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© THOMASTON PLACE AUCTION GALLERIES, Thomaston, ME, USA
LEONARD OCHTMAN (CT, 1854-1934) Pasture with Distant Cottage, a tonalist watercolor, circa 1900, in the original gilt gesso matched corner frame, under...
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- LEONARD OCHTMAN (CONNECTICUT, 1854-1934),
WINTER SCENE., PASTEL ON PAPER 14” X 29.5" SIGHT. FRAMED 23.5” X 39.75”.LEONARD OCHTMAN, Connecticut, 1854-1934, Winter scene. Signed lower right "Leonard Ochtman"....
[more like this] - LEONARD OCHTMAN (CT, 1854-1934), HILLSIDE
IN SPRING Oil on canvas (lined), signed at lower left, retaining two gallery labels to the verso, the stretcher bars inscribed "Hill-side in Spring" and stamped "Ex. P.A.F.A."...
[more like this] - LEONARD OCHTMAN, (1854-1934), HAY FIELD
WITH A HOUSE IN THE DISTANCE, 1896, OIL ON CANVAS, SIGHT: 15.5" H X 21.5" WLeonard Ochtman, (1854-1934) Hay field with a house in the distance, 1896 Oil on canvas Signed...
[more like this] - LEONARD OCHTMAN (AMERICAN 1854-1935),
OLD MEADOWS, OIL ON CANVAS, 12 X 18 INLeonard Ochtman, (American, 1854-1935) Old Meadows, Signed Leonard Ochtman and dated 1888 l.l. Oil on canvas; also titled on old...
[more like this] - LEONARD OCHTMAN (CT, 1854-1934) Pasture
with Distant Cottage, a tonalist watercolor, circa 1900, in the original gilt gesso matched corner frame, under glass, OS: 21 1/4" x 27 1/4", SS: 15 1/4" x 21 1/4", toned....
[more like this] - LEONARD OCHTMAN (CT, 1854-1934) Pastureland,
Approaching Storm ,a tonalist study, oil on canvas, signed lower left, oak molded deep cove frame, ca. 1910, OS: 16" x 20", SS: 11 1/2" x 15 1/2", overall craquelure....
[more like this] - OCHTMAN Leonard (American 1854-1934):
Figures Traveling Along a Wooded Path Oil/Wood Panel 12'' x 16'' signed lower left later gilded frame 15'' x 19''.CONDITION: Repair to horizontal crack running from the left...
[more like this] - Leonard Ochtman (CT 1854-1934) Canal
Sceneoil on canvas signed at lower left ''Leonard Ochtman '' an old paper label on the verso is inscribed ''On the Morris & Essex Canal / Leonard Ochtman '' presented in the...
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