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BERNARD LANGLAIS (AMERICAN, 1923...
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© NADEAU'S AUCTION GALLERY, Windsor, CT, USA
BERNARD LANGLAIS (AMERICAN, 1923 - 1977), THE GULL OF T...Bernard Langlais (American, 1923 - 1977), The Gull of the Inner Eye, wood relief with paint,...
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- BERNARD LANGLAIS (AMERICAN, 1921-1977).
"Knock Wood". Wood assemblage. Signed lower right with letterpress. Signed, titled and inscribed on reverse. Acquired directly from the artist through friendship with consignor....
[more like this] - WOOD RELIEF, BERNARD LANGLAIS Bernard
Langlais (American, 1923-1977), "New Orleans," 1960, wood relief, signed and titled verso, stamped signature lower right, gallery label (Leo Castelli, New York, NY) affixed...
[more like this] - Bernard Langlais 1921–1977. In the
Forest. acrylic on paper. 10¼ h × 16¼ w in. result: $983. estimate: $600–800. Signed and titled to lower edge ‘In The Forest Bernard Langlais’....
[more like this] - BERNARD LANGLAIS (AMERICAN, 1923 - 1977),
THE GULL OF T...Bernard Langlais (American, 1923 - 1977), The Gull of the Inner Eye, wood relief with paint, 1969, unsigned, 48" x 48" overall, remnants of original paper...
[more like this] - BERNARD LANGLAIS (1921-1977): WILD BOARCarved
and polychromed wood.
9 1/2 x 4 x 19 in.
Condition
Wear, some losses. Otherwise in good condition.
Not withstanding this report or any discussion concerning condition...
[more like this] - CHARLES S. DUBACK, NEW YORK (1926-2015),
TREELINE NO. 1, '77, RIVER LANDSCAPE SERIGRAPH, ARTIST PROOF, 21 1/4"H X 28"W (SIGHT), 30 1/2"H X 37 1/4"W (FRAME)Charles S. Duback, New York, (1926-2015) Treeline No. 1,...
[more like this] - BERNARD LANGLAIS (ME/NY, 1921-1977)
"Golden Head", wood relief construction on panel, various woods and finishes, late 1950s, titled verso, also inscribed verso "Bernard Langlais, 212 W. 28 St., NYC". 14 1/4"...
[more like this] - BERNARD LANGLAIS (ME/NY, 1921-1977)
Drawing of a Lion in ink and watercolor on textured paper, signed lower left, edge toned, framed and matted with French ruled line, SS: 8" x 10" mat size 13" x 15"....
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