- RARE PRE FACTORY PAUL REED SMITH BASS
GUITAR Circa late 1970s/early 1980s; four string PRS bass guitar features rare Bertolini Hi-A Pickups, Leo Quan Badass bridge, and chrome machine heads. Mahogany body and...
[more like this] - GIBSON STYLE U HARP GUITAR Circa 1920
(label present with obscured serial number), dark red sunburst finish, bound top and sides; mixed wood inlay at sound hole; original 1909 patent pickguard, decorative shell...
[more like this] - EARLY MAIL ORDER PARLOR GUITAR Circa
1890s-1900s, no manufacturer's name, 8935 stamped on top of the headstock, string names and note positions are meticulously painted on the 12-fret ebonized fingerboard; spruce...
[more like this] - VINTAGE DOBRO RESONATOR GUITAR Manufactured
by Regal with Dobro metal parts, mid to late 1930s: walnut body, the top with "F" holes, without edge binding, 3 1/2 in. H., 19 x 14 3/8 in.; neck with rounded back, the fretboard...
[more like this] - VINTAGE DOBRO RESONATOR GUITAR Manufactured
by Regal with Dobro metal parts, mid to late 1930s: partly stained walnut top with "F" holes, the back and sides ebonized, with edge binding top and bottom, 3 1/2 in. H.,...
[more like this] - EBONIZED CLASSICAL ACCOUSTIC GUITAR
WITH TRAVEL BAG AND A UKULELEEbonized Classical Accoustic Guitar with Travel Bag and a Ukulele...
[more like this] - RICHARD SAMUELSON #78 ACOUSTIC GUITAR
IN CASE: Mother of Pearl inlaid with Quilted Maple back & sides, and ebonized neck. Hand written at interior, ''Made in Dunedin, FL, U.S.A., by Richard Samuelson, #78, 2020....
[more like this] - BLACK GOYA STUDIO 59 ELECTRIC GUITAR
IN CASE: Ebonized solid body with a black pick guard. Ebonized inlay at neck. Resting in a hard case. Approx. 39.5'' l x 12.75'' w. Case Approx. 4'' h x 43.25'' l x 15.5''...
[more like this] - UNBRANDED HOME BUILD ELECTRIC GUITAR
IN CASE: Textured white laminated observe with a Mother of Pearl inlaid ebonized neck. The reverse is a grey stained solid body. Headstock with black marker that reads, ''Tshirt...
[more like this] - FENDER LEAD II NATURAL GUITAR IN CASE:
Serial #E011668. Natural solid body with ebonized inlaid neck. Guitar Approx. 38.75'' l x 12.25'' w. Case Approx. 4.25'' h x 42.25'' l x 14.25'' w.
CONDITION: Moderate wear...
[more like this] - BLACK ARIA PRO II RS SERIES ELECTRIC
GUITAR: Serial #404325, made in Japan. Ebonized inlay at neck. Resting in a hard case. Guitar Approx. 39.5'' l x 13'' w. Case Approx. 3.5'' h x 44.5'' l x 15.25'' w.
CONDITION:...
[more like this] - BLACK GIBSON MELODY MAKER P90 PICKUPS:
Serial #48180, 1961. Ebonized body & pick guard. Pick guard with ''Melody Maker'', below neck. Resting in a Gibson soft case. Guitar Approx. 39.25'' l x 13'' w. Case Approx....
[more like this] - UNBRANDED TELECASTER STYLE ELECTRIC
GUITAR: Having EMG pickups. Ebonized accents. Approx. 39'' l x 12.75'' w.
CONDITION: A few scattered indents, lifting & wear near string mount holes, at the verso....
[more like this] - ALDEN ELECTRIC GUITAR: Alan Entwhistle
designed, Chinese made guitar. Ebonized fingerboard with abalone markers. Approx. 38.25'' l x 13.5'' w.
CONDITION: Scattered wear to paint, more so at the edges....
[more like this] - HARMONY 0100-5 ACOUSTIC GUITAR IN C.M.
MARTIN CASE Vintage Guitar, metal strings, model 0100-5, 14-fret board with mother-of-pearl inlay, ebonized finish, made in Indonesia, 41" long, 15 1/4" wide; in a C.M. Martin...
[more like this] - CLEAN GOYA MARTIN ERA G305 ACOUSTIC
GUITAR Japan,20th CenturyGreat guitar with blonde spruce top, mahogany body, ebonized hardwood fretboard with thumb spots along neck with chrome tuner hardware. Comes with...
[more like this] - Noel Rockmore (American/New Orleans,
1928-1995) "Old Woman with Guitar and Friends", pen and ink on paper, 10-1/2" x 13-1/4", signed and dated upper right "Rockmore". Glazed and presented in an ebonized frame....
[more like this] - Piero Fornasetti (Italian, 1913-1988)
Lacquered and Hand-Painted Sidechair, ca. 1960, the curved back and seat inlaid and painted to simulate a guitar, raised on ebonized tapering circular legs, h. 35-1/2"....
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