Four 19th c. Staffordshire cottagesFour 19th c. Staffordshire cottages and Shakespeare's House tallest 7"h.
1826 British house sampler, finely1826 British house sampler, finely stitched two-story house flanked by reclining stags, flowering trees and dogs below symmetrical plant and floral motifs, cartouche flanked by angels, "Sandra Butcher Aged 13 years 1826" upper center, three-sided floral border with openwork outer border, silk on linen, probably British, 18-1/2 x 13 in. (sight); black-painted wood frame. Scattered small holes, fading; frame with abrasions. Estate of the Late Wyatt W. Childs, Barnesville, Georgia.
Three Chamberlains Worcester platesThree Chamberlains Worcester plates painted grand houses, The Rye House, Holland House and Hampton House from engravings by John Britton's Beauties of England and Wales, circa 1815, 22cm diameter
A 19th c. Staffordshire cottageA 19th c. Staffordshire cottage with perforated windows and blue roofs together with a later example.
Staffordshire painted earthenwareStaffordshire painted earthenware model ''Shakespeare's House '' and a similar cottage bank 1) ''Shakespeare's House'' - traditional cottage with bocage trim title in gilt lettering on base 5 1/2 in. H. 6 in. W.; 2) cottage bank - traditional double chimney house with coin slot in back 4 1/2 in. H. 4 in. W. Estimate $ 125-200 Chips and wear to bocage on both Shakespeare house has wear to gilt.
A small collection of colouredA small collection of coloured Victorian Staffordshire pottery figures including - Watch stand modelled as a house with two children 9.75ins high a salt bocage group of ewe and lamb 5ins high (damaged) a Gothic cottage 5.25ins high three other models and one 20th Century example various (some damage)
Pendelfin Picture Frame CottagePendelfin Picture Frame Cottage Wishing Well and Old School House (some wear) (3)
A WORCESTER PINK-GROUND VASE CircaA WORCESTER PINK-GROUND VASE Circa 1815 Of Warwick vase shape with gilt entwined handles, painted with a titled view, `Binstead Cottage...Isle of Wight', above a band of white beading, raised on a short socle stem and square base, impressed Crown and FBB, inscribed Barr, Flight & Barr mark in puce, 17.5cm high
A WILLIAM IV NEEDLEWORK SAMPLER,A WILLIAM IV NEEDLEWORK SAMPLER, the work of Rebekah Hewson Moss, 1833, with moralising verse above a house, trees, birds and animals; glazed and with rosewood frame, 46 x 40cm overall
Coalport Cottages Coaching InnCoalport Cottages Coaching Inn Twin Towers Elizabethan Cottage Pagoda House Umbrella House and Wishing Well (6)
SAMPLER. England 1821 silk onSAMPLER. England 1821 silk on wool. Ten-year-old Eliza Maythorn carefully worked a small one-story house two birds on an architectural birdhouse and a verse titled Live to Die. Inner sawtooth border strawberry border. Signed and dated. In a frame 18 1/2''h. 14 1/2''w. Cean and bright. Small holes in upper border. It sold in April 22-23 2005 and was lot 348. Ex Barbara Randau.
WILLIAM ST. THOMAS SMITH O.S.A.WILLIAM ST. THOMAS SMITH O.S.A. R.C.A. HOUSE IN THE FENNS WITH FIGURES Medium: watercolour signed 20" (height) 50cm (height) 26" (width) 65cm (width)
(8 VOLS) 'WILTSHIRE NOTES & QUERIES,'(8 VOLS) 'WILTSHIRE NOTES & QUERIES,' 1896-1917(8 vols) "Wiltshire Notes and Queries: An Illustrated Quarterly Antiquarian Genealogical Magazine," leather bound, with gilt embossed lettering, polychrome printed page ends, published by Elliot Stock, in 1896-1917, largest: approx 9"h, 6"w, 2"d, 18lbs total **Provenance: A prominent Houstonian's River Oaks Estate**
House and verse needlework, largeHouse and verse needlework, large brick house flanked by brick wall and perched birds over a five-line verse, indistinct names within squares at bottom corners, unusual arcaded border with feather motifs, wool thread on wool, probably English, 13-1/2 x 11-1/2 in. (sight); later painted and gilt decorated composition frame. Several small holes and repairs, scattered light stains, fading; frame with surface losses. Estate of the Late Wyatt W. Childs, Barnesville, Georgia.
A Country House Charming glazedA Country House Charming glazed ceramic house with a dog standing within an arch mossy bocage at the edges of the roofline and on the base hand decorated in polychrome gilt line around the base flat back decorated on the front only.
M. H. BAILLIE SCOTT (1865-1945)
HOUSEM. H. BAILLIE SCOTT (1865-1945)
HOUSE AT WENDENS AMBO, ESSEX pencil and watercolour, signed and dated lower right BAILLIE SCOTT/ 1935, bears label verso inscribed BAILLIE SCOTT & BERESFORD FRIBA/ 12 SOUTH SQUARE GRAY'S INN W.C.1/ HOUSE AT WENDENS AMBO/ ESSEX/ FOR ***15cm x 25cmProvenance: From The Millinery Works Collection.Note: In 1919 Baillie Scott re-established his practice in London in partnership with Arthur Edgar Beresford (1880-1952. His later houses remained faithful to the Arts & Crafts ideals and were the subject of a completely new and much larger 'Houses and Gardens' volume published in 1933.
William Callow RWS (British 1812-1908)/OldWilliam Callow RWS (British 1812-1908)/Old Farmhouse, Malvern/watercolour, 24.25cm x 34.25cm
? ALFRED WALLIS (BRITISH 1855-1942)
HOUSES? ALFRED WALLIS (BRITISH 1855-1942)
HOUSES IN ST. IVES oil, pencil and chalk on cardboard18.5cm x 26.5cm (7.25in x 10.5in)Provenance: In Barns-Graham's notes about her collection she states she was given three oils by Alfred Wallis by Mary Buchanan, Ben Nicholson and Sven Berlin. In the exhibition catalogue for Alfred Wallis (The Arts Council of Great Britain 1968) it states this painting is ex-collection Ben Nicholson.Exhibited: 1950: Possibly shown with title 'Houses', Bournemouth, Bournemouth Arts Club, Alfred Wallis and Christopher Wood, 12 Aug to 2 Sep 1950, no. 32;1959: St Ives, 36 Fore Street (Penwith Gallery?), Alfred Wallis Exhibition, 1-6 June 1959, cat. no. 24;1968: London, The Arts Council of Great Britain, Alfred Wallis, Tate Gallery 30 May to 30 June 1968, York City Art Gallery 6 to 28 July;1968: Aberdeen Art Gallery 3 to 25 August, Abbot Hall Art Gallery 31 Aug to 22 Sep 1968, cat. no. 2, plate XII;1983: St Ives, Penwith Gallery, Alfred Wallis, 3 September to 1 October 1983, cat. no. 5;1985: London, Tate, St Ives 1939-64: Twenty Five Years of Painting, Sculpture and Pottery, Tate 13 Feb to 14 Apr 1985, cat. no. 25;1999-2000: Dublin, Irish Museum of Modern Art, Two Painters: Works by Alfred Wallis and James Dixon, Irish Museum of Modern Art, 1 Sep to 21 Nov 1999, Tate St Ives, May to Nov 2000, cat. no. 3.2020: Bristol, Royal West of England Academy, St Ives: Movements in Art and Life, 14 March to 19 September 2020.Literature:Possibly published with title 'Houses,' Nicholson, Ben (1950), (Bournemouth Arts Club Presents a Retrospective Exhibition of) Paintings by Alfred Wallis, Sydenham & Co. Ltd, Bournemouth, cat.no. 32;The Arts Council of Great Britain (1968), Alfred Wallis, Percy Lund, Humpries & Co Ltd, London and Bradford, cat. no. 2, plate XII;Tate Gallery (1985), St Ives 1939-64: Twenty Five Years of Painting, Sculpture and Pottery, Tate Gallery Productions, London, cat. no. 25;Irish Museum of Modern Art (2000), Two Painters: Works by Alfred Wallis and James Dixon, Merrell Holberton Publishers Ltd, London, cat. no. 3.The three paintings in this collection by Alfred Wallis were gifted to Barns-Graham by individual friends: Mary Buchanan, Sven Berlin, and Ben Nicholson. Wallis died in 1942 two years after Willie settled in St Ives. There was time however for her to become acquainted with him, and to act as a sort of ambassador for those who wished to meet the self-taught painter (he could be crotchety). She admired, as did Ben Nicholson and other painters before her, the simplicity and directness of his imagemaking. There was a freedom, a lack of formality, that the Moderns strived for. To Wallis, painting was a physical event: perspective and relative scale was irrelevant as he storyboarded his memories. It is difficult today, when his work commands so much attention, to imagine the ease with which one could acquire his work, and also give it away. Mary Buchanan and her husband, the novelist George Buchanan were among those friends the newly arrived Barns-Graham made through the auspices of her Edinburgh College of Art fellow painter Margaret Mellis, and her new husband the art critic and painter, Adrian Stokes. The latter was the catalyst for the move to Cornwall of Barbara Hepworth, her husband Ben Nicholson and the Russian sculptor Naum Gabo with his wife, Miriam. The Stokes’ Carbis Bay home, Little Parc Owles, was a magnet for all new arrivals, and those visiting from London and elsewhere. Despite the house being full of senior Modernist figures, Barns-Graham never forgot her first encounter with the group of Wallis paintings Stokes owned. Always a note-taker, she recorded the oddly shaped bits of cardboard he painted on, and his particular colours: black boats, green and white seas, and grey houses. Some very early St Ives paintings of sheds by Willie owe something to Wallis, the flattening of perspective and his palette.Essay by Lynne Green, author of W. Barns-Graham: a studio life, and Trustee of the Wilhelmina Barns-Graham Trust.
19TH C. ENGLISH WATERCOLOR OF STATELY19TH C. ENGLISH WATERCOLOR OF STATELY HOUSE BY ISAAC BALL "Abney House, Formerly the Residence of Dr. Watts", watercolor on paper, signed lower left "Isaac Ball" (of Clapton), also marked "From a Sketch made on the Spot in 1843", depicting a palatian home in Stoke Newington (near London) built in 1700 surrounded by wooded parkland, in a Birdseye maple frame with wooden backboard, glazed, OS: 13 3/4" x 17". Toning.
The Manor of Stoke Newington was inherited by Lady Mary and Sir Thomas Abney (1640-1722, a principal founder of the Bank of England and Lord Mayor of London in 1700), and it was thereafter named "Abney House". Dr. Isaac Watts (Congregational minister, hymn writer and theologian, 1674-1748) was a houseguest at Abney for 36 years. After 1843 the house was demolished and salvaged for building materials.
WILFRED BOSWORTH JENKINS (FL. 1875WILFRED BOSWORTH JENKINS (FL. 1875 - 1888)Manor House, Hambolton, Surrey oil on canvas; signed lower left; titled verso; 30 x 25 inches; 39 x 34 x 3 1/4 inches frame Condition:
Coalport Cottages The Country CottageCoalport Cottages The Country Cottage The Parasol House Elizabethan Cottage and Village Church (4)
William Lionel Wyllie (1851-1931)William Lionel Wyllie (1851-1931) etching Lime House and St Annes from Rotherhythe signed in pencil 8 x 10in. Estimate ?200-300 Overall in good clean condition slight undulation showing of paper signed lower left in a modern white card mount and slim ebonised frame no labels or inscriptions verso. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?240
W/C - 'View of Washbourn Gloucestershire'W/C - 'View of Washbourn Gloucestershire' by Thomas Blinks (British 18th c.) titled and signed verso dated 1798 depicting a sunken country lane with Romanesque stone church alongside a traveler accosts men with teams of horses in gilt half round bo
STAFFORDSHIRE HOUSE BANK 19th century.STAFFORDSHIRE HOUSE BANK 19th century.
PAINTING, BRITISH SCHOOL (19THPAINTING, BRITISH SCHOOL (19TH CENTURY) British School (19th century), "Dashwood House, West Wycombe," oil on canvas, unsigned, titled stretcher bar verso, canvas (unframed): 38"h x 60"w. Provenance: The Estate of David Pleydell-Bouverie, grandson of the 5th Earl of Radnor (Glen Ellen, CA). Note: All proceeds to benefit the Bouverie Preserve of Audubon Canyon Ranch (Glen Ellen, CA).
A Group of Six Antique Prints ofA Group of Six Antique Prints of English Royal Residences hand-colored aquatints from Pyne's Royal Residences 1817-1818 after paintings by Charles Wild showing interiors of Windsor Castle Carlton House and Frogmore sights 9 1/2 in. x 11 1/4 in. attractively matted and framed.
ENGLISH 18TH CENTURY ENGRAVINGViewENGLISH 18TH CENTURY ENGRAVINGView of Wilton, Wilshire, The Seat of the Rt. Honorable Earl of Pembroke. Published according to Act of Parliament March 1st. 1759, Carrington Bowlers, John Boydell, Henry Parker, et al. engraved and drawn by Luke Sullivan, later hand colored. 11.75 by 19.5 in., overall, matted, framed 21 by 26.5 in.
PORTRAIT OF A GEORGIAN COUNTRYPORTRAIT OF A GEORGIAN COUNTRY MANOR HOME "Kateshill House, Bewdley" (Worcestershire), oil on canvas, unsigned English School, Mid-19th c. Identified on a crossed out Royal Institute Gallery of London label verso. Depicts a Georgian red brick house, with a village among well-tended fields in a valley to the right, sheep in the foreground, a young girl practicing archery for her family in the sloping yard to the left, wisps of smoke from the chimneys and the dusk light indicate a late summer setting. In a gold Impressionist style frame, OS: 52" x 64 1/2", SS: 43" x 55 1/2". Repaired tear to the lower left edge, cleaned.
Coalport Cottages Thatched CastleCoalport Cottages Thatched Castle The Villa and The Jolly House (4)
LOT OF TWO SMALL POTTERY HOUSELOT OF TWO SMALL POTTERY HOUSE STILL BANKS England includes Staffordshire tiny house and two story house with decorated roof line. 3 3/4'' to 4 1/8'' h. (Pristine Cond.)
Oliver Mills House Windsor architecturalOliver Mills House Windsor architectural fragments gilded cornices and Empire style cornices [Provenance: Deaccessioned from the Connecticut Historical Society.]
John Sutton (1935-) watercolourJohn Sutton (1935-) watercolour The Houses of Parliament signed 6.25 x 10in. Estimate ?150-250 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?260
Wycliffe Eggington (1875-1951).Wycliffe Eggington (1875-1951). A large watercolour of a distant view of a castle monogram WE bottom right. 98 x 65 cm.
ANTIQUE ENGLISH STAFFORDSHIRE HOUSE-FORMANTIQUE ENGLISH STAFFORDSHIRE HOUSE-FORM BANK19th CenturyFront door surrounded by three windows. A man and a woman with a dog flank the house. Height 5. Width 4''. Depth 3''.Provenance: From the Herreshoff House in Bristol Rhode Island from the estate of Norman Herreshoff. Proceeds to benefit the restoration of The Herreshoff House.''
Attributed to Samuel Prout/A VillageAttributed to Samuel Prout/A Village House/with figures by a well/watercolour, 19.5cm x 29.5cm/Provenance: Heather Newman Gallery
Antique Windsor cottage chairAntique Windsor cottage chair