RAMIZ BARQUET, (1920-2010), ATTENUATEDSTANDING NUDE FIGURE, 1963, PATINATED BRONZE ON A WOODEN BASE, 44.5" H X 17" W X 6" D; WITH BASERamiz Barquet, (1920-2010) Attenuated standing nude figure, 1963 Patinated...
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Stately Gilt-Brass and Marble FloorLamp, second quarter 20th century, in the form of an attenuated Louis XVI brazier in the ancient Roman taste, the bowl ringed by four ram-masque monopods ending in hoof feet,...
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Stylish English Regency Carved and Black-DetailedGiltwood Looking Glass, first quarter 19th century, of narrow upright oblong form, the pediment embellished with twelve giltwood spheres, the entablature with an ebonized...
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Pair of French Gilt-Bronze Four-LightCandelabra, fourth quarter 19th century, in the First Empire style, the standards of reeded, tapering columnar form above pedestal bases of attenuated and truncated obelisk...
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Attractive French Brass and FrostedGlass Chinoiserie Luminaire, second quarter 20th century, attributed to Jansen, Paris, of attenuated square-section lantern form, the brass framing modeled as bamboo, the...
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French Antiqued Gold Tole-Peinte PaneledFive-Light Chandelier, of attenuated "Montgolfier" form in the Restauration style, electrified and fitted with antique-white faux candles and matching antiqued gold tole-peinte...
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Tall, Attenuated Spanish Colonial Carvedand Polychromed Wood Figure of St. Francis, fourth quarter 18th century, presented robed and on an integral base of low octagonal form, h. 20"....
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Attractive Pair of "Greek Key"-Borderedand Vertical Stripe-Engraved Glass Decanters, of attenuated bell form, each example retains the original demi-spherical glass stopper, h. 11-1/2", dia. 4-1/2"....
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Monumental Pair of French GalvanizedMetal Eight-Light Candelabra, of 1890's turret-finial form, each example centered with an attenuated spike finial, the finish weathered to an attractive matte gray throughout,...
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Tall Pair of English Brilliant-Cut GlassDecanters, first quarter 20th century, of inverted pyriform, retaining the tall attenuated oviform cut glass stoppers, h. 16", dia. 5-1/2"....
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Four-Piece Collection of Hand-PaintedAmerican Belleek Porcelain, including a good Willets two-handled vase of attenuated baluster form in "Stylized Wisteria" decor, 1880-1904; a Willets vase of baluster form...
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Large Franco-Bohemian Richly GildedBiscuit and Porcelain Garniture Vase, third quarter 19th century, of flared form in the rococo taste, at the base, a polychromed biscuit porcelain galants couple inspecting...
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Pair of Continental Brass and Wrought-IronCandlesticks, third quarter 19th century, in the 17th-century style, the standards of an attenuated vasiform configuration above triangular, stepped bases with modified paw...
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Tall Pair of English Brilliant-Cut GlassDecanters, first quarter 20th century, of inverted pyriform, retaining the tall attenuated oviform cut glass stoppers, h. 16", dia. 5-1/2"....
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Five-Piece Collection of Hand-PaintedAmerican Belleek Porcelain, including a good Ceramic Art Company cabinet vase of attenuated baluster form in "Purple Iris" decor, 1889-1906; a Ceramic Art Company blue-and-white...
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Stylish Pair of French Antique Green,Grisaille and Gold Tole-Peinte Candlesticks, second quarter 19th century, of attenuated vasiform, the upper sections painted en grisaille with rural farm vignettes, the bases...
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English Gilt-Brass Doorknocker, inthe Renaissance taste, the attenuated lyriform knocker centered at the basal edge with a river god masque, h. 8", w. 3-1/2"....
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Pair of French Ormolu-Mounted Bleu CelestePorcelain Covered Two-Handled Garniture Vases, fourth quarter 19th century, in the Louis XVI Sevres style, each facade centered with an oval reserve of frolicking putti allegorical...
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Fine Monumental French Flambe-GlazedTerra Cotta Vase, the patinated gilt-bronze-mounted vase of attenuated baluster form, the bronze mount in the form of a large berry spray caught at the neck by a gilded cord,...
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Good de Vez Cameo-Cut Glass Vase, firstquarter 20th century, of attenuated baluster form, in "Lakeside Catkins" decor, the glass in shaded pale yellow green and sky-blue to chestnut, signed at the basal edge in...
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Good Pair of American Brass and Wrought-IronAndirons, fourth quarter 18th century, the central attenuated vasiform elements supported on cabriole pad terminal feet, the wrought-iron billets with turned brass leg restraints,...
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Fine, Large Fulper Pottery "Vasekraft"Vase, first quarter 20th century, of attenuated pyriform in iridized, mottled turquoise-to-cobalt over satin rose glaze, signed with the embossed vertical Fulper mark on...
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French Carved and Green-Painted BeechwoodLit de Parade, in the Directoire style, first quarter 20th century, the rear posts with attenuated, covered vasiform finials, the facade posts with everted scroll terminals...
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Pair of French Polished Nickel TableLamps, of attenuated baluster form in the Post-Modern style, each on a domed circular base and fitted with a custom ecru monk's cloth drum shade, h. 19" (24-1/2" to top of...
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Pair of French Ormolu-Mounted Bleu CelestePorcelain Covered Two-Handled Garniture Vases, fourth quarter 19th century, in the Louis XVI Sevres style, each facade centered with an oval reserve of frolicking putti allegorical...
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French Gilt-Brass- and Champleve Enamel-MountedPorcelain Covered Two-Handled Garniture Vase, fourth quarter 19th century, of attenuated pyriform in the Sevres style, the facade with a figural reserve of a putto accosting...
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Large Gilt-Brass-Mounted Porcelain CoveredGarniture Vase, fourth quarter 19th century, of attenuated pyriform in the Sevres Louis XVI taste, with bleu du Roi ground, the facade with a large galants reserve in the...
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Stylish English Regency Carved and Black-DetailedGiltwood Looking Glass, first quarter 19th century, of narrow upright oblong form, the pediment embellished with twelve giltwood spheres, the entablature with an ebonized...
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Pair of French Gilt-Brass Two-LightAppliques, fourth quarter 19th century, in the Louis XVI manner of Jean-Charles Delafosse (French, 1734-1789), modeled as attenuated half vases in the Antique style suspended...
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Stylish American Classical Carved Giltwoodand Plaster Looking Glass, first quarter 19th century, the side rails each with a pair of spiral-ribbed colonnettes with attenuated rope-twist capitals, the cresting with...
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Good, Large Georgian Silver-and Gilt-Brass-MountedTortoiseshell Triple-Compartment Tea Box, second quarter 19th century, of attenuated oblong octagonal form, the interior fitted with a central mixing glass well flanked by...
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Mumuye Peoples Standing Figure, Nigeria,the head of the attenuated wood figure with raised ridge crest from front to back, small indentations indicating eyes and nostrils, a diamond shape mouth, and long, pendulant...
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Stylish English Art Deco Chromium Six-LightChandelier, second quarter 20th century, of Georgian inspiration, modeled as an attenuated, ribbed, vasiform standard with a pendant bellflower finial, the candlearms reeded,...
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Pair of Restauration Cast-Iron Vases,of attenuated campana form, second quarter 19th century, presently painted in an old matte dark hunter-green finish, h. 12-1/2"....
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American Cast-Iron, Spelter and SlagGlass Table Lamp, first quarter 20th century, the bronze-patinated spelter-mounted iridized caramel slag glass shade of inverted calyx form, the bronze-patinated cast-iron...
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Large Pair of French Brass and VerticalOptic Rib Glass Hurricane Lamps, second quarter 20th century, in the Louis XIV taste, the large octagonal brass bases with traces of the original silvered finish, the tall...
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