- A Gilded Wrought Iron Railing Attributed
to Edgar Brandt
20th Century
modeled with birds on branches.
Height 46 1/2 x width 150 x depth 1 1/2 inches....
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Tole Oval Two-Handled Jardinieres, of verriere form in the Restauration style, the deux-couleur-gilded decoration of antique keys and tasseled cords a la Gianni Versace,...
[more like this] - PAIR WROUGHT IRON PARCEL GILT MARBLE
TOP CONSOLE TABLES...American or French, early 20th century, each with cream to salmon variegated marble top over iron frame with scrolled, leaf decorated, and parcel gilt...
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CONSOLE Gilded wrought iron demilune wall-mounted console, the black marble top above two tiers of scrolling feathers, the base with a blossoming rose finial. 16" H x 24"...
[more like this] - MAISON RAMSAY GILDED WROUGHT IRON LOW
TABLE Hollywood Regency gilded wrought iron low coffee or cocktail table, 1950s, the model by Jean Charles Moreux (French, 1889-1956) for Maison Ramsay, with shaped oval top...
[more like this] - MAISON RAMSAY STYLE GILDED WROUGHT IRON
LOW TABLE Hollywood Regency gilded wrought iron low coffee or cocktail table, 1950s, after the model by Jean Charles Moreux (French, 1889 - 1956) for Maison Ramsay, with shaped...
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the blackened and parcel-gilt wrought-iron frame in the Directoire style, the cresting modeled as a sunburst surmounting a pair of gilded cut iron draperies centering a pair...
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Chandelier, in the Louis XVI taste, of modified cage form, dressed with large pendeloques, cut fleurettes, panel-cut spears and pendant glass spheres, electrified and fitted...
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Gilded Wrought-Iron and Cut Glass Eight-Light Chandelier, in the 18th-century neoclassical style, richly dressed with faceted bead chains, jewel-cut glass chains, panel-cut...
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Giltwood and Cut Glass Three-Light Appliques, in the neoclassical taste, dressed with draped bead chains, cut fleurettes and faceted drops in two sizes, electrified and fitted...
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Glass, second quarter 20th century, of cartouche form in the 18th-century rococo style, with a three-light gilded wrought-iron pricket applique, in "Flower and Leaf" decor,...
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Tole-Peinte, Giltwood and Wrought-Iron Eight-Light Chandelier, in the "Troubadour" style, the paired, scrolled and gilded wrought-iron candlearms surmounted by turned giltwood...
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and Cut Glass Three-Light Appliques, of tall size in the Maria Theresa style, the scrolled wrought-iron frames outlined with glass beads, the candlearms richly dressed with...
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Gilded Wrought-Iron Two-Light Appliques, second quarter 20th century, of flambeau form in the neoclassical taste, the flambeaux filled with giltwood foliage and a pair of...
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Three-Light Applique, second quarter 20th century, in the 18th-century style, the candlesockets arranged in a stepped configuration and fitted with floriform gilded wrought-iron...
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and Gilded Wrought-Iron Three-Light "Bowknot" Appliques, second quarter 20th century, in the 18th-century neoclassical style, the tall carved backplates with entwined ribbon...
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Glass Annular Five-Light Chandelier, in the Baronial taste, first quarter 20th century, dressed with jewel-cut glass festoons and panel-cut drops in two sizes, electrified...
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and Parcel-Gilt Cast-Iron Appliques, in the rococo taste, second quarter 20th century, the candlearms modeled as four gilded wrought-iron scrolls supporting a cylindrical...
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and Gilded Wrought-Iron Two-Light Sconces, first quarter 20th century, in the neoclassical style of Robert Adam (English, 1728-1792), electrified and fitted with white faux...
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Five-Light Chandelier, of cage form in the Louis XV style, second quarter 20th century, dressed with cut glass fleurettes, panel-cut drops, faceted glass drops in two sizes,...
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Wrought-Iron and Cut Glass Eight-Light Chandelier, in the 18th-century neoclassical style, opulently dressed with multiple faceted cut glass bead chains and swags, panel-cut...
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Wrought-Iron and Cut Glass Eight-Light Chandelier, in the 18th-century neoclassical taste, opulently dressed with multiple faceted cut glass bead chains and swags, panel-cut...
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Cut Glass Foyer Chandelier, of lantern form in the Louis XVI style, the four fleur-de-lis-headed candlearms emanating from the basal rim of the lantern, elaborately dressed...
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and Parcel-Gilt Wood and Gilded Wrought-Iron Single-Light Appliques, in the Louis XVI taste, each free-form lozenge backplate with curled parcel-gilt corners, centered with...
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Convex Looking Glass, third quarter 20th century, of sunburst form in the Directoire style, dia. 24"....
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the matte-gilded wrought-iron, carved rock crystal and silver-leaf appliques in the Louis XVI style of Bagues, Paris, the gilded candlesockets modeled as rose blooms, richly...
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Gilded Wrought-Iron Two-Light Appliques, second quarter 20th century, in the late 18th-century neoclassical style, each backplate centered with a large upright scallop shell...
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Wood and Gilded Wrought-Iron Tiered Eight-Light Chandelier, in the Late Baroque style, dressed with pendant glass spheres in three sizes and fitted with faux candles, h....
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Gilded Wrought-Iron Two-Light Appliques, second quarter 20th century, in the 18th-century rococo style, the gilded wrought-iron candlearms fitted with faux candles and electrified,...
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and Gilded Wrought-Iron Three-Light Appliques, in the neoclassical style, the candlearms of "hunting horn" form and dressed with pendant giltwood tassels, the whole dependent...
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Gilded Wrought-Iron Two-Light Appliques, second quarter 20th century, in the late 18th-century neoclassical style, the giltwood backplates a stylized lyriform surmounted...
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and Cut Glass Tiered Six-Light Appliques, second quarter 20th century, in the Louis XV style, fitted with white faux candles and electrified, h. 39", w. 30"....
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Lyriform Two-Light Appliques, first quarter 20th century, in the Louis XVI style, richly dressed with panel- and facet-cut glass spears, cut fleurettes, faceted bead chains...
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and -Gilt Wooden Ten-Light "Blackamoor" Floor Candelabra, in the 18th-century Venetian style, the tiered candlearms of gilded wrought-iron, cut tin and gilded plaster, each...
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and Cut Glass Three-Light Chandelier, of cage form in the Louis XVI style, second quarter 20th century, richly dressed in rose opaline glass, with cut colorless glass fleurettes,...
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Glasses, constructed of giltwood, gilded wrought-iron and plaster, fourth quarter 19th century, in the style of Robert Adam (1728-1792), the tall carved giltwood and gilded...
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