- DAVID MACLISE (1806-1870): SKETCH OF
A MANPencil with white highlights on paper, unsigned, inscribed 'Burris Festival Apr 18? Christopher North' lower right, with label from David Ker Fine Art.
6 3/4 x 4 in....
[more like this] - HENRY KOEHLER (1927-2018): THE DUCHESS
OF WINDSOR (I)Charcoal on paper, 1966, signed 'Henry Koehler' lower right.
23 1/2 x 18 in. (sheet), 32 x 27 in. (frame).
Condition
Pale light- and mat staining. A pale...
[more like this] - JOHN HENRY HILL (1839-1922): A VIEW
OF NIAGARA FALLSWatercolor on paper, 1859, signed 'J. Henry Hill' and dated lower left.
5 1/4 x 10 3/4 in. (sheet), 11 1/2 x 16 1/2 in. (frame).
Condition
A tiny loss at...
[more like this] - WILLIAM RICKARBY MILLER (1818-1893):
VIEW AT MORRISANIAWatercolor on paper, 1855, signed 'W. R. Miller', dated and inscribed 'Morrisania' lower left.
14 x 20 in. (sheet), 25 1/2 x 31 1/2 in. (frame).
Condition
Sheet...
[more like this] - EMILE ANTOINE BOURDELLE (1861-1929):
AUTOGRAPH LETTERHand-written letter signed 'A... Bourdelle'; together with a reproduction photograph of the artist.
Letter 9 x 5 3/4 in. (sheet), photograph 9 1/2 x 5 1/4...
[more like this] - GIOVANNI BATTISTA PIRANESI (1720-1778):
AL SIGNOR TOMASSOEtching in black on paper.
28 x 14 in. (plate), 36 1/4 x 22 in. (frame).
Condition
With margins. Surface soiling and a few scattered foxmarks. Not examined...
[more like this] - EDWARD W. ROBINSON (1824-1883): RIVERSIDE
SCENE WITH VIEW OF A LOCH; AND RICHMOND IN YORKSHIRETwo watercolor on paper, unsigned, with label from Charles Plante Fine Arts, Washington, DC.
7 x 17 3/4 in. (sight), 11...
[more like this] - CARTIER SILVER PLATE LOBED BOWL INSCRIBED
FROM 20TH CENTURY FOXMarked; inscribed on reverse.
3 1/2 x 11 5/8 in. diam.
Condition
Minor wear and in good condition.Not withstanding this report or any discussion concerning...
[more like this] - EDGAR DEGAS (1834-1917): DEUX ÉTUDES
DE CAVALIERSPencil on Chine, with the red Atelier Degas inkstamp, with label from Barclay Fine Art, NY.
8 1/2 x 6 in. (sheet), 12 x 10 in. (frame).
Condition
Tissue-thin...
[more like this] - ENGLISH SCHOOL: SOFA; AND SIDE BOARDTwo
engravings in black on wove paper, 1787, one with label from Alfred Bullard, Inc., Philadelphia.
Both 6 3/4 x 9 3/4 in. (plate), 12 1/2 x 15 1/2 in. (frame).
Condition
Both...
[more like this] - SALVADOR DALI (SPANISH, 1904-1989).
(Group of 3) from Historia de Don Quichotte de la Mancha. Color etchings with aquatint on Japon paper, 1981. Including: "Don Quixote (The Dreamer), "Le Legacy" and "The Impossible...
[more like this] - ATTRIBUTED TO CAMILLE PISSARRO (1830-1903):
TRIEURS DE CHOUXCharcoal on paper, signed with initials 'CP' lower left.
9 1/2 x 7 in. (sheet), 17 1/4 x 14 1/4 in. (frame).
Note: This work has not been submitted to Dr....
[more like this] - ATTRIBUTED TO JACOB BACKER (1608-1651):
STUDY OF A SEATED WOMANChalk on paper, inscribed with initials 'JB' lower left.
11 1/2 x 9 in., 19 1/4 x 17 3/4 in. (frame).
Condition
Sheet backed with paper. A small...
[more like this] - ANDREAS SCHELFHOUT (1787-1870): FIGURES
ON A FROZEN RIVER, WINDMILL BEYONDPencil and watercolor on paper, signed 'A. Schelfhout ' lower left.
7 1/4 x 10 7/8 in. (sheet), 16 x 19 1/4 in. (frame).
Condition
Some...
[more like this] - EUROPEAN SCHOOL: BIRD ON A CHERRY BRANCHPin
prick watercolor on paper, unsigned.
4 1/2 in. (sheet diameter), 7 1/2 in. (frame diameter).
Condition
Pale staining and a few foxmarks.
Not withstanding this report or...
[more like this] - PICASSO, LEMAGNY, ETCHING, PORTRAIT
DE PICASSOPablo Picasso (Spanish, 1881-1973) and Paul Lemagny (French, 1905-1977) Portrait de Picasso et Remarque pour Temoignage (B. 823; Ba. 955a), 1956 etching and drypoint...
[more like this] - PIERRE-AUGUSTE RENOIR, ETCHING, LE CHAPEAU
EPINGLEPierre-Auguste Renoir (French, 1841-1919) Le Chapeau Epingle, 3e Planche (D.; S. 8), c. 1894 etching and drypoint printed on laid paper second (final) state, later...
[more like this] - ELLSWORTH KELLY,TWO BLACKS AND WHITE,
1971-73Ellsworth Kelly (American, 1923-2015) Two Blacks and White (A. 86; G. 459), 1971-73 Screenprint in black with embossing on Arjomari paper signed in pencil and numbered...
[more like this] - ZSOLNAY PORCELAIN FIGURE OF A FOXmarked
to underside; Condition: good; no chips or cracks; 4 1/2 inches high Condition:...
[more like this] - ARTHUR SZYK (1894-1951): STUDY FOR AN
ISRAELI WAR BONDInk and watercolor on paper, c. 1950, signed 'Arthur Szyk', indistinctly dated and inscribed 'New York' lower right.
16 1/2 x 22 3/4 in. (sheet), unframed.
Condition
Staining...
[more like this] - EUGENE FROMENTIN (1820-1876): HORSE
STUDYBlack and white chalk on blue paper, unsigned, with the atelier sale stamp lower right, with label from Hazlitt, Gooden & Fox, London.
11 1/4 x 15 5/8 in. (sheet), 17...
[more like this] - ALEXANDRE ANTIGNA (1817-1878): HEAD
OF A GIRL IN PROFILEBlack chalk on paper, unsigned.
15 x 14 1/2 in. (sheet), 22 x 21 in. (frame).
Condition
Pale staining and a few scattered foxmarks. Otherwise in good...
[more like this] - LOUIS-MARIN BONNET (1736/43-1793), AFTER
BOUCHER: LA SAGESSE ET LA JUSTICEEngraving in black on blue paper on a paper mount with text at bottom.
15 1/2 x 11 1/2 in. (sheet with mount), 18 1/2 x 15 1/4 in. (frame).
Condition
A...
[more like this] - ENGLISH SCHOOL: CONSTANTINOPLE; THE
BOSPHOROUS; VIEW OF THE NILE; AND JENKINS TOWNFour sepia in on paper, 1839, unsigned, variously inscribed lower right.
9 x 16 in. (sheet), 16 1/2 x 23 1/2 in. (frame); 6...
[more like this] - ATTRIBUTED TO JEAN-AUGUSTE-DOMINIQUE
INGRES (1780-1867): VIRGIN AND CHILDPencil on paper, unsigned.
7 1/2 x 5 3/4 in. (sheet), 11 x 10 in. (frame).
Note: This drawing is a copy of Raphael's Madonna and Child,...
[more like this] - LAMBERT LOMBARD (1506-1566): A DUCK
AND A SQUIRRELTwo ink on paper, unsigned, with label from The Art Museum, Princeton University and The New York Cultural Center.
6 x 6 in. (sight), 6 3/4 x 8 /4 in. (sight),...
[more like this] - JEAN-BAPTISTE HUET (1745-1811): LANDSCAPE
WITH RAM BY A STREAMInk, watercolor and black chalk on paper mounted on card, 1791, signed 'J.B. Huet' and dated lower left.
10 5/8 x 9 in. (sheet without mount), 17 1/2...
[more like this] - AFTER B. HUBBARD (ACTIVE 1839-1964):
THE PRIZE HEIFER, FLOWERLithograph in black with hand-coloring on wove paper.
18 x 21 in. (sight), 27 3/4 x 31 in. (frame).
Condition
With margins. Pale staining and a...
[more like this] - AFTER CLAUDE LE LORRAINE (1600-1682):
FROM THE ORIGINAL DRAWINGS IN THE COLLECTION OF THE DUKE OF DEVONSHIRE: FOUR PLATESFour etchings in sepia on laid paper, 1774-76.
All 8 1/4 x 10 in. (plate), 27 3/4 x 30...
[more like this] - AFTER M. HARTLEY: COUNTRY SEATS: SIX
PLATESSix engravings in black on laid paper.
All 13 1/2 x 15 1/2 in. (sight), 21 x 23 in. (frame).
Condition
ll with margins and central vertical creases, some backed....
[more like this] - DONALD JUDD (american 1928-1994) "UNTITLED"
one aquatint 1980, pencil signed and numbered 43/150; published by the artist; Styria Studio, New York, printer. Aquatint on etching paper. 24 3/8 x 29 1/2 in. (image)...
[more like this] - GEORGES MATHIEU (french b. 1921) UNTITLED-ABSTRACT
Signed and dated 'Mathieu 58' in ink lower right, watercolor and black ink on paper 21 x 28 1/4 in. (53.3 x 71.8cm) (sight size) provenance: Galerie Rive Droite, Paris....
[more like this] - MILTON AVERY (american 1893-1965)
"HEAD OF A MAN" "#4" from "laurels portfolio" 1935, pencil signed, proof apart from the numbered edition of 100. Drypoint etching. plate size: 9 x 4 3/4 in. (23 x 12.2cm)...
[more like this] - PAUL CADMUS (american 1904-1999) two
prints "MOBILE" 1953, signed and dated in orange pencil, numbered '24 / LXXV'; Pippin Press, publisher. Color screenprint on dark brown wove paper. screen size: 18 x 18...
[more like this] - FRANK STELLA (american b. 1936) "SHARPESVILLE"
from "multicolored squares i" 1973, pencil signed and dated and numbered 10/120, annotated 'State II'; Petersburg Press, Ltd., London, publisher; Cook, Hammond and Kell Lithographers,...
[more like this] - HELEN FRANKENTHALER (american b.1928)
"A LITTLE ZEN" from "four pochoirs" 1970, pencil signed and dated '28 October 1970,' numbered 'AP' (one of 7 artist's proofs, the edition was 50); Abrams Original Editions...
[more like this]