- A PAIR OF GRAND TOUR BRONZE WARWICK
A PAIR OF GRAND TOUR BRONZE WARWICK VASESA pair of Grand Tour patinated and gilt bronze two handled Warwick vasesEnglish or French19th centuryFoot of each marked G (*/fly) S.height 5 1/4in (13.5cm); width 8 1/2in (21.5cm); depth 5 3/4in (14.
- METAL MODEL OF THE WARWICK VASE ON STAND16
METAL MODEL OF THE WARWICK VASE ON STAND16 x 14 x 10 1/2 in.
Condition
In good overall condition with a minor rusty surface on the interior, and pitting to the base. Slight greyish patina.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- CONTINENTAL GLAZED CERAMIC MODEL OF
CONTINENTAL GLAZED CERAMIC MODEL OF THE 'WARWICK VASE' ON A STANDUnmarked.
20 x 20 1/2 x 14 1/4 in.
Condition
The vase restored and over sprayed with some flaking to small areas of the interior. The handles both reglued. The base in good overall condition with minor staining and nicks, losses predominantly at edges. Nice aged patina overall.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- PAIR 19TH C. ENGLISH PORCELAIN WARWICK
PAIR 19TH C. ENGLISH PORCELAIN WARWICK VASES Pair of English porcelain vases, 19th century, each modeled as the Warwick vase, having Bacchic decoration, gilded cobalt ground and polychrome florals, apparently unmarked. Approximate dimensions: h. 9.25", w. 13", d. 10".
- STAFFORDSHIRE BLUE TRANSFER PRINTED
STAFFORDSHIRE BLUE TRANSFER PRINTED TOILET, ENGLAND, C. 1840, England, c. 1840, Warwick vases set amongst treed landscapes with pillared architecture and towers, bowl lg. 16 5/8 in.
- A WORCESTER PINK-GROUND VASE Circa 1815
A WORCESTER PINK-GROUND VASE Circa 1815 Of Warwick vase shape with gilt entwined handles, painted with a titled view, `Binstead Cottage...Isle of Wight', above a band of white beading, raised on a short socle stem and square base, impressed Crown and FBB, inscribed Barr, Flight & Barr mark in puce, 17.5cm high
- A GRAINGER WORCESTER PORCELAIN RECTANGULAR
A GRAINGER WORCESTER PORCELAIN RECTANGULAR PLAQUE circa 1840, painted with a Warwick vase filled with an arrangement of flowers and with a passionflower beside resting on a marble ledge, in a giltwood frame, 42.5cm x 32.5cm Provenance: Bt. Christie’s London, 11th February1991, lot 149.
- GRAND TOUR PAIR OF DIMINUTIVE WARWICK
GRAND TOUR PAIR OF DIMINUTIVE WARWICK VASES, PATINATED AND D'ORE BRONZE, AFTER ANTIQUITY 3 ?" x 5 ?" x 3 ¾" Beautiful antique French Grand Tour pair of dark patinated bronze and ormolu urns with ormolu liner, ca. 1850; urn features an egg and dart rim, entwined vines handles and a body cast with masks, raised on a circular ormolu fluted foot and round base, attention to detail throughout this piece is second to none and this high quality bronze is made from the lost wax process 'cire perdue', depicting in relief masks, acanthus leafs, pinecones, and draped lion skins; threaded rods underneath to possibly mount on marble plinths or bases. Provenance: old private collection, Pittsburgh, PA, by descent in the family to the current owner.
- 19TH CENTURY TERRACOTTA WARWICK GARDEN
19TH CENTURY TERRACOTTA WARWICK GARDEN URNA very good nineteenth century terracotta Warwick garden urn having deep relief and carved masks flanked by twisted handles. Resting on a stepped octagonal base.
The Warwick Vase is an ancient Roman marble vase with Bacchic ornament that was discovered at Hadrian's Villa, Tivoli about 1771 by Gavin Hamilton, a Scottish painter-antiquarian and art dealer in Rome, and is now in the Burrell Collection near Glasgow in Scotland. Ht: 28.5" Wd: 38" Dpth: 29"
- ORNATE SILVERPLATE 'WARWICK VASE' FORM
ORNATE SILVERPLATE 'WARWICK VASE' FORM WINE COOLERSilverplate "Warwick Vase" form wine cooler, having egg-and-dart trim, over dual twisted handles, featuring applied grapevines, classical masks, acanthus leaves, rising on round wood base, removable liner, approx 9.5"h, 13.5"w, 9.5"diam, 11.25lbs (for shipping purposes only) **Provenance: The estate of Mr. Wesley and Mrs. Suzanne LaFever, Beverly Hills, California**
- A Grand Tour Bronze Model of the Warwick
A Grand Tour Bronze Model of the Warwick Vase
19th Century
raised on a marble base.
Height overall 12 inches.
Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico, Sold to Benefit Berea College, Berea, Kentucky, offered without reserve
- A George III Silver Warwick Vase Teapot
Robert
A George III Silver Warwick Vase Teapot
Robert Hennell, London, 1779
hallmarked for Sterling on underside
35 ozt 19 dwt gross
Height 6 x width 12 inches.
Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico, Sold to Benefit Berea College, Berea, Kentucky
- An English Porcelain Model of the Warwick
An English Porcelain Model of the Warwick Vase
19th Century
bearing an accession number to the underside, otherwise unmarked.
Height 9 x width 13 inches.
Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields
- TWO BRONZE URNS 19TH CENTURYTWO BRONZE
TWO BRONZE URNS 19TH CENTURYTWO BRONZE URNS, 19th Century, 1) Copy of the Warwick vase. Unmarked. Height 5.25". 2) Mounted to a white marble base. Total height 11.5".
- AN IMPRESSIVE PAIR OF LARGE WARWICK
AN IMPRESSIVE PAIR OF LARGE WARWICK BRONZE URNS Late 20th century, patinated cast bronze, cast in Milan, after the ancient Roman Warwick Vase discovered in 1771 at Hadrian's Villa, Tivoli by Gavin Hamilton, the body with bas relief bacchic figural ornamentation, twisting twig form handles, egg and dart pattern rim, raised casting mark to square base.
- A Pair of Continental Gilt Bronze Models
A Pair of Continental Gilt Bronze Models of the Warwick Vase
19th Century
Height 5 1/4 x width over handles 7 1/2 inches.
- GRAND TOUR BRONZE WARWICK VASEGrand
GRAND TOUR BRONZE WARWICK VASEGrand Tour Bronze Warwick Vase, h. 7 1/2 in., w. 11 in., d. 7 3/4 in
- A Grand Tour Bronze Model of the Warwick
A Grand Tour Bronze Model of the Warwick Vase
After the Antique, Late 19th Century
Height 10 1/2 x width 14 1/2 inches.
- PAIR OF WORCESTER PORCELAIN 'WARWICK
PAIR OF WORCESTER PORCELAIN 'WARWICK VASES' DECORATED AFTER HUME'S 'THE HISTORY OF ENGLAND', DECORATED IN MANNER OF THOMAS BAXTER, BARR, FLIGHT AND BARR PERIOD, CIRCA 1812Pair of Worcester 'Warwick Vases' Decorated After Hume's 'The History of England', Decorated in Manner of Thomas Baxter, Barr, Flight & Barr Period, Circa 1812 Underside of each with impressed, crowned BFB near corner and brown-red script with titles: Charles 2, in the Forest of Boscobel and Queen Margaret, attacked by the Robber, followed by Barr Flight & Barr Worcester/London House Flight and Barr Coventry Street/Manuf[acturers] to their Majesties & Royal Family. Dimensions: Height: 6-5/8 in (16.8 cm)
- 3 PIECES WELLER POTTERY VASES & PLANTER3
3 PIECES WELLER POTTERY VASES & PLANTER3 pieces Weller pottery. Warwick form vase with 2 twig handles, green matte glaze, unsigned, 7 1/2"H; Roma pattern vase, impressed Weller mark, 10"H; Patra pattern square planter, Weller Pottery mark, 4 1/2"W x 4 1/2"H. Crazing to all, flake to one foot of Warwick vase, scratches and discoloration to interior of Patra planter.
- An English Porcelain Tureen and Cover
An English Porcelain Tureen and Cover Modeled After the Warwick Vase
19th Century
Height 13 3/4 x width over handles 14 inches.
- A replica of the Warwick vase, on a
A replica of the Warwick vase, on a gilt plinth of square tapering form, total height 124cm/Provenance: The Rookery, Middlesex
- A PAIR OF BRONZE WARWICK VASES
19TH
A PAIR OF BRONZE WARWICK VASES
19TH CENTURY Dark brown patina, raised on waisted and fluted black slate pedestals(2)28cm high
- A VICTORIAN SOUP TUREEN, LINER AND COVER
A VICTORIAN SOUP TUREEN, LINER AND COVER The Barnards, London 1845, of baluster bombe form, applied cast acanthus, floral and C-scroll decoration throughout, with a centrally applied marital Armorials of Campbell and Bannerman, the scroll handles with applied similar decoration, raised on four foliate bold scroll feet, the pull-off lid with an interlooped handle numbered 2, with a plain liner, loop handles(3)Height: 35cm, weight: 201.8ozHeraldryArms:(on the dexter) Quarterly 1st and 4th Gyronny of eight or and sable (for Campbell) 2nd and 3rd Argent a lymphad her sails furled and oars in action all sable flag and pennants flying gules (for Lorn)(on the sinister) Gules a banner displayed bendwise argent thereon a canton azure charged with a St Andrew’s Cross of the second (for Bannerman)Crest: A boar’s head couped or (for Campbell)Motto: Ne oblivis caris [Do not forget] (for Campbell)At the time of the manufacture of this tureen, Sir James bore these arms without authority, the arms being those of Campbell, Duke of Argyll. In order to correct this heraldic anomaly, he matriculated arms twice at the Court of the Lord Lyon, firstly on the 2nd September 1859 [Lyon Register – Volume 6, folio 15] and secondly on the 5th January 1869 [Lyon Register – Volume 8, folio 18]. Both these matriculations recognised Sir James in the territorial designation of ‘Campbell of Stracathro’.Note:The Victorian era epitomised social mobility. The wealth rapidly generated by individuals created new personal legacies and this was displayed through their charitable donations as well as their domestic settings, which were most often on a grandiose scale. The scale of this soup tureen in what would have been the latest fashion is a clear demonstration of success and wealth. The owner, Sir James Campbell was born into humble origins in 1790, but elevated his status as rose through the social ranks in classic Victorian fashion. Having been apprenticed to McLachlan & McKeand, who managed warehouse facilities in Glasgow, Campbell learnt his craft quickly and at the age of 20 started a clothier business with Matthew Paterson. Eventually, with his brothers, they formed J & W Campbell & co. which also retailed in drapery and dry goods. The success of his business ventures led to the post of Lord Provost of the City of Glasgow between 1840-43. He settled in Glasgow first at Kelvinside House, and then at Bath Street with his wife, who he married in 1822, where they had six children. Campbell’s investments in his work and personal life led to him becoming a well-respected member of society and his efforts were rewarded in 1843 when he was invited to St. James’s Palace to receive the accolade Knight Bachelor from Queen Victoria. In the space of one generation, the Campbell family had elevated their social status and this continued even further with the next generation; Campbell’s second son born 1836, Henry Campbell- Bannerman, became the First Lord of the treasury and Prime Minister of the Liberal Party in 1899-1905. In order to showcase newfound success overt displays of wealth were fashionable and what better way to do so than choose one of the most established silversmiths in London. The Barnard’s would become one of the great dynasties of British silver, able to trace their roots back to 1680 with Anthony Nelme, some of the most prominent silversmiths have been linked to the business over the years including Thomas Whipham, Thomas Chawner and the Emes silver dynasty. By 1910 the firm was converted into a limited liability company and in 1977 became a subsidiary of Padgett & Braham Ltd. (Pg29 The Directory & Silversmiths… John Culme’). Famous for reproducing iconic museum specimens such as The Warwick vase, the copy itself is now in the collections of the Victoria & Albert (2013,8016.1.a-b), the company was able to attract wealthy clients with their pre-manufactured wares, which in turn led to bespoke commissions. Pre-made casts and dies form part of the comprehensive archive which also includes corporate, financial and staff records; purchase, order, letter, stock and pattern books, all of which can now be found in the Victoria & Albert archives (reference: AAD5-1988, AAD7-1989.) While the Barnards produced a wide range of silver from small christening cups, table and tea wares their real skill can best be seen with the commissions requested from their clients. Their relationship with their clients can clearly be seen in their attention to detail, Lot 469 from The Ballyedmond Collection at Sotheby’s auction house on the 23rd May 2017, ‘A Soup Tureen of 1827’ has an impressive horse finial, achieving £7500 and lot 87 from a Bonham’s Silver auction on the 12th November 2014, A pair of Tureens with the finials modelled as wheatsheaves, plough harrow, barrow and a basket which made £31,250, indicate individual commissions with specific requests. By the time of the production of this soup tureen the firm had settled at Angel Street, St. Martin’s-le-Grand, right in the City of London off Cheapside. With members of staff skilled at casting, engraving and forging, the factory would have been a hive of activity. A personalised aspect of the tureen is the armorial fashioned by John Campbell it directly mirrors that of the Duke of Argyll. At the time of the manufacture of this tureen, Campbell bore these arms without authority, the arms being those of Campbell, Duke of Argyll. In order to correct this heraldic anomaly, he matriculated arms twice at the Court of the Lord Lyon, firstly on the 2nd September 1859 [Lyon Register – Volume 6, folio 15] and secondly on the 5th January 1869 [Lyon Register – Volume 8, folio 18]. Both these matriculations recognised Sir James in the territorial designation of ‘Campbell of Stracathro’. Campbell’s aspirations were never out of reach and two years after the commission of the tureens in 1847 the Campbell’s moved to an impressive estate in Stracathro. "Country Houses of Scotland," by John Connachan-Holmes, describes Stracathro "amongst the first rank of neo-classical architecture" and would have been a fitting home for such an impressive piece of silverware.
- GRAND TOUR BRONZE "WARWICK VASE" BY
GRAND TOUR BRONZE "WARWICK VASE" BY DELAFONTAINE Grand Tour Patinated Bronze of the "Warwick Vase" by Auguste-Maximilien Delafontaine (French, 1813 - 1892) after the antique "Warwick Vase" discovered at Tivoli in 1771, and struck "A.D. / Delafontaine" to base. 10" H x 14" W x 10.25" D Note: The Delafontaine bronze factory was established in the late 18th century by Jean-Baptiste-Maximilien Delafontaine (b.1750). The present lot was cast under the direction of Jean-Baptiste's grandson, Auguste-Maximilien. In 1870 the firm was located 10 Rue de L'Universit?. The firm produced decorative works of art of the highest quality and was a main competitor of the Barbedienne foundry. Works by the Delafontaine foundry may be seen in the permanent collection of the Louvre.
- A Grand Tour Bronze Warwick Vase
Late
A Grand Tour Bronze Warwick Vase
Late 19th/Early 20th Century
Height 16 1/8 x width 14 x depth 10 1/2 inches.
- A late 19th Century bronze model of
A late 19th Century bronze model of the Warwick vase, twin wrythen handles and Bacchic ornament, 13cm high, 21cm wide (including handles)
- (6) Royal Copenhagen And Spode Collector
(6) Royal Copenhagen And Spode Collector PlatesTo include six Royal Copenhagen collector plates dated 1954 1957 1960 1963 and 1964 all depicting various winter scenes and a Spode blue and white collector plate titled ''Warwick Vase'' Largest measures 10.5'' Round. Very nice condition. Private collection Bloomfield Hills Mi.
- Bronze Reproduction Warwick Vasefinely
Bronze Reproduction Warwick Vasefinely cast bronze replicating an ancient Roman marble vase; twisted rope handles and mask motif on fluted foot; likely early 20th century.8 x 13 in.Nice patina throughout.
- A 19th century plated copy of ''The
A 19th century plated copy of ''The Warwick Vase'' with twin entwined handles on square base 9ins diameter x 11ins high
- A Bronze Model of the Warwick Vase having
A Bronze Model of the Warwick Vase having Bacchic decoration and entwined handles raised on a square foot. Height 7 x width 10 1/2 inches.
- Weller Warwick Vase marked with Weller
Weller Warwick Vase marked with Weller Pottery half kiln ink stamp back corner of base is broken off and has been filled but needs painted 10.5''h.
- A Pair of Continental "Grand Tour" Patinated
A Pair of Continental "Grand Tour" Patinated Bronze Warwick Vases 19th c. each marked "A.D." and with a star dark brown patina on stepped variegated marble bases height 11 1/2 in. width 8 1/4 in. depth 5 1/2 in.
- A Decorative Gilt Bronze Warwick Vase
A Decorative Gilt Bronze Warwick Vase after the Antique example discovered at Hadrian's Villa Tivoli about 1771 spurious "Barbedienne Fondeur" mark egg and dart molded lip intertwined handles Bacchic frieze over acanthine molded bowl gadrooned everted socle over fluted foot height 10 1/2 in. width 17 1/2 in. depth 12 in.
- ITALIAN PATINATED BRONZE MODEL OF THE
ITALIAN PATINATED BRONZE MODEL OF THE WARWICK VASE SIGNED F. BARBEDIENNE FONDEUR This is a variation of the traditional Warwick vase the frieze is slightly different; raised on a verde antico marble plinth base. 16 x 17 1/4 in. Provenance: Bernd Goeckler Antiques New York.
- ITALIAN BRONZE MODEL OF THE WARWICK
ITALIAN BRONZE MODEL OF THE WARWICK VASE Note: The celebrated ancient Roman marble vase on which this model is based was discovered in fragments in 1771 in the ruins of Hadrian's villa near Tivoli by the Scottish artist and antiquarian William Hamilton. After restoration it was sold to Hamilton's nephew George Earl of Warwick and is now in the Burrell Collection in Glascow. 11 1/2 x 17 x 12 in. Provenance: Bernd Goeckler Antiques New York.