A few examples of appraisal values for
THE MAYFLOWER

• 'CENTURY OF PROGRESS' QUILT, W.B. LATHOUSEThe
  'CENTURY OF PROGRESS' QUILT, W.B. LATHOUSEThe quilt dated 1833 and 1933. 7 ft. x 5 ft. 7 in., the first quilt. Note: A pieced and appliqued cotton "Century in Progress" quilt by Mrs. W.B. Lathouse, Ohio, circa 1945, composed of brilliantly colored red, white, blue and green patches at center, a bust portrait of FDR flanked by portraits of George Washington, The Father of Our Country and Abe Lincoln, The Emancipator, below vignettes of a log cabin and covered wagon and a depiction of the Mayflower above draped flags, the inner borders with pictorial appliques symbolizing the evolution of progress from candle to electric light, from horse to airplane, from bicycle to bus. Condition In good overall condition with minor staining, fading and wear, fitted with velcro on the reverse. Minor losses. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• (20) WEDGWOOD B&W TRANSFERWARE AMERICAN
  (20) WEDGWOOD B&W TRANSFERWARE AMERICAN PLATES(lot of 20) English blue and white transfer decorated plates, Wedgwood, 20th c., with various scenes of United States historical sights and public figures, including Fort Johnson, the Capitol, Watch Towers of Fort San Marco, Half Moon on the Hudson, Fort Ticonderoga, Quincy, Massachusetts, Washington Crossing the Delaware, the Return of the Mayflower, Mount Vernon, Monticello, etc., approx 9.25"diam; 17.5lbs total
• (12) PB, HB & HENRIOT QUIMPER FRANCE
  (12) PB, HB & HENRIOT QUIMPER FRANCE POTTERY GROUP(lot of 12) Quimper France pottery group, assorted decor with Breton figures, gros filets and demi-fantasie borders, floral patterns, various makers, including: (2) PB France items, (one) lobed dish, centering a Breton woman with umbrella and (one) handled dish on short feet, centering a figure, fleur de lis to exterior, crazing; (3pc) HR Quimper tea set, comprising (one) teapot, (one) lidded sugar and (one) cream pitcher, some glaze chips; (2pc) Henriot with (one) lidded sugar and (one) cream pitcher, repair to handle; (1) Henriot porringer, centering an image of The Mayflower; (1) small Henriot bowl with ruffled edge, chips; (1) larger Henriot bowl, scalloped edge, glaze chips; (1) Henriot bowl centering a Breton lady, rim with glaze loss and chips; largest: 3"h, 7.25"w, 7.5"d, 7.25lbs **Provenance: the collection of Hazelene King (1939-2017), Russellville, Arkansas**
• Kosta Boda, (Swedish, 1978), \"The Royal
  Kosta Boda, (Swedish, 1978), \"The Royal Viking Star Horta Ships Bowl\", hexagonal with etched decoration of famous ships including the Santa Maria, the Mayflower, base marked \"Kosta Ships Bowl 1978\", edition 140/375, 7-3/4 x 8-3/4 in., in fitted wood and glass case with original brochure,
• ROYAL DOULTON MAYFLOWER 350TH ANNIVERSARY
  ROYAL DOULTON MAYFLOWER 350TH ANNIVERSARY LOVING CUPTwo handled Black Basalt with raised relief and gilt decoration. A commemorative loving cup produced in Black Basalt to celebrate the 350th anniversary of the Pilgrims landing at Plymouth Rock. Encircling gilt lettering THE PILGRIM FATHERS THE MAYFLOWER 1620 1970. Stamped Royal Doulton. Issued: 1970 Dimensions: 8.25"H x 11.5"W Manufacturer: Royal Doulton Country of Origin: England
• ROYAL DOULTON MAYFLOWER 350TH ANNIVERSARY
  ROYAL DOULTON MAYFLOWER 350TH ANNIVERSARY LOVING CUPThe Mayflower and Pilgrim Fathers loving cup. Limited edition 164 of 500. Two handled Black Basalt with raised relief and gilt decoration. A commemorative loving cup produced to celebrate the 350th anniversary of the Pilgrims landing at Plymouth Rock. Encircling gilt lettering THE PILGRIM FATHERS THE MAYFLOWER 1620 1970. Stamped Royal Doulton. Issued: c. 1970 Dimensions: 8.25"H Manufacturer: Royal Doulton Country of Origin: England
• ROYAL DOULTON HISTORICAL AMERICANA TWO
  ROYAL DOULTON HISTORICAL AMERICANA TWO HANDLED VASELarge black basalt loving cup with a relief of the pilgrims and the Mayflower arriving to the New World. Royal Doulton backstamp. Highly detailed. #RoyalDoulton #BlackBasalt #Mayflower Issued: c. 1901 - 1922 Dimensions: 10.5"W x 8.25"H x 7.5" dia. Edition Number: 3 Manufacturer: Royal Doulton Country of Origin: England Condition: Good
• WEDGWOOD PALE BLUE JASPERWARE PLATE,
  WEDGWOOD PALE BLUE JASPERWARE PLATE, MAYFLOWERStoneware pale blue plate with cream sprigs in relief displaying the mayflower ship. Rims are decorated with acorn and oakleaf design. Impressed Wedgwood backstamp. #wedgwood #jasperware #mayflower #ship Issued: 20th c. Dimensions: 4.5" dia. Country of Origin: England Manufacturer: Wedgwood Condition: Good.
• CYBIS PORCELAIN FIGURINE, PRISCILLAPart
  CYBIS PORCELAIN FIGURINE, PRISCILLAPart of the America's Bicentennial year. Hand painted of Pricilla Mullins, an early 17th century English woman who traveled on the Mayflower in 1620. She died in 1685. Cybis logo stamped on the underside. Cybis 1976 and Cybis #51 marked on the edge. Issued: 1976 Dimensions: 6"L x 6"W x 13.5"H Edition Number: 51 of 500 Manufacturer: Cybis Country of Origin: United States Condition: Age related wear.
• JANE BREWSTER REID WATERCOLOR "NANTUCKET
  JANE BREWSTER REID WATERCOLOR "NANTUCKET STREET SCENE"Jane Brewster Reid (1862-1966) Watercolor on Paper "Nantucket Street Scene" , signed lower right J.B. Reid 8 ¼ in. x 6 ¼ in. Overall 14 in. x 11 ½ in. Descended from the Mayflower, born in Chicago, and active in Rochester, New York, Jane Brewster Reid was a landscape painter who summered and painted on Nantucket from 1891, well into the 1930’s – just prior to and during the heyday of the young art colony. The artist worked in various media, producing watercolors, etchings and prints. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• JANE BREWSTER REID WATERCOLOR "GORHAM'S
  JANE BREWSTER REID WATERCOLOR "GORHAM'S COURT"Jane Brewster Reid (1862-1966) Watercolor on Paper "Gorham's Court" , signed lower left J.B. Reid 8 in. x 6 in. Overall 15 in. x 13 in. Descended from the Mayflower, born in Chicago, and active in Rochester, New York, Jane Brewster Reid was a landscape painter who summered and painted on Nantucket from 1891, well into the 1930’s – just prior to and during the heyday of the young art colony. The artist worked in various media, producing watercolors, etchings and prints. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• GOLD NEW ENGLAND MARINE CANECa. 1850-Small
  GOLD NEW ENGLAND MARINE CANECa. 1850-Small 18 karat yellow gold knob fashioned in a well-proportioned classic taste and elaborately hand chased and engraved with a plethora of flowers and scrolls topped by a plain round shield with engraved initials of its first owner and ending with an integral and matching multiple ring collar. So far, so good, however, what makes this cane very special is its gently tapering baleen shaft with gold eyelets and a brass ferrule, which displays throughout the specific layered structure of the noble material of the ocean and its coveted dark brown-greenish hues. Hardly encountered in the widespread cane repertoire, this first rate dress cane with apparent New England flavor is an upscale collectable with direct ties to the golden age of whaling. Indeed, ever since the Mayflower deposited the Pilgrim Fathers on the shores of Cape Cod in 1620, New Englanders have been fascinated by their marine heritage with the marine canes flourishing at a time when whaling was a respectable and entirely natural part of life. An excellent condition adds to its desirability. H. 1” x ¾”, O.L. 35” Baleen or whalebone is a filtering structure in the mouth of most whales, which they use to feed by sieving small animals from large mouthfuls of seawater. Instead of teeth, these whales have rows of baleen plates in the upper jaw – flat, flexible plates with frayed edges, arranged in two parallel rows, looking like combs with thick hair at the end of each comb tooth. Baleen is not in fact composed of bone, but of the protein keratin, the same substance as hair, horn, scales, claws and nails. Baleen whales use these combs for filter feeding. Depending on the species, a baleen plate can be 0.5 to 3,5 meters (1,6 to 11 ft) long, and weigh up to 90 kilograms (200 lb). Its hairy fringes are called baleen hair or whalebone-hair. Baleen plates are broader at the gumline. The plates have been compared to sieves or Venetian blinds. Baleen whales are characterized by having baleen plates for filtering food from water, rather than having teeth. This distinguishes them from the other suborder of cetacean, the toothed whales or Odontocete. For few up to date annotations on Marine canes extending to the present perspective to the art of the fisherman himself refer to Youssef Kadri’s book, The Mandel Cane Collection.
• TOP RATE FIGURAL MARINE CANECa. 1870-Substantial
  TOP RATE FIGURAL MARINE CANECa. 1870-Substantial whale tooth knob carved to depict a whale on a whale tooth stem turned with multiple rings, deep black ebony shaft and a stag horn ferrule. The large sea creature of the open ocean with the characterizing air spout on the top of the head and spirited small eyes is imbued with the sensitivity and skill of the whaler artist and his innate aesthetics and is “Marine Art” at its best. In addition to the glorious condition, the cane is also praised by a superb, luminous surface and luster and is brimming with seductive powers. Ever since the Mayflower deposited the Pilgrim Fathers on the shores of Cape Cod in 1620, Americans and particularly New Englanders have been fascinated by their marine heritage. Ind3ed, marine canes flourished at a time when whaling was a respectable and entirely natural part of life. H. 4 ¾” x 2 ¼”, O.L. 37 ¼”
• BALEEN MARINE CANE-Ca. 1850 -Single
  BALEEN MARINE CANE-Ca. 1850 -Single piece marine cane with a curving handle terminating in a stylized seal head and a cylindrical faux sprig shaft. The plain surface shows throughout the specific layered structure of the noble material of the ocean and its dark color with coveted brown-greenish hues. Hardly encountered in the widespread cane repertoire, this first rate marine cane survived in original condition with a great feel of age and has the added value of being representative for the golden age of whaling. Indeed, ever since the Mayflower deposited the Pilgrim Fathers on the shores of Cape Cod in 1620, New Englanders have been fascinated by their marine heritage with the marine canes flourishing at a time when whaling was a respectable and entirely natural part of life. -H. 3 ½” x 3 ¼”, O.L. 32 ¼” -$300-$400 -Baleen or whalebone is a filtering structure in the mouth of most whales, which they use to feed by sieving small animals from large mouthfuls of seawater. Instead of teeth, these whales have rows of baleen plates in the upper jaw – flat, flexible plates with frayed edges, arranged in two parallel rows, looking like combs with thick hair at the end of each comb tooth. Baleen is not in fact composed of bone, but of the protein keratin, the same substance as hair, horn, scales, claws and nails. Baleen whales use these combs for filter feeding. Depending on the species, a baleen plate can be 0.5 to 3,5 meters (1,6 to 11 ft) long, and weigh up to 90 kilograms (200 lb). Its hairy fringes are called baleen hair or whalebone-hair. Baleen plates are broader at the gumline. The plates have been compared to sieves or Venetian blinds. -Baleen whales are characterized by having baleen plates for filtering food from water, rather than having teeth. This distinguishes them from the other suborder of cetacean, the toothed whales or Odontocete. -For few up to date annotations on Marine canes extending to the present perspective to the art of the fisherman himself refer to Youssef Kadri’s book, The Mandel Cane Collection.
• FRANKLIN DELANO ROOSEVELT INAUGURATION
  FRANKLIN DELANO ROOSEVELT INAUGURATION EPHEMERAJudge Edwin Louis Garvin's ephemera from the inauguration of Franklin Delano Roosevelt. An envelope marked "Congress of the United States No. 1712 Inaugural Platform A". Written in pen on front of envelope "Mrs. William H. Good" (she delivered the package to Judge Gavin at his hotel). On verso the presidential seal. A small envelope from the Mayflower Hotel in Washington DC. On front in pen "Judge Edwin L Garvin Room 707. From Mrs. Good". On verso time stamped "Jan 19 11:00 PM". Rip to the envelope. Inside a smaller envelope matching the large envelope from Congress. Inside that smaller envelope a ticket to the Inauguration Ceremonies stamped by the Sergeant at Arms of the U.S. Senate Chesley W. Jurney. An invitation with the portraits of President Roosevelt and Vice President Garner. An Inauguration Ceremonies Program with red, white and blue ribbon. From the Estate of Judge Edwin L. Garvin.
• BROWNSCOMBE, Jennie, (American, 1850-1936):
  BROWNSCOMBE, Jennie, (American, 1850-1936): ''Newsboy'', Oil/Canvas, 13'' x 9.5'', signed lower right and dated 1878, deep dish gilded cove frame, 22.5'' x 19.25''. Art Students League founder, member of the National Arts Club and the New York Municipal Art Society, as well as the American Scenic and Historical Preservation Society, the Daughters of the American Revolution, and the Mayflower Descendants. CONDITION: Relined, several scattered touches of inpaint, repair to tear in neck viewable by blacklight only.
• (40) FIREMEN BADGES, PENNANTS. TO INCLUDE:
  (40) FIREMEN BADGES, PENNANTS. TO INCLUDE: NEWEngland Association of Fire Chiefs, 17th annual convention, Providence, RI (attendee was A. A. Kingsbury). Massachusetts Fireman's Association, Boston, 1912. Firemen Field Day, Nashua, NH, 1902. Firemen's Memorial Day badge, "Aids-to-Chief", June 14, 1908. Wrentham Fire Dep't Guest. Attleboro Firemen's Ball, January 31st, 1941, Guest. Two Field Day, Fire Department, Attleboro, MA, Sept. 1, 1902, has celluloid pendant depicting the starting line of race. Vice President, Charlestown Volunteer Firemen's Association. 1911 MA State Firemen's Association, Lawrence, MA. Reception Committee Badge, Charlestown Volunteer Firemen's Association, 1907. Veteran badge for Charlestown Volunteer Firemen Association, 1897, shows tear and wear. Star of Jamaica League Muster badge, Lawrence, MA, 1909, celluloid badge with antique fire pumper pictured. Firemen's Association, Pawtucket, RI, 1890. Firemen's Association, Lowell, MA, 1923. 1907 Fall River, MA Firemen's Association, depicting ships in river. Firemen's Celebration souvenir badge. Firemen's Association, 1914, Athol, MA badge. 1903 Firemen's Association convention badge. Firemen's Muster, Gloucester, June 17, 1904. General Butler, Lowell, MA, Volunteer Fire Association, August, 1908. Firemen's Memorial Day Committee, Boston, 1908. Brockton Firemen's Association, 1924. 35th Annual Convention, Firemen's Association, Athol, MA 1914. Guest badge, Firemen's Ball, Attleboro, 1941. Plymouth Firemen's Convention, Association, 1909, depicts the Mayflower and Plymouth Rock. Firemen's Association, Nantucket, depicts Sankaty Lighthouse. New England Firemen's Muster, Fall River. Firemen's Muster, 1903. Manchester Locomotive Works. Veteran Firemen's Association, Poughkeepsie, NY. Annual Firemen's Association. Providence Veteran Firefighters. New Bedford 26th Convention, 1905, Firemen's Association. 3 month Volunteer Badge, 1861, MA. First Vice President Badge, the New England Muster, Lowell, 1908. PFD Guest badge. Firemen's Tournament stickpin. Hatchet ADC badge with portrait of a woman, red, white, and blue ribbon. C. V. V. F. A. tag, Providence, RI 1906. A GAR medal, Detroit, 1891.
• WATERCOLOR MAP OF THE CAPE AND ISLANDS
  WATERCOLOR MAP OF THE CAPE AND ISLANDS ON PAPER, 16" X 15.5". FRAMED 20" X 20".WATERCOLOR MAP OF THE CAPE AND ISLANDS, With a compass rose, dragon, the Mayflower and a cat boat in Cape Cod Bay. Dolphin, seaweed and wave border. Unsigned. Dimensions: On paper, 16" x 15.5". Framed 20" x 20".
• (TOPICAL AND VIEW): BOXED LOT OF APPROX.
  (TOPICAL AND VIEW): BOXED LOT OF APPROX. 600 POSTCARDS MID TO LATE-20TH CENTURY(TOPICAL AND VIEW): BOXED LOT OF APPROX. 600 POSTCARDS, Mid to Late-20th Century, Hilary's "4 for $1.00 Sold in Increments of 4 Only". Mostly U.S. views, postally unused. Includes: Amish, map of Mt. Desert Island Maine, "A Tandem Transit Entering Eisenhower Lock", Tuck "Oilette" of Eton by Charles E. Flower, "Just Arrived on The Mayflower", Texas card with flag, flower and bird, honor guard of cadets at West Point, Red Cross building at Fort Devens, Detroit of "A Native and His Ferry" and more.
• NEEDLEWORK "CAPE COD" LATE 20TH CENTURY
  NEEDLEWORK "CAPE COD" LATE 20TH CENTURY 12" X 15.5" SIGHT. FRAMED 18" X 21.25".NEEDLEWORK "CAPE COD", Late 20th Century, Petit point depiction of the outline of Cape Cod in moss green, highlighted by images of beach plums, geese, the Mayflower, a Pilgrim hat, an ear of corn and other notable historic or local symbols. Double teal border with cranberry, yellow and light green stitches. Stitched lower right "MLM 86". Dimensions: 12" x 15.5" sight. Framed 18" x 21.25".
• FRANKLIN DELANO ROOSEVELT INAUGURATION
  FRANKLIN DELANO ROOSEVELT INAUGURATION EPHEMERAJudge Edwin Louis Garvin's ephemera from the inauguration of Franklin Delano Roosevelt. An envelope marked "Congress of the United States No. 1712 Inaugural Platform A". Written in pen on front of envelope "Mrs. William H. Good" (she delivered the package to Judge Gavin at his hotel). On verso the presidential seal. A small envelope from the Mayflower Hotel in Washington DC. On front in pen "Judge Edwin L Garvin Room 707. From Mrs. Good". On verso time stamped "Jan 19 11:00 PM". Rip to the envelope. Inside a smaller envelope matching the large envelope from Congress. Inside that smaller envelope a ticket to the Inauguration Ceremonies stamped by the Sergeant at Arms of the U.S. Senate Chesley W. Jurney. An invitation with the portraits of President Roosevelt and Vice President Garner. An Inauguration Ceremonies Program with red, white and blue ribbon. From the Estate of Judge Edwin L. Garvin.
• GLASS AMERICA'S DEMOCRATIC LEGACY AWARD,
  GLASS AMERICA'S DEMOCRATIC LEGACY AWARD, ANTI-DEFAMATION LEAGUE, PRESENTED TO GENERAL POWELL, 2005 11 X 10 IN. (27.94 X 25.40 CM.)GLASS AMERICA'S DEMOCRATIC LEGACY AWARD, ANTI-DEFAMATION LEAGUE, PRESENTED TO GENERAL POWELL, 2005, beveled square glass plaque on rectangular base, etched Statue of Liberty and stars, the front etched in gilt 'America's Democratic Legacy Award/Presented to Colin L. Powell/ April 4, 2005/ADL Anti-Defamation League' Catalogue note: General Powell received this award during a luncheon of the ADL's annual National Leadership Conference on April 4, 2005, at the Mayflower Hotel in Washington, D.C. in honor of his lifetime of public service, his dedication to promoting U.S. interests abroad and his efforts to bring a resolution to the Israeli-Palestinian conflict. Public Domain photo not included in lot. Dimensions: 11 x 10 in. (27.94 x 25.40 cm.) Provenance: Estate of General Colin L. Powell, to benefit America's Promise Alliance and the Colin Powell School at City College of New York.
• TWO MEISSEN PORCELAIN LARGE SCHNEEBALLEN
  TWO MEISSEN PORCELAIN LARGE SCHNEEBALLEN FLOWER-ENCRUSTED VASES AND COVERSTWO MEISSEN PORCELAIN LARGE SCHNEEBALLEN FLOWER-ENCRUSTED VASES AND COVERS, mid-and-late 19th Century, blue crossed swords marks, incised model nos. 2766, one with incision below, this example likely outside-decorated and impressed 74, the other incised 44, each of pear-shape, the domed cover applied with a songbird perched on a vine branch, the mayflower blossom-encrusted form applied over all with spreading leafy vines, one shoulder with a large perching cockatoo, the other shoulder with a smaller parrot, the domed foot with a small yellow nesting bunting, h: 21.5 in. (the taller) (2) Provenance: Property of a Washington, D.C. Estate Literature: Christie’s, New York 12 April, 2017, lot 180.
• MARION HUSE (AMERICAN, 1896-1967), TWO
  MARION HUSE (AMERICAN, 1896-1967), TWO OILS, INCLUDING: "ABSTRACT SEASCAPE", OIL ON CANVAS, SIGNED LOWER LEFT, ABSTRACT COASTAL SCEN...Marion Huse (American, 1896-1967), two oils, including: "Abstract Seascape", oil on canvas, signed lower left, abstract coastal scene with horizontal fields of soft color, predominately blue hues, purple toned mountains in the background, unframed, wear to edges, impact in lower right, some abrasions, 11" h. x 15" w.; "The Mayflower of Gloucester, 1926", oil on canvas, signed lower right, coastal scene with a sail boat sailing through calm blue water, greenery can be seen in the background and possible a building can be seen in the right background, large blue skyline, framed in simple gold painted wood frame, surface wear and paint loss to frame, abrasion with paint loss to the top right of the sail boat, 10" h. x 8" w. [Works by Marion Huse are currently being offered at Vose Galleries and Childs Gallery, and have been sold by Spanierman Gallery in the past. This work was given to the Brockton Art Museum (MA) by the artist's husband, Dr. Robert Barstow; the BAM in turn gifted the Huse Collection to the New Britain Museum of American Art which later chose to sell some Huse works through auction at Winter Associates, Inc., CT]
• MARION HUSE (AMERICAN, 1896-1967), TWO
  MARION HUSE (AMERICAN, 1896-1967), TWO OILS, INCLUDING: "ABSTRACT SEASCAPE", OIL ON CANVAS, SIGNED LL, ABSTRACT COASTAL SCENE WITH H...Marion Huse (American, 1896-1967), two oils, including: "Abstract Seascape", oil on canvas, signed LL, abstract coastal scene with horizontal fields of soft color, predominately blue hues, purple toned mountains in the background, unframed, wear to edges, impact in LR, some abrasions, 11" h. x 15" w.; "The Mayflower of Gloucester, 1926", oil on canvas, signed LR, coastal scene with a sail boat sailing through calm blue water, greenery can be seen in the background and possible a building can be seen in the right background, large blue skyline, framed in simple gold painted wood frame, surface wear and paint loss to frame, abrasion with paint loss to the top right of the sail boat, 10" h. x 8" w. [Works by Marion Huse are currently being offered at Vose Galleries and Childs Gallery, and have been sold by Spanierman Gallery in the past. This work was given to the Brockton Art Museum (MA) by the artist's husband, Dr. Robert Barstow; the BAM in turn gifted the Huse Collection to the New Britain Museum of American Art which later chose to sell some Huse works through auction at Winter Associates, Inc., CT]
• FINE SHIP MODEL OF THE MAYFLOWER BY
  FINE SHIP MODEL OF THE MAYFLOWER BY FABIO WOODFine Ship Model of the Mayflower by Fabio Wood, 2005, by Fabio Wood (Louisiana, b. 1949), carved and painted cypress, mahogany, nylon, and course canvas, self base, h. 46 in., w. 53 in., d. 10 in.
• RARE DEDHAM POTTERY SHIP MAYFLOWER PLATE
  RARE DEDHAM POTTERY SHIP MAYFLOWER PLATE EARLY 20TH CENTURY DIAMETER 10”.RARE DEDHAM POTTERY SHIP MAYFLOWER PLATE, Early 20th Century, Depicts a stern view of the Mayflower at sea. Dimensions: Diameter 10".
• THREE TESTED 14K GOLD MEDALS: LARGEST
  THREE TESTED 14K GOLD MEDALS: LARGEST GIVEN TO JOHN MCKENNA OF BELFAST, IRELAND BY THE PASSENGERS AND CREW FOR JUMPING OVERBOARD TO SAVE THE LIFE OF A CHILD IN DANGER OF DROWNING, DATED JULY 28TH, 1864, LAUREL WREATH ...Three tested 14K gold medals: largest given to John McKenna of Belfast, Ireland by the passengers and crew for jumping overboard to save the life of a child in danger of drowning, dated July 28th, 1864, laurel wreath border, ribbon and larger ring all tested 14K, inscriptions to both sides, overall: 2 3/4" h. x 1 3/4" w., 35.9 grams; and two smaller, one a Society of the Mayflower Descendent medal with the name Susan B. Munson, 13.9 grams; the second a New York Historical Association medal dated 1609- 1899 in border, 10.8 grams, both tested at edge, rings not tested, all pieces with wear consistent with age and use. [Total Approximate Weight: 60.5 grams]
• MODEL OF THE MAYFLOWER. Second half
  MODEL OF THE MAYFLOWER. Second half 20th century. Wood hull and masts, canvas sails and colorful paint. Some rigging damage. 22"h. 23"I.
• MODEL OF THE MAYFLOWER. Second half
  MODEL OF THE MAYFLOWER. Second half 20th century. Wood hull and masts, canvas sails and brightly colored paint some wear. 24"h. 26"I.
• Major Omer W. Clark World War II Archive
  Major Omer W. Clark World War II Archive Including Hoover Truman & Eisenhower Signed Documents & Photos Signed items include: a wooden gavel signed by Harry Truman and Omer W. Clark Potentate with a photo enlargement of the signature; Harry Truman signed photograph inscribed to Clark; Harry Truman TLS as President February 7 1948 on White House stationery and original envelope thanking Clark for an invitation to a Masonic banquet accompanied by photographs of Clark presenting the invitation to Truman in the Oval Office; a TLS by Richard Nixon as Vice President thanking Clark for a gift; a fine photograph of General Eisenhower General Bradley and Field Marshal Bernard Montgomery signed by all three; an Omar Bradley TLS thanking and praising Clark for his time as Executive Assistant Administrator of the Veterans Administration during which he was Bradley's immediate subordinate and served as Acting Administrator in his absences; two Omar Bradley signed photographs thanking Clark for his service; a General John Pershing signed photograph inscribed by Clark on verso as being signed July 12 1943 and noting that Clark commanded Pershing's escort of honor in Le Mans France and that they are members of the same Masonic chapter; signed photograph of President Herbert Hoover; and a signed photograph of Medal of Honor recipient  Vice Admiral Joel Thompson Boone inscribed to and thanking Clark. Clark's personal and Masonic items include: a key to the city of Washington D.C.; Clark's Veteran's Administration Deputy Administrator official card dated 1949; six Masonic badges The Supreme Council 33° 1943-1967; Masonic Sojournors National Past President's badge engraved to Major O.W. Clark President Washington Chapter No. 3 1945; Masonic hat; Masonic Court of Honour beanie; series of 15 photographs of Clark in a 1948 Masonic parade and speaking at banquet at the Mayflower Hotel alongside General Omar Bradley; three photographs of Clark as Veteran's Administration National Legislative Director at the dedication of the Sicily-Rome American Cemetery and Memorial; photo of Clark on the tarmac with General Bradley and others; photo of Clark and General Bradley at the 1947 Washington Senators opening day baseball game; photo of Clark and two others in the Oval Office inviting President Truman to a Masonic banquet; photo of Clark President Eisenhower and others at the 1954 Armed Forces Day dinner; Clarks's recognition certificate for four years as Assistant Director of the U.S. Veterans Bureau a photograph of Clark with movie star Harold Lloyd and others at a Masonic oyster roast; a fine engraving of Eisenhower signed by the artist Charles A. Brooks 1953; and other personal photographs and papers. Omer W. Clark spent nearly his entire life in military and public service.  He was born near Blanchester Ohio in 1887 and served in the Ohio National Guard for five years following graduation from high school.  When World War I broke out he enlisted in the 29th Division graduated from Officers Training Camp as a captain of infantry and served in the AEF as part of the 31st Division.  After the war he got a job with the Federal Board for Vocational Education which was soon consolidated into the newly instituted Veterans Bureau where he served until his retirement in 1952 as Deputy Director of the Veterans Administration.  Throughout his time in Washington Major Clark was active in fraternal organizations including the Military Order of the World Wars which he served as DC Chapter Commander in 1945-46 and National Commander in Chief 1953-54. Condition: All kept in very good condition.  Signature on gavel has faded somewhat but is still legible.
• FORTY-NINE PIECES OF STERLING SILVER
  FORTY-NINE PIECES OF STERLING SILVER FLATWAREIncludes two serving spoons two sugar shells one luncheon fork one salad fork one place spoon eleven teaspoons two butter spreaders an an olive fork in the Mayflower'' pattern by Dominick & Haff and six hollow-handled dinner knives one master butter knife five dinner forks six salad forks three place spoons four teaspoons and a hollow-handled butter spreader in the ''English Antique'' pattern by Reed & Barton. Together with a baby food pusher and a baby spoon. Approx. 48.0 troy oz. weighable''
• Late Federal mahogany and tiger maple
  Late Federal mahogany and tiger maple chest of drawers second quarter 19th century rectangular top above conforming case fitted with bonnet drawer over three graduated drawers on turned feet. H43'' W43 3/4'' D18 1/2'' Provenance: Descended in the Manley and Robbins family of Massachusetts and Pennsylvania to present heir. These families are direct descendants of William Bradford of the Mayflower and later governor of Plymouth County.
• American Chippendale cherry and mahogany
  American Chippendale cherry and mahogany tall case clock Philadelphia late 18th century broken-arch pediment with brass finials above astragal-shaped door ahead of painted iron dial displaying moon phases together with eight-day time and strike movement above rectangular long door flanked by fluted quarter-columns over square base on shaped bracket feet. H99 3/4'' W21'' D11 1/2'' Provenance: Descented in the Manley and Robbins family of Massachusetts and Pennsylvania to present heir. These families are direct descendants of William Bradford of the Mayflower and later governor of Plymouth County. replaced finials; repaired split in base; replaced feet; dial repainted; clock working in the gallery however we do not guarantee timepieces to be operational once they leave the gallery.
• Chippendale mahogany tea table possibly
  Chippendale mahogany tea table possibly New England last quarter 18th century circular top with tilting platform on turned vasiform standard emitting cabriole legs terminating in slipper feet. H28 1/4'' Dia.36'' Provenance: Descented in the Manley and Robbins family of Massachusetts and Pennsylvania to present heir. These families are direct descendants of William Bradford of the Mayflower and later governor of Plymouth County. refinished; scattered scratches to top surface; butterfly repairs to strengthen joint between two boards of top; repaired pedestal breakout at one leg; other minor imperfections consistent with age.
• Federal inlaid walnut chest of drawers
  Federal inlaid walnut chest of drawers Pennsylvania or Southern circa 1800 rectangular top above conforming case fitted with four graduated drawers drawer fronts with oval string inlay on flared French feet. H35 1/2'' W35 1/2'' D20 5/8'' Provenance: Descended in the Manley and Robbins family of Massachusetts and Pennsylvania to present heir. These families are direct descendants of William Bradford of the Mayflower and later governor of Plymouth County. small scattered patches on drawer facings with two larger patches on each side; hardware replaced; feet and base appear to be original with additional glue blocks; some barber pole inlay missing on sides.