Price guides for ARREDOLUCE (AFTER), TRIENNALE STYLE...

Price guides for ARREDOLUCE (AFTER), TRIENNALE STYLE

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ARREDOLUCE (AFTER), TRIENNALE STYLE...

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ARREDOLUCE (AFTER), TRIENNALE STYLE

© MILLEA Bros. AUCTIONS, Ltd., Boonton, NJ, USA

ARREDOLUCE (AFTER), TRIENNALE STYLE FLOOR LAMP 20th/21st c., white enameled pierced shades, chromed metal adjustable arms and stamp, black enameled base,...

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ARREDOLUCE ITALIAN MODERN TRIENNALE
FLOOR LAMP Angelo Lelli (Italian, 1911?1979) for Arredoluce Italian mid-century modern Triennale floor lamp with three articulated arms and white emamel conical shades, marked...
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ARREDOLUCE (AFTER), TRIENNALE STYLE
FLOOR LAMP 20th/21st c., white enameled pierced shades, chromed metal adjustable arms and stamp, black enameled base, unmarked, approx. 65" x 30"dia (arm)...
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MID-CENTURY SARFATTI 'TRIENNALE' 3-LT
FLOOR LAMPItalian mid-century modern three-light "Triennale" floor lamp, designed by Gino Sarfatti (Italy, 1912-1984) for Arredoluce, c.1950s, three adjustable chromed metal...
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ANGELO LELLI FOR ARREDOLUCE MONZA “TRIENNALE?
LAMP Italy, c. 1950.chrome & enameled aluminum. Stamped signature on base “Made in Italy Arredoluce Monza.?? Dimensions: Ht. 65" W 35" D 35" Condition: overall good, light...
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ANGELO LELII FOR ARREDOLUCE LEATHER,
CHROME AND BRUSHED METAL 'TRIENNALE' FLOOR LAMPStamped 'MADE ITALY'. 5 ft. 8 x 37 1/2 x 34 in. Note: This model with a round metal base was presented at the Milano IX Triennale...
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ARREDOLUCE "TRIENNALE" ITALIAN MODERN
FLOOR LAMP Angelo Lelli (Italian, 1911-1979) for Arredoluce Italian Mid-Century Modern Triennale floor lamp with three articulated arms and conical enamel shades, marked "Made...
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ANGELO LELLI FOR ARREDOLUCE ALUMINUM
AND CHROME 'TRIENNALE' FLOOR LAMPMarked on base. 6 ft. 8 1/4 in. x 36 x 28 in. Condition In generally good condition. White painted shades with scattered chipping. Pitting...
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Angelo Lelii. Triennale floor lamp,
model 12128. 1947, chrome-plated steel, enameled aluminum. 65 h × 35 w × 35 d in. result: $7,680. estimate: $5,000–7,000. Impressed manufacturer's mark to base ‘Made...
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Angelo Lelii. Triennale floor lamp,
model 12128. 1947, chrome-plated steel, enameled aluminum. 65 h × 35 w × 35 d in. result: $5,938. estimate: $5,000–7,000. Impressed manufacturer's mark to base ‘Made...
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Arredoluce. Triennale floor lamp, model
12128. 1947, enameled aluminum, chrome-plated and enameled steel, chrome-plated brass. 74 h × 35 w × 35 d in. result: $7,500. estimate: $3,000–5,000. Impressed manufacturer's...
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Angelo Lelii. Triennale floor lamp,
model 12128. 1947 / c. 1970, brass, enameled aluminum. 65 h × 35 w × 35 d in. result: $6,930. estimate: $3,500–4,500. Incised manufacturer's mark to base and to each socket...
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ARREDOLUCE "TRIENNALE" ITALIAN MODERN
FLOOR LAMP Angelo Lelli (Italian, 1911-1979) for Arredoluce Italian mid-century modern Triennale floor lamp with three articulated arms and emamel conical shades, marked to...
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PAOLO ANGELO LELII (1911-1979), TRIENNALE
LAP FOR ARREDOLUCE, CIRCA 1950S, DIMENSIONS VARIABLE: 67" H X 40" W X 40" DPaolo Angelo Lelii (1911-1979), Triennale lap for Arredoluce, circa 1950s Designed 1951 Appears...
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ARREDOLUCE MONZA CHROME PLATED AND ENAMEL
'TRIENNALE' FLOOR LAMP DESIGNED BY ANGELO LELII, CIRCA 1950Arredoluce Monza Chrome Plated and Enamel 'Triennale' Floor Lamp, Designed by Angelo Lelii, Circa 1950 Underside...
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ANGELO LELLI: TRIENNALE FLOOR LAMPAngelo
Lelli: Triennale Floor Lamp, model 12128, manufactured by Arredoluce, Monza, Italy, 1950s; chrome-plated brass, enameled metal; stamped to interiors of black and yellow shades...
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ARREDOLUCE TRIENNALE MODERN FLOOR LAMP
Angelo Lelli for Arredoluce Italian Mid-Century Modern Triennale floor lamp with three articulated arms and enamel conical shades, atop circular Italian veined white marble...
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Angelo Lelii (Italian, 1911-1979) Triennale
Floor Lamp, model 12128Arredoluce, Italy lacquered brass, enameled aluminum impressed manufacturer's mark 'Made in Italy Arredoluce Monza‘ to underside Approximately | H...
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Arredoluce Triennale Floor Lamp, designed
1951 Estimate:$3,000-$5,000...
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