- JAMES LAMANTIA (AMERICAN/NEW ORLEANS,
1923-2011)James Lamantia (American/New Orleans, 1923-2011), "Open Marsh", 1975, oil on canvas, signed mid-right, signed and dated en verso, signed, titled, dated and illegibly...
[more like this] - JAMES LAMANTIA (AMERICAN/NEW ORLEANS)James
Lamantia (American/New Orleans, 1923-2011) , "Open Marsh", 1975/76, oil on canvas, signed mid-right, signed and dated en verso, signed, titled, dated and illegibly inscribed...
[more like this] - James Barry (Irish active in Italy and
England 1741-1806) "A Group of Recumbent Figures Huddled Among Blankets" 1792 ink and wash on laid paper with all corners missing but made up on backing card dated in English...
[more like this] - Attributed to Luigi Valadier I or a
Follower (Italian 1726-1785) "Design for a Reliquary or Monstrance" c. 1775/1800 layout in geometric strokes of very light graphite execution in ink and ink wash on cream-colored...
[more like this] - Attributed to Charles-Louis Clérisseau
(French worked in Italy 1721-1820) "A Chimneypiece in the Neo-Classical Style" c. 1770s/1780s ink and two tones of gray wash on cream-colored laid paper (perhaps with an even...
[more like this] - French School 18th c. "Male Nude Dragging
a Fallen Figure by the Feet" red chalk or sanguine crayon on cream-colored paper fully watermarked and countermarked with untranslated French maker's marks (crowned shield...
[more like this] - Pio Panfili (Italian/Bologna 1732-1812)
"Quarter Design for a Quadratura Ceiling" (recto) with architectural sketches (verso) c. 1755 ink and bistre wash on buff laid paper unsigned (but numbered "90A in circle...
[more like this] - Francesco Borromini his Studio or a
Follower (Italian 1599-1667) "Section of Spire for the Church of San Ivo della Sapienza Rome" 1642/1720 ink and gray wash on cream-colored laid paper with reddish sepia paint...
[more like this] - Francesco Borromini his Studio or a
Follower (Italian 1599-1667) "Southwest Quadrant of Drum Elevation for the Church of San Ivo della Sapienza Rome" 1642/1720 ink and gray wash on cream-colored laid paper with...
[more like this] - Alexander Runciman (Scottish 1736-1785)
"Sorrowing Mother with Two Children-A Babe and a Youth" c. late 1760s/early 1770s sepia ink and wash with white gouache on cream-colored wove paper without discernible watermark...
[more like this] - Follower of Jean-Auguste-Dominique Ingres
(French 1780-1867) "Portrait of a Man Facing Right" mid-19th c. black chalk on cream-colored paper with ruled border pierced along left edge with faint but untranslatable...
[more like this] - George Wesley Bellows (American 1682-1925)
"Crucifixion of Christ" 1923 lithograph pencil signed titled and signed by printer Bolton Brown signed in plate H.V. Allison & Co. New York label en verso sheet 22 3/4 in....
[more like this] - George Wesley Bellows (American 1882-1925)
"The Garden of Growth" from "Men Like Gods" series 1923 lithograph pencil signed titled numbered "28" and pencil signed by printer Bolton Brown sheet 21 3/4 in. x 17 1/8 in....
[more like this] - Sir John Edward Poynter P. R. A. (British
1836-1919) Study for 'Thrown' Drapery probably for a painting of Andromeda of 1872 graphite with black and white chalk on green prepared wove paper unsigned but with studio...
[more like this] - Attributed to Sir Peter Lely (Dutch
working in England 1618-1680) "Seated Male Figure Looking to His Right" 1666 black chalk with white highlights (the latter applied selectively to drapery modeling and anatomy)...
[more like this] - Charles-André called Carle Van Loo
(French 1705-1765) "A Sleeping Shepherd" probably c. early 1760s red chalk (and graphite sketches of a left hand and a head at top right) inscribed in umber ink by a mid-18th...
[more like this] - Antonio Basoli (Italian 1774-1848) "A
Stage Set Showing a Hall or Court in the Romanesque Style" c. 1810 ink and ink wash with white gouache (image bordered in black ink) on gray laid paper without watermark unsigned...
[more like this] - James Lamantia (American/New Orleans
1923-2011) "Diptych Landscape" 1989 two oils on canvas each signed and dated en verso each 18 in. x 30 in. overall 18 in. x 60 in. unframed. Note: James Lamantia was...
[more like this] - Lin Emery (American/Louisiana, b. 1928)
"Flower", 1992, welded, polished and painted aluminum kinetic outdoor sculpture, 137" x 54". Provenance: Purchased by a New Orleans collector from The Arthur Roger Gallery,...
[more like this] - Marco Capinucchi (Italian known active
1825-1845) "Neo-Classical Design for the Ceiling of a Square Room" 1841 with graphite sketch plan of a theatre en verso watercolor and gouache on cream wove paper unsigned...
[more like this] - James R. Lamantia (American/New Orleans
b. 1923) "Study for Brooklyn Heights" pen ink and wash on paper inscribed and titled en verso sight 10 1/4 in. x 14 1/4 in. matted and framed....
[more like this] - Sir John Everett Millais P.R.A. (English
1829-1896) "Reclining Female Nude" (recto) and "Standing Male Nude" (verso) two life studies c. 1845 black brown and white chalk on buff-colored wove paper signed with given-name...
[more like this] - Benjamin West P. R. A. (British 1738-1820)
"Seated Female Figure (Probably Study for a Portrait)" probably c. late 1770s/early 1780s graphite on buff laid paper unsigned 7 5/8 in. x 8 1/2 in. in a composite dealer's...
[more like this] - Simeon Solomon (British 1840-1905) "Memory"
1890 red chalk on cream-colored wove paper without watermark signed in monogram and dated lower right 14 1/4 x 12 1/8 in. in modern corner-mounts. Provenance: Durlacher...
[more like this] - Simeon Solomon (British 1840-1905) "Profile
Head of a Saint or Angel" 1905 black chalk and pastel signed in monogram and dated lower right inscribed "Simeon Solomon" en verso on beige wove paper watermarked by J. What[man]...
[more like this] - John Ruskin (British 1819-1900) "A Cave
Seen in Sunlight" and "A Cave Seen in Shade": a pair of drawings probably c. 1830s graphite watercolor and gouache on light buff wove papers (both sheets laid down) unsigned...
[more like this] - John Ruskin (British 1819-1900) "The
Roman Arch at Susa in Piedmont" c. 1830s/40s or later traces of graphite with black and white gouache on gray paper unsigned 6 1/4 in. x 6 1/2 in. on a decorated French mat...
[more like this] - John Ruskin (English 1819-1900) "A Weathered
Dressed Stone in a Minimal Landscape" c. late 1830s/early 1840s graphite and white gouache on buff wove paper initialed "J.R." at right center 3 15/16 in x 6 3/4 in. (right...
[more like this] - Very probably John Ruskin (British 1819-1900)
"Bones of a Female Foot" 1844 graphite watercolor and gouache on gray wove paper laid down; unsigned 7 1/16 x 12 in. in a modern mount; inscribed in a later hand en verso...
[more like this] - Augustus Welby Northmore Pugin (British
1812-1852) "The Belfry Godenberg" perhaps 1840s traces of graphite under sepia watercolor on cream-colored wove paper titled at bottom center but unsigned 7 7/8 in. x 5 3/4...
[more like this] - George Daniel Stevenson (British 1845-1931)
"View of Jermyn Street Turkish Bath London Showing the Brick Domed Steam Room with a View Beyond the Tile Pool" ink and watercolor on paper unsigned sheet 23 3/8 in. x 19...
[more like this] - John Ruskin (British 1819-1900) "Coastal
Towns Below Cliffs" July 1852 graphite and sepia wash with blue and white gouache on heavily toned buff paper stamped "158" in black ink at upper right inscribed in pencil...
[more like this] - Gabriel-Pierre-Martin Dumont (French
1720-1791) "Section Drawing of a Church Project to be Built on a Greek-Cross Plan " c. 1750s/1760s ink gray and light rose washes on cream-colored laid paper unsigned 12 1/4...
[more like this] - Jeanne Garcin (French late 19th c.)
"Posing Male Nude" charcoal on paper initialed en verso 23 in. x 16 3/4 in. unframed. Provenance: Estate of James R. Lamantia Jr. Note: Lamantia's inscription en...
[more like this] - James Lamantia (American/New Orleans,
b. 1923) "Oak Lined Plantation Path", watercolor on paper, sight 14" x 20-1/2", signed and dated lower left "Lamantia '48". Glazed, double matted and presented in a beaded...
[more like this] - James Lamantia (American/New Orleans
1923-2011) "Turn in the Road" 1987 acrylic on canvas signed lower left signed and dated en verso Galerie Simonne Stern label en verso 16 in. x 20 in. (oval) unframed....
[more like this]