- GENNARO FAVAI VIEW OF VENICE OIL ON
CANVASGennaro Favai (Italy, 1879 - 1958) oil on canvas depicting a view of Venice, dedicated to Sybil Whigham, titled, dated, and signed by the artist to the bottom of the...
[more like this] - GENNARO PICINNI, MODERN PAINTING OF
VENICE Gennaro Picinni (Italian, b. 1933-). "Venezia" -1957, oil on panel. Signed and dated lower right, titled verso. Provenance: Deaccession from the Mobile Museum of...
[more like this] - GENNARO FAVAI, (1879-1958, ITALIAN),
"PROCESSION IN FRONT OF ST. MARK'S - VENICE", OIL ON PANEL, 23.5" H X 28.5" WGennaro Favai, (1879-1958, Italian) "Procession in Front of St. Mark's - Venice" Oil on panel...
[more like this] - JEWELRY: LARGE GENNARO GAROFALO SHELL
CAMEO PIN/PENDANT, RECTANGULAR SHAPED FRAME, STAMPED AND TESTED “14K” YELLOW GOLD, 3 3/8" X 3", THE BACK HAS TWO WIRE LOOPS FOR A CHAIN AND A HINGED PIN STEM, SET WITH...
[more like this] - Persian rug, possibly a Shiraz, repeating
geometric medallions on faded olive ground, 4 ft. 1 in. x 5 ft. 4 in. Extensive corrosion, areas of wear lacking pile, one side with several repaired slits and/or holes, 1/2...
[more like this] - Aubusson style needlepoint, floral bouquet
central medallion on ivory ground, symmetrical format of intertwined vines and floral bouquets, woven in four joined panels, possibly Portuguese, 20th century, 8 ft. x 10...
[more like this] - Russian silver cigar case, rounded rectangle,
mid-case lid, scrolling foliage and beaded border, central band with stylized lion's head, maker's marks with wear, probably for firm of Ovchinnikov, unknown assayer's...
[more like this] - Georgian mahogany tall case clock, arched
and inlaid hood with circular glazed door opening to painted dial signed "James Wilson Hamilton", waisted case with reeded quarter columns, pendulum, weights and...
[more like this] - Wrought iron fender, cast and forged
elements, scrolls and circular openwork sections flanked by spiraled posts, marked on back of front rail "Patented 1888", 10-1/2 x 66-1/2 in. Old black paint with scattered...
[more like this] - Gennaro Gentile gouache, Arice tempestosa
ideale (Ideal Stormy Weather), titled at bottom, women washing clothes by a mill and fighting the wind of an approaching storm, signed lower right "Gennaro Gentile",...
[more like this] - Pair hand-wrought iron andirons: each
finial with three hand-formed flowers, arched legs with penny feet, brackets for tool rests, traces of old gilt surface, late 19th/early 20th century, 30 in. Good condition,...
[more like this] - Chippendale style two-pedestal dining
table, mahogany top with gadrooned edge and two leaves, each pedestal with baluster support and tripod base with carved feet, 20th century construction, labeled by Charak...
[more like this] - Fine William IV pedestal sideboard,
highly figured mahogany veneers, scroll-carved backsplash, top fitted with three frieze drawers, dovetailed construction with oak linings, pedestal cabinets with shelved interiors,...
[more like this] - Classical carved sofa, mahogany with
beech rails, figured veneer panels on crest and seat rail, deeply scrolled back and arms, turned and reeded legs on brass casters, striped silk upholstery, British or possibly...
[more like this] - Fine Regency three-tier server, figured
mahogany, each tier with molded edge and dovetailed backsplash, carved scrolled support, on trestle-form stand with scrolled feet, rich reddish-brown color, British, 19th...
[more like this] - William IV serpentine chest, figured
mahogany, four graduated and dovetailed long drawers with mahogany linings, pine secondary, British, 19th century, 46 x 43 x 21-3/4 in. Good condition overall, brasses replaced,...
[more like this] - Pair Japanese imari wall vases: molded
as vases on stands, flanked by Chinese children, late 19th/early 20th century, 7 in. Minor flaws, crackle on one child's head, wear and loss to glaze and gilt. Collection...
[more like this] - Tiffany style stained glass lamp, mushroom-shaped
shade with eight curved glass panels with metal overlay, patinated cast iron base marked "BK" with dark green paint, early 20th century, 21-1/2 x 18 in. Scattered losses to...
[more like this] - Chinese longquan yen-yen vase, celadon,
carved cartouches with flowers on a diamond ground, Ming Dynasty, 18 in., 19-1/2 in. with stand. Drilled and mounted on wood stand, rim reduced, crackle. Collection of Gennaro...
[more like this] - Chinese altar table, two-board inset
top, two drawers with storage space beneath, flower and ring metal pulls, partitioned panels with raised rectangles front and back, horse hoof legs, late 19th/early 20th century,...
[more like this] - Pair Chinese export style candlesticks:
mirror images, birds perched on tree trunks with berry-laden vines, brass French style bases, brass vines mounted at trunks, wrapping around birds' heads to end in cups, contemporary,...
[more like this] - Three Asian vases: one Chinese celadon,
pear-shaped, dragon-form flanges, banded neck, blue six-character Yongzheng mark (1723-1735), 19th century, 9-1/2 in., mounted as lamp, 13-1/2 in. to top of socket, drilled...
[more like this] - Chinese export folding fan, brass-framed
sticks with silver wire filigree and enameling, painted paper leaf with double-sided scenes of figures walking on verandahs and in gardens, applied ivory faces, fabric robes,...
[more like this] - International Trianon sterling flatware,
103 pieces, no monogram, 92.16 oz.T. excluding hollow-handle items, with one-drawer white-painted wooden case. Collection of Gennaro Viola, Asheville, North Carolina....
[more like this] - 16th century style Greek icon, The Annunciation,
tempera and gilding on incised oak panel, 18th century or earlier, unframed, 10-7/8 x 8-1/8 in. Retouch in drapery, floor and clothing, panel warped, splits in two places...
[more like this] - Old Master painting, nativity, adoration
of the Magi, unsigned, oil on panel, Italian School, possibly late 16th century, unframed, 20-1/2 x 17-3/8 in. Fibrous gesso or paper base, vertical split in wood panel, backed...
[more like this] - Painting after Guido Reni, Christ presenting
the keys to Saint Peter, unsigned, after Guido Reni, Italian, 1575-1642, oil on pine panel, inscribed verso "Nicola Poissin [sic]", 18th or 19th century, 18 x 12...
[more like this] - Pair 18th century Italian paintings
of saints, frames: one with saint of the Franciscan order with Christ child, one with saint holding a book, reverse-painted glass, unsigned, 10-3/4 x 10-3/4 in.; matching...
[more like this] - Italian Old Master painting, The Penitent
Magdalene, unsigned, oil on canvas, Italian, possibly 18th century, 40 x 30 in.; reverse-profile wood frame with carved wood acanthus corners. Lined, retouch at all edges...
[more like this] - 18th century Italian School painting,
The Holy Family, unsigned, 18th century, 30-1/4 x 40-7/8 in.; modern gilt wood frame. Lined, several periods of restoration, retouch scattered throughout, crackle, cupping,...
[more like this] - Continental embroidery of Christ, figure
of Christ wearing a crown of thorns and holding a staff, stitched in metallic thread "ECCE HOMO", silk appliqué on linen with silk and metallic thread embroidery, possibly...
[more like this] - Spanish silk embroidery, 1679, printed
central panel in Latin text below an embroidered and appliquéd heraldic crest flanked by hanging tassels, elaborate floral and vine border, "Anno 1679" printed...
[more like this] - European still life painting, flower
in an exterior setting with a butterfly and a bird, unsigned, oil on canvas, 19th century, 21-7/8 x 30 in.; modern gilt wood frame. Lined, scattered retouch throughout, crackle,...
[more like this] - 17th century Old Master painting, Ecce
Homo , unsigned, oil on panel, Spanish School, early 17th century, unframed, 33-1/8 x 24-1/4 in. Two battens verso, various checks or splits in panel, four butterfly patches...
[more like this] - Spanish Colonial crucifix, Christ on
the cross flanked by the sun and moon, Mary at his feet, the archangel Michael at the base, carved sign "Inri", hand-carved and polychromed wood, 18th century, 22-1/2 x 14...
[more like this] - Two Spanish Colonial retablos : El Ste
Nino de Atocha , 14-1/8 x 9-5/8 in., and The Holy Trinity, 13-5/8 x 10 in., both oil on tin, unframed. Pitting, dents, corrosion, abrasions, grime. Collection of Gennaro Viola,...
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