A few examples of appraisal values for
SCHOOLHOUSE

• FRAMED SCHOOL GIRL SAMPLER OF ELIZA
  FRAMED SCHOOL GIRL SAMPLER OF ELIZA GRAYBILLca. 1835 dated; two-story schoolhouse sampler with trailing strawberry embroidered border, dyed cotton embroidery on homespun unbleached linen, including scriptural verse and 20 pictorial embroidered accents including two-story school/church house with maker parents initials as well, attributed to Eliza Graybill (Binkley married) daughter of Abraham & Julian (Diller) Graybill, 18 1/2"x 17 3/4" framed; [Note: Abraham & Julian (Diller) Graybill are buried at Carpenter Church, West Earl Twp., Lancaster Co., PA]; Condition: frame veneer is mostly missing; soiling, light fading and overstretching to left edge
• KEN PAYNE (1939-2012), THE PACKHORSE
  KEN PAYNE (1939-2012), THE PACKHORSE SCHOOLHOUSE Title: Ken Payne (1939-2012), The Packhorse Schoolhouse Medium: bronze, 12/40 Dimensions: 18 1/4 x 14 1/2 x 16 1/4 Framed dimension: 20 1/4 x 14 1/2 x 16 1/2
• A PINK AND WHITE CALICO SCHOOLHOUSE
  A PINK AND WHITE CALICO SCHOOLHOUSE PATTERN QUILTThe twelve Schoolhouse blocks in pink calico and other fabrics are arranged on a white background, hand quilted, white backing and pink binding.Measures 72 x 62 inches.Good condition noting some fading.
• MONTGOMERY COUNTY SILK ON LINEN NEEDLEWORK
  MONTGOMERY COUNTY SILK ON LINEN NEEDLEWORK SAMPLERMontgomery County, Pennsylvania silk on linen needlework sampler, 19th c. , inscribed Henry Geist, Margaret Geist, Catherine Geist, Maria Geist , with schoolhouse and strawberry vine border, 17 3/4" x 19", frame - 20 3/4" x 22". Competitive in-house shipping is available for this lot. Condition: Good condition. No apparent damages or repairs.
• Period American Lighting Co. contemporary
  Period American Lighting Co. contemporary country candle eight arm sconce chandelier, painted schoolhouse red, with a wrought iron trammel hook. 19"H x 32"dia. Condition: good CT Transfer Fee $10
• NEEDLEWORK SAMPLERNeedlework sampler,
  NEEDLEWORK SAMPLERNeedlework sampler, inscribed Sara Williams her works age 23 Febr. 22 1855 , with sailships, schoolhouse, trailing floral vice border, 24" x 24". Provenance: A Delaware Educational Institution. Condition: Some discoloration and stains.
• MASSACHUSETTS SILK ON LINEN NEEDLEWORK
  MASSACHUSETTS SILK ON LINEN NEEDLEWORK SAMPLERMassachusetts silk on linen needlework sampler, dated 1804 , inscribed Fanny Pratt is my name - Dighton is my dwelling , with schoolhouse, 13" x 13 1/4". Provenance: Leigh Keno American Antiques. Competitive in-house shipping is available for this lot. Condition: Overall very good condition. Small stitch loss to top left corner.
• PHILADELPHIA SILK ON LINEN NEEDLEWORK
  PHILADELPHIA SILK ON LINEN NEEDLEWORK PICTUREPhiladelphia silk on linen needlework picture , inscribed Rebecca Miller 1828 , with central schoolhouse flanked by trees with flying birds overhead and dogs flanking the entrance, in a period mahogany veneer frame, 7 3/4" x 10". Provenance: M. Finkel & Daughter, Philadelphia, Pennsylvania. Competitive in-house shipping is available for this lot. Condition: Very good condition. No apparent damages or repairs.
• FIVE AMERICAN AMISH QUILTED PIECES.
  FIVE AMERICAN AMISH QUILTED PIECES. Late 20th century. Four crib quilts in various patterns including " Schoolhouse" and "Grandma's Flower Basket". From 31"w. 48"l. to 29"w. 34''I. and a pillow sham in a squares pattern. 15.5" square.
• FINE LARGE SIZE "VILLAGE BLACKSMITH"
  FINE LARGE SIZE "VILLAGE BLACKSMITH" 3-D PAINTINGca. 1985; pine framed fully embellished rural scene of "A.S. Brown" blacksmith shop depicting children watching the smith shoeing a dapple gray horse; in front of the smith's shop is a gent in a suit giving a horse water at a wooden trough, a canvas covered surrey is under a large oak tree, schoolhouse and village scene on right border and stone mill at left, 48 1/2"x 6 1/2"x 24 3/4"; Condition: no noted damage
• Paul Scarborough, (American, 1944-2014),
  Paul Scarborough, (American, 1944-2014), "Schoolhouse Road Barn", oil on board, signed P Scarborough, 7" x 10", framed 9-1/2" x 12-1/2", very good condition
• MORRIS KATZ OIL ON MASONITE LANDSCAPEMorris
  MORRIS KATZ OIL ON MASONITE LANDSCAPEMorris Katz (Polish / American, New York, 1932-2010). Oil on Masonite schoolhouse in landscape. Signed lower right and dated 1978. 9 1/2" x 7 1/2" (with frame 16 1/2" x 14 1/2"). Chips and scratches to frame.
• ANGUS TRUDEAU (1907-1984) WIKWEMIKONGA
  ANGUS TRUDEAU (1907-1984) WIKWEMIKONGA watercolour by Angus Trudeau (1907-1984) entitled "Wikwemikong" having a large clapboard house with a mansard roof in the foreground and a stone church and schoolhouse in the background. Typical of Trudeau's works, the name "Wikwemikong" is painted with the use of a stencil in the upper left. Trudeau, of the Odawa First Nation, worked on the Great Lakes and eventually retired to Manitoulin Island where he began painting ships he worked on as well as local scenes, often with titles at the top cut from newspapers or painted with the aid of a stencil. Works by Angus Trudeau can be found in major public and private collections including the Canadian Museum of History, the Beaverbrook Art Gallery, and the McMichael Canadian Art Collection. Mixed media on board, with Isaacs Gallery label on the back. Ontario, 1975. Allio Collection. FRANCAIS: Aquarelle d'Angus Trudeau (1907-1984) intitulée "Wikwemikong" d'une grande maison avec un toit mansardé au premier plan et une église et une école en pierre à l'arrière-plan. Typique des œuvres de Trudeau, le nom "Wikwemikong" est peint à l'aide d'un pochoir en haut à gauche. Trudeau, de la Première Nation d'Odawa, a travaillé sur les Grands Lacs et s'est finalement retiré sur l'île Manitoulin où il a commencé à peindre des navires sur lesquels il travaillait ainsi que des scènes locales, souvent peints à l'aide d'un pochoir. Les œuvres d'Angus Trudeau se retrouvent dans de grandes collections, dont le Musée canadien de l'histoire, la Galerie d'art Beaverbrook et la Collection McMichael d'art canadien. Technique mixte sur panneau, avec étiquette Isaacs Gallery au dos. Ont., 1975. Collection Allio. 15" x 19".
• MID 19TH C. NEEDLEPOINT SAMPLERA needlepoint
  MID 19TH C. NEEDLEPOINT SAMPLERA needlepoint sampler, "On Virtue" verse with Georgian schoolhouse centre, signed by "Ellen Daniels, Aged 11, 1840", decorated with potted plants, flowers & birds, in a walnut frame. Condition noted, minor tears. Measuring, 20.5" high x 19.75" wide.
• AARON ZOOK MIXED MEDIA DIORAMA.Aaron
  AARON ZOOK MIXED MEDIA DIORAMA.Aaron Zook Mixed Media Diorama Depicting a Winter Lancaster County, PA Covered Bridge Scene. Signed lower right "Aaron Zook, Kinzer, PA, 1977". Central covered bridge with farmstead and schoolhouse, horse drawn buckboard sleigh with Amish passengers. In a step molded frame, 35-1/2" x 59" overall. Condition: : Very good with minor wear. Condition: Condition: : Very good with minor wear.
• RED GROOMS STUDY FOR CAROUSEL & REDSVILLE,
  RED GROOMS STUDY FOR CAROUSEL & REDSVILLE, PLUS 2 OTHER...Red Grooms (American/Tennessee, 1937- ), paintings of the Red Grooms Fox Trot carousel and fantasy theme park "Redsville", plus two other Nashville/Grooms related works. The Carousel and Redsville works are concept illustrations, designed as overlays to be used in presentations to the city of Nashville circa 1994 and are mixed media (paint and colored marker on clear transparency film material; temporarily housed in clear sheath with white backing). The carousel study shows the exterior of the carousel (but not the character-horses themselves); Redsville includes whimsical images such as guitars scattered across a street made of piano keys,"Waylon Jennings' Giant Tour Bus", a "Haunted Hayloft" and an arch ascending to a jet plane; at far right is a schoolhouse with marquee sign "The Battle of Franklin" overhead. Both works inscribed "For Ann and Bob" and signed Red Grooms lower right; "Redsville" is also dated 1986. Carousel - 18 " x 12-1/2" image, 19-1/2" x 37" sheet. Redsville - 6" x 14" image, 19-3/4" x 18" sheet. Note: The life-sized and fully functional Red Grooms Fox Trot Carousel, which the artist described as a "sculpto-pictorama", was built and installed at the Nashville Riverfront in the late 1990s. However, it was removed several years later and is currently in storage at the Tennessee State Museum until a new location becomes available. "Redsville", an idealized theme park for Nashville's Riverfront, never materialized. Also included with this lot is a small lithographed card of a dog titled "Push and Gouge" attributed to Lysiane Luong (wife of Red Grooms) and signed by Red Grooms, numbered 19/41, 6-3/8"H x 5-3/8" sight, 11"H x 8-7/8" framed; and an original pen and marker on paper sketch of a chapel, possibly a design for St. Augustine's Chapel, Nashville, unsigned but likely by architect Bob Street, 5"H x 6-7/8" W sight, 11"h x 9" framed. Provenance: the collection of Ann and Bob Street, Nashville, Tenn.; Grooms works were gifts of the artist. Condition: Good condition; minor surface grime and smudging on both Redsville and Carousel and thumbdings to transparency paper. 2nd grouping - Minor smudge in lower right quadrant of original chapel drawing, minor surface grime on litho of dog; overall very good condition.
• 3 QUILTS, SCHOOLHOUSE AND STAR PATTERNS3
  3 QUILTS, SCHOOLHOUSE AND STAR PATTERNS3 American hand stitched quilts. 1st item:Schoolhouse pattern quilt, red, blue and gold patterned squares on an ivory background with olive and tan borders,"Cedarhurst Fine Sheetings UR" printed on back. 73" x 65". 2nd item: Appliqued and embroidered star and block pattern quilt, calico appliqued stars alternating with embroidered ivory colored cotton blocks, 2 part construction, 82" x 65". 3rd item:Cotton star and block pattern quilt with appliqued dark blue calico stars alternating with rose calico blocks, 88" x 70". Late 19th to early 20th century. Provenance - Yates estate, Greeneville, Tennessee. Condition: 1st item: significant discoloration and staining, 19" machine stitched seam repair to back, binding reinforced. 2nd item: Several stains, up to 2" diameter. 3rd item: A few scattered stains, up to 2" diameter.
• CARROLL CLOAR ACRYLIC ON BOARD, WEEPING
  CARROLL CLOAR ACRYLIC ON BOARD, WEEPING WILLOWCarroll Cloar (American/Tennessee, 1913-1994) framed acrylic on board titled "Weeping Willow," depicting a solitary older man sitting on the porch of a white Victorian house, under a bright sky, with verdant and immaculately clipped lawn in the foreground. An expansive weeping willow encroaches on the left side of the house, creating shadows across the porch. Signed lower left "Carroll Cloar" and additionally signed, titled, and dated July 1967 en verso. Housed in the original painted wooden frame with gilt liner. Sight - 22 1/2" H x 33 1/2" W. Framed - 29" H x 39 1/2" W. Biography (Courtesy of The Johnson Collection): Arkansas-born Carroll Cloar was known for incorporating nostalgic images from his Southern childhood, often merged with dreamlike motifs, into powerful "magic realist" scenes. Cloar graduated from Southwestern College (now Rhodes College) in Memphis, Tennessee, and went on to study at the Memphis Academy of Arts under the artist George Oberteuffer. In 1936, he moved to New York to attend the Art Students League. There, Cloar's achievements earned him a McDowell fellowship which he used to travel across the American Southwest, West Coast and Mexico. Cloar served with the Army Air Corps during World War II and was deployed to Saipan and Iwo Jima. Upon his return from the war, he was awarded a Guggenheim traveling scholarship to fund an extended sojourn to Central and South America in 1946. Two years later, several of his images were featured in a Life Magazine article titled "Backwoods Boyhood," and Cloar's career went on to receive additional national acclaim. By the mid 1950s, Cloar had settled permanently in Memphis, where he produced paintings, often executed in casein tempera and acrylic paints. His works are in the collections of the Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Museum of Modern Art, Brooks Museum of Art, and Library of Congress. In 1993, Cloar's painting "Faculty and Honor Students, Lewis Schoolhouse" was one of six paintings by American artists selected to commemorate the inauguration of President Clinton. (Higher-resolution photos are available at www.caseantiques.com) Condition: Painting overall excellent condition. Frame with some chips to corner.
• CARROLL CLOAR PAINTING, THE WATERING
  CARROLL CLOAR PAINTING, THE WATERING DETAILCarroll Cloar (Tennessee, 1913-1993) acrylic on board landscape painting titled "The Watering Detail" en verso, depicting two little girls in pink dresses holding a watering can and a little boy in a yellow romper, standing in front of a screen door to a house; an older woman watches from an adjacent window. The white clapboard siding of the house is adorned by pink hollyhocks. Signed "Carroll Cloar" lower left; titled and dated 4-88 en verso. Silver-gilt molded frame. 23" x 34"; framed 31" x 42". Accompanying the painting is a Cloar promotional postcard, on which the artist has written a note regarding the painting: "Mr. Massie: I have used the word "detail" in the old Army sense. In our army you were detailed to do a certain job, or were on a detail. My show opens at Schmidt Bingham Gallery in New York May 24. - Carroll Cloar ". Biography (Courtesy of The Johnson Collection): Arkansas-born Carroll Cloar was known for incorporating nostalgic images from his Southern childhood, often merged with dreamlike motifs, into powerful "magic realist" scenes. Cloar graduated from Southwestern College (now Rhodes College) in Memphis, Tennessee, and went on to study at the Memphis Academy of Arts under the artist George Oberteuffer. In 1936, he moved to New York to attend the Art Students League. There, Cloar's achievements earned him a McDowell fellowship which he used to travel across the American Southwest, West Coast and Mexico. Cloar served with the Army Air Corps during World War II and was deployed to Saipan and Iwo Jima. Upon his return from the war, he was awarded a Guggenheim traveling scholarship to fund an extended sojourn to Central and South America in 1946. Two years later, several of his images were featured in a Life Magazine article titled "Backwoods Boyhood," and Cloar's career went on to receive additional national acclaim. By the mid 1950s, Cloar had settled permanently in Memphis, where he produced paintings, often executed in casein tempera and acrylic paints. His works are in the collections of the Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Museum of Modern Art, Brooks Museum of Art, and Library of Congress. In 1993, Cloar's painting "Faculty and Honor Students, Lewis Schoolhouse" was one of six paintings by American artists selected to commemorate the inauguration of President Clinton. Provenance: Private Middle Tennessee collection. (Higher-resolution photos are available at www.caseantiques.com) Condition: Fingerprint smudge upper right edge. Overall very good condition. Frame has some small edge abrasions.
• DOLORES HACKENBERGER O/B PAINTING, AMISH
  DOLORES HACKENBERGER O/B PAINTING, AMISH SCHOOLHOUSEDolores Hackenberger (Pennsylvania, b. 1930) oil on canvasboard winter landscape painting depicting an Amish schoolhouse, with children engaged in various activities: circling a snowman, sledding, and throwing snowballs. Signed lower right. Housed in an ebonized frame with giltwood edges. Sight: 8 1/2" H x 13" W. Framed: 12" H x 17" W. The estate of Mrs. Arnold Haber, Nashville, Tennessee. Condition: 4" line of some light wear/rubbing to right side, center, of board, possibly from previous framing, otherwise excellent condition.
• LARGE ANDREW MOORE PHOTOGRAPH, SIMON'S
  LARGE ANDREW MOORE PHOTOGRAPH, SIMON'S SCHOOLHOUSE MUSE...Andrew Moore (American/ b. 1957) "Simon's Schoolhouse Museum, Remington County, South Dakota," 2014, Ed. 2/5, photographic archival pigment print. Titled and dated on label en verso from Jackson Fine Art, Atlanta, GA. Housed under glass in an ebonized wood frame. Sight: 35 1/2" H x 47 1/2" W. Framed: 37 1/4" H x 49" W. Note: This photograph was part of a decade long project for his book, "Dirt Meridian," in which photographer Andrew Moore traveled to homestead sites along the 100th meridian line of longitude running through Nebraska, North and South Dakota, Kansas, Oklahoma, and Texas, to witness how pioneers attracted by the Homestead Act fared generations later. The subject of this particular photograph was the invitation-only "Schoolhouse Museum" started in 1972 by Edgar Simon, a fifth generation South Dakota farmer, rancher, poet and historian who tries to "collect and display every possible variation of the objects that capture his fascination." Artist Biography: A native of Connecticut, Andrew Moore has taught at Princeton University and currently teaches at the School of Visual Arts in New York City. His large-format color photographs capture architectural elements and urban landscapes and his "perpetual fascination with certain kinds of decayed spaces that have been reappropriated or reused or where the evidence of people struggling to keep their dignity lingers, places that have been abandoned but retain the ghosts of what they were." Moore's work is included in the collections of the Metropolitan Museum of Art, the Whitney Museum of American Art, and the National Gallery of Art. He received the John Simon Guggenheim Memorial Foundation fellowship as well as grants from the National Endowment for the Humanities, New York State Council on the Arts, and several private foundations. (Source: the Greenville County Museum of Art, Greenville, SC and The New Republic, "Andrew Moore: the Last Homesteads", Nov. 17, 2015.). Condition: Overall very good condition. Not examined out of frame.
• 1830 SCHOOL GIRL SAMPLERFramed 1830
  1830 SCHOOL GIRL SAMPLERFramed 1830 polychrome school girl sampler by Mahala Bull, age 11 years, 1830. Features a large red possible schoolhouse flanked by gates and two diagonal paths topped by lions. A verse thanking her parents is stitched below. Dimensions: (sight) 17.75"h x 13.75"w; (overall) 21"h x 16"w. Processing and shipping within the continental U.S. $50.00 plus 1.5% replacement cost insurance. Please note we do not accept credit cards. Condition: Good, several holes lower edge, did not examine out of frame. Witherells strives to provide as much information and photographs as possible but encourages in-person inspection by bidders. Condition: statements are only for general guidance and should not be relied upon as complete statements of fact and do not constitute a representation, warranty or assumption of liability by Witherells. All lots are sold "AS IS" under the Terms & Condition: s.
• CARY FAMILY NANTUCKET SCHOOLHOUSE SLATES,
  CARY FAMILY NANTUCKET SCHOOLHOUSE SLATES, 19TH CENTURYCary Family Nantucket Schoolhouse Slates, 19th Century , accompanied by whalebone straight edge. One carved, " G.H. Cary 1861 ", another with the initials, " L.G.C. " From Height 8 ¼ in. Width 6 ¼ in. to Height 10 ½ Width 7 ½ in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• PORTSMOUTH, NEWPORT, RHODE ISLAND SAMPLER
  PORTSMOUTH, NEWPORT, RHODE ISLAND SAMPLER "WROUGHT BY P...Portsmouth, Newport, Rhode Island Sampler “Wrought by Phebe Almy in the eleventh year of her age 1801” with verse (sic) “Obferve the one for fhe inftructs the man, And Preaches labour gathering all fhe can, Then brings it to her safe her heap at home, Againft the winter which fhe knows will come, And when that comes fhe creeps abroad no more, But lies at home and feafts uPon her ftore.” 25 ¾ in. x 16 ¼ in. Note: this verse is cited in three publications: by Creech: The Plough, the Loom and the Anvil – Volume 1 – Page 68; American Farmer’s Magazine –Volume 1- Page 68 and Anecdotes of Remarkable Insects – Page 44 Phebe Almy was born Portsmouth, Newport Rhode Island March 18, 1791. Phebe Almy’s husband Ebenezer Metcalf and his descendants are considered to be one of the oldest farm families in Cumberland, Rhode Island. The Phebe Almy sampler is accompanied by Almay family memorabilia: a schoolhouse slate, and four 19th c. books owned and inscribed by Almy family members David, Elizabeth, Lucy and Pelig Almy. Schoolhouse slate carved with initials E.W.A. in hardwood frame with inlaid chalk sharpener and alphabet carvings. David Almay’s book: History of the United States of America by Rev. Charles A. Goodrich, 3rd editor Hartford, Pub. By Barber & Robinson, 1824 Elizabeth Almy’s book: Elements of Chemistry 1831 with engravings Lucy B. Almy’s book: Weekly Sabbath, 1836 Pelig Almy’s book: Early Christians on War, 1814, printed in New Bedford Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• ARLENE FISHER FOLKSY OIL ON ARTIST BOARD
  ARLENE FISHER FOLKSY OIL ON ARTIST BOARD "AMISH SCHOOLH...Arlene Fisher Folksy Oil on Artist Board "Amish Schoolhouse and Farm Scene", signed and dated lower right Arlene Fisher '06, signed and titled on the reverse, in cherry frame. 9.5 in. x 13.5 in. Framed 14.5 in. x 16 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• SETH THOMAS SCHOOLHOUSE REGULATOR WALL
  SETH THOMAS SCHOOLHOUSE REGULATOR WALL CLOCK HAVING OAK...Seth Thomas Schoolhouse Regulator Wall Clock having oak case 30 day movement, painted metal dial marked Seth Thomas length 31 inches Provenance: Fifty Year Personal Collection of Clocks and American Antiques from Thomas Bailey, Manchester, Connecticut. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• SETH THOMAS SCHOOLHOUSE REGULATOR WALL
  SETH THOMAS SCHOOLHOUSE REGULATOR WALL CLOCK, HAVING OA...Seth Thomas Schoolhouse Regulator Wall Clock, having oak case with thirty day movement painted metal dial and second hand dial, original paper label on inside. length 32 inches Provenance: Fifty Year Personal Collection of Clocks and American Antiques from Thomas Bailey, Manchester, Connecticut. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• OAK SCHOOLHOUSE CLOCK, HAVING BRASS
  OAK SCHOOLHOUSE CLOCK, HAVING BRASS WORKS AND PENDULUM,...Oak Schoolhouse Clock, having brass works and pendulum, diameter 23 inches, Provenance: Connecticut Personal Collection of American Antiques and Oriental Rugs. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• LARGE ROUND SETH THOMAS SCHOOLHOUSE
  LARGE ROUND SETH THOMAS SCHOOLHOUSE CLOCK, HAVING BRASS...Large Round Seth Thomas Schoolhouse Clock, having brass works and pendulum, frame diameter 25 inches, face diameter 17 1/2 inches, Provenance: Fifty Year Personal Collection of Clocks and American Antiques from Thomas Bailey, Manchester, Connecticut. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• HACKENBERGER, Dolores, (American, b.
  HACKENBERGER, Dolores, (American, b. 1930): Amish Schoolhouse, Oil/Canvas, 16'' x 20'', signed lower right, barn wood style frame, 20'' x 24''. CONDITION: Craquelure scattered throughout.
• LARGE 8PC. FLORIDA ART LOT: 1) Louis
  LARGE 8PC. FLORIDA ART LOT: 1) Louis Freund, Dockside Scene with Tour Boat, circa 1950s, Graphite/Paper, 13.75'' x 17'', inscribed information verso ''This was verified authentic by the artist's godson'', unframed; 2) Catharine Hawkins, Pencil Drawing of Oak Trees in a Landscape, 12'' x 18'', signed lower right, unframed; 3) Catharine Hawkins, Street Scene with Buildings, Watercolor, 11.75'' x 16'', signed lower right, unframed; 4) Gladys Mitchell, Quiet Cove, Watercolor, 16'' x 19.75'', signed lower right, unframed; 5) Gladys Mitchell, Pencil Drawing with Country Road and Old Oaks, 13.25'' x 16'', signed lower right, unframed; 6) Edith Wycoff Kuchler, Peacocks in a Florida Landscape, Watercolor, 19.75'' x 16'', signed lower left, unframed; 7) Walter Ronald Locke, Old Schoolhouse, St. Augustine, Florida, Etching, 12'' x 16'' with margins, pencil signed lower right and dated '41, titled lower left, unframed; 8) Walter Ronald Locke, ''Red Oak'', Etching 12'' x 15.5'' with margins, pencil signed lower right and dated '43, titled lower left. CONDITION: Scattered stains.
• ALYCE FRANK, AMERICAN B. 1932, PILAR
  ALYCE FRANK, AMERICAN B. 1932, PILAR WITH SCHOOL AND CHURCH, OIL ON LINEN, 30 X 36 IN., FRAME: 35 X 40 IN.ALYCE FRANK, (American, b. 1932) Pilar with School and Church, oil on linen signed Alyce Frank lower left; inscribed 406 Pilar with Church and Schoolhouse Alyce Frank verso oil on linen Dimensions: 30 x 36 in., frame: 35 x 40 in. Provenance: Zaplin-Lampert Gallery, Santa Fe, New Mexico; The Collection of a Boston Family. Condition: Overall good condition - colors strong, thick impasto, no signs of craquelure. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• AMERICAN SAMPLER, DATED 1830Needlework
  AMERICAN SAMPLER, DATED 1830Needlework sampler wrought by Mary Tyrell, aged 11. American, dated 1830. Images of schoolhouse, birds and angels. Located to Mount Pleasant School, Preston. Overall framed size is 25 1/4" x 22 1/2". Very good condition. Some darkening. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• AMERICAN PRIMITIVE SCHOOLHOUSE OR WORK
  AMERICAN PRIMITIVE SCHOOLHOUSE OR WORK CHEST 19th c., with hinged top, on bracket feet, 28.5"h x 68.5"w x 17.5"d
• PAIR SCHOOLHOUSE "ENVOY" SWING SCONCES
  PAIR SCHOOLHOUSE "ENVOY" SWING SCONCES 21st c., in "Natural Brass" finish, rotating swing arm sconces, labeled on back, approx. 7"h x 5"w x 16"d
• RARE MAINE SAMPLER DATED 1824 17”
  RARE MAINE SAMPLER DATED 1824 17” X 16” SIGHT. FRAMED 20” X 19”.RARE MAINE SAMPLER, Dated 1824, "Wrought by Mary Plimpton Aged 8 years ... Under the instruction of Mrs. Amanda Pratt". Accompanying provenance note indicates it was sewn at a schoolhouse on Tinkers Island, located off the coast of Mount Desert Island, Maine. Rows of alphabets and numerals above plants and trees, "Fear & Love God A Bove" and "Roses will fade and tulips wither But a virtuous mind will bloom forever.". Lower panel with a moose and other animals, flowers and fruit urns. Strawberry vine border. Dimensions: 17" x 16" sight. Framed 20" x 19". Provenance: According to accompanying note-Emily Hopkins Wilbur (1795-1896), Ellsworth, Maine.Cora Louise Brown Reed (1863-1945), Ellsworth and Waldoboro, Maine.Lovina Augustus Reed Mark (1884-1949), Ellsworth and Waldoboro, Maine and George Mark.Rachel Maud Reed O'Keefe (1886-1970), Ellsworth, Maine and Arlington, Massachusetts.Louise Barbara O'Keefe Gleason (1912-1995), Dorchester and Everett, Massachusetts.John Peter Gleason (b. 1948), Everett, Massachusetts.Current consignor, circa November 2000.