A few examples of appraisal values for
MASON S

• GROUP OF GENTLEMAN'S DESK ARTICLESComprising: A
  GROUP OF GENTLEMAN'S DESK ARTICLESComprising: A Fortnum & Mason steel stirrup form pipe holder Two burlwood pipes An English brass fox and fence form letter holder An English silver inkwell, marked for Birmingham, 1946, maker's mark indistinct, with glass liner A silver plate stamp holder inscribed 'H.W.K., June 9, 1951, R.L.B.' The largest 6 in. high, (6 pcs). Condition Each with wear. The pipe rest with oxidation. The pipes with wear consistent with use. The letter holder with oxidation. The inkwell with oxidation and a few small bruises, the liner with a crack and a related chip. The stamp holder with heavy copper bleeding. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• EARLY GOLDENEYE PAIRMason Decoy Factory
  EARLY GOLDENEYE PAIRMason Decoy Factory (1896-1924) Detroit, MI, c. 1900 14 in. long A recently discovered pair of early goldeneye with especially pronounced crowns and uplifted heads. These lively heads are rarely seen beyond the idealized pages of the early Mason sales catalogs. These challenge-grade rigmates remain in dry paint with storage imprints including newsprint. Original paint with moderate gunning wear, including chew to drake's bill tip, and some flaked paint on hen's back. Minor darkening to neck seams and one small flake on drake's back. Literature: Russ J. Goldberger and Alan Haid, "Mason Decoys: A Pictorial Guide," “Updated Edition,” Lewes, DE, 2014, pp. 64-65, related examples without lifted heads illustrated.
• VINTAGE SABER SWORDDESCRIPTION: A Vintage
  VINTAGE SABER SWORDDESCRIPTION: A Vintage Military Mason Sword with bone handle and stainless steel engraved blade, includes scabbard. CIRCA: Early 20th Century ORIGIN: Continental DIMENSIONS: L. 32" , Blade L. 25" CONDITION: Good condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• A PAIR OF MASON S IRONSTONE COVERED
  A PAIR OF MASON S IRONSTONE COVERED VASESA pair of Mason s ironstone covered vases circa 1815-25 Impressed MASON S PATENT IRONSTONE CHINA. height 25 3/4in (65.5cm)Literature: For a similar shape example, see Geoffrey Godden, Godden s Guide to Mason s China and the Ironstone Wares, pl. 275, p. 208.
• CARVED FOLK ART FRATERNAL ORDER CANECarved
  CARVED FOLK ART FRATERNAL ORDER CANECarved folk art fraternal cane, fully carved, stained tapering shaft with carvings of Eagle, squirrel, odd fellow chain, Mason symbol, wrench, birds, horse, snake, fish, tools, knife and cow, varnished, wear from use. 34 1/2''
• LARGE LOT CONTEMPORARY WRISTWATCHESincluding
  LARGE LOT CONTEMPORARY WRISTWATCHESincluding Sutton (17 jewels), Medana, Unichron, Q & Q, Casio water resist 200m, Fossil solar, Mason Sullivan, Geneva, Timex self wind, Fossil, Cornavin, Geneva, Ravinia, Brichot, Timex, Lorus, Relic, Mido Starlet, Sheffield, and an OlympicPentel pen set. All watches are untested. Largest: 1 5/8" high, 2 1/2" wide. Use wear. Provenance: Property of a Rockland County, NY Estate. We offer in-house packing and shipping of this item to an address in the United States for$45.00 via USPS Priority Mail. The price includes insurance up to $5,000.00. Tracking information will be sent to your email address. International buyers are responsible for arranging 3rd party shipping.
• LARGE LOT CONTEMPORARY WRISTWATCHESincluding
  LARGE LOT CONTEMPORARY WRISTWATCHESincluding Sutton (17 jewels), Medana, Unichron, Q & Q, Casio water resist 200m, Fossil solar, Mason Sullivan, Geneva, Timex self wind, Fossil, Cornavin, Geneva, Ravinia, Brichot, Timex, Lorus, Relic, Mido Starlet, Sheffield, and an OlympicPentel pen set. All watches are untested. Largest: 1 5/8" high, 2 1/2" wide. Use wear. Provenance: Property of a Rockland County, NY Estate. We offer in-house packing and shipping of this item to an address in the United States for$45.00 via USPS Priority Mail. The price includes insurance up to $5,000.00. Tracking information will be sent to your email address. International buyers are responsible for arranging 3rd party shipping. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• 5 STERLING SILVER ENGLISH SERVING WARETwo
  5 STERLING SILVER ENGLISH SERVING WARETwo sets of sterling silver serving ware. One set of three Hilliard & Thomason sterling silver serving ware including a fork, knife, and spoon. With maker's marks, city and country marks, and a date mark of 1819 along each. One set of two George Unite William Shakespeare sterling silver serving ware including a shovel spoon and a tongs. With custom storage cases for each set. Length ranges from 3 3/4 in to 7 3/4 in. Gross weight (handles may be weighted): 103.5 g. Condition: The items are in good condition with no visible dents, cracks, or losses. When inspected under UV light, none of the items show a sign of restoration. Wear and discoloration throughout, as expected. Heavy wear to cases. The lock on the dark brown case works smoothly. The case of Hilliard & Thomason is detached from each other.
• 19TH C. NATIVE AMERICAN BEAVER TOP HAT
  19TH C. NATIVE AMERICAN BEAVER TOP HAT W/ FREEMASONRYNative American, Western United States, Plains Tribes, likely Comanche or Lakota (Sioux), ca. mid to late 19th century CE. This is a fascinating piece of Native American formal wear that combines European fashion with decorative elements added by the wearer. The hat is made from beaver fur with a silk interior - manufactured in Europe with a lion and gold emblem over "Deutsche Mode" (German Fashion). The exterior is adorned with a pink silk ribbon trim and silk yellow tassel on the crown. At the front is a 87.9% silver Masonic order pendant with a square, compass, and a crescent moon in the center. A 88.8% silver brooch, with a rectangular face is pined to the side and suspended from the brooch is a USA half dime minted in 1853, pierced and strung on a cotton cord. A black feather is tucked behind the brooch, completing the handsome hat. Size of hat: 11.125" L x 9" W x 7" H (28.3 cm x 22.9 cm x 17.8 cm); interior brim opening: 7.75" L x 6.75" W (19.7 cm x 17.1 cm); silver quality: 87.9% to 88.8% Lakota tribal leaders visiting Washington DC to discuss peace treaties were presented with European style clothing and hats from politicians, such as this top hat. The hats were considered too plain and so they were adorned with pieces to represent Native American culture to symbolize identity and leadership. Freemasonry expanded into the western parts of the United States in the mid 19th century and established grand lodges and subordinate lodges, which were powerful groups during pre-statehood periods. Due to the forcible relocation of many tribes to "Indian Territories," Native Americans were the majority memberships in the Masonic lodges in western states such as Oklahoma, and prominent Native Americans were even elected as Grand Masters and created their own Masonic lodges. Provenance: private Westminster collection, Westminster, Colorado, USA acquired 2020 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #168242 Condition: Age expected wear. Interior silk is stained and discolored with fraying and losses to brim silk covering. Hat is indented and slightly mishappen. Losses to fur around crown. Some age related discolorations. Some fraying to cotton cord that dime is strung on and the feather is slightly frayed. Patina on mason symbol and brooch, but both are intact and very good. Wearable as shown.
• BIRMINGHAM HILBERT AND THOMASON STERLING
  BIRMINGHAM HILBERT AND THOMASON STERLING NUTMEG GRATER: English Sterling silver Shell form Nutmeg grinder, by Birmingham, Hilbert, & Thomason, circa 1870. Impressed marks at inner rim. Non silver grater plate. Approx. 1.25'' h x 1.75'' l x 1.25'' w. CONDITION: Light rust at grater plate commensurate with age and use.
• AMERICAN PINE PAINTED DOCUMENT BOX,
  AMERICAN PINE PAINTED DOCUMENT BOX, EARLY 19TH C.swag, garland, and laurel original painted motifs. Original metal handles and lock. Original period wallpaper liner. 7" high, 20" wide, 10" deep. Shows age appropriate wear to paint. The latch for the lock has a broken tip, some splitting near nail holes on top. Found in an old Marion home with a collection of diaries, primarily from the Robbins family, Lydia Hammond, Lucian Hammond, and Benjamin Robbins. The diaries span from 1862 to 1917, skipping some years, 20 total diaries. In 1862, Lydia Hammond's diary states, "Dr. Breck of Springfield, sent to assist in the surgical care of the wounded soldiers after the Battle of Pittsburg Landing" (Shiloh). Another entry states "terrible battle, ground was a continuous sea of mortar two feet deep". She also writes that there were "nearly 8,100 buried on the field, and two-thirds were judged to be rebels. Joseph was wounded 3 times, shot 3 times in the leg", and he walked himself to the hospital. One of the last entries states that rebel prisoners were taken to Fort Warren, Nov. 1861. The Mason Slidell incident is mentioned, and they are taken to Fort Warren as prisoners, Nov. 24, 1861. The most important diary is Lucian Hammond's (Carver, MA), 1862. He was a member of Company C, first Battalion, stationed at Fort Warren in 1862. Fort Warren is in Boston Harbor. He talks about guard duty, weather, and taking lessons in artillery tactics. Then he leaves for Washington at Camp Alexander, one half mile from the capital, and he writes about other camps nearby. He then marched and joined McLellan's army 20 miles from Richmond and camped and slept on the ground. In another entry he was given a rifle taken from a rebel in battle. The June 21st entry mentions that it is a wet snowy day, rum is brought in, several soldiers drank too much and they were put in the guard house. The commotion caused such a disturbance that the captain drew his sword and slashed one of the drunken men in the head. In July, he moved South by boat to an unknown location. July 20th he mentions feeling unwell due to dysentery ("diarrhea"), and July 26th was his last entry, it reads "my health poor, have not been on duty for one week". Lydia Hammond mentions in her 1862 diary that they received his remains, and he is recorded as having died. Trunk also contains a letter from Lucian Hammond, April 18, 1862, while stationed at Fort Warren, Boston. There is a pamphlet titled "The Poetic Present", dated 1842, dealing with Creation. There is a partial early 19th c. catechism, a book titled "Select Remains of the Reverend John Mason" 1812, an early 19th c. handwritten recipe book, a 17th or 18th c. book titled "The Dreadful Justice of God in Punishing Sin with Sin". "An Introduction to Spelling and Reading" by Abner Alden, 1824. Also found in the same estate is a soldier's record, 6th Regiment, Company E, Mass. Infantry. It lists all participants. Colored lithograph of a saddened archetypical Lady Liberty holding the Constitution. Shows a 4 1/2" tear to the bottom, a 1" tear at top. Sight size 18 1/2" x 14", overall with modern frame and UV glass 25" x 20".
• FRENCH LAVABO FOUNTAIN, MASONIC, COPPER,
  FRENCH LAVABO FOUNTAIN, MASONIC, COPPER, 19CFrench lavabo fountain with hand engraved Freemason symbols to front. Circa 19th century. Dovetailed copper construction with 2 brass figural spigots and 2 finials. Basin measures 8" x 16" x 14". Reservoir measures 19 1/2" x 14" x 9". Good condition. Various dings and dents from years of use. Splits at corners of lid.
• JAMES MASON SIGNED INLAID STERLING CUFF
  JAMES MASON SIGNED INLAID STERLING CUFF BRACELETJAMES MASON SIGNED INLAID STERLING CUFF BRACELET. Sterling silver handcrafted Navajo cuff inlaid with multi color shells and stones appearing to be turquoise, coral, spiny oyster, lab opal, black onyx, mother-of-pearl, gaspeite, lapis, sugilite, etc. The cuff weighs 35.1 grams and is stamped "JM" (James Mason) and "STERLING".
• Mason Standard Grade wood duck decoy
  Mason Standard Grade wood duck decoy with painted eyes, 6"h x 13"l
• Mason standard grade glass eye decoy,
  Mason standard grade glass eye decoy, Blue Hill, Maine, circa 1910, 6 1/2"h x 14"l
• Four duck decoys, to include: a Mason
  Four duck decoys, to include: a Mason Standard Grade blue bill; a ruddy duck, Great Lakes region; a swimming black duck; and a working decoy, Eastern Shore, Maryland, largest 17"l
• Four assembled cherry dining chairs,
  Four assembled cherry dining chairs, including: three un-signed Pompanoosuc Mills cherry ‘Mason’ dining chairs, including one arm and two sides, along with one other un-signed cherry arm chair. Mason arm chair 38”H x 24.5”W x 18.5”D x 18” seat H Mason side chairs 39.25”H x 22”W x 18.5”D x 18” seat H Single arm chair 41”H x 24.5”W x 18.5”D x 18” seat H Condition: abrasions and minor wear CT Transfer Fee $30
• 2 KENTUCKY STYLE LONG RIFLES, ONE MASON
  2 KENTUCKY STYLE LONG RIFLES, ONE MASON SYMBOLS Two American Kentucky and Kentucky style long rifles, comprising, one with a Masonic square and compass inlay to stock and double trigger, apparently unmarked, and one Pennsylvania percussion with a short barrel and brass tacks, marked Lancaster PA to lock plate. Approx. Lancaster full l. 43.5" (to end of barrel), barrel l. 28". Unmarked full l. 53.5", barrel l. 38.25".
• GROUP ASSORTED STERLING SILVER SERVING
  GROUP ASSORTED STERLING SILVER SERVING PIECES 20th c., (11) pieces, incl. a C.D. Peacock serving spoon, Whiting fish server, Carl Poul Petersen lobster fork, Hilliard & Thomason slotted ladle, James C. Bates seafood fork, Birks sugar tongs, etc., 9.75"l x 2.75"w (largest), 3.25"l x 1"w (smallest), approx. 12.9ozt.
• FOUR DUCK DECOYS TO INCLUDE A RED BREASTEDMERGANSER,
  FOUR DUCK DECOYS TO INCLUDE A RED BREASTEDMERGANSER, SOUTHEASTERN MASS, TACK EYES, CIRCA 1890, 5" HIGH, 18" LONG, 5 1/4" WIDE. A MASON STANDARD GRADE BLUE BILL DRAKE WITH GLASS EYES REPAINTED 6 1/2" HIGH 13 1/2" LONG, 5 1/4" WIDE. AND A GREEN WINGED TEAL DRAKE, FLAT PROFILE, TACK EYES, ORIGINAL WORN PAINT, LOSE HEAD, SHOWS AGE CRACKS, POSSIBLY SOUTHEASTERN MASS, 4" HIGH, 12" LONG, 4 1/4" WIDE. A CORK BODY AMERICA MERGANSER, 1980'S, GLASS EYE, 8" HIGH, 15 1/2" LONG, 6" WIDE.
• MASON STANDARD GRADE PINTAIL DRAKE,
  MASON STANDARD GRADE PINTAIL DRAKE, EARLY 20THCENTURY, GLASS EYES, ORIGINAL PAINT, WITH MINOR ROUGHNESS. 6 1/2" HIGH, 16" LONG, 5" WIDE.
• Lot four painted shaving mugs all with
  Lot four painted shaving mugs all with names. One painted with Mason symbol.
• [Civil War - Autographs] Civil War Autograph
  [Civil War - Autographs] Civil War Autograph Book Featuring Over 300 Officers  12mo embossed leather with gilt ''Autographs'' front spine and back gilt page edges 196pp. Includes approx. 309 autographs 1 to 5 per page from Generals to Lieutenants Infantry Cavalry Signal Corps Engineers Paymasters Surgeons even a Bandmaster and Chaplains from all over the East - OH PA NY IN MA RI CT ME IA and more. Of those who entered dates most were signed in South Carolina in the Hilton Head Beaufort and Charleston areas most in 1865 but a few into 1866. Some of the Generals include: Charles H. Van Wyck; Milton S. Littlefield; W.T. Bennett; Charles J. Stolbrand; Charles Ray Brayton (as Col. later Bvt. Brig. Gen.) and Truman Seymour who had been a member of Maj. Anderson's staff at Ft. Sumter. There are many officers of USCT units: one page has John A. Bogert Lt. Col. plus a Capt. and 3 First Lieuts. of the 103rd USCT; Ammiel J. Willard Lt. Col. 35th USCT; Augustus G. Bennett Lt. Col. 21st USCT; Stewart Woodford Col. 103rd USCT; William B. Guernsey Col. 26th USCT; W.M. Babbitt Surgeon 103rd USCT; Thomas Noble Chaplain 128th USCT; Charles Tyler Trowbridge Lt. Col. 33rd USCT and many more. Others include Edward Doherty who led the detachment that captured and killed John Wilkes Booth; Capt. Henry H. Wilson only son of Vice President (1873-1875) Henry Wilson; and Samuel W. Mason Special Correspondent N.Y. Herald. The first free endpage is missing and original owner not clear but the lot arrived with the history of Edward L. Halstead who after service in the 40th NY Vols. was commissioned into the U.S. Army Signal Corps. Condition: Some wear to outer hinges and edges; ffep missing as noted above. Overall very good.
• Marguerite Lacamus Mason Smith (American/New
  Marguerite Lacamus Mason Smith (American/New Orleans active late 19th/early 20th c.) "Standing Nude" 1922 oil on canvas signed and dated lower left signed en verso W.E. Seebold label on stretcher 19 in. x 13 in. framed.
• Alice Ravenel Huger Smith (American/South
  Alice Ravenel Huger Smith (American/South Carolina 1876-1958) "Sunrise" watercolor on artist board signed lower right 21 5/8 in. x 15 3/8 in. framed. Provenance: Succession of Harry T. Howard III. The artist was a cousin of Mr. Howard's mother Elise Mason Smith Howard (1896-1990). Note: A founding member of the Charleston Etchers Club Smith studied the Japanese woodblock collection of a cousin and built on those observations to produce a number of prints before giving up the medium to pursue watercolor full time. It was in this medium that Smith produced her best work combining her study of Japanese art with her observations of the Lowcountry to create flowing tonalist watercolors an excellent example of which is "Sunrise" probably painted on a barrier island near her home.
• [Mardi Gras] Mistick Krewe of Comus
  [Mardi Gras] Mistick Krewe of Comus a group of three vintage photographs of queens and court including "Elise Mason Smith 'Romantic Legends 1917'" by Moffet Studios 19 3/4 in. x 14 3/4 in. unframed; "Marguerite Elise Howard The Garland of Comus' 1954" sight 12 in. x 9 in. framed; "Veva Penick Miller and Court 'Animals of Fact and Fable' 1939" The Farish Art Store New Orleans label en verso sight 13 3/4 in. x 18 3/4 in. framed.
• Luis Graner y Arrufi (Spanish/American
  Luis Graner y Arrufi (Spanish/American 1863-1929 active New Orleans c. 1914-22) "Mistick Krewe of Comus Parade at Night" 1917 oil on canvas signed inscribed and dated "N.O. February 20 1917" lower left 23 3/4 in. x 29 3/4 in. attractively framed. Note: A native of Barcelona Spain Luis Graner y Arrufi studied art in his hometown and in Paris where he exhibited at the Salon. He came to America in 1910 and spent the winters in New Orleans from 1914 to 1922. Already internationally known and exhibited Graner earned acclaim for his landscapes of the Louisiana countryside. Graner excelled at depicting nocturnal scenes a fine example of which is offered here. This exceedingly rare painting of a New Orleans French Quarter Carnival parade depicts the Mistick Krewe of Comus on Mardi Gras night February 20 1917. Organized in 1856 Comus is the oldest Carnival krewe currently in existence in New Orleans. The 1917 theme of the Mistick Krewe of Comus' tableau and parade was "Romantic Legends". The Queen of Comus was Elise Mason Smith and the maids were Marcelle Grima Lise Perrilliat Veva Penick and Mildred Bobb. As remains custom today the identity of Comus was secret. Comprising twenty floats float 15 was "The Dragon of Wantley " which appears to be depicted on the right side of this composition aglow with the light cast from the flambeaux. Graner creates a dramatic impressionistic scene: costumed and masked revelers dance in the foreground while throngs watch the majestic parade. Early paintings of Carnival parades are practically unknown; a specifically dated work which allows identification of its krewe and tableau is exceptionally rare and likely unique among Louisiana paintings. As Henri Schindler poetically writes in his book Mardi Gras: New Orleans (Flammarion 1997): The Mistick Krewe introduced spectacle to the streets of New Orleans and Carnival was forever changed. Comus would not only reappear every Mardi Gras night he would do so amid the flames and smoking flares of moving theater and each year he would present new visions to astonish a population long nourished on masquerades parades and stagecraft. With the advent of the Mistick Krewe of Comus the festivities of Mardi Gras were ended with public ceremony of pomp and bombast with mystery artistry and splendor. (p. 35.)
• Richard Clague (French/New Orleans 1821-1873)
  Richard Clague (French/New Orleans 1821-1873) "Louisiana Drilling Rigs" oil on canvas signed lower right 16 1/8 in. x 24 in. in an antique frame. Provenance: Collection of Elise Mason Smith Howard; Succession of Harry T. Howard III New Orleans. Note: The landscape offered here perfectly exemplifies the artistic precepts of Richard Clague. His landscape compositions usually have a "central view" and feature a road or water in the foreground wedging toward a horizontal screen of trees often with a vernacular building and rural figures (people or livestock) below an expanse of sky. Clague's luminist tendencies are exemplified by the vivid blue Louisiana sky streaked with clouds. The handling of light as seen in the reflection on the bayou ties the landscape to the sky above. The marshes in southern Louisiana were sites of salt production by Native peoples for 500 years well in advance of later production by European settlers and American entrepreneurs. The marsh landscape and figure at center wielding a long handled trowel seen here are indicative of an evaporation pool for brine salt production. With brine works and the discovery of a salt dome at Avery Island in 1862 salt production was essential to the Confederate cause; the Avery Island mine produced 10 000 metric tons of rock salt until Union Colonel W.K. Kimball destroyed the mine's infrastructure in 1863. The two towers depicted in this late 19th c. canvas are perhaps the earliest precursor of the technology that would drive Louisiana mineral/oil and gas production decades later. The pipes centering each tower work together to create a siphon extracting underground reservoirs. Oil gas and sulphur drilling occurred on a large scale near Lake Charles Louisiana after 1900 though exploratory wells certainly would have appeared earlier. The scene here is a more modest production than the Avery Island Salt Dome or later oil patches the wells are integrated with agricultural pursuits vine stakes are shown in the field on the left. The scene is significant. A mere "curiosity" would have been presented in sketch form by Clague. This canvas large and meticulously rendered indicates the importance of the site to the artist and his patrons and evidences the importance of mineral production in southern Louisiana after 1850. Thanks to Dr. and Mrs. Jack Holden for their thoughtful examination of this canvas.
• Collection sterling and silverplate
  Collection sterling and silverplate napkin rings 19th/20th century comprising: Rogers & Bro silverplate with figure of resting bird inscribed: Best Wishes and stamped: Rogers & Bro Triple Plate; Meriden silverplate with bird figure resting on leaf inscribed: Lallie Liaman and stamped: Meriden Company; two children with unidentified assay marks; unmarked silver with button clasp and floral design; Hilliard & Tomason sterling stamped: H&T; sterling with vine and bird design together with: German sterling cup with grapevine design H3'' (8pcs) Provenance: Estate of Eugenia Stone Garland Fitzgerald Georgia.
• Lot of 3: Tin Litho Toys. Description
  Lot of 3: Tin Litho Toys.
  Description Includes one Wolverine Merry Mason sand toy, one Chein Foo Chung dice game, and one Chein Chuck A Luck dice game. Some slight scratching and fading to metal.
  Condition (Very Good). Size Largest: 16 - 1/4" T.
  
• Veerakeat Tongpaiboon (Thailand/San
  Veerakeat Tongpaiboon (Thailand/San Francisco, Contemporary) "Mason Street at Night", oil on canvas, 40" x 40", signed and dated lower left "Veerakeat '99" and titled on the reverse. Unframed.