSTON AND ITS ENVIRONS" Late 19th Century From Harper's Weekly. 9.5" x 14" sight. Framed 19.5" x 23.5". Dimensions: 9.5" x 14" sight. Framed 19.5" x 23.5".
• WEDGWOOD 1915 SEPIA TRANSFER-PRINTED
  WEDGWOOD 1915 SEPIA TRANSFER-PRINTED RECTANGULAR CALENDAR TILEWEDGWOOD 1915 SEPIA TRANSFER-PRINTED RECTANGULAR CALENDAR TILE, dated 1915, unmarked, attributed to Wedgwood, produced for the Crockery, China & Glass Merchants, Jones McDufee & Stratton Co. of 33 Franklin St., Boston., the obverse printed with a view of Boston Custom House, identified below as 28 Stories 495 feet high, twice pierced for suspension, h: 4 3/4 x w: 3 1/4 in. Provenance: Jeffrey Milkins Collection, no. 902.
• AFTER J. HILL, ENGRAVED BY C. MOTTRAM,
  AFTER J. HILL, ENGRAVED BY C. MOTTRAM, VIEW OF BOSTON, COLOR ENGRAVING, FRAMED, 39-1/2 X 51-3/4 INAfter J. Hill, Engraved by C. Mottram, View of Boston, Color Engraving, Framed, 39-1/2 x 51-3/4 in
• WILLIAM J. MALONEY (AMERICAN, B. 1932),
  WILLIAM J. MALONEY (AMERICAN, B. 1932), OIL ON CANVAS, DEPICTS SUMMER SUNSET VIEW OF BOSTON FROM THE CHARLES RIVER, SAILBOAT WITH TW...William J. Maloney (American, b. 1932), oil on canvas, depicts summer sunset view of Boston from the Charles River, sailboat with two passengers in foreground, more sailboats in middle ground, and Boston skyline with golden dome and brownstone buildings in distance, not examined out of frame, signed lower left, ss: 23 1/2" h. x 29 1/2" w.
• DRAPER HILL, JR. (MASSACHUSETTS, 1935-2009),
  DRAPER HILL, JR. (MASSACHUSETTS, 1935-2009), BIRD'S-EYE VIEW OF BOSTON., MIXED MEDIA ON PAPER, 18.25" X 28.5" SIGHT. FRAMED 25" X 35".DRAPER HILL, JR., Massachusetts, 1935-2009, Bird's-eye view of Boston. Signed lower left "Draper Hill Jr.". Dimensions: Mixed media on paper, 18.25" x 28.5" sight. Framed 25" x 35". Provenance: Notes:Draper Hill was a reporter and cartoonist for the Patriot Ledger and Worcester Telegram in the 1950s and 1960s.
• GROUP OF DON CARPENTIER TABLEWARES,
  GROUP OF DON CARPENTIER TABLEWARES, 20TH CENTURYGROUP OF DON CARPENTIER TABLEWARES, 20TH CENTURY, a group of Don Carpentier (American, 1951-1914) Historic Eastfield Village Studio tablewares, including: a mochaware mug, the blue ground with dendrite tree-like decoration, below a rouletted green and brown band, D. Carpentier 08 SA & DC marks, h: 4 in.; two Studio topographical transfer-printed creamware feather-edge plates, one with a view of Boston Harbor, D.G.Carpentier 03 SA & DG marks, dia: 7 3/4 in.; six Studio creamware green feather-edge plates, modern, of Leeds-type, dia: 8 in.; and one feather-edge plate, dia: 10 in. (10) Provenance: Acquired from Don Carpentier Collection of Nancy and Andrew Ramage
• (6) Blue transferware porcelain dishes,
  (6) Blue transferware porcelain dishes, c/o "Waterworks Philadelphia" soup bowl (10" dia, some discoloration on back), Wedgwood "Longfellows Wayside Inn South Sudbury Mass" plate (10-3/8" dia), Johnson Bros "Historic America View of Boston Massachusetts" (10-1/8" dia), (2) "Fairmount Near Philadelphia" plates (10-1/4" dia, one with discoloration to edge on back), "Bank of the United States Philadelphia" (10-1/4" dia
• AMERICAN REVOLUTIONARY WAR ERA POWDER
  AMERICAN REVOLUTIONARY WAR ERA POWDER HORN, CARVED AND INSCRIBED NATHAN HATCH, 1775, ROXBURY CAMP, BOSTON. 13"L X 3"DIAM (AT WIDEST)American Revolutionary War Era Powder Horn, carved and inscribed Nathan Hatch, 1775, Roxbury Camp, Boston., Inscribed "Nathan Hatch HT, Horn Roxbury Camps, 1775," with carved view of Boston, arial plan of camp and geometric designs. Biography from WikiTree: On 6 August 1832, Nathan Hatch age seventy-four of Cavendish, Vermont made application for pension based on his service in the Revolution. In June 1775, he enlisted from Tolland in the company of Capt. Abraham Tyler and regiment of Col. Huntington for a term of five months. The company was at New London, Stonington, and Roxbury before being dismissed at the end of five months. In the summer of 1776 from Alstead, New Hampshire, he enlisted in the company of Capt. Jason Wetherbee of Charlestown for five months. Immediately after, he and six or seven others who had not had smallpox were ordered to remain in Charlestown and be inoculated with the smallpox which they did, and as soon as they were well of the smallpox, they marched to Mount Independence. His third enlistment was in the summer of 1777 from Walpole, New Hampshire for two months in the company of Capt. Christopher Webber in Col. Hibbard's regiment of Gen. Stark's brigade. They marched to Bennington where he participated in the battle of Bennington where Lieut. Waldo of his company was wounded, and Sgt. Eastman was shot in the chest and died three days later. After Bennington, they marched to Bemis Heights, New York but about the time they arrived, his two-month enlistment was expired, and he was dismissed. Nathan further reported he was born at Tolland on 17 September 1757 and resided in Tolland until his first enlistment. He was then in Alstead where his father had moved two or three years before. When his father went to Alstead, Nathan was left in Tolland with his older brother. In April 1777, Nathan went from Alstead to Walpole and from Walpole to Windsor, Vermont where he resided five years. He remained in Reading about twenty-five years before moving to Cavendish three years previously. On 18 March 1834, Nathan requested transfer of his pension from Vermont to Washington County, New York where he planned to remain. Dimensions: 13"L x 3"diam (at widest)
• ROBERT DOUGLAS HUNTER (1928-2014, MASSACHUSETTS)Birds
  ROBERT DOUGLAS HUNTER (1928-2014, MASSACHUSETTS)Birds Eye View of Boston. 1999. Oil painting on canvas painting in a gilded frame depicting an aerial view of Boston Common and Massachusetts State house. Signed and dated lower left. Sight size: 19 1/2" x 11 3/4", overall with frame 25" x 17". Excellent condition.
• AFTER F. H. LANE, "VIEW OF BOSTON HARBOR",
  AFTER F. H. LANE, "VIEW OF BOSTON HARBOR", BLACKand white engraving by T. Moore Lithography, Boston. Dedicated to the Tiger Boat Club. 19th c. Hand signed by the lithographer T Moore, lower right. 18 1/2" x 24", overall with frame 20 3/4" x 27". Not laid down, shows tears and repairs in bottom corner. Image is in good condition.
• Two printed views of Baltimore 20th
  Two printed views of Baltimore 20th c. together with a printed view of Boston 10 1/4" x 14 3/4". ?
• VIEW OF BOSTON IN 1848 BY EDWIN WHITEFIELD
  VIEW OF BOSTON IN 1848 BY EDWIN WHITEFIELD (ENGLAND/AMERICA 1816-1892). Boston: Whitefield and Smith 1848 lithograph on paper. Published as number 9 in Whitefield's Original Views of North American Cities. Imperfections. 23''h. 45''w. (sight) matted and framed 32 1/4''h. 52 1/4''w. Stains some toning large tear.