- A LARGE SHOU LENS CALLIGRAPHY SCROLLA
A LARGE SHOU LENS CALLIGRAPHY SCROLLA large Shou lens calligraphy scrollIn the manner of Zhang Daqian.50 1/2 x 37 1/4in (128 x 94.5cm) Provenance:Property of a Private Collector, Orange County, CA.
- AFTER ZHANG DAQIAN, BEAUTY UNDER WILLOW
AFTER ZHANG DAQIAN, BEAUTY UNDER WILLOW TREE, HANGING SCROLL After Zhang Daqian (Chinese, 1899-1983) - Beauty under Willow Tree. Hanging scroll, ink and color on paper, dated, signed and with three seals, image 32.5"h x 15.75"w.
- AFTER ZHANG DAQIAN (CHINESE, 1899-1983),
AFTER ZHANG DAQIAN (CHINESE, 1899-1983), BEAUTY AT REST, HANGING SCROLL After Zhang Daqian (Chinese, 1899-1983) - Beauty at Rest. Hanging scroll, ink on paper, inscribed, signed, and with three seals, image 19.25"h x 19.25"w.
- AFTER ZHANG DAQIAN (CHINESE, 1899-1983),
AFTER ZHANG DAQIAN (CHINESE, 1899-1983), BEAUTY IN A GARDEN, HANGING SCROLL After Zhang Daqian (Chinese, 1899-1983) - Beauty in a Garden. Hanging scroll, ink and color on paper, dated, signed and with four seals, image 29.5"h x 14"w.
- AFTER ZHANG DAQIAN (CHINESE, 1899-1983),
AFTER ZHANG DAQIAN (CHINESE, 1899-1983), BEAUTY UNDER BANANA TREE, HANGING SCROLL After Zhang Daqian (Chinese, 1899-1983) - Beauty under Banana Tree. Hanging scroll, ink and color on paper, inscribed, signed and with four seals, image 34"h x 14.75"w.
- AFTER ZHANG DAQIAN, CELESTIAL MAIDEN
AFTER ZHANG DAQIAN, CELESTIAL MAIDEN WITH FLOWERS, HANGING SCROLL After Zhang Daqian (Chinese, 1899-1983) - Celestial Maiden with Flowers. Hanging scroll, ink and color on paper, dated, signed and with four seals, image 36.5"h x 15.25"w.
- CHINESE SCHOOL 20TH CENTURY, SCROLL
CHINESE SCHOOL 20TH CENTURY, SCROLL Courtesan, colored pigment on paper, with signature of Zhang Daqian, and calligraphy, image size 26 x 58 in.
- STYLE OF ZHANG DAQIAN CHINESE INK &
STYLE OF ZHANG DAQIAN CHINESE INK & WATERCOLORChinese ink and watercolor on paper in the style of Zhang Daqian (1899-1983). Mounted in glossy black frame with matting, Chinese characters in both lower corners. Measures 38.5"H x 64"W framed; 27"H x 52"W visual.
- ZHANG DAQIAN (1899-1983), GIBBON, LITHOGRAPH
ZHANG DAQIAN (1899-1983), GIBBON, LITHOGRAPH WITH APPLIED PIGMENTS Zhang Daqian (1899-1983), Gibbon, lithograph with applied pigments, dated 1974, printed with an inscription, two seals and signature, signed in pencil "Dai C. Chang", e.p.i. #2, with two embossed marks to the lower right, 29"h x 17.25"w. Provenance: From a California private estate, Wil B. Fountain, acquired directly from the artist in the 1970s. It was Mr. Wil Fountain who encouraged and supported Zhang Daqian to produce two sets of lithographs during that time.
- ZHANG DAQIAN (1899-1983), PORTRAIT OF
ZHANG DAQIAN (1899-1983), PORTRAIT OF A LADY, LITHOGRAPH WITH APPLIED BLACK PIGMENT Zhang Daqian (1899-1983), Portrait of a Lady, lithograph with applied black pigment, dated 1975, dedicated to Mr. Fountain, printed with an inscription, one seal and signature, signed in pencil "D.C. Chang", ed. 34/40, with one embossed mark to the lower left, framed and glazed, print 16.25"h x 22"w. Provenance: From a California private estate, Wil B. Fountain, acquired directly from the artist in the 1970s. It was Mr. Wil Fountain who encouraged and supported Zhang Daqian to produce two sets of lithographs during that time.
- ZHANG DAQIAN (1899-1983), INK SPLASHED
ZHANG DAQIAN (1899-1983), INK SPLASHED LANDSCAPE, LITHOGRAPH WITH APPLIED PIGMENTS Zhang Daqian (1899-1983), Ink Splashed Landscape, lithograph with applied pigments, dated 1973, printed with an inscription, three seals and signature, signed in pencil "D.C. Chang", ed. 2/10, with two embossed marks to the lower left, framed and glazed, print 22.25"h x 30"w. Provenance: From a California private estate, Wil B. Fountain, acquired directly from the artist in the 1970s. It was Mr. Wil Fountain who encouraged and supported Zhang Daqian to produce two sets of lithographs during that time.
- ATTRIBUTED TO ZHANG DAQIAN, LANDSCAPE,
ATTRIBUTED TO ZHANG DAQIAN, LANDSCAPE, HANGING SCROLL Attributed to Zhang Daqian (Chinese, 1899-1983), Landscape, hanging scroll, ink and color on paper, inscribed, signed and with four seals, 13.75"h x 8.75"w.
- MANNER OF ZHANG DAQIAN - AUTUMN LANDSCAPE
MANNER OF ZHANG DAQIAN - AUTUMN LANDSCAPE Manner of Zhang Daqian - Autumn Landscape, hanging scroll, ink and color on paper, titled, inscribed, bearing a signature and with two seals, 40.5" h. x 23.75" w.
- STYLE OF ZHANG DAQIAN (1899-1983) -
STYLE OF ZHANG DAQIAN (1899-1983) - CALLIGRAPHIC COUPLET IN RUNNING SCRIPT Style of Zhang Daqian (1899-1983) - Calligraphic couplet in running script, hanging scrolls, ink and color on paper, dedicated, signed and with two seals, 52.75" x 8.25".
- CHINESE WATERCOLOR SCROLL PAINTING BY
CHINESE WATERCOLOR SCROLL PAINTING BY ZHANG DAQIAN(Chinese, 1899-1983), one of the best-known and most prodigious Chinese artists of the twentieth century. Originally known as a guohua (traditionalist) painter, by the 1960s he was also renowned as a modern impressionist and expressionist painter. In addition, he is regarded as one of the most gifted master forgers of the twentieth century. 53" long, 25" wide.
Condition:
Any condition information included in our lot descriptions is not the equivalent of a written condition statement, and the absence of condition information does not imply that the lot is free of defects. Our auction lot descriptions reflect our effort to provide accurate, objective and fair information on all lots for sale, and we encourage bidders to request written condition statements and large file images on any lots of interest by emailing condition@woodburyauction.com. We also strongly advise that you or someone on your behalf inspect the lot personally before bidding. All lots are sold "as is" and "where is" and neither we nor any consignor makes any warranties or representation of any kind or nature with respect to the property. There are no returns and no refunds based on condition
- CHIN SAN LONG PHOTOGRAPH ZHANG DAQIAN
CHIN SAN LONG PHOTOGRAPH ZHANG DAQIAN 1963Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "Zhang Daqian (Cypress Trees)," executed in 1963, depicting the painter Zhang Daqian (1899-1983), a close friend of Chin San Long's, seated on a stone with a staff under the superimposed image of cypress trees. Silver gelatin print. Hand signed along the backing.
Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.
Provenance: From the collection of William Atkins.
William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.
Unframed; height: 13 1/4 in x width: 10 1/2 in. Matted; height: 20 in x width: 16 in.
Condition:
Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
- CHIN SAN LONG PHOTO ZHANG DAQIAN CYPRESS
CHIN SAN LONG PHOTO ZHANG DAQIAN CYPRESS TREESChin San Long (Lang Jingshan) (Chinese, 1892-1995). A photograph titled "Zhang Daqian (Cypress Trees)," executed in 1963, depicting the painter Zhang Daqian (1899-1983), a close friend of Chin San Long's, seated on a stone with a staff under the superimposed image of cypress trees. Silver gelatin print. Hand signed along the backing to the lower right.
Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.
Provenance: From the collection of William Atkins.
William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.
Sheet; height: 13 1/4 in x width: 10 1/2 in. Matted; height: 20 in x width: 16 in.
Condition:
Print and matboard are both in extremely good condition. The four mat corners show very minute amounts of wear from being in a portfolio and observed. The bottom left corner of the matboard shows two pinpricks of discoloration.
- Attributed to Zhang Daqian
(Chinese,
Attributed to Zhang Daqian
(Chinese, 1899-1983)
Mountainscapes
ink and color on paper, eight folding fan leaves in one album
each leave signed and dated, with four artist's seals, Dafeng Tang, Zhang Yuan, Daqian ju shi, Shuke
??????
????1899-1983?
??????
???????
???????????????????
???
?1????????????????? ???????????????????1944?????????
?2????????????????????????????????????????????????????1948????????
?3????????????????????????????????????1945???????
?4????????????????? ???????????????? ???1944?????????
?5????????????????????????????????
?6????????? ???????? ???????? ???????????1946???????????????
?7?????????????????????????????????????????????
?8????????????????????????????????????????
Image of each: 22 1/2 x 6 3/4 in., 57 x 17 cm.
- Attributed to Zhang Daqian
(Chinese,
Attributed to Zhang Daqian
(Chinese, 1899-1983)
The Portrait of Su Shi
ink on paper, hanging scroll
signed and inscribed with a dedication, dated 1967, two artist seals, Zhang Yuan zhi yin, Daqian ju shi, two collectors' seals, Wuliang, Lin Sijin.
??????
????1899-1983?
???????
???????
??????1967???????
??????????????????????????????????????????????????????????????????????????????????????????????????????
????????????????????????????????????????????????????????????????????????????????????????????????????
???????????????????
Image length 53 1/2 x width 26 1/2 in., 136 x 53 cm.
- ZHANG DAQIAN (CHINESE, 1988-1983) BOOK
ZHANG DAQIAN (CHINESE, 1988-1983) BOOK OF REPRODUCTIONS OF WORKS FROM ZHANG DAQIAN'S COLLECTION BOUND AS A BOOK WITH A PROTECTIVE CO..ZHANG DAQIAN, (CHINESE, 1988-1983) BOOK OF REPRODUCTIONS OF WORKS FROM ZHANG DAQIAN'S COLLECTION, Bound as a book with a protective cover The first page marked with Da Feng Tang, Zhang Daqian's studio; printed by Benrito Co., Kyoto, Japan, dated 1956 Provenance: Collection of Wang Jiyuan (1893-1975); and by descent to the present owner
- ZHANG DAQIAN (CHINESE, 1899-1983) DEDICATION
ZHANG DAQIAN (CHINESE, 1899-1983) DEDICATION IN CALLIGRAPHY FROM ZHANG DAQIAN TO WANG JIYUAN VOLUME 4 OF ZHANG DAQIAN'S PERSONAL COL..ZHANG DAQIAN, (CHINESE, 1899-1983) DEDICATION IN CALLIGRAPHY FROM ZHANG DAQIAN TO WANG JIYUAN, Volume 4 of Zhang Daqian's personal collection One bound volume with cover, printed by Benrido Co. in Kyoto, Japan; published March 10, and distributed March 15, in the 31st year of Zhaohe reign (1956) Provenance: Collection of Wang Jiyuan (1893-1975); and by descent to the present owner
- ZHANG DAQIAN (CHINESE, 1899-1983) CHINESE
ZHANG DAQIAN (CHINESE, 1899-1983) CHINESE PAINTING: WITH THE ORIGINAL PAINTINGS AND DISCOURSES ON CHINESE ART BY CHANG DA-CHIEN INK...ZHANG DAQIAN, (CHINESE, 1899-1983) CHINESE PAINTING: WITH THE ORIGINAL PAINTINGS AND DISCOURSES ON CHINESE ART BY CHANG DA-CHIEN, Ink and color on paper; bound as a book with protective cover From the Da Fengtang studios of Zhang Daqian, edited and compiled by Kao Lingmei, with inscription in Chinese script by Kao Lingmei and dated Xinchou (1961) second month of Spring and two seals. Includes prints of works by Zhang Daqian and discussion of painting Provenance: Collection of Wang Jiyuan (1893-1975); and by descent to the present owner
- ZHANG DAQIAN (CHINESE, 1899-1983) DEDICATION
ZHANG DAQIAN (CHINESE, 1899-1983) DEDICATION IN CALLIGRAPHY FROM ZHANG DAQIAN TO WANG JIYUAN WITH TWO SEALS BOOK ABOUT A YUAN DYNAST...ZHANG DAQIAN, (CHINESE, 1899-1983) DEDICATION IN CALLIGRAPHY FROM ZHANG DAQIAN TO WANG JIYUAN WITH TWO SEALS, Book about a Yuan Dynasty painter Dated Wushu nian (1958), the front callifont dated 1939, November Provenance: Collection of Wang Jiyuan (1893-1975); and by descent to the present owner
- ZHANG DAQIAN (CHINESE, 1899-1983) TWO
ZHANG DAQIAN (CHINESE, 1899-1983) TWO CALLIGRAPHY BRUSHES WOOD AND GOAT HAIRZHANG DAQIAN, (CHINESE, 1899-1983) TWO CALLIGRAPHY BRUSHES, Wood and goat hair Both marked on one side with brush type (Yi Tan Zhu Meng), maker (Xi Wu), and Zhang Daqian's studio (Da Feng Tang); the other side marked with inscription noting the brushes are a gift from Zhang Daqian to a good friend Wang Jiyuan (2) Provenance: Collection of Wang Jiyuan (1893-1975); and by descent to the present owner
- ZHANG DAQIAN (CHINESE, 1899-1983) FIVE
ZHANG DAQIAN (CHINESE, 1899-1983) FIVE CALLIGRAPHY BRUSHES ALL BAMBOO WITH GOAT AND WEASEL HAIRZHANG DAQIAN, (CHINESE, 1899-1983) FIVE CALLIGRAPHY BRUSHES, All bamboo with goat and weasel hair Japanese made, all marked with Zhang Daqian's studio name (Da Feng Tang), the larger four marked with the type of brush (Yi Tan Zhu Meng), the maker (Xi Wu), the smallest brush marked with maker Yu Chuantang (5) Provenance: Collection of Wang Jiyuan (1893-1975); and by descent to the present owner
- ZHANG DAQIAN (CHINESE, 1899-1983) AFTER
ZHANG DAQIAN (CHINESE, 1899-1983) AFTER HAN GAN 'GROOMS WITH HORSES' PRINT WITH ORIGINAL CALLIGRAPHY BY ZHANG DAQIAN: 20 X 83 IN. (S.ZHANG DAQIAN, (CHINESE, 1899-1983) AFTER HAN GAN 'GROOMS WITH HORSES', Print with original calligraphy by Zhang Daqian: 20 x 83 in. (sight) Framed; lower left signed and dedicated to Wang Jiyuan in Chinese script with one seal of Zhang Daqian, dated Bingshen year, October; lower right numbered 11 in Chinese script with Zhang Daqian's studio seal Provenance: Collection of Wang Jiyuan (1893-1975); and by descent to the present owner
- Zhang Daqian
(Chinese, 1899-1983)
A
Zhang Daqian
(Chinese, 1899-1983)
A Letter to Zhang Muhan (1902-1980)
ink on paper, loose leaf
signed with an artist seal, Daqian.
???
????1899-1983?
??????
???????
????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????
?????
25 5/8 x 12 1/4 in., 65 x 31 cm.
- Zhang Daqian
(Chinese, 1899-1983)
The
Zhang Daqian
(Chinese, 1899-1983)
The Masterworks of Chang Dai-Chien, 1974-1975
A suite of four lithographs on paper, together in the original portfolio, with introduction by Michael Sullivan and end paper. The subjects including Homeward Passing Through the Stone Gate at Dusk, Cinnabar Lotus, Peonies, Shrike Amidst the Autumn Leaves; each dated jiayin (1974), signed with one to three artist's seals, Daqian weiyin danian, Huanbi An and Sanqian Daqian, and by the artist in pencil Dai C. Chang.
???
????1899-1983?
????????
????????????????????????????Michael Sulliwan???
Largest Print: 29 1/4 x 20 3/4 in., 74.5 x 52.5 cm.
- Zhang Daqian
(Chinese, 1899-1983)
Beauty
Zhang Daqian
(Chinese, 1899-1983)
Beauty with Cat
ink and color on paper, unframed
signed with a dedication, dated lunar year yimao (1975), with two artist seals, Dafeng tang, Zhang Yuan Daqian yin.
???
????1899-1983?
?????
???????
???????????????1975???????
????????????
Image: 51 3/4 x 17 1/2 in., 131.4 x 44.5 cm.
Property from the Collection of Wang Lvchang, Taiwan, thence by descent.
- CHANG DA-CHIEN, CHINESE PAINTING, 1961
CHANG DA-CHIEN, CHINESE PAINTING, 1961 (Zhang Daqian), "...with the Original Paintings & Discourses on Chinese Art", Published by Kao Ling-Mei, Hong Kong, 1st edition, color plates, traditional string binding in printed silk folding case, 14.5"h x 10.75"w
- (LOT OF 5) ZHANG DAQIAN LITHOGRAPHS
(LOT OF 5) ZHANG DAQIAN LITHOGRAPHS Set of five Zhang Daqian lithographs, comprising "Temple in the Mountain", "Visitor in the Mountains", "Persimmons", "Village in the Mountains" and "Lotus", each of edition 53/90, bearing the embossed chop of the Editions Press and the embossed chop of the printer, with title page and sleeve, 22"h. x 30"w.
- SET OF FIVE ZHANG DAQIAN LITHOGRAPHS
SET OF FIVE ZHANG DAQIAN LITHOGRAPHS Set of five Zhang Daqian lithographs, comprising "Temple in the Mountain", "Visitor in the Mountains", "Persimmons", "Village in the Mountains" and "Lotus", each edition 54/90, bearing the embossed chop of the Editions Press and the embossed chop of the printer, with title page and sleeve, 22"h. x 30"w.
- MANNER OF ZHANG DAQIAN (1899 - 1983)
MANNER OF ZHANG DAQIAN (1899 - 1983) - SET OF FOUR LANDSCAPE PAINTINGS Manner of Zhang Daqian (1899 - 1983) - Set of four landscape paintings, each hanging scroll, ink and color on paper, inscribed, dated, signed and with two seals of the artist, 37.5"h. x 13.5"w.
- SET OF SIX ZHANG DAQIAN LITHOGRAPHS
SET OF SIX ZHANG DAQIAN LITHOGRAPHS - THE MASTERWORKS OF CHANG DAI-CHIEN Set of Six Zhang Daqian lithographs, from the series The Masterworks of Chang Dai-chien, comprising "Homeward Passing Through the Stone Gate at Dusk", "Cinnabar Lotus", "Mountain Monastery by the Waterfall", "Peonies", "Shrike Amidst the Autumn Leaves" and "Hanging Gibbon Over an Autumn Stream", each dated jiayin (1974), five prints each with a dedication "to Walter Maibaum" in pencil and "Cinnabar Lotus" with edition "E. P. I. #2", all signed by the artist Dai C. Chang, bearing the embossed chop of the Editions Press and the embossed chop of the printer, each framed and glazed, largest 20.75"h. x 29.25"w. Note: Walter Maibaum is a prominent dealer in Old Master works on paper who has galleries in New York and San Francisco.
- ATTRIBUTED TO GU JIANLONG (1606-AFTER
ATTRIBUTED TO GU JIANLONG (1606-AFTER 1687)
LARGE INK PAINTING OF THE GOD OF LONGEVITY, SHOULAO AND BOY, QING DYNASTY, 19TH CENTURY ? ???? ?????????? ??????????/?????/?????????/????????????????ink and colour on paper, framed, titled 'Changshou Xianzhi' (The Magical Fungus of Longevity) on central upper left, further inscribed stating painted in the year to Ji Wei in Autumn, correspondent to 1679 , in the manner of Tang Ziwei (also known as Tang Yin, 1470-1523), painted in the Studying Straw Hall of Deep Willow, signed 'Yun Chen Gu Jian Long, applied two red seals 'Gu Jian Long Yin' and 'Yun Chen'(1)216cm x 107cmProvenance: From the collection of the late James Kedzie Penfield (1908-2004), who joined the American Diplomatic Corps to China in the 1930s and 1940s. In 1954, Penfield became United States' High Commissioner for Austria with the mission to re-establish an independent, neutral and democratic Austria. In 1961, he was appointed American Ambassador Extraordinary and Plenipotentiary to Iceland; thence by direct family descent.James was born in NYC in 1908. His mother was one of the first women to drive a car by herself all the way across the United States within a week. James must have inherited her pioneering spirit, because as a young Stanford graduate, he joined the small hand-picked team who travelled to China to work for the American Diplomatic Corps in the 1930s and 1940s. Although his diplomatic career later took him to posts all around the world, his daughter remembers him speaking fondly of "the best years of his life in Peking, Canton and Chunking". Whilst in China, James established friendships with prominent local artists, he was gifted a painting, as a token of farewell, by and from Zhang Daqian (1899-1983), one of the most celebrated 20th-century Chinese artists. The painting, which is dated 1944, subsequently sold in this saleroom, 08 November 2017, lot 87.Note: There is little known about the painter Gu Jianlong, except that he served as a court artist in the 1660s-70s. He was born in Suzhou Taichang, and painted portraits of Qing emperors and imperial family members. His works are in the collection of The British Museum, see a portrait of Guanyin, museum numbers 1910,0212,0.486. Other extensive works are in The Nelson Gallery-Atkins Museum of Art, see a portrait of Ma Shiqi (1650–1714), illustrated in Wai-Kam Ho, et al., Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and The Cleveland Museum of Art. (The Cleveland Museum of Art in cooperation with Indiana University Press, c1980), 347-348, no. 255. For similar theme to this lot, compare with a smaller ink and colour on silk scroll painting, attributed to Gu Jianlong, depicting related subject matter 'Shoulao on White Deer', was sold at Christie's New York, 19 March 2021, lot 852; Another slightly smaller ink and colour on silk, with the signature of Gu Jianlong, was sold at Christie's New York, 19 Mar 2021, lot 852.
- WOODBLOCK 'WUTAI SHAN' PRINT AND GROUP
WOODBLOCK 'WUTAI SHAN' PRINT AND GROUP OF TWENTY-FOUR INK RUBBINGS
QING DYNASTY AND LATER ? ?????????????????? ???????????????????????????????????????: ????????????the woodblock print depicting Manjusri and his sacred mountain Wutai Shan; and a group of twenty-four rubbings, ink on paper, unframed(25)largest: 111.5cm x 63.5cmProvenance: From the collection of the late James Kedzie Penfield (1908-2004), who joined the American Diplomatic Corps to China in the 1930s and 1940s. In 1954, Penfield became United States' High Commissioner for Austria with the mission to re-establish an independent, neutral and democratic Austria. In 1961, he was appointed American Ambassador Extraordinary and Plenipotentiary to Iceland; thence by direct family descent.James was born in NYC in 1908. His mother was one of the first women to drive a car by herself all the way across the United States within a week. James must have inherited her pioneering spirit, because as a young Stanford graduate, he joined the small hand-picked team who travelled to China to work for the American Diplomatic Corps in the 1930s and 1940s. Although his diplomatic career later took him to posts all around the world, his daughter remembers him speaking fondly of "the best years of his life in Peking, Canton and Chunking". Whilst in China, James established friendships with prominent local artists, he was gifted a painting, as a token of farewell, by and from Zhang Daqian (1899-1983), one of the most celebrated 20th-century Chinese artists. The painting dated 1944, subsequently sold in this saleroom, 08 November 2017, lot 87.Note: For the 'Manjusri and Wutai Shan' woodblock print, compare to a similar example offered at Hengsha Ancient Art Kyoto, 26 March 022, lot 85; Also see a related woodblock print in the similar arrangement and title, dated to ca. 1870AD, 91cm x 50cm, is in the collection of the National Library of China.The group of ink rubbings was mostly related to and taken from the Wu Family Shrines, of which the Wu Liang Shrine is the best known. It was the family shrine of the Wu clan of the Eastern Han dynasty (25-220AD). Located at the Wuzhai Village, Jiaxiang County, Shandong Province. The original shrine was carved and engraved with images of legendary rulers and paragons of filial piety and loyalty, historical and mythological stories, scenes of feasting, homage, processions, omens, and other figural and decorative designs.Included in this lot, the pictorial rubbings comprise two copies from the Left Chamber Four, one from the Left Chamber Five, and one from the Left Chamber Nine, all of which are General Wu Ban's (fl. 221–239) shrine; together with two copies of the Front Chamber Ten, for the Wu Rong's shrine. Comparable examples are in the Institute of History and Philology, Academia Sinica, Taiwan, with respective digital archive numbers in the above order: '27403', '27405', '27418', and '12757-11'. The Wu Family Shrine assemblage was only linked to actual carved stones in the Qing Dynasty in 1786AD when the amateur archaeologist Huang Yi (1744–1802) claimed to have discovered them at the cemetery ruins. Subsequently, scholars Weng Fanggang (1733-1818), Li Dongqi, and others decided to renovate the shrines. Included in this lot, is the inscription carved to record the renovation. Entitled 'Chong Li Han Wu Shi Shi Shi Ti Ji' (The Blurb of Reconstruction of the Wu Stone Shrine in the Han Dynasty), dated to the fifty-second and fifty-seventh years of the Qianlong period, 1787AD and 1792AD. See Ibid. digital archive no. '12469', '25940-1', '25940-4', '25940-3', '25940-2', and '25937'. Another rubbing is from the Xiaotang Mountain Han Shrine. See Ibid. no. '11204-3'. The rest of the figures and horses are unidentified. A large collection of similar rubbings rubbed in the 1920s to 1940s, including the rubbings from the Wu Family Shrines; rubbings from a temple, Jiaxiang, Shandong Province, ca. 100AD; rubbings from Guanyu Temple, Suijia Zhuang Village, Shandong Province, ca. 100AD, were donated to the Seattle Art Museum by James Kedzie Penfield. See some examples with accession no. '92.62', '92.69', '92.75', and '91.255.1.25'.?????????????????????????????????????????????????????????????????????????????????????????