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© St. CHARLES AUCTIONS, New Orleans, LA, USA
Italian Carved Giltwood and Cut and Wrought-Iron Ram\'s Masque Two-Light Applique, in the late 18th-century neoclassical style, fitted for electricity,...
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- Italian Carved Giltwood and Cut and
Wrought-Iron Ram\'s Masque Two-Light Applique, in the late 18th-century neoclassical style, fitted for electricity, h. 12\", w. 15\"....
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Gilded Wrought-Iron and Cut Glass Eight-Light Chandelier, in the 18th-century neoclassical style, richly dressed with faceted bead chains, jewel-cut glass chains, panel-cut...
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Wrought-Iron, Mirrored Glass and Cut Glass Two-Light Appliques, of flambeau form, with two candle branches and cut glass-petaled flowerheads issuing from each mirrored glass...
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Wrought-Iron and Cut Glass Eight-Light Chandelier, in the 18th-century neoclassical style, opulently dressed with multiple faceted cut glass bead chains and swags, panel-cut...
[more like this] - Northern Italian Carved Giltwood, Gilded
Wrought-Iron and Cut Glass Eight-Light Chandelier, in the 18th-century neoclassical taste, opulently dressed with multiple faceted cut glass bead chains and swags, panel-cut...
[more like this] - Pair of Italian Carved Giltwood and
Gilded Wrought-Iron Two-Light Appliques, second quarter 20th century, in the late 18th-century neoclassical style, each backplate centered with a large upright scallop shell...
[more like this] - Large Pair of Italian Carved, Parcel-Argente
and Pale Green-Painted Giltwood, Wrought-Iron and Cut Tin Appliques, second quarter 20th century, of shield form in the Baroque style, the prickets removed and the candlearms...
[more like this] - Italian Giltwood, Wrought-Iron, Cut
Glass and Gemstone Six-Light Chandelier, second quarter 20th century, in the neoclassical taste, the turned, carved, Pompeian red-painted and parcel-gilded standard opulently...
[more like this] - Pair of Northern Italian Brass-Mounted
Carved Giltwood Girandole Looking Glasses, third quarter 19th century, in the rococo style, the plates reverse-engraved and -cut with, respectively, figures of a classical...
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