- VICTORIAN OVAL GILTWOOD MARGIN PLATE
MIRROR
LATE 19TH CENTURY the sectioned oval mirror plate in a carved giltwood frame and borders, surmounted by open C scrolls and foliate cresting118cm high, 84cm wide...
[more like this] - ITALIAN CARVED GILTWOOD WALL MIRRORItalian
Carved Giltwood Wall Mirror, the flat mirror plate within flat marginal plates Dimensions: 65 1/4 x 34 in. (165.7 x 86.4 cm.) Provenance: Property from the Dr. Levinson Estate,...
[more like this] - REGENCE-STYLE GILTWOOD WALL MIRRORRegence-Style
Giltwood Wall Mirror, 19th century; the arched plate crested by a plume and flanked by birds, within marginal plates Dimensions: 69 x 38 1/2 in. (175.3 x 97.8 cm.) Provenance:...
[more like this] - SIR WM. RUSSELL FLINT LITHOGRAPHSir
William Russell Flint (United Kingdom/Scotland, 1880 - 1969) lithograph titled "Janelle and the Volume of Treasure" depicting a reclining nude female perusing a large book....
[more like this] - J. SPEED 1626 MAP OF ITALY PLUS SWISS
MAP1st item: ITALIA, NEWLY AUGMENTED BY J. SPEEDE, Published London, George Humble, 1626. Copper-engraved map with hand coloring (likely later), with vignettes at sides and...
[more like this] - LAURENCE BIDDLE OIL ON BOARD STILL LIFE,
"NANKIN GAR"Laurence Biddle (British, born 1888) oil on board of still life titled "Nankin Gar". Multicolor flowers in blue and white Asian porcelain vase against blue grey...
[more like this] - 2 MAPS OF US - 18TH CENTURY1st item:
AMERIQUE SEPTENTRION LE DIVISEE EN SES PRINCIPAUX ETATS; A PARIS CHEZ DELAMARCHE GEO. 1783. French engraved and handcolored map of North America, with major American cities...
[more like this] - COLLECTION OF 6 BOXING PUGILIST PRINTS,
19TH CENTURYSix (6) 19th Century boxing prints. 1st-2nd items Two (2) J. Moore, London boxing color engravings including "Deaf Burke, Born Westminster Dec. 8th 1809, Stands...
[more like this] - EARLY CHINESE ANCESTOR PORTRAIT PLUS
2 WATERCOLOR LANDS...Three (3) Chinese paintings. 1st item: Ancestral portrait, watercolor and gouache painting on silk with gilt accents, depicting an older woman in a brightly...
[more like this] - MORTIER - CARTE PARTICULIERE DE LA CAROLINEPierre
Mortier (Dutch, 1661-1711), Carte Particuliere de la Caroline: dresse sur les memoires le plus nouveaux par le Sieur S , Amsterdam/Paris, circaÿ1696, in two sheets, engraving...
[more like this] - EDWARD MIELATZ, YACHT RACING ETCHING(American,
1864-1919)
Two etchings: America, and Valkyrie and Defender, signed in margin and in the plate "Mielatz", site 12-3/8 x 15-3/8 in.; 9-1/2 x 12-3/8 in.; silver giltwood frame,...
[more like this] - GEORGE II GILTWOOD MARGIN PLATE MIRROR
18TH
CENTURY the arched shaped mirror plate within a margin plate border and giltwood moulded frame91cm high, 62.5cm wide...
[more like this] - RICHARD LINDER (AMERICAN. 1901-1978)Fun
City, Nude York City Nude. Signed in pencil R. Linder l/r margin, numbered 17/26 l/l margin. Lithograph in Color. Measuring 28 by 39 in., matted, in a carved giltwood frame...
[more like this] - A PAIR OF FLEMISH-STYLE GILTWOOD WALL
MIRRORSA pair of Flemish-style giltwood wall mirrors, 19th century Each with a carved giltwood crest in open acanthus scrolls centering a subsidiary inset oval mirror over...
[more like this] - CONTINENTAL GILTWOOD MARGIN PLATE MIRROR
LATE
19TH CENTURY 120cm x 74cm...
[more like this] - LOUIS LVI STYLE GILTWOOD MARGIN PLATE
MIRROR
19THE CENTURY bevelled rectangular plate in an inner bead moulded frame enclosed by margin plates marked at the corners with palmettes, the outer frame with egg and...
[more like this] - After Gould and Richter (British, 19th
Century) "Hummingbirds", pair of offset chromolithographs, sight 20-1/2" x 13", legend lower margin. Glazed, matted and presented in carved giltwood frames....
[more like this] - Marc Chagall (Russian/French, 1887-1985)
"Bride in Window", limited edition offset chromolithograph, 237/500, sight 30" x 22-1/2", litho-signed lower right margin: "Marc Chagall". Glazed, double-matted and presented...
[more like this] - After Marc Chagall (Russian/French,
1887-1985) "Big Blue Bouquet", limited edition offset chromolithograph, 335/500, sight 34-1/2" x 25", litho-signed lower right margin: "Marc Chagall". Glazed, double-matted...
[more like this] - Marc Chagall (Russian/French, 1887-1985)
"Paris at Night", limited edition offset chromolithograph, 265/500, sight 27" x 36-1/2", litho-signed lower right margin: "Marc Chagall". Glazed, double-matted and presented...
[more like this] - Louis Icart (American, 1888-1950) "Ready
to Dance", a large colored etching of an elaborately costumed ballerina putting on a toe shoe, first quarter 20th century, signed in pencil in the margin, presented in a stripped...
[more like this] - Mexican School (20th Century) "The
Divine Intervention of the Virgin Upon a Man Being Blown Away in a Wind Storm", oil on tin mounted to elvet, sheet 7" x 9". Spanish legend lower margin and dated 1947. Presented...
[more like this] - Philip Kappel (American, 1901-1981)
"Vieux Carre, New Orleans", etching, ca. 1950, image 9-3/4" x 9-1/4", pencil titled lower left margin, pencil signed lower right margin "Philip Kappel". Glazed, matted and...
[more like this] - Richard Woodman (English, 1784-1859),
after the painting by James Baranger the Younger (English, 1780-1800) "The Earl of Derby's Stag Hounds", 1823, large colored proof engraving with the subjects identified in...
[more like this] - Jacques Hnizdovsky (Ukranian, 1915-1985)
"Suicide Oak, New Orleans", 1974, limited edition lithograph, 22/125, sight 19-1/2" x 23", titled and signed lower center margin "Hnizdovsky". Glazed, double matted and presented...
[more like this] - Large French Academic Graphite and Ink
Drawing, heightened in China white, depicting an ancient Roman stone fragment featuring a satyr seated on a volute, dated May 1, 1889, annotated in pencil at the basal margin...
[more like this] - Sir William Jardine (British, 19th Century)
"Fish", suite of five hand-colored bookplate engravings from The Naturalist's Library, engraved by Lizars, sight 4" x 6-1/2", legend lower margin. Glazed, matted and presented...
[more like this] - After John James Audubon (American,
1785-1851) "Summer or Wood Duck", offset chromolithograph, fourth quarter 19th century, sight 27-1/2" x 20-1/2", legend lower margin. Glazed, matted and presented in a giltwood...
[more like this] - After John James Audubon (American,
1785-1851) "Common Pine-Finch" and "Crested Purple Finch", pair of hand-colored lithographs form the octavo edition of The Birds of America, sight 10" x 6-1/2", legend lower...
[more like this] - Alexander Lawson (American, 1773-1846)
"Bird Specimens", pair of hand-colored engravings, sight 14" x 10-1/2", legend lower margin. Glazed, French matted and presented in giltwood frames....
[more like this] - Alexander Lawson (American, 1773-1846)
"Bird Specimens", pair of hand-colored engravings, sight 14" x 10-1/2", legend lower margin. Glazed, French matted and presented in carved giltwood frames....
[more like this] - After Marc Chagall (Russian/French,
1887-1985) "Lament", limited edition offset chromolithograph, 42/500, sight 18-1/2" x 26-1/2", litho-signed lower right margin: Marc Chagall". Glazed, double-matted and presented...
[more like this] - Knute Heldner (American/New Orleans,
1877-1952) "European Village Scene with Bridge and Boater", etching, image 3" x 4", pencil signed lower right margin "Knute Heldner". Glazed, matted and presented in a carved...
[more like this] - Knute Heldner (American/New Orleans,
1877-1952) "Vernis", etching, image 5-1/2" x 3-3/4", pencil signed lower margin "Knute Heldner". Glazed, matted and presented in a carved giltwood frame....
[more like this] - British School (Second Quarter 19th
Century) "Botanicals", suite of eighteen hand-colored lithographs, all species identified lower margins, each engraving is sight 8-3/4" x 6". Presented in giltwood frames...
[more like this] - Alphonse Francois (French, 1814-1888)
after Paul Delaroche (French, 1797-1856) , "Le General Bonaparte Franchissant des Alpes", a steel engraving depicting the mounted Napoleon Bonaparte and a guide crossing the...
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