JAMES LAMANTIA (AMERICAN/NEW ORLEANS,1923-2011)James Lamantia (American/New Orleans, 1923-2011), "Open Marsh", 1975, oil on canvas, signed mid-right, signed and dated en verso, signed, titled, dated and illegibly...
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JAMES LAMANTIA (AMERICAN/NEW ORLEANS)JamesLamantia (American/New Orleans, 1923-2011) , "Open Marsh", 1975/76, oil on canvas, signed mid-right, signed and dated en verso, signed, titled, dated and illegibly inscribed...
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James Barry (Irish active in Italy andEngland 1741-1806) "A Group of Recumbent Figures Huddled Among Blankets" 1792 ink and wash on laid paper with all corners missing but made up on backing card dated in English...
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Attributed to Luigi Valadier I or aFollower (Italian 1726-1785) "Design for a Reliquary or Monstrance" c. 1775/1800 layout in geometric strokes of very light graphite execution in ink and ink wash on cream-colored...
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Attributed to Charles-Louis Clérisseau(French worked in Italy 1721-1820) "A Chimneypiece in the Neo-Classical Style" c. 1770s/1780s ink and two tones of gray wash on cream-colored laid paper (perhaps with an even...
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French School 18th c. "Male Nude Dragginga Fallen Figure by the Feet" red chalk or sanguine crayon on cream-colored paper fully watermarked and countermarked with untranslated French maker's marks (crowned shield...
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Pio Panfili (Italian/Bologna 1732-1812)"Quarter Design for a Quadratura Ceiling" (recto) with architectural sketches (verso) c. 1755 ink and bistre wash on buff laid paper unsigned (but numbered "90A in circle...
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Francesco Borromini his Studio or aFollower (Italian 1599-1667) "Section of Spire for the Church of San Ivo della Sapienza Rome" 1642/1720 ink and gray wash on cream-colored laid paper with reddish sepia paint...
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Francesco Borromini his Studio or aFollower (Italian 1599-1667) "Southwest Quadrant of Drum Elevation for the Church of San Ivo della Sapienza Rome" 1642/1720 ink and gray wash on cream-colored laid paper with...
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Alexander Runciman (Scottish 1736-1785)"Sorrowing Mother with Two Children-A Babe and a Youth" c. late 1760s/early 1770s sepia ink and wash with white gouache on cream-colored wove paper without discernible watermark...
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Follower of Jean-Auguste-Dominique Ingres(French 1780-1867) "Portrait of a Man Facing Right" mid-19th c. black chalk on cream-colored paper with ruled border pierced along left edge with faint but untranslatable...
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George Wesley Bellows (American 1682-1925)"Crucifixion of Christ" 1923 lithograph pencil signed titled and signed by printer Bolton Brown signed in plate H.V. Allison & Co. New York label en verso sheet 22 3/4 in....
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George Wesley Bellows (American 1882-1925)"The Garden of Growth" from "Men Like Gods" series 1923 lithograph pencil signed titled numbered "28" and pencil signed by printer Bolton Brown sheet 21 3/4 in. x 17 1/8 in....
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George Wesley Bellows (American 1882-1925)"Lychnis and Her Sons" from the "Men Like Gods" series lithograph pencil signed titled numbered "4" and signed by printer Bolton Brown sheet 23 3/4 in. x 18 3/4 in. image...
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Sir John Edward Poynter P. R. A. (British1836-1919) Study for 'Thrown' Drapery probably for a painting of Andromeda of 1872 graphite with black and white chalk on green prepared wove paper unsigned but with studio...
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Attributed to Sir Peter Lely (Dutchworking in England 1618-1680) "Seated Male Figure Looking to His Right" 1666 black chalk with white highlights (the latter applied selectively to drapery modeling and anatomy)...
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Charles-André called Carle Van Loo(French 1705-1765) "A Sleeping Shepherd" probably c. early 1760s red chalk (and graphite sketches of a left hand and a head at top right) inscribed in umber ink by a mid-18th...
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Antonio Basoli (Italian 1774-1848) "AStage Set Showing a Hall or Court in the Romanesque Style" c. 1810 ink and ink wash with white gouache (image bordered in black ink) on gray laid paper without watermark unsigned...
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James Lamantia (American/New Orleans1923-2011) "Diptych Landscape" 1989 two oils on canvas each signed and dated en verso each 18 in. x 30 in. overall 18 in. x 60 in. unframed. Note: James Lamantia was...
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Lin Emery (American/Louisiana, b. 1928)"Flower", 1992, welded, polished and painted aluminum kinetic outdoor sculpture, 137" x 54". Provenance: Purchased by a New Orleans collector from The Arthur Roger Gallery,...
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Marco Capinucchi (Italian known active1825-1845) "Neo-Classical Design for the Ceiling of a Square Room" 1841 with graphite sketch plan of a theatre en verso watercolor and gouache on cream wove paper unsigned...
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James R. Lamantia (American/New Orleansb. 1923) "Study for Brooklyn Heights" pen ink and wash on paper inscribed and titled en verso sight 10 1/4 in. x 14 1/4 in. matted and framed....
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Sir John Everett Millais P.R.A. (English1829-1896) "Reclining Female Nude" (recto) and "Standing Male Nude" (verso) two life studies c. 1845 black brown and white chalk on buff-colored wove paper signed with given-name...
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Benjamin West P. R. A. (British 1738-1820)"Seated Female Figure (Probably Study for a Portrait)" probably c. late 1770s/early 1780s graphite on buff laid paper unsigned 7 5/8 in. x 8 1/2 in. in a composite dealer's...
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Simeon Solomon (British 1840-1905) "Memory"1890 red chalk on cream-colored wove paper without watermark signed in monogram and dated lower right 14 1/4 x 12 1/8 in. in modern corner-mounts. Provenance: Durlacher...
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Simeon Solomon (British 1840-1905) "ProfileHead of a Saint or Angel" 1905 black chalk and pastel signed in monogram and dated lower right inscribed "Simeon Solomon" en verso on beige wove paper watermarked by J. What[man]...
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John Ruskin (British 1819-1900) "A CaveSeen in Sunlight" and "A Cave Seen in Shade": a pair of drawings probably c. 1830s graphite watercolor and gouache on light buff wove papers (both sheets laid down) unsigned...
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John Ruskin (British 1819-1900) "TheRoman Arch at Susa in Piedmont" c. 1830s/40s or later traces of graphite with black and white gouache on gray paper unsigned 6 1/4 in. x 6 1/2 in. on a decorated French mat...
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John Ruskin (English 1819-1900) "A WeatheredDressed Stone in a Minimal Landscape" c. late 1830s/early 1840s graphite and white gouache on buff wove paper initialed "J.R." at right center 3 15/16 in x 6 3/4 in. (right...
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Very probably John Ruskin (British 1819-1900)"Bones of a Female Foot" 1844 graphite watercolor and gouache on gray wove paper laid down; unsigned 7 1/16 x 12 in. in a modern mount; inscribed in a later hand en verso...
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Augustus Welby Northmore Pugin (British1812-1852) "The Belfry Godenberg" perhaps 1840s traces of graphite under sepia watercolor on cream-colored wove paper titled at bottom center but unsigned 7 7/8 in. x 5 3/4...
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George Daniel Stevenson (British 1845-1931)"View of Jermyn Street Turkish Bath London Showing the Brick Domed Steam Room with a View Beyond the Tile Pool" ink and watercolor on paper unsigned sheet 23 3/8 in. x 19...
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John Ruskin (British 1819-1900) "CoastalTowns Below Cliffs" July 1852 graphite and sepia wash with blue and white gouache on heavily toned buff paper stamped "158" in black ink at upper right inscribed in pencil...
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Gabriel-Pierre-Martin Dumont (French1720-1791) "Section Drawing of a Church Project to be Built on a Greek-Cross Plan " c. 1750s/1760s ink gray and light rose washes on cream-colored laid paper unsigned 12 1/4...
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James Lamantia (American/New Orleans,b. 1923) "Oak Lined Plantation Path", watercolor on paper, sight 14" x 20-1/2", signed and dated lower left "Lamantia '48". Glazed, double matted and presented in a beaded...
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James Lamantia (American/New Orleans1923-2011) "Turn in the Road" 1987 acrylic on canvas signed lower left signed and dated en verso Galerie Simonne Stern label en verso 16 in. x 20 in. (oval) unframed....
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