- CHINA ENGRAVINGS HAND-COLORED AFTER
THOMAS ALLOM 2 Engravings, subtly hand-colored after Thomas Allom from "China in a Series of Views" by G.N. Wright, comprising "Scene in the Suburbs of Ting-hai" and "Transplanting...
[more like this] - CHINA ENGRAVINGS HAND-COLORED AFTER
THOMAS ALLOM 2 Engravings, subtly hand-colored after Thomas Allom from "China in a Series of Views" by G.N. Wright, comprising "Ancient Bridge, Chapoo" and "The Grand Temple...
[more like this] - (4) FRAMED CHINESE SCENE PRINTS AFTER
THOMAS ALLOM(lot of 4) Framed offset lithographs on paper, after the originals by Thomas Allom (English, 1804-1872), late 20th c., including: (1) "Raree Show at Lin-sin-choo,"...
[more like this] - (4) FRAMED CHINESE SCENE PRINTS AFTER
THOMAS ALLOM(lot of 4) Framed offset lithographs on paper, after the originals by Thomas Allom (English, 1804-1872), late 20th c., including: (1) "Dyeing and Winding Silk,"...
[more like this] - THOMAS ALLOM (1804-1872): BELVOIR CASTLEPencil
and ink on paper, signed 'Allom' lower left, titled lower right and variously inscribed, with label from David Ker Fine Art, London.
7 3/4 x 9 1/2 in. (sheet), 16 x 17 1/2...
[more like this] - WILLIAM SAMUEL HOWITT (BRITISH, 1765-1822)
AFTER CAPT. THOMAS WILLIAMSON (BRITISH, 1758-1817) (7) Chasing a tiger across a river; A tiger killed by a poisoned arrow, a pair engravings from 'Oriental Field Sports' each...
[more like this] - Thomas Allom (1804-1872), Emperor 'Teaou-Kwang'
Reviewing His Guards, Palace of Peking, Circa 1840 Hand-coloured copperplate engraving on paper;
print 8.2 x 10.7 in (20.9 x 27.3 cm) frame 11.1 x 13.1 in — 28.2 x 33.3...
[more like this] - Thomas Allom (1804-1872) and George
Newenham Wright (1790-1877) THE CHINESE EMPIRE, ILLUSTRATED: BEING A SERIES OF VIEWS FROM ORIGINAL SKETCHES, DISPLAYING THE SCENERY, ARCHITECTURE, SOCIAL HABITS, ETC., OF...
[more like this] - AFTER THOMAS ALLOM (BRITAIN, 1804-1872),
THREE HAND-COLORED COPPERPLATE ENGRAVINGS: "THE CULTURE AND PREPARATION OF TEA", CIRCA 1840, "JUNKS PASSING AN INCLINED PLANE ON THE IMPERIAL CANAL", CIRCA 1848, AND "THE...
[more like this] - Five Etchings Depicting Life in China
19th
Century
Thomas Allom, illustrator
Playing Shuttlecock with the Feet
Hall of Audience Palace of Yuen min Yuen, Peking
The City of Nanking
Landing Place and Entrance to the...
[more like this] - Two Etchings by Thomas Allom (1804-1872)
from China in a Series of Views, Displaying the Scenery, Architecture, and Social Habits, of that Ancient Empire. London: Fisher, Son & Co., preface dated 1843.
Each image:...
[more like this] - WRIGHT, THE CHINESE EMPIRE, CIRCA 1850
G.M. Wright, THE CHINESE EMPIRE ILLUSTRATED, Thomas Allom, illus. (London: London Printing and Publishing Co., n.d., circa 1850) Two volumes, large 4to., pictorial cloth,...
[more like this] - THOMAS ALLOM (1804-1872): GROUP OF ENGRAVINGSa
group of etching of China and genre scenes, circa 1840; comprising a group of four hand-colored copperplate engravings within one frame; a group of five copperplate engravings...
[more like this] - Group of six etchings by Thomas Allom
(English, 1804-1872) depicting scenes of China, circa 1848, each set in board matting; overall good condition; each print 7 1/2" x 5", each matting 13 1/2" x 12" (approx.)...
[more like this] - THOMAS ALLOM (BRITISH 1804-1872): VIEW
OF CHINAc. 1840; hand-colored copperplate engraving, matted, unframed; engraved by G. Patterson, published by Fisher, Son and Co., London and Paris; Provenance: Property from...
[more like this] - THOMAS ALLOM, BRITISH 1804-1872, THE
SHIH-MUN OR THE ROCK-GATES AND CITY OF NING PO, FROM THE RIVER, PAIR OF ENGRAVINGS, FRAMES: 15 1/4 X 17 IN. (38.7 X 43.2 CM.)THOMAS ALLOM, BRITISH, 1804-1872 THE SHIH-MUN...
[more like this] - A Group of Six Steel Engravings of Turkey
After Thomas Allom and Rouargue
framed in carved parcel gilt frames.
Four larger frame dimensions 12 1/4 x 14 1/4 inches.
Property from the Collection of Bruce McCashin, Vero...
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