- STONEWARE PITCHER WITH COBALT BLUE FLORAL
DEC.Half Gallon Stoneware Pitcher with Cobalt Blue Floral and Foliate Decoration. Attributed to Remmy, Philadelphia. 9-1/2"h. Inside rim chip with line emanating from it.
Condition:...
[more like this] - A COMPLETE SYSTEM OF GEOGRAPHY, VOL.
I BOWEN 1747Bowen, Emanuel: A Complete System of Geography. Being a Description of all the Countries, Islands, Cities, Chief Towns, Harbours, Lakes, and Rivers, Mountains,...
[more like this] - 2 SOUTHWEST VA J. B. MAGEE STONEWARE
POTTERY ITEMSTwo (2) Southwest VA J. B. Magee (Washington Co., Virginia) stoneware pottery items.1st item: Tall unglazed jug with incised stamp to the upper shoulder reading...
[more like this] - THANGKA BUDDHA WITH EMANATIONS SCROLLScroll
depicts Buddha sitting on a lotus flower atop a dragon surrounded by emanations. Scripted on the back. In overall good condition consistent with age. Scrolls measures 71"...
[more like this] - MAKI HAKU "EMANATION 7-3" WOODBLOCK
PRINTMaki Haku (Japanese, 1924-2000). Embossed woodblock print titled "Emanation 7-3" depicting a horseshoe shape in black encompassing five embossed squares next to a small...
[more like this] - 3 PIECE SHELL MOTIF BELLEEK: 1) Vintage
Belleek Marine Epergne vase with the 5th green mark. Four center trumpets and three shells with coral branches on a coral base. Classic creamy ivory Belleek glaze with opalescent...
[more like this] - PENNSYLVANIA SGRAFFITO REDWARE CHARGERImportant
Montgomery County, Pennsylvania sgraffito redware charger, dated 1790 , attributed to George Hubener, the dated heart with emanating tulips within wavy line and swirl borders,...
[more like this] - Y A RARE SCOTTISH GEORGE II COFFEE URN
ATTRIBUTED
TO JAMES KERR, EDINBURGH, CIRCA 1730 The ovoid body raised on three cabriole legs, with a chased border of shells and diaper work around the shoulder and cover, with a vacant...
[more like this] - Large Pair of English Arts and Crafts
Polished Nickel Two-Light Sconces, first quarter 20th century, the tall vertical backplates ripple edged and hammered, the large candlesockets and bobeches emanating from...
[more like this] - Restauration Mahogany and Marble-Top
Center Table, mid-19th century, the circular dished Sarrancolin marble top raised on a paneled bulbous standard to a hexagonal base emanating three scrolling legs raised...
[more like this] - Pair of Louis XVI-Style Giltwood Looking
Glasses, each with a rectangular plate surmounted by a floral-urn crest emanating flowing floral swags, flanked by corner urn accents, surrounded by a fluted frame with urn...
[more like this] - Pair of French Antique-Gilded and Bronze-Patinated
Brass Three-Light Candelabra, first quarter 20th century, in the First Empire style, the candle branches emanating from the head of a bronze-patinated, seated Sphinx surmounting...
[more like this] - ANDY WARHOL (american 1928-1987) '25
CATS NAME SAM AND ONE BLUE PUSSY.' Circa 1954. Bound book with 17 offset lithographs, 11 with watercolor. (Missing cover and justification pages). Printed by Seymour Berlin....
[more like this] - French Gilt-Brass and -Copper Monstrance,
fourth quarter 19th century, of traditional form, the radians emanating from a body decorated with embossed grapes, above a standard with a double knop and domed base, the...
[more like this] - Good Pair of Sevres-Style Gilt-Brass-Mounted
Porcelain Vasiform Four-Light Candelabra, in the Louis XVI style, fourth quarter 19th century, now electrified and mounted as table lamps, modeled as bleu-du-Roi vases with...
[more like this] - French Carved Giltwood Six-Light Chandelier,
of baluster form in the Louis XIV style, first quarter 20th century, the boldly modeled scroll arms emanating from a central scrolled vasiform standard, electrified and fitted...
[more like this] - Diminutive Pair of French Gilt-Lacquered
Brass and Noir d'Egypte Marble Two-Light Candelabra, first quarter 20th century, in the Louis XVI style, modeled as antique vases from which emanate central bouquets and...
[more like this] - PAIR OF SEVRES GILT BRONZE AND PORCELAIN
COVERED URNS. Signed ''E. Dabon'' Height: 22'' Condition: Each sustains noticeable surface grime; Each leans noticeably to one side; Each sustains medium to noticeable wear...
[more like this] - Large French Galvanized Metal Globular
Turret Finial, in the 1890's style, fitted with a tall spike finial emanating from a stylized flowerhead at the apex of the primary sphere, h. 30-1/2"....
[more like this] - Pair of French Bronze-Patinated Brass
Four-Light Appliques, second quarter 20th century, in the Consular style, modeled as anthemia-feathered arrows from which emanated the four "hunting horn" candlearms, electrified...
[more like this] - Victorian Silverplate Epergne, second
quarter 19th century, featuring a large central floral-banded ring supported by four scrolling arms to a vasiform standard from which emanate four reeded, floral-mounted arms...
[more like this] - Small French Gilded Wrought-Iron and
Cut Glass Foyer Chandelier, of lantern form in the Louis XVI style, the four fleur-de-lis-headed candlearms emanating from the basal rim of the lantern, elaborately dressed...
[more like this] - Pair of Blue Glass Floral Earrings,
ca. 1955, each of circular form with a central gold-toned flower with a central blue glass bead and radiating strands of blue glass beads emanating from the central flower,...
[more like this] - Tall French Gray-Painted Galvanized
Metal Turret Finial in the Aesthetic Taste, fourth quarter 19th century, with a ribbed vasiform central element from which emanates the upper stylized bouquet of four large...
[more like this] - Large Provincial Pale Matte-Gray-Finished
Galvanized Metal Centerpiece Bowl, modeled as a large central sphere surmounted by a spiked finial and from which emanate eight candlearms, above a footed fruit bowl terminating...
[more like this] - Large Provincial Pale Matte-Gray-Finished
Galvanized Metal Centerpiece Bowl, modeled as a large central sphere surmounted by a spiked finial and from which emanate eight candlearms, above a footed fruit bowl terminating...
[more like this] - Good, Rare Napoleon III Bronze-Patinated
and Parcel-Gilt-Brass Tiered Eight-Light Chandelier, third quarter 19th century, of small size in the neo-grecque style, now electrified, the standard of stylized amphora...
[more like this] - Large and Opulent Pair of French Gilt-Brass,
Mirrored and Cut Glass and Rock Crystal Appliques, in the Bagues style, modeled as flat-back demi-vases from which emanate stylized three-branch bouquets, the bobeches richly...
[more like this] - Large Pair of French Gilt- and Patinated
Bronze Winged Terme Five-Light Appliques, in the First Empire style, of good weight, each gilt foliate-based terme holding aloft a gilded flambeau from which emanate four...
[more like this] - Pair of French Gilt- and Black-Painted
Brass Two-Light Appliques, second quarter 20th century, in the Directoire style, the circular backplates painted in matte black and centered with antique-gilded sunbursts...
[more like this] - Italian Carved Giltwood Sunburst Looking
Glass, second quarter 19th century, in the Directoire taste, the circular plate within a rounded frame emanating molded rays of various lengths, dia. 27"....
[more like this] - French Gilt-Copper and First Standard
(.950) Silver Gilt Monstrance, fourth quarter 19th century, Paris, the gilt-copper body of traditional form, the radians emanating from a pierced trefoil, above a standard...
[more like this] - German Cast-Iron and Horn Umbrella Stand,
ca. 1900, in the Jaeger taste, the stand formed from intersecting antlers emanating from a hexagonal iron base raised on paw feet, h. 31-1/2", dia. 19-1/2"....
[more like this] - Italian Giltwood Sunburst Looking Glass,
mid-20th century, in the Directoire taste, the circular plate within a molded frame and emanating rays of various lengths, dia. 9-3/4"....
[more like this] - Pair of French Gilt-Bronze and White
Carrere Marble Five-Light "Putto" Candelabra, first quarter 20th century, in the Louis XVI style, each putto holding aloft a floral wreath from which emanate the rose bouquet-form...
[more like this] - Continental Patinated Bronze Three-Light
Chandelier, first quarter 20th century, in the neoclassical taste, the three dowswept candlearms emanating from a central pendant vasiform element, now electrified, h. 20",...
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