A few examples of appraisal values for
SAPPHO

• JAMES PRADIER (D.1852) PATINATED BRONZE
  JAMES PRADIER (D.1852) PATINATED BRONZE SAPPHOPatinated bronze figure, likely a clock topper, Sappho (Sapho), signed in cast J. Pradier (Jean Jacques (James) Pradier, Switzerland, France, 1790-1852), with Susse Fres foundry mark, depicting a seated woman, in classical dress, a lyre harp at her side, on marble base, overall: approx 10.25"h, 11.75"w, 5.5"d, 12.75lbs
• LIBRARY SET OF 10 BOOKS BY ALPHONSE
  LIBRARY SET OF 10 BOOKS BY ALPHONSE DAUDET, INCLUDING SAPPHO, TARTARIN OF TARASCON, RECOLLECTIONS OF A LITERARY MAN, AND JACK VOL. I AND VOL. II 7 1/2"H X 5 1/2"W (ONE)Library set of 10 books by Alphonse Daudet, including Sappho, Tartarin of Tarascon, Recollections of a Literary Man, and Jack vol. I and vol. II, "Sappho", "Tartarin of Tarascon", "Tartarin of the Alps", "Kings in Exile", "Thirty Years of Paris", "Robert Helmont", "Artists' Wives", "Recollections of a Literary Man", and "Jack" volumes I and II All books published by J. M. Dent and Co., London, 1896 Illustrations in each book are by various artists, including Bieler, Conconi, Myrbach, and Rossi. Dimensions: 7 1/2"H x 5 1/2"W (one)
• French School Patinated Bronze Seated
  French School Patinated Bronze Seated Figure of Sappho, late 19th century 11.5 x 13 in — 29.2 x 33 cm
• French School Gilt Bronze Seated Figure
  French School Gilt Bronze Seated Figure of Sappho, 19th century after the model by Jean-Jacques Pradier (1790-1852), signed in the mould and foundry mark for Susse Freres 11.25 x 13.5 in — 28.6 x 34.3 cm
• SPELTER FIGURE AFTER SAPPHO BY JAMES
  SPELTER FIGURE AFTER SAPPHO BY JAMES PRADIERA large and very decorative 19th century spelter figure of Sappho, after a work by James Pradier (1790-1852), minor splits and surface wear. Measuring 9.5" high.
• PIERRE ALEXANDRE SCHOENEWERK (1820 -
  PIERRE ALEXANDRE SCHOENEWERK (1820 - 1885) BRONZE SCULP...DESCRIPTION: A Bronze by French artist Pierre Alexandre Schoenewerk depicts a neoclassical woman sappho seated with her instrument by her side, signed along the base "Schoenewerk". Sits atop a tiered base. CIRCA: Late 19th Cent. ORIGIN: France DIMENSIONS: H: 17" W: 16" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• ATTR. ROBERT E. GROVES, TWO RACING YACHTS
  ATTR. ROBERT E. GROVES, TWO RACING YACHTS O/B(American, active 1870-1890). Two racing yachts, Cambria Weatherly & Sappho, circa 1870, signed lower left "REG" Frame size: 16 1/4" long, 13 1/2" high. Small scuff above center sail and to right upper. Paint flick far right. Not examinedout of frame. Exhibited 1887, Royal Academy New Water-Colour Society. Provenance: Estate of George E. Ratcliffe, Darien, CT. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• ANTONIO JACOBSEN OIL ON CANVAS "AMERICA'S
  ANTONIO JACOBSEN OIL ON CANVAS "AMERICA'S CUP TRIALS, 1...Important Antonio Jacobsen (1850-1921) Oil on Canvas " America's Cup Trials, 1871, Yacht Dauntless ", signed lower right Antonio Jacobsen, 1905, in carved gold leaf frame. This painting contains more vessels and shows more action than most yachting paintings in general and Jacobsens' in particular. At the center of the canvas is the yacht Dauntless bearing down with her bow facing the viewer and heeling on her port side. She is flying the New York Yacht Club burgee from the foremast and the burgee of her owner, Commodore James Gordon Bennett, Jr. from the rear mast and the American flag off of the gaff. Just behind her, sailing with a similar rig and in parallel, is either Sappho or Columbia racing for the honor of defending the America's Cup of 1871. This yacht is also flying the New York Yacht Club burgee. All four vessels on the left are flying the American flag. To the right of Dauntless are three more tugs and to their right three small vessels in the distance. Note: The yacht Dauntless was built as a sloop in 1866 by Forsyth & Morgan in Mystic, Connecticut. She was built for Caldwell Colt and her home port was Newport. She was purchased in 1869 by James Gordon Bennett, Jr. who commissioned John B. Van Deusen to redesign her and change her rig from a sloop to a schooner. James Gordon Bennett, Jr. who had gained fame from winning the Great Ocean Race of 1866 with his yacht, Henrietta, became Commodore of the New York Yacht Club 1871, the year he challenged to defend the cup with Dauntless. He served between 1871-1874, a three year term instead of two. Dauntless was 123 feet in length, 26.7 feet in breadth and she drew 12.6 feet. Dauntless was not selected to defend the cup of 1871 and the honor went to Columbia. 22 in. x 36 in. Overall 32 in. x 45 in. Provenance: Property of a Gentleman, Weston Connecticut Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• GEORGES BARBIER (FRENCH, 1882-1932)Georges
  GEORGES BARBIER (FRENCH, 1882-1932)Georges Barbier French, 1882-1932 Untitled, 1925 Pochoir, signed and dated in graphite Two nude women washing their hair in a wide fountain, beneath a stylized tree with seven doves. This illustration is most well-known as the cover for Les Chansons de Bilitis (The Songs of Bilitis) , the sapphic poetry collection by Pierre Louys focused on the psuedotranslations of a Grecian woman, Bilitis, a courtesan of Sappho, found etched on tomb walls in Cyprus. This illustration was used for the cover of the 1922 Corrard edition, though this image is three years younger. Matted behind glass, gilt and ebonized frame, a label to verso from Artiques, San Francisco stating the title as Fountain , though no evidence exists to suggest Barbier gave any title to this work. Impression: 8 1/4 x 6 3/4 in. (21 x 17.1 cm.), frame: 16 x 14 1/4 in. (40.6 x 36.2 cm.) Born in Nantes, France on 16 October 1882, Barbier was 29 years old when he mounted his first exhibition in 1911 and was subsequently swept to the forefront of his profession with commissions to design theatre and ballet costumes, to illustrate books, and to produce haute couture fashion illustrations. For the next 20 years Barbier led a group from the Ecole des Beaux Arts who were nicknamed by Vogue "The Knights of the Bracelet"—a tribute to their fashionable and flamboyant mannerisms and style of dress. Included in this élite circle were Bernard Boutet de Monvel and Pierre Brissaud (both of whom were Barbier's first cousins), Paul Iribe, Georges Lepape, and Charles Martin. During his career Barbier also turned his hand to jewelry, glass and wallpaper design, wrote essays and many articles for the prestigious Gazette du bon ton. In the mid-1920s he worked with Erté to design sets and costumes for the Folies Bergère and in 1929 he wrote the introduction for Erté's acclaimed exhibition and achieved mainstream popularity through his regular appearances in L'Illustration magazine. Barbier died in 1932 at the very pinnacle of his success. He is buried in Cemetery Miséricorde, Nantes. Impression: 8 1/4 x 6 3/4 in. (21 x 17.1 cm.), frame: 16 x 14 1/4 in. (40.6 x 36.2 cm.) The Leonard & Audrey Adreon Collection, St. Louis, Missouri; acquired November 8th, 1992 from Artiques, San Francisco, California.
• Auguste Charles Mengin 'Sappho' Giclee
  Auguste Charles Mengin 'Sappho' Giclee Framed- 30x21''
• VILLANIS 1889 BRONZE SAPHO OF LESBOSAntique
  VILLANIS 1889 BRONZE SAPHO OF LESBOSAntique bronze sculpture of Sapho or Sappho of Lesbos, signed Villanis 1889 on base, measures 31 3/8 x 11 x 9 inches. Overall good condition, some green patination on dress and rose in hair, general wear on surface due to age, base indented in the f ront. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• ANSONIA NY FIGURAL CAST IRON SHELF CLOCKAmerican
  ANSONIA NY FIGURAL CAST IRON SHELF CLOCKAmerican mantel shelf clock, Ansonia Clock Company, New York, retailed by Mermod & Jaccard Jewelry Co., Broadway and Locust, St. Louis, c.1900, figural topper of a classically dressed woman with lyre seated on Klismos chair, likely depicting Sappho, over parcel gilt and enameled cast iron case, paper dial with roman numerals, time and strike movement, clock only: approx 10.25"h, 9.5"w, 4.75"d, topper: approx 6.5"h, 13lbs
• AMERICAN INGRAHAM CONN MANTEL SHELF
  AMERICAN INGRAHAM CONN MANTEL SHELF CLOCKAmerican mantel shelf clock, Ingraham, Bristol, Connecticut, c.1900, figural topper of a classically dressed woman with lyre seated on Klismos chair, likely depicting Sappho, over ebonized case with half columns, lion mask and ring handles, dial with Arabic numerals, time and strike movement, rising on cast metal paw feet, retaining pendulum and key, clock only: approx 11"h, 20"w, 5.75"d, topper: approx 8.5"h, 15lbs
• AFTER CARRIER NEOCLASSICAL SAPPHO SCULPTURENeoclassical
  AFTER CARRIER NEOCLASSICAL SAPPHO SCULPTURENeoclassical cast metal sculpture, Seated Female Figure with Lyre, after Albert-Ernest De Carrier-Belleuse (French, 1824-1887), on black stone base, repair to left arm, approx 23.25"h, 18.25"w, 8.75"d, 70lbs
• JAMES PRADIER (D.1852) 'SAPHO A LA COLONNE'
  JAMES PRADIER (D.1852) 'SAPHO A LA COLONNE' BRONZEPatinated bronze sculpture, "Sapho a la Colonne" (Sappho at a Column), signed in cast J. Pradier (Jean Jacques [James] Pradier, Swiss-French, 1790-1852), depicting the Archaic Greek female poet with a tortoise shell lyre harp, standing beside a column, on conforming platform base, crowned V.P. stamp on column, approx 17.5"h, 8"w, 7.25"d, 16.75lbs **Provenance: The estate of a Houston Socialite who enjoyed a long career in modeling, both nationally and internationally. She loved and studied interior design and fashion, and was known for her pristine style**
• FRENCH CHARPENTIER BRONZE FIGURAL &
  FRENCH CHARPENTIER BRONZE FIGURAL & MARBLE CLOCKFrench mantel shelf clock, mid to late 19th c., bronze standing figure of Sappho reading a book, columnar case housing Rouge Griotte marble dial, with Roman numeral hour markers, time-and-strike movement, marked Charpentier/ ft. de bronzes/ a Paris, additionally marked Japy Freres, Rouge Griotte marble base, on cast bronze scrolling feet, restoration to back of marble base, lacking pendulum, weld repair to dial window hinge, approx 27.25"h, 23"w, 9"d **Provenance: From a prominent Dallas, Texas estate**
• NEOCLASSICAL PATINATED BRONZE BUST OF
  NEOCLASSICAL PATINATED BRONZE BUST OF SAPPHONeoclassical patinated bronze sculpture, Bust of Sappho, on a marble base, overall: approx 6.25"h, 7.5"w, 4"d, 3.75lbs
• AFTER HOULET BRONZE NEOCLASSICAL SCULPTURE
  AFTER HOULET BRONZE NEOCLASSICAL SCULPTURE SAPPHOPolished bronze sculpture, possibly a clock topper, Sappho, signed in cast Houlet (French, 19th c.), classical female figure with scroll, seated atop a Klismos chair, approx 11"h, 11.75"w, 5"d, 9.25lbs
• Carl Ludwig Friedrich Becker (German,
  Carl Ludwig Friedrich Becker (German, 1820-1900) Sappho or Lady with Harp, 1881 oil on canvas signed C. Becker and dated (lower left) 42 1/2 x 31 1/4 inches. Property from the Estate of John D. Fornengo, Chicago, Illinois
• WILLIAM GAY YORKE (NEW YORK/CANADA/ENGLAND,
  WILLIAM GAY YORKE (NEW YORK/CANADA/ENGLAND, 1817-C. 1888), SCHOONER YACHT DAUNTLESS LEADING CAMBRIA., OIL ON CANVAS, 31.5" X 42.5". FRAMED 36.25" X 47.25".WILLIAM GAY YORKE, New York/Canada/England, 1817-c. 1888, Schooner yacht Dauntless leading Cambria. Signed and dated lower left "Wm G. Yorke 1877". Dimensions: Oil on canvas, 31.5" x 42.5". Framed 36.25" x 47.25". Provenance: William Hood Galleries, Delray Beach, Florida, April 1998.The Kelton Collection of Marine Art & Artifacts.Notes:The schooner Cambria was owned by Lord Ashbury, and after Cambria 's success in the Isle of Wight race against the champion American schooner Sappho , Ashbury decided to challenge for the America's Cup. He subsequently exchanged letters with Gordon Bennett, sportsman and owner of the New York Herald , and challenged him to a transatlantic race prior to competing for the Cup on behalf of the Royal Thames Yacht Club. In July 1870, Ashbury raced Cambria across the Atlantic from Ireland to New York against Bennett's yacht Dauntless . Cambria won the race by arriving first off Sandy Hook Lightship in 23 days, 5 hours and 17 minutes, which was 1 hour, 43 minutes ahead of Dauntless .
• WHALING JOURNAL FROM THE WHALESHIP "SAPPHO"
  WHALING JOURNAL FROM THE WHALESHIP "SAPPHO" 16" X 10.25".WHALING JOURNAL FROM THE WHALESHIP "SAPPHO", Begins July 21, 1848 and ends January 18, 1852. The ship departed New Bedford and traveled around Cape Horn to Chile, the Galapagos, the coast of Colombia and other destinations. Includes accounts of desertions and illness. 250 pages are written on, which is all but several pages at the end of the book. Dimensions: 16" x 10.25". Provenance: Nina Hellman Antiques, Nantucket, Massachusetts. Includes receipt.The Collection of Michael Gill.
• FINE REPRODUCTION OF A JAMES E. BUTTERSWORTH
  FINE REPRODUCTION OF A JAMES E. BUTTERSWORTH PAINTING OF THE 1871 AMERICA'S CUP YACHT "SAPPHO" GICLéE ON CANVAS, 20" X 30.5". FRAMED 26" X 37".FINE REPRODUCTION OF A JAMES E. BUTTERSWORTH PAINTING OF THE 1871 AMERICA'S CUP YACHT "SAPPHO", Dimensions: Giclée on canvas, 20" x 30.5". Framed 26" x 37".
• PHOTOGRAPHS OF THE AMERICA'S CUP DEFENDER
  PHOTOGRAPHS OF THE AMERICA'S CUP DEFENDER "RESOLUTE" AND "VANITIE" CIRCA 1914, AND THE SCHOONER YACHT "RESOLUTE" EACH FRAMED 13.25" X 17".PHOTOGRAPHS OF THE AMERICA'S CUP DEFENDER "RESOLUTE" AND "VANITIE" CIRCA 1914, AND THE SCHOONER YACHT "RESOLUTE", Views of the America's Cup defender Resolute during her trials against Vanitie, 5.5" x 7.75" sight, and a view of the Resolute, 9.25" x 7" sight, both silver gelatin photographs by Edwin Levick (New York, 1868-1929). View of the centerboard schooner Resolute circa 1871, 9.25" x 7" sight, attributed to Charles Edward Bolles (America, 1847-1914). Inscribed in pencil verso "#254. RESOLUTE. (David Carll 1871) W.M.T.". Dimensions: Each framed 13.25" x 17". Provenance: Christie's East, New York, Sale 8197, February 1999.West Sea Company, Old Town, San Diego, California, 1999, purchased by the Kelton Foundation. The Kelton Collection of Marine Art & Artifacts.Resolute was christened by Grace Vanderbilt and launched April 25, 1914. She was skippered by Charles Francis Adams in the 1914 America's Cup defender selection trials, against Vanitie and Defiance. The outbreak of World War I forced the delay of the 1914 America's Cup races. The America's Cup returned in 1920, and Resolute prevailed in the selection races before successfully defending the Cup in July, with Adams at the helm. Resolute lost the first two races before recovering to defend the Cup 3-2 against Shamrock IV. In 1925 Resolute was sold to E. Walter Clark of Philadelphia, and her racing career lasted another ten years. In 1930 she participated in the America's Cup selection races as a trial horse against potential defenders.The centerboard schooner Resolute was designed and built by David Carll at City Island, New York. As part of the schooner fleet of the New York Yacht Club in the 1870s and 1880s, Resolute was of the same class and raced against other well-known schooners such as Sappho, Dreadnought, Dauntless and Fleetwing.
• A JAMES PRADIER FRENCH FIGURAL MANTEL
  A JAMES PRADIER FRENCH FIGURAL MANTEL CLOCKA James Pradier French figural mantel clock, Late 19th/early 20th Century Bronze signed: J. Pradier / Susse / ED; Dial signed: Susse Freres a Paris; Movement signed: Susse Fres. a Paris / 580 The clock with white painted metal dial with blue Roman numeral hour markers and outer minute track, Breguet hands, and two train movement set in a gilt-bronze bezel with bead trim enclosed in a polished slate case flanked by gilt-bronze bas-relief panels depicting Greco-Roman figures, surmounted by a patinated bronze Sappho seated with her lyre, and finished with gilt-bronze foliate borders raised overall on five flattened disc feet 17.5" H x 15.5" W x 7.5" D Dimensions: 17.5" H x 15.5" W x 7.5" D
• BERLIN (KPM) STYLE PORCELAIN RECTANGULAR
  BERLIN (KPM) STYLE PORCELAIN RECTANGULAR PLAQUE OF SAPPHO, LATE 19TH/20TH CENTURYBERLIN (KPM) STYLE PORCELAIN RECTANGULAR PLAQUE OF SAPPHO, LATE 19TH/20TH CENTURY, the reverse unexamined, after Diana Coomans (Belgian, 1861-1952), painted with an Orientalist figure seated outside beside a column, a bird perched her finger, a cage resting on a side table at her knee, h: 5.5 x w: 3.75 in., within a red velvet and wood frame, h: 15.25 w: 13.25 in. Provenance: Jeffrey Milkins Collection, no. 1463.
• BERLIN (KPM) PORCELAIN RECTANGULAR PLAQUE
  BERLIN (KPM) PORCELAIN RECTANGULAR PLAQUE OF SAPPHO, CIRCA 1880-1900BERLIN (KPM) PORCELAIN RECTANGULAR PLAQUE OF SAPPHO, CIRCA 1880-1900, impressed monogram and scepter mark, incised 9-6, inscribed in iron-red on the reverse 'Darling' after D. Coomans, finely painted with a seated Pompeiian odalisque releasing a small songbird from an open golden cage, approx. 9 in. x 6 in., within a gilt gesso frame; Diana Coomans (1861-1952), was a Belgian artist, born in Paris, daughter of Pierre Olivier Joseph Coomans and Adelaide Lacroix, sister of Heva.
• AFTER JAMES PRADIER, ALABASTER BUST
  AFTER JAMES PRADIER, ALABASTER BUST OF SAPPHO, H: 22 INAfter James Pradier, Alabaster Bust of Sappho, H: 22 in,
• MARC CHAGALL (FRENCH/RUSSIAN 1887-1985),
  MARC CHAGALL (FRENCH/RUSSIAN 1887-1985), BIENHEUREUX EPOUX, SIGNED, FRAMED LITHOGRAPH IN COLOR 22 X 16 INCHESMarc Chagall (French/Russian 1887-1985), Bienheureux époux...(Sappho): From Sur la Terre des Dieux, (Mourlot 529-540), Lithograph in color, 1967, signed Marc Chagall, in graphite l.r. and inscribed épreuve d'artiste 24/25 in graphite l.l.; apparently in good condition. Framed.* Sight size: 559 x 406 mm (22 x 16 in), Dimensions: Sight size: 559 x 406 mm (22 x 16 in)
• 7PC AFTER R.F. PATERSON, AMERICA'S CUP
  7PC AFTER R.F. PATERSON, AMERICA'S CUP ETCHINGS After Robert F. Paterson (American 1898-1981), published by At The Sign Of The Gosden Head, New York, "The America and the Defenders of the America's Cup 1851-1937", 1935-1936, colored etching, seven nautical yacht prints comprising the cover plate, "America", "Magic", "Sappho", "Puritan", "Mayflower", and "Vigilant", all numbered 78/260 except for the title plate and "America to lower right, all signed in graphite under the printed signature except for the title plate, lower left, framed. Approximate dimensions: Sight h. 17.75", w. 19.75"; Overall h. 28.125", w. 26.25", d. 0.75".
• REPRODUCTION SET OF AMERICA'S CUP COLORED
  REPRODUCTION SET OF AMERICA'S CUP COLORED LITHOGRAPHS SHEET SIZES 18" X 23". IMAGES 11.25" X 14.25".REPRODUCTION SET OF AMERICA'S CUP COLORED LITHOGRAPHS, "The America and the Defenders of the America's Cup 1851-1937", copies of a limited edition set after Robert F. Paterson (America, 1898-1981). Published by Hilton Fine Arts Ltd., 1983. Numbered 21/260. Housed within a blue portfolio. Includes: 1) Cover plate with a graphic representation of the prints and the America's Cup. 2) 1851, America. 3) 1870, Magic. 4) 1871, Columbia. 5) 1871, Sappho. 6) 1876, Madeleine. 7) 1881, Mischief. 8) 1885, Puritan. 9) 1886, Mayflower. 10) 1887, Volunteer. 11) 1920, Resolute. 12) 1934, Rainbow. 13) 1937, Ranger. Each print with a full description of the challenge and an image of the challenger. Dimensions: Sheet sizes 18" x 23". Images 11.25" x 14.25".
• ANDERS ZORN (1860-1920), "SAPPHO," 1917,
  ANDERS ZORN (1860-1920), "SAPPHO," 1917, ETCHING ON PAPER, PLATE: 8" H X 7" WAnders Zorn, (1860-1920) "Sappo," 1917, Etching on paper From the edition of unknown size Signed in pencil in the lower margin, at right: Zorn Etching on paper Dimensions: Plate: 8" H x 7" W
• HARDY, JAMES A JOURNAL OF THE PROCEEDINGS
  HARDY, JAMES A JOURNAL OF THE PROCEEDINGS ON BOARD HIS MAJESTY'S SHIP LEDA James Hardy Esq., Captain, commencing Dec. 4th 1802 and ending Jan 10th 1803, then commanded by Robert Honeyman Esq. till Jan 14th 1804, kept by Hayes O'Grady. c.500 pp., 4to, mostly off Boulogne, Dungeness Roads, Cove of Cork, Madeira, St. Helena, Table Bay, Cape St. Anthony, Buenos Ayres, also incorporating copies of letters regarding deserters, sick call, wages, court-martials, rigging, stores; copies of orders regarding discharges of sailors, cruises, charges, commands and provisions; part of volume relating to His Majesty's Sloop Sappho, 1811-13, Hayes O'Grady Commander, no illustrations, bound in black half morocco, lettered "Sea Journal 1802-06, Letters & Orders 1811-12, Hayes O'Grady, R.N.", rubbed
• Pierre Alexandre Schoenewerk (French,
  Pierre Alexandre Schoenewerk (French, 1820-1885) Sappho patinated bronze Height 18 inches.
• Three Continental Bronze Figures comprising
  Three Continental Bronze Figures comprising two examples after Jean Jacques (James) Pradier (Swiss, 1790-1852), one depicting Sappho and the other depicting a classical lady holding a hand mirror, each inscribed J. Pradier and one example stamped Susse Frès.; the third example inscribed indistinctly. Height of tallest example (including base) 11 5/8 x length of base 11 3/4 inches.
• After Jean Jacques (James) Pradier (Swiss,
  After Jean Jacques (James) Pradier (Swiss, 1790-1852) Early 20th Century Sappho bronze inscribed J. Pradier and Susse E Height 10 1/2 x length 12 1/4 inches. Property from the Estate of Jules and Gwen Knapp, Glencoe, Illinois
• MATHURIN MOREAU (FRENCH, 1822-1912)
  MATHURIN MOREAU (FRENCH, 1822-1912) SAPPHO late 19th century. Parcel gilt bronze sculpture on a roux marble base. Signed 'Moreau Math Sept' (on base).