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Southern French Carved Giltwood...
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© NEW ORLEANS AUCTION GALLERIES, Louisiana, LA, USA
Southern French Carved Giltwood and Gray-Painted Beechwood Rectangular Looking Glass, first quarter 19th century, in the Louis XVI taste, the tall giltwood...
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- Southern French Carved Giltwood Looking
Glass, fourth quarter 18th century, in the Louis XVI taste, the rails centered with inset period mirrored glass strips, retains the tastefully disintegrated period plate,...
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Glass, in the Regence taste, third quarter 18th century, the tall giltwood cresting modeled as a stylized basket of flowers between two stylized baby eagles, the plate antique...
[more like this] - Southern French Carved Giltwood and
Gray-Painted Beechwood Rectangular Looking Glass, first quarter 19th century, in the Louis XVI taste, the tall giltwood cresting modeled as a large musical trophee, the outer...
[more like this] - Southern French Giltwood Looking Glass,
early 19th century, the slightly domed plate surmounted by a pierced C-scroll and foliate crest, surrounded by a mirrored panel and floral-carved frame with incised accents,...
[more like this] - Southern French Carved Giltwood Looking
Glass, first quarter 19th century, of small size in the Louis XV taste, the open carved giltwood rails backed in mirrored glass, the giltwood cresting modeled as a floral...
[more like this] - Southern French Carved Giltwood Looking
Glass, first quarter 19th century, in the neoclassical style, the tall cresting modeled as a hymeneal trophee centered by a small oval mirrored glass panel against a pale...
[more like this] - Southern French Carved, Blanc-de-Trianon-Painted
and Parcel-Gilt Beechwood Looking Glass, second quarter 19th century, in the Louis XVI taste, the cresting of tympanum form and centered with a giltwood basket of flowers,...
[more like this] - Southern French Provincial Carved, Polychromed
and Giltwood Looking Glass, in the Louis XV style, the gilding tastefully antiqued, rubbed and distressed to reveal the underlying deep red bole, h. 34", w. 23"....
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