A few examples of appraisal values for
1189

• SILVER-INLAID BRONZE DOUBLE-GOURD
  SILVER-INLAID BRONZE DOUBLE-GOURD VASE GORYEO DYNASTY ???? ?????????of elegant double gourd form with extended cylindrical mouth, the larger and smaller bulbs similarly inlaid with silver wire with lotus borne on scrolling foliage, separated by a ring band below swirling pattern on the lower shoulders(1)23.6cm high; 608gProvenance: Han Collection, 1 August 2019, with a printed receipt.Dr. Kenneth P. Lawley's inventory number: M.59.Note: Bronze bottles with silver wire inlay are more commonly found in kundika form, compare to several in the National Museum of Korea, all dated to the Goryeo dynasty, to name a few, see accession nos. Bongwan 2426, Deoksu 3772, and Bongwan 12484; also one in the Victoria and Albert Museum, note the similar dark tone of the patina on the bronze body, accession no. M.1189-1926. A further comparable circular covered box, dated to the 12th century, with inlaid phoenix and lotus scroll design in silver, is in the Ho-Am Art Museum, national treasure no. 171, illustrated in Goryeo Dynasty: Korea's Age of Enlightenment 918-1392, no.70, p. 216-7. A gourd-shaped gilt silver bottle of closely comparable form, dated to 12th century, is in the collection of the National Museum of Korea, no. S15081.Please note this lot will be offered with no reserve. ???????
• VINTAGE CORUM 18K YELLOW GOLD
  VINTAGE CORUM 18K YELLOW GOLD LADY'S WRIST WATCH Vintage Corum 18K yellow gold ladies' wrist watch with finely woven florentine finish bracelet, dial marked: "CORUM SWISSMADE," case marked: "18K / 15310 / 118915 / with maker's mark, bracelet marked: "750 / CORUM" with maker's mark, 20mm square dial with blue stone crown. Watch measures 7.75" L x 0.875" W. Approx: 35.5 dwt inclusive.
• LUC LANEL FOR CHRISTOFLE SILVER
  LUC LANEL FOR CHRISTOFLE SILVER PLATE TAZZA, 1930 Christofle Art Deco silver plate tazza designed by Luc Lanel (French, 11893-1965), circa 1930, stamped "Christofle / 4 / 0" to underside, with circular shallow basin above four spheres encircling a columnar support on circular stepped foot. 4" H x 13.75" diameter. Note: This model was, by repute, designed for and used in the First Class suites of the S.S. Normandie. An identical model sold 16 October 2022, Goldfield Auction, Weiswampach, Luxembourg, lot 178.
• BAUME & MERCIER SWISS WRIST
  BAUME & MERCIER SWISS WRIST WATCHA Baume & Mercier Swiss wrist watch for Tiffany & Co., Serial no. 4411891 (65433), with a secondary bracelet, Tiff box and B&M booklet. Condition: battery added 09-21, this watch is in working condition.
• RICHARD THE LIONHEART HN3675 -
  RICHARD THE LIONHEART HN3675 - ROYAL DOULTON FIGURINEBorn in Oxford, England in 1157, Richard was the third son of King Henry II and his wife, Eleanor of Aquitaine. Upon the death of his father, Richard was crowned King of England in 1189. Richards crusading spirit and reputation for being a brilliant and courageous military leader spread throughout the kingdom adopting him the name Coeur de Lion Heart of a Lion. King Richard remains one of the few Kings of England remembered by his epithet, not number, and is an enduring, iconic figure of English history. This magnificent Royal Doulton character figure designed by Pauline Parsons allows the viewer to take in all its marvelous details and inspires admiration.. - Men of History Artist: Pauline Parsons Artist: Pauline Parsons Issued: 1995 - 2002 Dimensions: 10"H Manufacturer: Royal Doulton Country of Origin: England
• LARGE LLADRO SCULPTURE, LOVE FOR
  LARGE LLADRO SCULPTURE, LOVE FOR BALLET 01011893Ltd Ed. 99 of 500. Sculptural figure depicts mother with her 2 daughters. Porcelain; matte finish. Soft pastel colors. This piece represents a mother sharing her passion for dance with her daughters. This piece is one of the tallest pieces by Lladro. Include base and Certificate of Authenticity. Artist: Juan Carlos Ferri Herrero Issued: 2004 Dimensions: 22"W x 33"H Manufacturer: Lladro Country of Origin: Spain
• FAY - COALPORT PORCELAIN
  FAY - COALPORT PORCELAIN FIGURINELadies Of Fashion Collection. Figurine of the Year 2005. Limited edition 1189 of 5000. Hand decorated. Pink coloration; gilt accents. Coalport backstamp. #fashion #fashionista Issued: 20th c. Dimensions: 9.25"H Manufacturer: Coalport Country of Origin: England
• ROYAL DOULTON ANIMAL FIGURINE, KING
  ROYAL DOULTON ANIMAL FIGURINE, KING PENGUIN HN1189Model 591. Penguin standing, black, white, grey, and orange coloration. Royal Doulton backstamp. Small area of crazing to belly. #royaldoulton #penguin #kingpenguin Issued: 1937 - by 1946 Dimensions: 7.5"H Manufacturer: Royal Doulton Country of Origin: England Condition: Small area of crazing to belly.
• WHERE LOVE BEGINS 1007649 -
  WHERE LOVE BEGINS 1007649 - LLADRO PORCELAIN FIGURINEGlossy finish; Lladro backstamp. Includes Certificate of Authenticity. Includes original box which measures 17"L x 12"W x 15"H. Includes base. Artist: Joan Coderch Issued: 1995 - 1996 Dimensions: 14.25"H x 10.75"W Edition Number: 1189 Edition Size: 4000 Manufacturer: Lladro Country of Origin: Spain Condition: Good.
• PLATINUM DIAMOND RINGcenter round
  PLATINUM DIAMOND RINGcenter round brilliant diamond 2.90cts., I, SI2, GIA report 5211891936, two tapered baguette diamonds estimated total weight 0.36ct., illegible stamp and number, tested platinum, size 6-1/2, 5.6 grams, Provenance: Private Collection Condition: evidence of sizing, wear and scratchesÿ
• 69. SILVER FIGURAL DAY CANE -CA.
  69. SILVER FIGURAL DAY CANE -CA. 1890 -LARGE SILVER CRO...69. Silver Figural Day Cane -Ca. 1890 -Large silver crook handle modeled in very fine detail with the head of a knight with armor helmet above a chain-mail shirt, well figured and richly colored rosewood shaft and a horn ferrule. A tiny hallmark attests for the French origin. This cane is obviously hand crafted with passion and made, by the culture for culture, it can tentatively be identified to portray Richard the Lionheart, Coeur de Lion. Canes of this quality are very rare and this one is not only in untouched condition, but importantly is traceable back to 1920, when it belonged to Baron Rudolf von Hirsch (* 7. November 1875 in Munich; † 25. Mai 1975 in Planegg). -H. 4 ½” x 3”, O.L. 34” -$600-$800 -Richard I (September 8, 1157 – April 6, 1199) was King of England from 1189 to 1199. He was often referred to as Richard the Lionheart, Coeur de Lion. He was considered a hero in his day and has often been portrayed as one in works of literature.
• SILVER ART NOUVEAU FIGURAL DAY
  SILVER ART NOUVEAU FIGURAL DAY CANECa. 1890-Large silver crook handle modeled in very fine detail with the head of a knight with armor helmet above a chain-mail shirt, well figured calamander shaft and a long horn ferrule. This cane is obviously hand crafted with passion in the fully developed Art Nouveau style and made by the culture for the culture. It belongs to a very desirable small series of cane handles attributed to Lucien Galliard and tentatively identified as an idealized portrait of Richard the Lionheart or Richard Coeur de Lion. Art Nouveau canes of this quality are quite rare and this one is in superb condition. H. 4 ½” x 3”, O.L. 37” Richard Coeur de Lion, (born September 8, 1157, Oxford, England-died April 6, 1199, Châlus, duchy of Aquitaine), duke of Aquitaine (from 1168) and of Poitiers (from 1172) and king of England, duke of Normandy, and count of Anjou (1189-99). His knightly manner and his prowess in the Third Crusade (1189-92) made him a popular king in his own time as well as the hero of countless romantic legends. He has been viewed less kindly by more recent historians and scholars. Lucien Gaillard was the son and grandson of Parisian jewelers, as well as the brother of the noted Art Nouveau furniture designer Eugène Gaillard. After Lucien took over the family firm in 1892, the emphasis switched to metalworking. Around the turn of the century, with the encouragement of his friend René Lalique, Gaillard turned back to jewelry. His designs, like many by Lalique, incorporated unusual materials such as horn and ivory combined with more traditional precious stones, gold and enamel. Galliard won a prize for his jewelry at the 1889 Universal Exposition and was a judge at the 1893 Universal Exposition in Chicago. In 1902 he was made a knight of the French Legion d’Honneur. Calamander or coromandel is a valuable wood from Sri Lanka and Southeast Asia. It is a hazel-brown color, with black stripes (or the other way about), very heavy and hard. It is also known as Macassar ebony or variegated ebony and is closely related to genuine ebony, but is obtained from different species in the same genus, one of these is Diospyros quaesita Thwaites, from Sri Lanka. The name "calamander" comes from the local Sinhalese name, kalu-medhiriya, which means dark chamber, referring to the characteristic ebony black wood. It is used in furniture, luthiery and for high grade canes and walking sticks. Calamander has been logged to extinction over the last two to three hundred years and is no longer available for new work in any quantity. Furniture in calamander is so expensive and so well looked after that even recycling it is an unlikely source.
• THOMAS L. FAWICK VIOLIN WITH 3
  THOMAS L. FAWICK VIOLIN WITH 3 BOWS#294 C1957. "Designed tone of the Wilhelmj Stradivarius of 1725", label inside, with case marked W.E.Hill & Sons, London England, no bow. Also three bows, not apparently signed, in a separate case. (ALIDA21189/6)(JP) Dimensions: 23.5"L x 8 case 31 x 9.5 x 5 bows 29L Condition: Full length top body split and repair and a parallel split not full length, chips and wear to top edge, surface wood dents, scratch lines. Case with much wear, loss. Bows with use wear. Bow case in difficult condition.
• EGYPTIAN NEW KINGDOM FAIENCE
  EGYPTIAN NEW KINGDOM FAIENCE ROSETTE TILEAncient Egypt, New Kingdom, 20th Dynasty, ca. 1189 to 1077 BCE. A fine faience tile of a discoid form exhibiting a delicate rosette flower that was perhaps an inlaid ornament in a home or pharaonic palace. The circular tile features incredibly smooth, glazed surfaces while the topside bears 8 teardrop-shaped flower petals surrounding a protruding central bulge. The flower petals were perhaps adorned with a yellow pigment at one point, and traces of black pigment around the peripheries suggest just how attractive this tile was when first created. Size: 1.48" W x 1.43" H (3.8 cm x 3.6 cm) Cf. Florence Dunn Friedman, ed. "Gifts of The Nile: Ancient Egyptian Faience." The Museum of Art, Rhode Island School of Design, 1998, p. 87, figs. 55, 56. Provenance: private Toronto, Ontario, Canada collection, by descent, acquired in Egypt in 1894 to 1896 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #167200 Condition: Minor abrasions and pitting, otherwise intact and very good. Great remains of glaze pigment and floral motif.
• 1906 JACK LONDON "WHITE FANG,"
  1906 JACK LONDON "WHITE FANG," 1ST EDITIONNorth America, United States, New York, ca. 1906 CE. BAL 11896; Sisson & Martens, p. 29. Wow! A first edition of one of Jack London's most famous novels! A fine second issue of "White Fang" written by Jack London (American, 1876 to 1916) and published by The Macmillan Company in 1906. Comprised of 327 pages and 8 color plates by Charles Livingston Bull (American, 1874 to 1932), the famous novel features its original pale green cloth hardcover stamped in black and white lettering with an illustration of a wolf beneath a full moon on the front cover, as well as gilt lettering along the spine. The enthralling tale explores themes of morality and redemption, detailing the journeys of White Fang - a wild wolfdog - through the Yukon and Northwest territories as he transforms from an untamed member of an arctic wolfpack to the domesticated canine of a Californian aristocrat. It was intended as an autobiographical allegory based on London's metamorphosis from a teenage delinquent to a married, middle-class author. Size: 5.3" L x 1.4" W x 7.8" H (13.5 cm x 3.6 cm x 19.8 cm) Born John Griffith Chaney, Jack London was an American novelist, journalist, and social activist who became one of the first American authors to gain international celebrity status. Considered an innovator of science fiction, London was a passionate advocate of unionization, workers' rights, and socialism. He is most famous for writing "The Call of the Wild" and "White Fang," both set in the Klondike Gold Rush which London joined at the age of 21 in 1897. Provenance: private Santa Fe, New Mexico USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #171370 Condition: Near fine condition without dust jacket. Some minor fraying to corners of cover and peripheries of head and tail. One plate page is detached from binding and has light fraying to side periphery. Light staining to cover as well as a few pages.
• PUBLISHED EGYPTIAN NEW KINGDOM
  PUBLISHED EGYPTIAN NEW KINGDOM LIMESTONE USHABTIAncient Egypt, New Kingdom, 19th Dynasty, ca. 1292 to 1189 BCE. A gorgeous ushabti figure carved by hand from gray-white limestone exhibiting a slender form. The figure presents standing in mummiform with fused legs atop protruding feet while crossing both arms atop her chest. A pair of hoes painted in black extends from her hands, signifying her duty to tend the fields of Osiris in the afterlife, and a black seed bag is painted behind her right shoulder. Additional red pigment creates stripes bangles that adorn each wrist, the 'beaded' ornamentation of her elaborate wesekh broad collar, and the profile of her plump lips. Her haunting yet serene countenance stares outwards with almond-shaped eyes while slender brows and large, almost Hathoric ears further define her appearance, all framed within the thick lappets of her sizable wig. One can only imagine how intricate and colorful this artifact was when first created, and her beauty has endured through the millennia. Size: 2.6" W x 7.7" H (6.6 cm x 19.6 cm); 8.6" H (21.8 cm) on included custom stand. Ushabti were first introduced in the Middle Kingdom as substitutes for the mummy in case it was destroyed. During the Second Intermediate Period inscribed wooden figures called shawabtis (after the Egyptian word for wood, shawab) began to be placed in tombs. During the New Kingdom, ushabti assumed a new role as servant figures for the deceased. They were now depicted with agricultural equipment. By the Third Intermediate Period, the number of shabti placed in the tomb was set at 401 (365 workers and 36 overseers). During the Late Period the tomb figures became known as ushabtis ('answerers'), these figures represented servants who would magically answer when called upon to perform agricultural duties for the Pharaoh (in the form of Osiris) in the afterlife. Their main function was to ensure the individual's comfort and freedom from daily labor in the next life. Published in Eisenberg, J. "Art of the Ancient World." Vol. XXIX, New York, 2018, no. 138 Cf. The Metropolitan Museum of Art, accession number 86.1.23 Provenance: ex-Royal Athena Galleries, New York, New York, USA; ex-Drouot Hotel, Paris, France, May 2016; ex-private G.F. Burgh collection, The Hague, Netherlands, 1984 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #171576 Condition: Small losses to front of feet as shown. Large chips atop feet and along right buttock, with abrasions and fading to pigment, minor softening to some finer details, and light encrustations, otherwise in excellent condition. Lovely remains of black and red pigment across obverse, wig, and behind right shoulder, and wonderful preservation to overall form. Figure is attached and adhered to display stand and cannot be removed.
• EGYPTIAN NEW KINGDOM FAIENCE
  EGYPTIAN NEW KINGDOM FAIENCE USHABTI, TL'D**Originally Listed At $6000** Ancient Egypt, New Kingdom, 18th to 19th Dynasty, ca. 1550 to 1189 BCE. A stunning funerary figure of tall form called an ushabti that is mold-formed from faience and enveloped in layers of brilliant blue glaze. Standing atop broad feet with fused legs, the figure presents with raised arms crossed atop the chest and holding a a pick and a hoe for tending the fields of Osiris in the Afterlife; a black seed bag is painted along the verso and hangs between both shoulders. The dignified visage exhibits almond-shaped eyes above a perky nose, full lips, and flared ears framed beneath the lappets of a black-painted wig. Three lines of black hieroglyphic text wrap around the legs and, while untranslated, perhaps provide the names of Osiris and the deceased. Size: 2.4" W x 6.125" H (6.1 cm x 15.6 cm) Ushabti (or shabti) dolls are figures shaped like adult male or female mummies wearing traditional ancient Egyptian headdresses. The ancient Egyptians believed that after they died, their spirits would have to work in the "Field of Reeds" owned by the god of the underworld, Osiris. This meant doing agricultural labor - and it was required by all members of society, from workers to pharaohs. The wealthier nobility in Egyptian society were able to have shabtis made of faience which was typically covered in brilliant blue glaze; its color was meant to reflect the color of the river Nile both on earth and in the afterlife. Ushabti were first introduced in the Middle Kingdom as substitutes for the mummy in case it was destroyed. During the Second Intermediate Period inscribed wooden figures called shawabtis (after the Egyptian word for wood, shawab) began to be placed in tombs. During the New Kingdom, ushabti assumed a new role as servant figures for the deceased. They were now depicted with agricultural equipment. By the Third Intermediate Period, the number of shabti placed in the tomb was set at 401 (365 workers and 36 overseers). During the Late Period the tomb figures became known as ushabtis ('answerers'), these figures represented servants who would magically answer when called upon to perform agricultural duties for the Pharaoh (in the form of Osiris) in the afterlife. Their main function was to ensure the individual's comfort and freedom from daily labor in the next life. Exhibited in “Ancient Glass: Selections from the Richard Brockway Collection” at the Hallie Ford Museum of Art at Willamette University, Salem from March 10 to May 19, 2007. Published in “Ancient Glass: Selections from the Richard Brockway Collection.” Hallie Ford Museum of Art at Willamette University, Salem, 2007; and “Antiques & Art Around Florida,” Fall 2009 – Winter 2010. “Collecting Ancient Glass” by Richard Brockway with Lynette Macleod, pp. 26-27, 44-45, 47. A similar example can be seen at the Metropolitan Museum of Art, accession number 30.8.26a, b A similar example hammered for GBP 33,750 ($40,489.88) at Bonhams, London, New Bond Street "Antiquities" auction (April 3, 2014, lot 152), and another hammered for GBP 48,180 ($57,801.55) at Bonhams, London, New Bond Street "Antiquities" auction (July 7, 2022, lot 21); one last similar example hammered for GBP 88,200 ($105,813.54) at Christie's, London "Antiquities" auction (sale 21014, July 6, 2022, lot 42). This piece has been tested using thermoluminescence (TL) analysis and has been found to be ancient and of the period stated. A full printed and bound report will accompany the item upon purchase. Provenance: private Vero Beach, Florida, USA collection, acquired before 2003 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #177387 Condition: Repaired across middle of legs with resurfacing, overpainting, and light adhesive residue along break lines. Minor abrasions and pitting to surfaces, with fading to original pigment, modern blue coloring to some chipped areas, softening to some finer details, and light earthen deposits, otherwise in excellent condition. Stunning blue glaze
• WINCHESTER MODEL 52 BOLT ACTION
  WINCHESTER MODEL 52 BOLT ACTION TARGET RIFLEWINCHESTER MODEL 52 BOLT ACTION TARGET RIFLE, 22 Lr caliber, 28" standard weight barrel, blued finish, walnut target stock, adjustable rear sight with globe style hooded front sight, sling mounts, single barrel band, metal butt plate, detachable five shot magazine, serial #31189, manufactured 1935. Lor requires FFL or background check.
• ERNST & ALMA LORENZEN HAND
  ERNST & ALMA LORENZEN HAND CRAFTER POTTERY VASEErnst & Alma Lorenzen ceramic vase. Deep red color throughout. Signed on bottom. Measures 8.75" High. Very good condition. Examine all photos closely. Contact AAG for more detailed information if needed. AAG is not responsible for any errors or omissions to any lots. All sales are final and sold as is. In house shipping is not available on this lot, please contact one of our third party shippers for a quote. Ernst (1911-1990) & Alma (1916-1998) Lorenzen, from Nova Scotia, are known for their pottery and more specifically their mushrooms. The New York Times featured an article on the Lorenzen's and their mushrooms in 1985. Through the years they have become internationally recognized. (#1189)
• BROWNING "BPS STALKER" SLIDE ACTION
  BROWNING "BPS STALKER" SLIDE ACTION SHOTGUN, 10 GABROWNING "BPS STALKER" SLIDE ACTION SHOTGUN, 10 gauge (3 1/2" chamber), 28" vent rib invector barrel, camouflage finish, synthetic stock and forend, engraved receiver, bottom eject, tube magazine, sling studs, rubber recoil pad, bead sight, tang mounted safety, serial #11895NVT92, manufactured 1995. Lot requires FFL or background check.
• Emerson tombstone plastic radio,
  Emerson tombstone plastic radio, model #108, circa 1935, s# AD-1189719. 10"h x 7"w x 4.5"d Condition: Missing back panel. NOTE: WAI does not guarantee radios to be complete or in working order.
• LONGQUAN CELADON YUHUCHUN VASE
  LONGQUAN CELADON YUHUCHUN VASE EARLY MING DYNASTY ??? ??????????????the elegantly proportioned pear-shaped body rising from a slightly splayed foot, sweeping up to a tall waisted neck and an everted lipped rim, the body boldly carved with large flowers borne on an undulating stem also issuing furled leaves, above a broad lotus lappet band enclosing ruyi heads, with a key-fret border at the foot, the shoulder encircled by a pendent ruyi-head border, with classic scroll, key-fret and upright lappet bands at the neck, applied overall with an even olive-green glaze save for the foot ring(1)31.5cm highProvenance: Private Canadian collection; formerly in a private Hongkongese collection, the late collector acquired it from Hong Kong before migrating to CanadaNote: five comparable Longquan celadon-glazed yuhuchun bottle vases incised with flower motifs and dated to the Ming dynasty are in the collection of the National Palace Museum, Taipei, museum number: ??9976, 11899, 14574 and ??1404, 3978; another Ming dynasty example of similar shape and colour of the glaze is in the Summer Palace collection. A further comparable example dated to Ming dynasty, Hongwu period, was sold at Sotheby's New York, 20 March 2019, lot 607.
• RENé LALIQUE (FRENCH 1860-1945)
  RENé LALIQUE (FRENCH 1860-1945) VIGNE CAVE À LIQUEURS, NO. 1189 designed 1931clear and frosted, nickel-plated metal mount and keybottles stencilled R. LALIQUE, tantalus stamped R. LALIQUE FRANCE BREVETÉ S.G.D.G.(5)bottles 20.2cm (8in) high, tantalus 30.5cm (12in) high
• 10 SILVER DOLLARS: 1189O, 1882O,
  10 SILVER DOLLARS: 1189O, 1882O, 1885O, 1885O,1890, 1880S, 1921S, 1921, 1883, 1922 PEACE DOLLAR. ALL IN GOOD TO VERY GOOD CONDITION.
• TIFFANY STUDIOS 3-PIECE DESK SET,
  TIFFANY STUDIOS 3-PIECE DESK SET, AMERICAN INDIANpattern, ca. 1900. Gilded bronze. To include: letter opener (10 1/2" long, signed Tiffany Studios NY 1189), a heavy notepad holder with original gilded edged paper insert (7 1/2" x 5", signed Tiffany Studios NY 1188), and a magnifying glass (8 1/2" long, signed Tiffany Studios 1196). Excellent condition.
• Large German stein of a robed monk,
  Large German stein of a robed monk, marked #1189; a 1/2 litre stein; a glass example, a mug and two canisters. Tallest: 12"h x 4.5"dia Smallest:4.25"h x 3.5"dia Condition: Largest stein has chips, the glass stein has scratches, one is missing a lid, ALL are dirty, wear consistent with age.
• Circa 1940 signed Cartier Paris
  Circa 1940 signed Cartier Paris #011898 18K gold double clip brooch topped with crescent moon and stars set with 38 rose and old European-cut diamonds and 3 simulated emeralds and 5 simulated ruby fingernails 1.75'' x 1'' 18.9 gms.
• Circa 1904 - 1907 marked to
  Circa 1904 - 1907 marked to underside ''Tiffany & Co. / 16240 Makers 1189 / sterling silver / 925- 1000 / C'' (Directorship of Charles T. Cook 1902 - 1907) the circular pierced scalloped rim decorated with flowers and C-scrolls over a tapering lobed body monogrammed to interior ''K''. 2.5'' H x 8.75'' Dia. 13.9 oz troy tw approximately.
• ***REVOLVER. Colt model 1877
  ***REVOLVER. Colt model 1877 lightning revolver..38 caliber six-shot cylinder 5 1/2'' round barrel hard rubber grips. S/n 118983. Overall mottled patina with traces of ble smooth action (though it misfires once about every 3 to 5 times) damage to grips appears to have had the ejector and housing removed. Manufactured in 1900 and thus requires FFL Form 4473.
• *COLT MODEL 1877 LIGHTNING
  *COLT MODEL 1877 LIGHTNING REVOLVER. .38 caliber six-shot cylinder 5 1/2'' round barrel hard rubber grips. S/n 118983. Overall mottled patina with traces of ble smooth action (though it misfires once about every 3 to 5 times) damage to grips appears to have had the ejector and housing removed. Manufactured in 1900 and thus requires FFL Form 4473.
• 6 ROYAL COPENHAGEN BIRD
  6 ROYAL COPENHAGEN BIRD FIGURINES: 1) Lovebirds #402, 5''. 2-3) Bluetit #1505. 4) Baby Robin #2238, 1 1/2''. 5) Pair of Finches #1189, 4 1/2''. 6) Fat Robin #2266, 3''.
• Heintz ink stand, sterling on
  Heintz ink stand, sterling on bronze with silver wash, marks for Heintz and "1189", no monogram, 3 x 6 x 4 in. Dents, loss to silver. Private Collection, Marietta, Georgia
• 11 vols. London, Jack: The Call of
  11 vols. London, Jack: The Call of The Wild. New York: Macmillan, 1903. 1st ed. 8vo, orig. pictorial green cloth, gilt, t.e.g.; scuffed, joints & edges worn & frayed, back hinge starting to separate. Plates (1 lacking). Adverts. Slightly shaken. BAL 11876. * The Faith of Men. New York: Macmillan, 1904. 1st ed. 8vo, orig. cloth, t.e.g.; scuffed & slightly dusty, joints, edges & spine ends rubbed & often frayed. Adverts. BAL 11878. * White Fang. New York: Macmillan, 1906. 1st pub. ed. 8vo, orig. pictorial cloth, gilt spine; light to moderate wear, corners & spine ends slightly rubbed, hinges starting. Plates. Adverts. Very slightly shaken. With two-leaf cancel title. BAL 11896. * Before Adam. New York: Macmillan, 1907. 1st pub. ed. 8vo, orig. cloth; light to moderate wear. Plates. Adverts. Minor internal spotting. BAL 11903. * Love of Life. New York: Macmillan, 1907. 1st pub. ed. 8vo, orig. cloth, gilt; scuffed, corners & spine ends frayed, other edge wear. Adverts. BAL 11904. * Lost Face. New York: Macmillan, 1910. 1st ed. 8vo, orig. cloth; some edge wear, head of spine frayed. Plates. Adverts. BAL 11915. * Smoke Bellew. New York: Century, 1912. 1st ed. 8vo, orig. pictorial cloth; light edge wear. Plates. BAL 11939. * John Barleycorn. New York: Century, 1913. 1st ed., 1st ptg. 8vo, orig. cloth, gilt; occasionally scuffed, spine ends & corners slightly frayed, d/j (2nd state, head of spine panel chipped - some loss of lettering, other wear). Plates. BAL 11946. * The Mutiny of The Elsinore. New York: Macmillan, 1914. 1st ed. 8vo, orig. pictorial cloth; scuffed, extremities worn. Frontis. Adverts. BAL 11956. * The Star Rover. New York: Macmillan, 1915. 1st Am. ed. 8vo, orig., pictorial cloth, gilt; moderate wear. Frontis. Adverts. BAL 11963. * When God Laughs. London: Mills & Boon, n.d. [1912]. English ed. 8vo, orig. cloth, gilt; scuffed, occasionally sunned. Adverts.