A few examples of appraisal values for
WARDS

• ALBRECHT DURER, THE WITCHAlbrecht Durer(German,
  ALBRECHT DURER, THE WITCHAlbrecht Durer(German, 1471-1528)The Witchwood engraving on paperwood engraving on paper, printed; laid down to stiff boardIn The Witch riding backwards on a goat (1501?1502), Albrecht D?rer depicts a
• ALFRED DUKE, HOMEWARDSAlfred Duke(British,
  ALFRED DUKE, HOMEWARDSAlfred Duke(British, 1863-1905)Homewardswatercolorsigned lower right14 1/4 x 10 1/4in (36 x 26cm)
• A GROUP OF FOUR PRINTSA group of four
  A GROUP OF FOUR PRINTSA group of four printsComprising 1. after George Edwards, The Brazilian Macaw, hand colored engraving from Edward's A Natural History of Uncommon Birds,1743-1747-1750-1751, plate 229, 7 x 9.5in (18 x
• PARIAN BUST OF ALBERT EDWARDParian bust
  PARIAN BUST OF ALBERT EDWARDParian bust of Albert Edward, marked Art Union of London 1864, Morton. Edwards. St., and C. Delpech , 14 1/2" h. Condition: Good condition. No apparent damages or repairs.
• SIX SILHOUETTES, 19TH C.Six silhouettes,
  SIX SILHOUETTES, 19TH C.Six silhouettes, 19th c., one signed Edwards 1815 . Competitive in-house shipping is available for this lot.
• Georges Meunier "Spring Challenge" Art
  Georges Meunier "Spring Challenge" Art nouveau coloured Lithograph. Together with a 20th Century coloured print of a Chinese vase and flowers.Height 26cm Frame largestWidth 59cm More Information Lithograph has evidence of having been folded towards the right hand side in the past. Now behind glass so protected. Smaller picture is neatly framed no obvious signs of damage.
• No Reserve Important Antique 12th century
  No Reserve Important Antique 12th century Japanese - carved wood figure of a seated Buddha. Unkei (1150–1223). Dated 1198 Kamakura period. Carved in the warihagi zukuri technique and seated in the lotus position. Shaka Nyorai seated Buddha with many Heian Kamakura period text. UNKEI'S Signature Hall Marking techniques are used as Raised platform, light weight Box Wood, iron staple fastenings techniques, rock inset crystal eyes, Upwards Facing Left Foot - Moji texts bears the name UNKEI numerous times & Mongaku Shonin, reads - Myoe Shonin with Spring New Year party with much laughing smiling with Gaijin at Kannedadera temple east Koya Kaido road Osaka. - In 1198 Buddhist archives in Japan- Samurai priest Mongaku Shonin gifted Myoe Shonin his favorite student with a UNKEI made Buddha. This figure is believed to be that figure. Provenance - Purchased from a large collection of antique Buddhas disassembled partially assembled purchased Kyoto Japan 2002 - Unkei (1150–1223) is considered one of the greatest Japanese wood sculptors, famous for his lifelike carvings. A large part of his work are Buddhist religious figures but he also portrayed leading monks and scholars of his time., approx 49cm H More Information Purchased at an auction of a collection of Buddhas in 2002 Old repairs, more recent repairs, glue lines, openings in the wood,  hand unattached & missing wrist mount, flaking lacquer commensurate with age. Please view extensive amount of photographs.
• Japanese carved wood Nio Bodhisattva
  Japanese carved wood Nio Bodhisattva Buddha - ancient HINDU facial features, Pedestal of a tiger with human upwards facing Foot, inset rock crystal eyes, gold decoration, Some Heian period text to body. Old and recent repairs 48 cm high
• GLEN EDWARDS (1942- ), SEARCHING BRAVES
  GLEN EDWARDS (1942- ), SEARCHING BRAVES Title: Glen Edwards (1942- ), Searching Braves Medium: oil on board Dimensions: 24 x 30 Framed dimension: 31 1/4 x 37 1/4 x 2
• GLEN EDWARDS (1942- ), LAST LIGHT Title:
  GLEN EDWARDS (1942- ), LAST LIGHT Title: Glen Edwards (1942- ), Last Light Medium: oil on board Dimensions: 19 3/4 x 24 Framed dimension: 27 3/8 x 31 3/8 x 2 1/4
• George III Silver Large Circular Salver,
  George III Silver Large Circular Salver, Edward Edwards I, London, 1817 diameter 17.1 in — 43.5 cm
• Six Royal Copenhagen ‘Flora Danica’
  Six Royal Copenhagen ‘Flora Danica’ Plates, 20th century 'Pulsatilla vulgaris Lob.', 'Eutrema Edwardsii R. Br.', 'Saxifraga nivalis L.', 'Plantago intermedia Gilib.', 'Potentilla emarginata Pursh.', and 'Armeria sibirica Turcz.' diameter 8.8 in — 22.3 cm titles in black script, impressed, printed and painted marks in blue and green, including 20/3550
• Joseph Thomas (Exhibited 1850-1853)
  Joseph Thomas (Exhibited 1850-1853) - Joseph Barrows and his Children in the Garden of Handsworth Hall, Birmingham, signed and dated 1849, ink and watercolour, 52 x 57cm  Provenance: anon sale in these 'rooms, 30 November 2012, lot 1007, to the present vendor Joseph Barrows (1804-1890), a prominent citizen of Birmingham, one of the Street Commissioners (the forerunner to the Town Council) founded the firm of Joseph Barrows & Sons, Wine & Spirit Merchants. The business prospered to the extent that by 1849 the recently widowed Barrows had bought Handsworth Hall, a large 18th century home  in extensive grounds. It had been the home of Anna Maria Sacheverell and Anne Gough and afterwards Joseph Grice, JP. It was demolished in the 1870s when the area was redeveloped. More Information In the same fine state of preservation as at the 2012 sale
• An oak panel back armchair, 17th c and
  An oak panel back armchair, 17th c and later, 117cm h More Information Wear to back legs causing the chair to lean backwards, arms and plain panel to back of later date
• The WWI MC AFC order, decorations and
  The WWI MC AFC order, decorations and medals of Wing Commander William Harold Nelson Shakespeare, pilot of the first trans European flight by a commercial aeroplane, 1919, The Most Excellent Order of the British Empire Officer's silver gilt badge, civil division, Military Cross, reverse engraved CAPT W.H.N.SHAKESPEARE RFC 1917, Air Force Cross, 1914-15 Star, British War Medal, Victory Medal, 1939-1945 Star, Defence Medal and War Medal 2360 Cpl W.G.N. Shakespeare Worc R [on Star, Capt W H N Shakespeare on BWM and Victory] and related personalia and memorabilia, principally comprising:Insignia:Worcestershire Regiment cap badge,Royal Flying Corps cast gilt bronze dress uniform flying badge, 72mm l,Royal Flying Corps cloth flying badge.Other awards:Massachusetts, City of Worcester Mayor's Key, William A Bennett (1938-1945), boxed,9ct gold and enamel neck badge with arms of Worcester, Birmingham 1931, 19gPhotographs & Documents:British Empire Aviator's Certificate No 3548 with photograph, 1916,Typed itinerary of the [first] Flight to Greece, 9 October 1919, from Major Humphrey on Handley Page Ltd notepaper to Captain Shakespeare and contemporary photograph (gelatin silver print) of the bi plane,Typed carbon copy of Shakespeare's 16 p. report of the flight headed 'across Europe by air',foreign hotel bills and Greek newspaper and paper money, 1919, Unopened emergency ration tin of 'Bovril'.Military Cross: Supplement to the London Gazette, 4 February 1918, Airforce Cross: Supplement to the London Gazette, 29 October 1918.The aviator Wing Commander W H N Shakespeare (1893-1976) was born in Worcester and educated at the Royal Grammar School. He enlisted in the Worcestershire Regiment and after receiving his commission transferred to the Royal Flying Corps. The citation for his Military Cross reads "T./Capt. William Harold Nelson Shakespeare, RFC, was awarded the Military Cross for conspicuous gallantry and devotion to duty. He carried out a most successful contact patrol in very bad weather at a height of 400ft and brought back very valuable information. Later, he carried out another successful contact patrol at low altitude, his machine being subjected to intense rifle and machine-gun fire. He is a gallant and determined pilot and has set a fine example to his squadron." In 1918 he became one of the first Wing Commanders in the newly established Royal Air Force.Soon after the end of the War, he joined Handley Page for which he undertook the first trans European flight by a commercial aeroplane. In "Flight" (December 4, 1919) he posted from Athens "I have the pleasure to report the successful completion of the first civilian trans-Europe flight. I arrived at Athens after the most trying and unpleasant stage of the journey from London. Taking advantage of what seemed to be good weather at Valona, I left in the early morning and made quite good time under good conditions to Prevesa. "Shortly afterwards I landed at Tatoi, having done the journey from Valona in 4 and a half hours. This, I was afterwards told, was a record time. The people - Greek and English flying officers - were very surprised to see us as the weather had been practically impossible all day; in fact five minutes before we landed an RAF HP machine, securely picketed, had been picked up by the wind and been blown completely on its back, being a nasty mess of wreckage which was spread out in front of us. Needless to say after the buffeting I had received, I was greatly relieved to make our final landing; in fact we were all pleased with ourselves at the successful completion of this long journey, although it had taken longer than we expected. This fact was due to conditions over which neither I nor the mechanics had any control. Altogether, the machine had been out in six whole days' rain. The engines, with the attention they received stood very well "On the day fixed for the inspection by HM King of Greece the Press turned up in copious numbers. We initiated them into the mysteries of the HP and trans-Europe flight. "I did two flights of Press people over Athens, and all went home very pleased with the machine, the new 'sensation' and themselves. On these trips we did some pamphlet dropping over the city. "Saturday, November 1, was a memorable day, for HM King of Greece turned up and inspected the machine. He was greatly impressed, and finally I persuaded him to come up for a flight. Since that occasion His Majesty has had two further flights, the last trip being from Athens to Corinth".
• A composition bas relief portrait of
  A composition bas relief portrait of the head of a man, cast from a model by Joseph Edwards, 1846, 26 x 24cm, Victorian gilt frame More Information Good condition
• An Edwardian silver ogee sugar caster
  An Edwardian silver ogee sugar caster and cover, 19cm h, by Charles Edwards, London 1901, 7ozs 14dwts More Information Foot slightly dented
• FRANK KNOX MORTON REHN (AMERICAN, 1848-1914)
  FRANK KNOX MORTON REHN (AMERICAN, 1848-1914) "MOONLIGHT GRAND MUNAN" Oil on academy board. Signed (lower left). Frank Knox Morton Rehn (American, 1848-1914) Frank Rehn was a highly successful 19th-century marine painter born in Philadelphia. After finishing his training at the Pennsylvania Academy, he supported himself with portrait commission work and by selling terra cotta plates. He also painted many landscapes and still lifes and won exhibition awards for these subjects. Rehn determined to be exclusively American in his fine art painting, although French Impressionism heavily influenced his style. He is most known for his marine, portrait, and landscape paintings.
• SIR THOMAS LAWRENCE, P.R.A. (BRISTOL,
  SIR THOMAS LAWRENCE, P.R.A. (BRISTOL, LONDON, 1769-1830) LADY ELIZABETH MARY, COUNTESS OF BELGRAVE, AFTERWARDS MARCHIONESS OF WESTMINSTER Painted in 1818. Oil on canvas. Carved and giltwood frame. Catalogue Note: Colonel Charles Clifton (American, 1853-1928) was a major figure in shaping the automotive industry during its first decades. In 1897, he joined the George N. Pierce company - at that time a bicycle wheel manufacturer - and stayed on when it was reorganized as the Pierce-Arrow Motor Company, becoming chairman of the company’s board of directors in 1916. Clifton was also the founding president of the National Automotive Chamber of Commerce. Clifton joined the Albright Art Gallery Board in 1914, serving initially on the finance committee before becoming vice president and then president, a role he held from 1918 until his death in 1928. In addition to his dedication to the Buffalo AKG, Clifton also served as president of Buffalo General Hospital, and during World War I, he was president of the Allied War Relief and of the Fatherless Children of France. In recognition of his support, especially for children orphaned by the war, Clifton was made a Chevalier of the Legion of Honor by the French government. Literature: Sir W. Armstrong, Lawrence, London, 1913, p. 113. Sir Thomas Lawrence, P.R.A. (Bristol, London, 1769-1830) Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. Self-taught, he was a brilliant draughtsman and known for his gift of capturing a likeness, as well as his virtuoso handling of paint. Lawrence was also a collector and formed one of the finest collections of Old Master drawings ever known. His first royal commission was from Queen Charlotte, whose portrait he painted in 1789.
• WILLIAM LEE, PAIR OF GEORGIAN BRASS
  WILLIAM LEE, PAIR OF GEORGIAN BRASS CANDLESTICKSWilliam Lee (Birmingham fl. 1759-1780) , pair of Georgian brass candlesticks marked WM LEE , with scalloped bases, 8 3/4" h. Provenance: Ex-B.F. Edwards Collection. Competitive in-house shipping is available for this lot. Condition: Base - 4 1/4" w. Small plugged holes below rim.
• FERDINAND RICHARDT, COLD SPRING, NY,
  FERDINAND RICHARDT, COLD SPRING, NY, HUDSON RIVER SCHOOL OIL ON CANVASJoachim Ferdinand Richardt (Danish, 1819-1895),"Cold Spring", Hudson River School Painting. Looking from West Point towards Cold Spring, NY. Oil on canvas, Signed "F. Richardt" and Titled "Cold Spring
• CHRIS JORGENSEN, HALF DOME, YOSEMITE,
  CHRIS JORGENSEN, HALF DOME, YOSEMITE, WATERCOLOR, 1914Chris Jorgensen, Half Dome, Yosemite, watercolor, 1914. Signed and dated lower left. Depicting Half Dome in the snow from the bridge towards town. Viewed: 15 1/2" x 17 3/4" in original California mold
• SIGNED BEV DOOLITTLE "WOODLAND ENCOUNTER"
  SIGNED BEV DOOLITTLE "WOODLAND ENCOUNTER" PRINTSigned Bev Doolittle "Woodland Encounter" Print, a snow covered woodland scene with a fox standing towards the center and two Native American braves on horseback and wearing white moving through an as
• PLATINUM 16MM SOUTH SEA PEARL & DIAMOND
  PLATINUM 16MM SOUTH SEA PEARL & DIAMOND EARRINGSPlatinum diamond earrings featuring natural color silvery white, high luster, 16mm South Sea pearls, slight blemishes towards the back; twenty-four channel set baguette-cut diamonds appx. 1.40 ctw., t
• Sydenham Teast Edwards (British, 1768-1819) Red
  Sydenham Teast Edwards (British, 1768-1819) Red Breast, 1791; House Sparrow, 1794; and Stonechat, 1794 (three works) watercolor and gouache each signed and dated 8 x 11 inches.
• Samuel Arlent Edwards (English/American,
  Samuel Arlent Edwards (English/American, 1862-1938) Madame Adelaide as Diana (after Jean-Marc Nattier), 1902 color mezzotint inscribed in the lower margin and signed by Edwards with a note on the process. Overall, 18 x 21 1/2 inches. Property from a Private Collection, Stuart, Florida
• NICK VACCARO 1960S COLLAGRAPH (TWO STATES)Nick
  NICK VACCARO 1960S COLLAGRAPH (TWO STATES)Nick Vaccaro (Kansas, 1931-2002) Untitled, circa 1960s Two collagraphs on paper 25 1/4" x 20 1/2" (each image) Two states of the same abstract plate, from the early days of collagraphy. Each is designated "Proof" to the bottom margin. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Both sheets are stained, and both have bumped and slightly torn edges.
• NICK VACCARO "APPARITION" (1960S COLLAGRAPH,
  NICK VACCARO "APPARITION" (1960S COLLAGRAPH, TWO STATES)Nick Vaccaro (Kansas, 1931-2002) Apparition , circa 1960s Collagraphs on paper 23" x 28 1/4" Two proof states of the same abstract plate, executed in the early days of collagraphy. Each is pencil-signed and titled in the bottom margin. Not framed. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Both sheets show bumping and creasing at the edges, the later state with a few slight edge tears.
• NICK VACCARO "EURASIAN" (1960S COLLAGRAPH)Nick
  NICK VACCARO "EURASIAN" (1960S COLLAGRAPH)Nick Vaccaro (Kansas, 1931-2002) Eurasian , circa 1960s Collagraph on paper 28 1/2" x 22 1/2" (sheet) Pencil-signed, titled, and numbered (#1/ 4) to the bottom margin. Not framed. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Some smudging in the margins. Registration pinholes to the top corners of the sheet.
• NICK VACCARO PAIR OF MIXED MEDIA COLLAGES
  NICK VACCARO PAIR OF MIXED MEDIA COLLAGES (1995)Nick Vaccaro (Kansas, 1931-2002) Two mixed media collages, 1995 24" x 20" (each) Each collage is signed and dated to the bottom right corner. Both unframed. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Good condition, noting a little bit of adhesive staining in the top right corner of one collage.
• NICK VACCARO UNTITLED MIXED MEDIA COLLAGE
  NICK VACCARO UNTITLED MIXED MEDIA COLLAGE (1999)Nick Vaccaro (Kansas, 1931-2002) Untitled, 1999 Mixed media collage 32" x 21 1/2" Signed and dated to the bottom right corner and to the reverse. Not framed. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Very good condition.
• NICK VACCARO "PATCHES" (1998 MIXED MEDIA
  NICK VACCARO "PATCHES" (1998 MIXED MEDIA COLLAGE)Nick Vaccaro (Kansas, 1931-2002) Patches , 1998 Mixed media collage 26" x 20" Signed and dated to the bottom right, titled to the reverse. Float-mounted in a glazed frame measuring 28 1/4" x 22 1/4". Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Very good condition, with minor wear to the frame.
• NICK VACCARO UNTITLED 1998 MIXED MEDIA
  NICK VACCARO UNTITLED 1998 MIXED MEDIA COLLAGENick Vaccaro (Kansas, 1931-2002) Untitled, 1998 Mixed media collage 28" x 20" Signed and dated to the bottom right. Housed in a glazed frame measuring 28 1/4" x 20 1/4". Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Very good condition.
• NICK VACCARO "BARRIER" (1998 MIXED MEDIA
  NICK VACCARO "BARRIER" (1998 MIXED MEDIA COLLAGE)Nick Vaccaro (Kansas, 1931-2002) Barrier, 1998 Mixed media collage 26" x 20" Signed and dated to the bottom right, titled to the reverse. Float-mounted in a glazed frame measuring 28 1/4" x 22 1/4". Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Very good condition, noting minor wear to the frame.
• NICK VACCARO "GUN CASE" (1980S ASSEMBLAGE)Nick
  NICK VACCARO "GUN CASE" (1980S ASSEMBLAGE)Nick Vaccaro (Kansas, 1931-2002) Gun Case , circa 1980s "Magic Box" assemblage 15" x 13" x 2 1/2" Signed and titled to the reverse. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Very good condition.
• NICK VACCARO "PLANE & SOLID" (ASSEMBLAGE)Nick
  NICK VACCARO "PLANE & SOLID" (ASSEMBLAGE)Nick Vaccaro (Kansas, 1931-2002) Plane & Solid "Magic Box" assemblage 13 1/2" x 13 1/2" x 3 1/4" Signed and titled to the reverse. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Good condition, with minor wear.