A few examples of appraisal values for
IDAHO

• 2 BANNOCK NATIVE AMERICAN FIGURES, POCATELLO,
  2 BANNOCK NATIVE AMERICAN FIGURES, POCATELLO, IDAHO2 dancing Bannock Native American figures, Pocatello, Idaho, tallest measures 11" h.
• RON CHEEK (1947-2020) OIL ON PANELRonald
  RON CHEEK (1947-2020) OIL ON PANELRonald Allen Cheek (Idaho, 1947-2020)Mountain Landscape (Circa 1980)The oil on panel is signed lower right.Sight size measures 29.75 x 31.5 with a framed size of 33.75 x 35.5 inches.Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.
• MIKE STIDHAM (B. 1954)A Lone Single
  MIKE STIDHAM (B. 1954)A Lone Single - Bonefish on a Fly, 2023 signed "M. Stidham" lower left oil on linen on board, 24 by 36 in. Mike Stidham spent his early years in Palm Desert, California, where he dreamed of becoming a desert painter. As a young teen, he began trout fishing in Colorado, selling his early watercolors through local fly shops, and he worked as a fishing guide in Idaho. Among his honors and accomplishments, in 1992 the artist produced the Saltwater Sportfishing Stamp for Texas and, for a time, held the IGFA record for a hammerhead shark taken on a fly rod. He says, “To me the painting is about the sense of place, the feeling of being there, the various colors of the rocks and rhythm and movement of the gravel bed.” Today, Stidham paints from his Sandy, Utah, studio as well as on the many fishing trips he takes to see, study, and pursue his subjects in their natural environment. Provenance: Literature: Norman Kolpas, “Artist Spotlight: Mike Stidham,” Western Art and Architecture, December 2022-January 2023.
• MIKE STIDHAM (B. 1954)Bass Chasing Popper signed
  MIKE STIDHAM (B. 1954)Bass Chasing Popper signed "Mike Stidham" lower left oil on board, 18 by 36 in. Mike Stidham spent his early years in Palm Desert, California, where he dreamed of becoming a desert painter. As a young teen, he began trout fishing in Colorado, selling his early watercolors through local fly shops, and he worked as a fishing guide in Idaho. Among his honors and accomplishments, in 1992 the artist produced the Saltwater Sportfishing Stamp for Texas and, for a time, held the IGFA record for a hammerhead shark taken on a fly rod. He says, “To me the painting is about the sense of place, the feeling of being there, the various colors of the rocks and rhythm and movement of the gravel bed.” Today, Stidham paints from his Sandy, Utah, studio as well as on the many fishing trips he takes to see, study, and pursue his subjects in their natural environment. Provenance: Private Collection, Texas
• MIKE STIDHAM (B. 1954)Permit on the
  MIKE STIDHAM (B. 1954)Permit on the Flats, 2022 signed "M. Stidham" lower left oil on canvas, 25 by 40 in. Mike Stidham spent his early years in Palm Desert, California, where he dreamed of becoming a desert painter. As a young teen, he began trout fishing in Colorado, selling his early watercolors through local fly shops, and he worked as a fishing guide in Idaho. Among his honors and accomplishments, in 1992 the artist produced the Saltwater Sportfishing Stamp for Texas and, for a time, held the IGFA record for a hammerhead shark taken on a fly rod. He says, “To me the painting is about the sense of place, the feeling of being there, the various colors of the rocks and rhythm and movement of the gravel bed.” Today, Stidham paints from his Sandy, Utah, studio as well as on the many fishing trips he takes to see, study, and pursue his subjects in their natural environment. Provenance: Literature: Norman Kolpas, “Artist Spotlight: Mike Stidham,” Western Art and Architecture, December 2022-January 2023.
• A two part step back hutch, labelled
  A two part step back hutch, labelled Woodland Furniture, Idaho Falls Idaho. The top section has two sliding paned glass doors and two adjustable wood framed shelves with plate glass inserts, and two small candle drawers, with a lighted interior. The bottom section has two raised panel doors flanking a small single drawer, on an applied bracket base, painted with a Dutch influenced floral design on light mustard ground with green and dark red/maroon highlights. 90''H x 68''W x 20''D Condition: very good, one little brass knob broken (see photo) CT Transfer Fee $100
• COUNTRY PAINTED HUTCH BY WOODLAND FURNITURE.
  COUNTRY PAINTED HUTCH BY WOODLAND FURNITURE. A two part step back hutch, labelled Woodland Furniture, Idaho Falls Idaho. The top section has two sliding paned glass doors and two adjustable wood framed shelves with plate glass inserts, and two small candle drawers, with a lighted interior. The bottom section has two raised panel doors flanking a small single drawer, on an applied bracket base, painted with a Dutch influenced floral design on light mustard ground with green and dark red/maroon highlights,90''H x 68''W x 20''D.
• DON RICKS "FLORAL FEAST" (OIL CA. 1990)Don
  DON RICKS "FLORAL FEAST" (OIL CA. 1990)Don Ricks (Idaho, 1929-1996) Floral Feast , circa 1990 Oil on canvas 24" x 20" An outdoor still life with watermelon, peaches, and a floral arrangement. Signed to the bottom right corner. Presented in a gilt frame that measures 32" x 28". Provenance : Acquired from Wadle Gallery (Santa Fe) in 1993. Condition Very good condition.
• DON RICKS "THE GREEN VASE" (OIL CA.
  DON RICKS "THE GREEN VASE" (OIL CA. 1980S)Don Ricks (Idaho, 1929-1996) The Green Vase , circa 1980s Oil on Masonite 12" x 16" Signed to the bottom right edge. Presented in a gilt frame that measures 18 1/2" x 22 1/2". Provenance : Acquired from Wadle Gallery (Santa Fe) in 1990. Condition Very good condition.
• FREDERIC REMINGTON (1861-1909), REGISTER
  FREDERIC REMINGTON (1861-1909), REGISTER ROCK, IDAHO Peter Hassrick wrote, "Geological curiosities become the signposts for civilizations on the move. When the terrain is unfamiliar, natural landmarks guide travelers across uncharted reaches, serving as beacons in the wilderness. But as the paths become worn, so do the guideposts. They soon take on the etched identity of the people who pass and inevitably reflect the human failing to record that 'Kilroy was here."' "Register Rock in Idaho served the Oregon Trail, and Remington's depiction of it embodies the whole story of Western migration. The bewildered Indian gazes in wonderment at the scribbled initials of an intruding civilization. The cow skulls tell of the journey's hardships for animals that did not complete the journey to greener pastures. This site was the resting spot for many wagon trains; here they spent the night and cooked a meal which may well have consisted of their own oxen."
• PRINT, AMERICAN SCHOOL (20TH CENTURY)
  PRINT, AMERICAN SCHOOL (20TH CENTURY) American School (20th century), "Idaho," woodcut in colors, pencil signed indistinctly lower right, titled lower left, edition 57/75, second state, sheet (unframed): 8.5"h x 10.75"w
• EAST TN POLICE TINTYPE AND CABINET CARDSGroup
  EAST TN POLICE TINTYPE AND CABINET CARDSGroup of 2 large cabinet card photos and 1 tintype image relating to Bristol, Tennessee police officer Charles Porch (served late 19th/early 20th century). One cabinet card depicts Porch seated with a male friend (printed at Loargille, Johnson City, TN) and the other depicts Porch in his police uniform playfully raising a billy club at a friend, who is pointing a gun at Porch (printed at Vance's Art Gallery, Bristol, TN). The tintype depicts Officer Porch posing with a fellow officer, both in their uniforms. Cabinet cards measure 7 1/2" H x 5" W. The tintype measures 3 1/4" H x 2" W. History (courtesy of the Bristol Historical Association): Officer Porch witnessed the earliest recorded murder of a Bristol, Tennessee police officer in February 1903. The incident is all the more significant since it was perpetrated by a Bristol, Virginia police officer, Grat Walk. The incident as cited by the Bristol Historical Association and Frank Bickley, a Bristol Courier reporter, unfolded in the following manner - at 11:30 p.m., February 7, 1903, Walk crossed from the Virginia side of State Street and stood at the corner of Fourth Street. He yelled to Childress, who was standing in front of Knott's Bakery, talking to Charles Porch, a fellow Tennessee officer. As Officer Childress walked to the corner, Officer Walk continued to quarrel him. Walk then drew his pistol and fired two shots, both shots piercing Childress's body through his overcoat. As Childress fell, Walk fled across the street. Childress was carried into the Bob Clay Barber Shop, where he died almost instantly. Walk was in hiding for a week, then gave himself up to authorities. Grat Walk later managed to escape from jail after he was allowed to leave his cell "get a breath of fresh air". He remained at large for 7 years until he was recognized in Idaho by an officer in Alene, Idaho. Walk was eventually returned to TN to face trial. During the trial, Officer Charles Porch testified against Grat Walk's plea of self defense and stated Childress never pulled his gun on Walk. The trial concluded with Walk being found guilty of 2nd degree murder and sentenced to 20 years. (Higher-resolution photos are available at www.caseantiques.com) Condition: Some toning and spotting to cabinet cards. Tintype unframed but retains the original sleeve.
• JIM NORTON OIL ON CANVAS, DAYS GONE
  JIM NORTON OIL ON CANVAS, DAYS GONE BYJim Norton (American, b. 1953) oil on canvas Western painting, titled "Days Gone By," depicting three Native American Indians on horseback, overlooking a canyon as evening shadows approach. Signed lower left. Custom carved and distressed wood frame with gilt interior molding and linen liner. 31 1/2" x 23" sight, 41" x 33" framed. Provenance: A Williamson County, Tennessee private collection, acquired from Broschofsky Galleries, Idaho, 1996 (receipt available to successful bidder). Artist biography (courtesy Askart: The Artists' Bluebook -- Jim Norton spent most of his youth in Western Wyoming, where he gained a first hand knowledge of ranch life. He also had an early introduction to painting through his artist grandfather Earl Faussett and artist cousins Lynn and Dean Faussett. Norton studied art under William Whittaker at Brigham Young University and under Conrad Schwiering. In 1989, his skill at depicting real life cowboys, Native Americans, and their horses earned him membership in the Cowboy Artists of America, dedicated to the painting tradition of Charles Russell and Frederic Remington. (Higher-resolution photos are available at www.caseantiques.com) Condition: Excellent condition.
• BUFFALO BILL AND PAWNEE BILL ARCHIVE
  BUFFALO BILL AND PAWNEE BILL ARCHIVE OF PHOTOS AND EPHE...Cody, Hon. W. F. Buffalo Bill and Pawnee Bill Archive of Photos and Ephemera. 1880s Ð 1900s. Fourteen pieces, including a 3 x 5" photo of a young Buffalo Bill and Sitting Bull; a 1913 8 x 10" photo of Buffalo Bill with Harry H. Tammen, owner of the Denver Post and the Sells Floto Circus; a postcard of Buffalo Bill and Major John M. Burke; 1914 Salt Lake Tabernacle Special Honor Recital program, in honor of Col. W. F. Cody; a 7 x 5" photo (ca. 1910) of Buffalo Bill driving a horseless carriage in front of the sideshow and ticket wagon for his Wild West Show; a 9 _ x 6 _" photo of Indians performing at show (ca. 1900); a postcard size photo of riders in Buffalo Bill's Show; a 3 x 5" photo of Buffalo Bill with Pawnee Bill; an 8 x 10" sepia tone photo of Major Gordon W. Lillie (Pawnee Bill); a 3 x 5" 1937 RPPC of Pawnee Bill; a 3 x 5" photo of eight Western Show figures, including Buffalo Bill, Pawnee Bill, Idaho Bill and Dr. Carver; a ca. 1912 photo of Buffalo Bill, J. C. Miller and Chief Wan-Na-Sa-Ga, being driven in convertible automobile with 101 Ranch logo on door; a 8 x 10" photo montage of Buffalo Bill and Show parade, accompanied by an 8 x 10" program (ca. 1930) for "Indian Days in Texas with Pawnee Bill." Good to very good condition.
• AUTOMATED SEFALALJIA PROTOTYPE.Automated
  AUTOMATED SEFALALJIA PROTOTYPE.Automated Sefalaljia Prototype. Wallace, Idaho: Jeff Busby Magic Inc., 1990. A miniature hardwood box, used as a prototype to design Busby's version of the classic Stewart James effect. Hardwood with brass fittings. 12 x 6 x 7 ".
• AUTOMATED SEFALALJIA.Automated Sefalaljia.
  AUTOMATED SEFALALJIA.Automated Sefalaljia. Wallace, Idaho: Jeff Busby Magic Inc., 1995. A miniature spirit cabinet devised by Stewart James in which bells ring, knots untie themselves, balls roll as if pushed by invisible hands, and more. Hardwood box with brass fittings. 13 x 6 x 9". Dovetailed construction. Includes props and instruction booklet. No case. Not hallmarked. Fine.
• COPPER PAUL FOX CUPS.Copper Paul Fox
  COPPER PAUL FOX CUPS.Copper Paul Fox Cups. Wallace, Idaho: Jeff Busby Magic, ca. 1990. Three spun copper cups manufactured with the Paul Fox design. With hallmarked carrying bag. 2 " openings.
• COLOR CHANGING KNIVES.Color Changing
  COLOR CHANGING KNIVES.Color Changing Knives. Wallace, Idaho: Jeff Busby Magic Inc., ca. 1984. Pocket knife changes colors in the performer's hand. Three hardwood-handled Swiss Army knives. Two ungimmicked, one gimmicked, and handmade carrying bag with manufacturer's hallmark. Fine.
• CHARLES M. RUSSELL (AMERICAN 1864-1926)
  CHARLES M. RUSSELL (AMERICAN 1864-1926) A BRONZE BUST, ...CHARLES M. RUSSELL (American 1864-1926) A BRONZE BUST, "A Native American Piegan Woman," CIRCA 1902, with dark brown patination and wearing elaborate earrings above a broad waved shawl clasped at the center with a large button over a domed circular base, verso signed "CM Russell / © 1902," incised bull's skull, raised on a Rouge Royale marble block base. Height: 6 1/4" Width: 4" Depth: 3 1/4" Note: The Piegan/Piikani people compose the largest group of the three that make the Blackfoot Confederacy.They speak Algonquian and were traditionally a nomadic people of the Northern Plains from Montana to Alberta Canada. They can be found in neighboring areas such as Idaho, British Columbia and Saskatchewan but today most live on the Piikani First Nation in Alberta and the Blackfeet Nation in Montana. Condition: Good condition with some surface buildup in areas from handling otherwise good shape. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.” NO REFUNDS will be issued based on condition.
• JAMES GROFF (AMERICAN/TEXAS 1937-1998)
  JAMES GROFF (AMERICAN/TEXAS 1937-1998) A PAINTING, "ANC...JAMES GROFF (American/Texas 1937-1998) A PAINTING, "Ancient Mosaic," 1992, oil and mixed media on canvas, verso signed, titled, and dated, "J. Groff/ 'Ancient Mosaic'/ 1992;" 72 1/4'' x 48'', framed 74 1/4'' x 50''. Provenance: Collection of Patrick Riggins, Ketchum, Idaho Condition: There is an indentation in the canvas near the lower edge near the right corner. Otherwise, there are no visible signs of damage. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• KNOX MARTIN (AMERICAN 1923-2022) A PAINTING,
  KNOX MARTIN (AMERICAN 1923-2022) A PAINTING, "POLAR FLO...KNOX MARTIN (American 1923-2022) A PAINTING, "Polar Flowers (Rimbaud)," 20TH CENTURY, acrylic on paper mounted on panel, signed (inscribed in the paint) L/L, "Knox;" 47'' x 41 1/4'', framed 58'' x 53''. Note: The inspiration for this work is likely taken from a famous poem by the French poet Arthur Rimbaud (1854-1891).BarbariansLong after the days and the seasons, and the people and the countries.The banner of raw meat against the silk of seas and arctic flowers;(they do not exist). Recovered from the of fanfares of heroism,--which still attack the heart and head,-- far from the old assassins.--Oh! the banner of raw meat against the silk of seas and arctic flowers;(they do not exist).-- Bliss! Live embers raining in gusts of frost.--Bliss!-- fires in the rain of the wind of diamondsflung out by the earth's heart eternally carbonized for us.--O world! (Far from the old retreats and the old flames, still heard, still felt.)Fire and foam. Magic, veering of chasms and clash of icicles against thestars.O bliss, O world, O music! And forms, sweat, eyesand long hair floating there. And white tears boiling,--O bliss!-- and the feminine voice reaching to the bottom of volcanoesand grottos of the arctic seas. The banner... Provenance: Gremellion & Co., Houston, Texas; Collection of Patrick Riggins, Ketchum, Idaho Condition: Signature was probably inscribed with the back of a paint brush. There are pin holes at corners where paper was mounted, "O G Fiber Glass," written in pencil along left edge (looks to be original to painting). The paper has been mounted on panel and then floated in a frame under plexiglass. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• UNION PACIFIC RAILROAD SUN VALLEY IDAHO
  UNION PACIFIC RAILROAD SUN VALLEY IDAHO TRAVEL POSTERUnion Pacific Railroad travel poster advertising Sun Valley, Idaho. This beautifully illustrated poster dates from the 1950s. Sight; height: 38 3/4 in x width: 24 1/4 in. Framed; height: 39 1/4 in x width: 25 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions. Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• TWO (2) AMERICANA BOOKS OF THE OLD WESTOffered
  TWO (2) AMERICANA BOOKS OF THE OLD WESTOffered in this lot are two (2) Books of the Old West, "On The Border With Crook" by John C. Bourke and "Owyhee Cattlemen 1878 1978 100 Years In The Saddle" by Mildretta Adams. "On the Border with Crook" has long been regarded as one of the best firsthand accounts of frontier army life. More than simply an account of General Crook, Bourke writes with unparalleled detail of the landscape of the Southwest, impressions on the forts and communities in Arizona Territory, and the hardships of frontier service, in addition to the exciting and honest accounts of combat. What is most impressive about Bourke’s work is the equal time he gives to both soldier and Native American alike, making "On the Border with Crook" the essential book for those interested in the history of the American frontier. Originally written in 1891, after serving over fifteen years (1870-1886) with General George Crook, Bourke sat down to write this memoir of his hero. He brings to life the frontier, the plains, and the Southwest as well as Native American heroes Sitting Bull, Crazy Horse, and Geronimo. Far more than a first-hand account of Crook's campaigns during the Plains Indian wars and in the Southwest. Alert, curious, and perceptive, Bourke brings to life the whole frontier scene. In crisp descriptions and telling anecdotes he recreates the events and landscapes through which he moved; he sketches sharp action-pictures not only of Crook and his fellow cavalrymen. Perhaps most important, Bourke shows us how General Crook was able to achieve his most remarkable victory—how this man of war won and deserved the trust of the tribes he had subjugated. "Owyhee Cattlemen 1878 1978 100 Years In The Saddle" chronicles the first hundred years of existence for the Owyhee Cattlemen's Association, the oldest such group in Idaho and one of the oldest in the entire United States. Formed in 1878 to protect Owyhee Mountain ranchers against warring Bannock Indians. This book also chronicles the first one hundred years of settlers to the area initially arriving due to the mining boom of the latter 19th century that dominated Idaho Territory. Silver City and Ruby City developed as boom towns. At its height in the 1880s, Owyhee County was among the most populous places in Idaho. Today it is among the least populous, at 1.4 persons per square mile. These two books are in good overall condition, "On The Border..." has a stamped gold gilt illustrated hardcover and gold gilt top edge, bottom edge and fore edge pages and measures 5.75"W x 8.5"L. "Owyhee Cattlemen..." measures 8.5"W x 11.5"L
• ROPER'S CLASSICS LAND & MARINE & STEAM
  ROPER'S CLASSICS LAND & MARINE & STEAM ENGINES (2)Presented in this lot are the two (2) Roper's Classics, "Roper's Hand-Book of Land And Marine Engines", 1883, and "Roper's Catechism Of Steam Engines", 1897. One is signed 1884 from Helena, Montana. Steam engineering propelled the Industrial Revolution of the nascent United States particularly in the 19th Century of the ever expanding West which saw steam engines used on the transcontinental railroads bringing immigrants to the new lands west of the Mississippi. And once gold, silver and copper were discovered in California, Nevada, Colorado, the Dakotas, Montana, Idaho, steam engines found new work in the mining industry. These two books were must haves during those periods of growth of the 19th and early 20th centuries. These books are in amazingly good overall condition, intact gold gilt illustrated leather covers exhibit tears and scuffing, intact gold gilt top, fore and bottom edge pages exhibit age tanning. Books measure respectively 4.25"W x 6.25"L x 1"D and 4"W x 6"L x .5"D
• THE STORY OF THE YELLOWSTONE, RAFTERY
  THE STORY OF THE YELLOWSTONE, RAFTERY 1ST ED. 1912This is a Rare Original First Edition of, "The Story of the Yellowstone" by John H. Raftery, 1912, publisher McKee Printing Company, Butte, Montana. A scarce work with material on Lewis and Clark, Colter's first visit, scientific exploration, the Grand Canyon of Yellowstone, the geysers, military expeditions, protection of animals, Army surveillance, the Park in Winter, etc. Yellowstone was the first national park in the U.S. and is also widely held to be the first national park in the world, located in the western United States, largely in the northwest corner of Wyoming and extending into Montana and Idaho. Yellowstone National Park is a nearly 3,500-sq.-mile wilderness recreation area atop a volcanic hot spot. Mostly in Wyoming, the park spreads into parts of Montana and Idaho too. Yellowstone features dramatic canyons, alpine rivers, lush forests, hot springs and gushing geysers, including its most famous, Old Faithful. It's also home to hundreds of animal species, including bears, wolves, bison, elk and antelope. This maroon cloth bound embossed gold gilt lettered hardcover is in fair to good overall condition, gold gilt is faded, very minimal scuffing noted to cover edges. Intact pages exhibit age tanning throughout with slight foxing. Covers and pages exhibit humidity curling, covers appear repaired with tape. No other obvious marring observed. Measures 4.5"W x 5.75"L x .5"D
• EILEEN KLATT CUTTHROAT TROUT FRAMED
  EILEEN KLATT CUTTHROAT TROUT FRAMED WATERCOLORFeatured in this lot is this framed watercolor of a cutthroat trout by Idaho artist Eileen Klatt. The framed artwork is wonderfully and professionally crafted watercolor construction. The artwork shows a cutthroat trout that shows dark brown coloration that fades lighter and ends in a salmon pink and white color. The piece is marked as follows: Cutthroat Trout - Oncorhynchus clarkii Leurisi - Klatt. The condition of the framed watercolor painting is good with no obvious signs of damage and shows good overall condition. The measurements of this framed artwork is 15 1/2" x 26 1/4" and the visible artwork measures 9" x 20".
• EILEEN KLATT RAINBOW TROUT FRAMED WATERCOLORFeatured
  EILEEN KLATT RAINBOW TROUT FRAMED WATERCOLORFeatured in this lot is this framed watercolor of a Rainbow Trout by Idaho artist Eileen Klatt. The artwork features a wonderfully and professionally crafted watercolor construction. The artwork shows a figure of a Rainbow Trout that shows a green back with a salmon pink stripe fading to a white belly and shows speckles throughout the fish. The artwork is marked as follows: Rainbow Trout - Oncorhynchus mykiss Irieus. The condition of this framed watercolor painting is good with no obvious signs of damage and shows good overall condition. The measurements of this framed artwork is 15 1/2" x 26 1/4" and the visible artwork measures 9" x 20".
• EILEEN KLATT BROWN TROUT SALMO TRUTTA
  EILEEN KLATT BROWN TROUT SALMO TRUTTA WATERCOLORFeatured in this lot is this framed watercolor of a Brown Trout / Salmo Trutta from Idaho artist Eileen Klatt. The framed artwork is wonderfully and professionally crafted watercolor construction. The watercolor of this Brown Trout shows good coloration that is natural to this species of trout with a dark brown on the top with slowly fading to lighter brown and later on the belly white, the Brown Trout shows specks throughout. The artwork is marked as follows: Brown Trout - Salmo Trutta - Klatt. The condition of this framed watercolor is good with no obvious signs of damage and shows good overall condition. The measurements of this framed watercolor is 15 1/2" x 26 1/4" and the visible artwork measures 9" x 20".
• RARE 1865 MONTANA TERRITORY MAP BY W.W.
  RARE 1865 MONTANA TERRITORY MAP BY W.W. DE LACYFor your consideration is a framed 1865 Montana Territory Map by W. W. (Walter Washington) De Lacy, 1819-1892. An amazing piece of Montana and Western US history. In the bottom left the map shows the full title and description "Map of the Territory of Montana with portions of the adjoining territories. Showing the Gulch or Placer Diggings actually worked, and Districts where Quartz (Gold & Silver) Lodes have been discovered to January 1st 1865. Drawn by W.W. de Lacy, for the use of The First Legislature of Montana." The border bold outline in red colour delineates the Territory of Montana from the US territories of Dakota and Idaho, and also from the British colonies (British Possessions) in Canada. The Montana county lines of Big Horn, Choteau, Gallatin, Madison, Beaverhead, Edgerton, Jefferson, Deer Lodge, and Missoula are outlined by red coloured lines and include a colour scale indicating gulch diggings and quartz lodes. The 1865 map is considered one of the rarest territorial maps of the western United States. The map includes an inset of "Map showing the routes from the Missouri River to Fort Laramie, where they connect with the large map" as well as the existing wagon "roads" bisecting the territory from both the East and South. The navigable rivers of the Missouri and Yellowstone are highlighted along with their major tributaries. The map shows nice condition and colour overall. Professionally mounted in a black wood frame, no obvious marring observed. Visible art measures 19"W x 25.25"L, frame is 20.75"W x 27"L x .75"D
• ROBERT MOORE(Idaho, born 1957) Autumn
  ROBERT MOORE(Idaho, born 1957) Autumn Study, signed lower right "R. Moore", oil on prepared canvas board, 16 x 12 in.; gilt wood frame, 22-3/4 x 18-3/4 in. Provenance: Trailside Gallery, Scottsdale, Arizona (label verso); Private North Carolina Collection Condition: canvas board cut down to current size; frame with some wear at corners
• SET OF TWO NATIONAL AERONAUTICS AND
  SET OF TWO NATIONAL AERONAUTICS AND SPACE ADMINISTRATIO...Set of Two National Aeronautics and Space Administration (NASA) Satellite Images, to include Cape Cod, 1980, 41" x 68 7/8"; along with Soda Springs, Idaho, 1980, 42 3/4" x 39 1/2". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• ROBERT DEURLOO BUFFALO BRONZE(Idaho/California,
  ROBERT DEURLOO BUFFALO BRONZE(Idaho/California, born 1946) Prairie Patriarch, edition 29/100, signed on bronze base "Deurloo", 13 x 18-1/2 x 8 in. Provenance: Private Collection Condition: gray mottled patina, good condition
• PAIR OF MODERN BLUE GLAZED POTTERY JARSSigned
  PAIR OF MODERN BLUE GLAZED POTTERY JARSSigned SH? Dated (19)74? 7.5 H x 6.5 diam Litchfield Auctions is honored to offer Selections from the Collection of Peter Tillou. Peter has enjoyed wide renown across the United States and Internationally over his seventy-year career as the consummate dealer-collector. While in college in 1956, Peter was already advertising a pair of fine antique flintlock pistols. By 1960, now a resident of historic Litchfield Connecticut, he was cited by the New York Times as a dealer in "great rarities." With later residences and shops in London, Manhattan, Sun Valley Idaho, and Sanibel Island Florida, Peter continued to consider Litchfield his home. By 2013, Peter was recognized by the Antiques Dealers of America with its highest honor, its Award of Merit,"in recognition of his extensive contributions to the fields of fine art, American decorative arts and antiques." More recently, a cover story in The Antiques and the Arts Weekly traced "the arc of Tillou’s long career" (PTIL577)(WT) Condition: Very good. No damages.
• 3 AMERICAN CLEAR BLOWN +/OR PILLAR MOLDED
  3 AMERICAN CLEAR BLOWN +/OR PILLAR MOLDED GLASSa 19th c bottle, large cruet and covered dish. 9.75 h by 4 dia tallest. Litchfield Auctions is honored to offer Selections from the Collection of Peter Tillou. Peter has enjoyed wide renown across the United States and Internationally over his seventy-year career as the consummate dealer-collector. While in college in 1956, Peter was already advertising a pair of fine antique flintlock pistols. By 1960, now a resident of historic Litchfield Connecticut, he was cited by the New York Times as a dealer in "great rarities." With later residences and shops in London, Manhattan, Sun Valley Idaho, and Sanibel Island Florida, Peter continued to consider Litchfield his home. By 2013, Peter was recognized by the Antiques Dealers of America with its highest honor, its Award of Merit,"in recognition of his extensive contributions to the fields of fine art, American decorative arts and antiques." More recently, a cover story in The Antiques and the Arts Weekly traced "the arc of Tillou’s long career" (PTIL567/3)(WT) Condition: Good with the following noted; Bottle with tiny nick to side, cruet rubbing to ribs, partially nick to bottom, pedestal dish top to knob lacking and cover may be a replacement, substantial ribbing to foot.
• 3 FRENCH BLUE GLASS APOTHECARY JARSLabeled
  3 FRENCH BLUE GLASS APOTHECARY JARSLabeled Benjoin, Racine de Ratanhia, and Blanc de Baleine 10.25 H x 4.5 diam Litchfield Auctions is honored to offer Selections from the Collection of Peter Tillou. Peter has enjoyed wide renown across the United States and Internationally over his seventy-year career as the consummate dealer-collector. While in college in 1956, Peter was already advertising a pair of fine antique flintlock pistols. By 1960, now a resident of historic Litchfield Connecticut, he was cited by the New York Times as a dealer in "great rarities." With later residences and shops in London, Manhattan, Sun Valley Idaho, and Sanibel Island Florida, Peter continued to consider Litchfield his home. By 2013, Peter was recognized by the Antiques Dealers of America with its highest honor, its Award of Merit,"in recognition of his extensive contributions to the fields of fine art, American decorative arts and antiques." More recently, a cover story in The Antiques and the Arts Weekly traced "the arc of Tillou’s long career" (PTIL522/3)(WT) Condition: Benjoin with congealed substance at bottom. Labels with stains and gilding rubbed.
• 19TH C. AMERICAN GILTWOOD AND EGLOMISE
  19TH C. AMERICAN GILTWOOD AND EGLOMISE MIRRORFederal/Sheraton period, c. 1815, top eglomise panel with classical trophies, side panels with vertical foliage and blossoms, original gilding and mirror plate 38" H x 23" W Litchfield Auctions is honored to offer Selections from the Collection of Peter Tillou. Peter has enjoyed wide renown across the United States and Internationally over his seventy-year career as the consummate dealer-collector. While in college in 1956, Peter was already advertising a pair of fine antique flintlock pistols. By 1960, now a resident of historic Litchfield Connecticut, he was cited by the New York Times as a dealer in "great rarities." With later residences and shops in London, Manhattan, Sun Valley Idaho, and Sanibel Island Florida, Peter continued to consider Litchfield his home. By 2013, Peter was recognized by the Antiques Dealers of America with its highest honor, its Award of Merit,"in recognition of his extensive contributions to the fields of fine art, American decorative arts and antiques." More recently, a cover story in The Antiques and the Arts Weekly traced "the arc of Tillou’s long career" (PTIL1008)(TC) Condition: two cracks to eglomise panel on right side, wear to gilding, mirror plate with overall wear