CHARLES AMAND DURAND (FRENCH, 1831-1905)AFTER REMBRANDT HARMENSZ VAN RIJN 5" x 12 ½" plate size "La Chaumiere au Grand Arbre" (B226), 1878. Heliogravure after Rembrandt's 1641 original etching "Landscape with...
[more like this]
CHARLES AMAND DURAND (FRENCH, 1831-1905)AFTER REMBRANDT HARMENSZ VAN RIJN 7 ½" x 9" plate size "Vue d'Omval res d'Amsterdam" (B209), c.1878. Heliogravure after Rembrandt's 1645 etching "The Omval", signature and...
[more like this]
CHARLES AMAND DURAND (FRENCH, 1831-1905)AFTER REMBRANDT HARMENSZ VAN RIJN 8" x 6 ½" plate size "Rembrandt Appuye (B21)", 1878. Heliogravure after Rembrandt's 1639 etching "Self-Portrait Leaning on a Stone Sill",...
[more like this]
REMBRANDT HARMENSZ VAN RIJN (DUTCH,1606-1669)4 ?" x 4 ?" image; 57/16" x 47/16" sheet "Christ and the Woman of Samaria among Ruins" (B71), 1634. Etching with drypoint, signature and date in the plate upper right. New...
[more like this]
REMBRANDT HARMENSZ VAN RIJN (DUTCH,1606-1669)5 ?" x 713/16" image; 7 ?" x 99/16" sheet "The Adoration of the Shepherds: A Night Piece". (Bartsch 46, Hollstein 46), ca. 1652. Etching and drypoint, later state with wide...
[more like this]
REMBRANDT HARMENSZ VAN RIJN, SELF PORTRAITETCHINGRembrandt Harmensz Van Rijn (Dutch, 1606-1669), "Rembrandt In Velvet Cap With Plume, 1638" etching, signed, dated faintly in plate upper left. A couple stains, tape...
[more like this]
REMBRANDT HARMENSZ VAN RIJN(Dutch, 1606-1669)
ChristCrucified Between Two Thieves: An Oval Plate (H. 173, B., Holl. 79 ), state II/II, posthumous edition, drypoint and etching on laid paper lacking watermark, plate (oval) 5-1/4...
[more like this]
REMBRANDT HARMENSZ VAN RIJN(Dutch, 1606-1669)
RembrandtWearing A Soft Cap: Full Face: Head Only (H. 57), 1631, state I/I, etching on laid paper, sheet 1-7/8 to 1-15/16 x 1-3/4 in.; unframed, matted
Provenance: Sheridan Wood Nicholson...
[more like this]
REMBRANDT HARMENSZ VAN RIJN(Dutch, 1606-1669)
Rembrandtin a Flat Cap and Embroidered Dress, circa 1642, B., Hol. 26; H. 157; N. H. 210), Hind's state II/II, posthumous Basan edition, with reworked signature upper right in another...
[more like this]
REMBRANDT VAN RIJN, ETCHING AND DRYPOINTRembrandt Harmensz van Rijn (Dutch, 1606-1669), "The Holy Family", on laid paper, possibly first state c. 1632, with burr marks on Joseph's eye, Mary's eye and neck, trimmed...
[more like this]
REMBRANDT PORTRAIT ETCHING, "JAN LUTMAGOLDSMITH" Rembrandt Harmensz van Rijn (Dutch, 1606-1669). ?Jan Lutma, Goldsmith?, - c. 1656, drypoint etching and engraving on laid paper, second state. Reference: Bartsch,...
[more like this]
AFTER REMBRANDT HARMENSZ VAN RIJN ETCHINGJacobCaressing Benjamin (formerly titled Abraham Caressing Isaac). printed in 1637. Re-strike. Signed in the plate. Plate measures 5.50 x 3.75 inches. Has margins. Silver leaf...
[more like this]
AFTER REMBRANDT HARMENSZ VAN RIJN ETCHINGOldMan with Flowing Beard. printed in 1630. Re-strike. Signed in the plate. Plate measures 3.75 x 3 inches. Has margins. Silver leaf frame behind glass. Overall measures 15.50...
[more like this]
AFTER REMBRANDT HARMENSZ VAN RIJN ETCHINGJanUytenbogaert (The Gold Weigher). Printed in 1639. Re-strike. Signed in the plate. Plate measures 10 x 8.50 inches. Has margins. Silver leaf frame behind glass. Overall measures...
[more like this]
REMBRANDT HARMENSZ VAN RIJN, (1606-1669,DUTCH), "BUST OF AN OLD MAN WITH A FUR CAP AND FLOWING BEARD, NEARLY FULL FACE," CIRCA 1631, ERembrandt Harmensz van Rijn, (1606-1669, Dutch) "Bust of an Old Man with a...
[more like this]
REMBRANDT VAN RIJN, DUTCH 1606-1669,REMBRANDT'S MOTHER WITH HAND ON CHEST, 1631, ETCHING, PLATE: 3 3/4 X 2 1/2 IN. (9.5 X 6.4 CM.), FRAME: 12 1/4 X 10 1/4 IN. (31.1 X 26 CM.)REMBRANDT VAN RIJN, DUTCH, 1606-1669...
[more like this]
REMBRANDT HARMENSZ VAN RIJN (DUTCH 1606-1669),THE ANNUNCIATIONRembrandt Harmensz van Rijn (Dutch 1606-1669), The Annunciation, Etching, partial signature within plate l.l., later edition probably from the Basan edition,...
[more like this]
REMBRANDT HARMENSZ VAN RIJN (DUTCH 1606-1669),SELF PORTRAIT IN A CAP AND SCARF WITH THE FACE DARK: BUSTRembrandt Harmensz van Rijn (Dutch 1606-1669), Self Portrait in a Cap and Scarf with the Face Dark: Bust, Etching,...
[more like this]
REMBRANDT HARMENSZ VAN RIJN (1606-1669),AFTER "The Crucifixion": Small Plate, the original circa 1635, this later impression on 19th c. laid paper with partial watermark, unframed, tipped by top edge into mat, thread...
[more like this]
AFTER REMBRANDT HARMENSZ VAN RIJN
PORTRAITOF A MAN IN TURKISH COSTUME Oil on panel, oval; and a companion by the same hand, 'Lady in a Head-dress'(2)21cm x 16cm (8in x 6.25in)...
[more like this]
RESTRIKE OF REMBRANDT HARMENSZ VAN RIJN(NETHERLANDS, 1606-1669) "St. Catherine", 1638, (The Little Jewish Bride), a portrait of Rembrandt's first wife Saska van Uhlenburgh, etching on laid paper, signed in plate....
[more like this]
AFTER REMBRANDT HARMENSZ VAN RIJN (DUTCH,1606-1669) 23 ½" x 28 ½" Night Watch. Oil on chamfered wood panel, 19th century copy after Rembrandt's original from 1642, unsigned, in a heaved gilt wood frame, overall...
[more like this]
REMBRANDT HARMENSZ VAN RIJN (DUTCH,1606 - 1669) 5 ?" x 713/16" image; 7 ?" x 99/16" sheet "The Adoration of the Shepherds: A Night Piece". (Bartsch 46, Hollstein 46), ca. 1652. Etching and drypoint, later...
[more like this]
REMBRANDT HARMENSZ VAN RIJN (DUTCH,1606 - 1669) 7 ?" x 5 ?" plate "Jan Lutma, Goldsmith", 1656. Etching on laid paper without watermark, later state, signed in the plate upper center "'Rembrandt | 1656", matted...
[more like this]
CHARLES AMAND DURAND (1831 - 1905) AFTERREMBRANDT HARMENSZ VAN RIJN 7 ¾" x 6 ½" plate size "Rembrandt Appuye (B21)", 1878. Heliogravure after Rembrandt's 1639 etching "Self-Portrait Leaning on a Stone Sill", signature...
[more like this]
Rembrandt Harmensz van Rijn (Dutch,1606-1669) "Portrait of Jan Asselyn", etching, later impression, 9-1/2" x 7-1/2". Glazed, handsomely matted and presented in a giltwood frame....
[more like this]
REMBRANDT HARMENSZ VAN RIJN (dutch1606-1669) THE RAISING OF LAZARUS: THE LARGER PLATE Circa 1632. Etching, engraving and drypoint. Usticke's ninth state (of ten) 14 9/16 x 10 1/16 in. [Bartsch 73; Hollstein...
[more like this]
Rembrandt Harmensz van Rijn (Dutch,1606-1669) "Beggar with a Wooden Leg", etching, final state, later impression, sight 5" x 3", verso with Park West Galleries certificate of authenticity. Presented in a...
[more like this]
REMBRANDT HARMENSZ VAN RIJN (dutch1606-1669) "THE DEATH OF THE VIRGIN" 1639. Etching and drypoint. 16 1/8 x 12 5/16 in. [Bartsch 99; Hollstein 99; Probably Usticke's fourth state of five]. Unframed...
[more like this]
REMBRANDT HARMENSZ VAN RIJN (dutch1606-1669) "CHRIST DRIVING THE MONEY CHANGERS FROM THE TEMPLE" 1635. Etching and drypoint. 5 1/2 x 6 3/4 in [Bartsch 69; Hind 126; Hollstein 69 II/II; probably Usticke's...
[more like this]
REMBRANDT HARMENSZ VAN RIJN (dutch1606-1669) "CHRIST DISPUTING WITH THE DOCTORS" 1652. Etching. Usticke's second state of three. 4 15/16 x 8 3/8 in. (image) 5 1/16 x 8 1/2 (sheet) [Bartsch, Hollstein...
[more like this]
After Rembrandt Harmensz Van Rijn (Dutch,1606-1669), "Christ Healing the Sick" (The Hundred Guilder print); mid to late 19th century etching of an engraving; 11" x 15 3/8"; signed in the plate lower right, lithographer...
[more like this]
REMBRANDT HARMENSZ VAN RIJN (DUTCH 1606-1669)DESCENT FROM THE CROSS: SECOND PLATE Etching: 20 3/4 x 16 in. Framed; lower center etched in plate; Rembrandt f. cum preyul 1633; lower right etched in plate; Rue St jean...
[more like this]
REMBRANDT HARMENSZ VAN RIJN (DUTCH 1606-1669)DESCENT FROM THE CROSS: SECOND PLATE Etching: 20 3/4 x 16 in. Framed; lower center etched in plate; Rembrandt f. cum preyul 1633; lower right etched in plate; Rue St jean...
[more like this]
Rembrandt etching (Rembrandt HarmenszVan Ryn, Dutch, 1606-1669), The Angel Departing from the family of Tobias, (Bartsch 43; Hind. 185), 1641, IV state, signed in plate "Rembrandt f. 1641", etching...
[more like this]
Rembrandt etching (Rembrandt HarmenszVan Ryn, Dutch, 1606-1669), The Descent From the Cross: By Torchlight (Bartsch 83; Hind 280), signed in plate "Rembrandt f. 1654", etching and drypoint on laid paper,...
[more like this]
