RAMIZ BARQUET, (1920-2010), ATTENUATEDSTANDING NUDE FIGURE, 1963, PATINATED BRONZE ON A WOODEN BASE, 44.5" H X 17" W X 6" D; WITH BASERamiz Barquet, (1920-2010) Attenuated standing nude figure, 1963 Patinated...
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Stately Gilt-Brass and Marble FloorLamp, second quarter 20th century, in the form of an attenuated Louis XVI brazier in the ancient Roman taste, the bowl ringed by four ram-masque monopods ending in hoof feet,...
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Stylish English Regency Carved and Black-DetailedGiltwood Looking Glass, first quarter 19th century, of narrow upright oblong form, the pediment embellished with twelve giltwood spheres, the entablature with an ebonized...
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Pair of French Gilt-Bronze Four-LightCandelabra, fourth quarter 19th century, in the First Empire style, the standards of reeded, tapering columnar form above pedestal bases of attenuated and truncated obelisk...
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Attractive French Brass and FrostedGlass Chinoiserie Luminaire, second quarter 20th century, attributed to Jansen, Paris, of attenuated square-section lantern form, the brass framing modeled as bamboo, the...
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French Antiqued Gold Tole-Peinte PaneledFive-Light Chandelier, of attenuated "Montgolfier" form in the Restauration style, electrified and fitted with antique-white faux candles and matching antiqued gold tole-peinte...
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Tall, Attenuated Spanish Colonial Carvedand Polychromed Wood Figure of St. Francis, fourth quarter 18th century, presented robed and on an integral base of low octagonal form, h. 20"....
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Attractive Pair of "Greek Key"-Borderedand Vertical Stripe-Engraved Glass Decanters, of attenuated bell form, each example retains the original demi-spherical glass stopper, h. 11-1/2", dia. 4-1/2"....
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Monumental Pair of French GalvanizedMetal Eight-Light Candelabra, of 1890's turret-finial form, each example centered with an attenuated spike finial, the finish weathered to an attractive matte gray throughout,...
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Tall Pair of English Brilliant-Cut GlassDecanters, first quarter 20th century, of inverted pyriform, retaining the tall attenuated oviform cut glass stoppers, h. 16", dia. 5-1/2"....
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Four-Piece Collection of Hand-PaintedAmerican Belleek Porcelain, including a good Willets two-handled vase of attenuated baluster form in "Stylized Wisteria" decor, 1880-1904; a Willets vase of baluster form...
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Large Franco-Bohemian Richly GildedBiscuit and Porcelain Garniture Vase, third quarter 19th century, of flared form in the rococo taste, at the base, a polychromed biscuit porcelain galants couple inspecting...
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Pair of Continental Brass and Wrought-IronCandlesticks, third quarter 19th century, in the 17th-century style, the standards of an attenuated vasiform configuration above triangular, stepped bases with modified paw...
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Tall Pair of English Brilliant-Cut GlassDecanters, first quarter 20th century, of inverted pyriform, retaining the tall attenuated oviform cut glass stoppers, h. 16", dia. 5-1/2"....
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Five-Piece Collection of Hand-PaintedAmerican Belleek Porcelain, including a good Ceramic Art Company cabinet vase of attenuated baluster form in "Purple Iris" decor, 1889-1906; a Ceramic Art Company blue-and-white...
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Stylish Pair of French Antique Green,Grisaille and Gold Tole-Peinte Candlesticks, second quarter 19th century, of attenuated vasiform, the upper sections painted en grisaille with rural farm vignettes, the bases...
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English Gilt-Brass Doorknocker, inthe Renaissance taste, the attenuated lyriform knocker centered at the basal edge with a river god masque, h. 8", w. 3-1/2"....
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Pair of French Ormolu-Mounted Bleu CelestePorcelain Covered Two-Handled Garniture Vases, fourth quarter 19th century, in the Louis XVI Sevres style, each facade centered with an oval reserve of frolicking putti allegorical...
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Fine Monumental French Flambe-GlazedTerra Cotta Vase, the patinated gilt-bronze-mounted vase of attenuated baluster form, the bronze mount in the form of a large berry spray caught at the neck by a gilded cord,...
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Good de Vez Cameo-Cut Glass Vase, firstquarter 20th century, of attenuated baluster form, in "Lakeside Catkins" decor, the glass in shaded pale yellow green and sky-blue to chestnut, signed at the basal edge in...
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Good Pair of American Brass and Wrought-IronAndirons, fourth quarter 18th century, the central attenuated vasiform elements supported on cabriole pad terminal feet, the wrought-iron billets with turned brass leg restraints,...
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Fine, Large Fulper Pottery "Vasekraft"Vase, first quarter 20th century, of attenuated pyriform in iridized, mottled turquoise-to-cobalt over satin rose glaze, signed with the embossed vertical Fulper mark on...
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French Carved and Green-Painted BeechwoodLit de Parade, in the Directoire style, first quarter 20th century, the rear posts with attenuated, covered vasiform finials, the facade posts with everted scroll terminals...
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Pair of French Polished Nickel TableLamps, of attenuated baluster form in the Post-Modern style, each on a domed circular base and fitted with a custom ecru monk's cloth drum shade, h. 19" (24-1/2" to top of...
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Pair of French Ormolu-Mounted Bleu CelestePorcelain Covered Two-Handled Garniture Vases, fourth quarter 19th century, in the Louis XVI Sevres style, each facade centered with an oval reserve of frolicking putti allegorical...
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French Gilt-Brass- and Champleve Enamel-MountedPorcelain Covered Two-Handled Garniture Vase, fourth quarter 19th century, of attenuated pyriform in the Sevres style, the facade with a figural reserve of a putto accosting...
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Large Gilt-Brass-Mounted Porcelain CoveredGarniture Vase, fourth quarter 19th century, of attenuated pyriform in the Sevres Louis XVI taste, with bleu du Roi ground, the facade with a large galants reserve in the...
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Stylish English Regency Carved and Black-DetailedGiltwood Looking Glass, first quarter 19th century, of narrow upright oblong form, the pediment embellished with twelve giltwood spheres, the entablature with an ebonized...
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Pair of French Gilt-Brass Two-LightAppliques, fourth quarter 19th century, in the Louis XVI manner of Jean-Charles Delafosse (French, 1734-1789), modeled as attenuated half vases in the Antique style suspended...
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Stylish American Classical Carved Giltwoodand Plaster Looking Glass, first quarter 19th century, the side rails each with a pair of spiral-ribbed colonnettes with attenuated rope-twist capitals, the cresting with...
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Good, Large Georgian Silver-and Gilt-Brass-MountedTortoiseshell Triple-Compartment Tea Box, second quarter 19th century, of attenuated oblong octagonal form, the interior fitted with a central mixing glass well flanked by...
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Mumuye Peoples Standing Figure, Nigeria,the head of the attenuated wood figure with raised ridge crest from front to back, small indentations indicating eyes and nostrils, a diamond shape mouth, and long, pendulant...
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Stylish English Art Deco Chromium Six-LightChandelier, second quarter 20th century, of Georgian inspiration, modeled as an attenuated, ribbed, vasiform standard with a pendant bellflower finial, the candlearms reeded,...
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Marie Gachupin Jemez Vase attenuatedform decorated with thin lined flowers and geometrics all which accentuate the slender vessel; signed on base height 14.75 in. x diameter 9.25 in.third quarter 20th century...
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Pair of Restauration Cast-Iron Vases,of attenuated campana form, second quarter 19th century, presently painted in an old matte dark hunter-green finish, h. 12-1/2"....
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American Cast-Iron, Spelter and SlagGlass Table Lamp, first quarter 20th century, the bronze-patinated spelter-mounted iridized caramel slag glass shade of inverted calyx form, the bronze-patinated cast-iron...
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