A few examples of appraisal values for
13 CRIES OF LONDON

• THIRTEEN ''CRIES OF LONDON''
  THIRTEEN ''CRIES OF LONDON'' PRINTS. English late 19th century. Various London street scenes after Francis Wheatley's paintings. 13''h. 10''w. In matching wooden frames. 19.25''h. 14.25''w.
• SET OF THIRTEEN CRIES OF LONDON
  SET OF THIRTEEN CRIES OF LONDON PRINTS 10" X 13-1/2" (I...Set of Thirteen Cries of London Prints 10" x 13-1/2" (image) Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• AFTER FRANCIS WHEATLEY: "THE
  AFTER FRANCIS WHEATLEY: "THE CRIES OF LONDON" 13 plates published by Colnaghie London; 14 x 11 1/8 in. (image sight) stipple engravings in colors.
• FOUR REPRODUCTION ENGLISH
  FOUR REPRODUCTION ENGLISH ENGRAVINGS, CRIES OF LONDON, SIZE 17X15 INCHESFour Reproduction English Engravings, Cries of London, Size 17x15 inches
• Lot 3 19th c. ''Cries of London''
  Lot 3 19th c. ''Cries of London'' (Painted by F. Wheatly'') prints. Framed and matted. Site 16'' x 12''.
• After Thomas Rowlandson/Cries of
  After Thomas Rowlandson/Cries of London/five, no 1, 2, 3, 4 and 8/hand coloured etchings, 32.5cm x 26cm
• RARE 'THE CRIES OF LONDON' PLATES
  RARE 'THE CRIES OF LONDON' PLATES COLLECTION"The Cries Of London", rare, complete thirteen plates collection, mid 19th century, painted by F. Wheatley R. A., D’après L. Schiavonetti Mezzotint, 13.75" x 10.75" (image size). Plate 1: Two Bunches a penny primrose, two bunches a penny - Un sol mes deux poignéees de primeroses, à un sol. Plate 2: Milk below Maids - Qui veut du lait il est tout chaud. Plate 3: Sweet China oranges, sweet China. - Oranges sucrées, Oranges fines. Plate 4: Do you want any Matches? - Marchand d’Allumettes achète mes bonne Allumettes. D’après A. Cordon. Plate 5: New Mackrel, New Mackrel - Maquereux, Maquereux frais Et Gros. Plate 6: Knives, Scissors and Razors to Grind. - Couteaux, Ciseaux, Rasoirs à repasser. D’après G. Vendramini. Plate 7: Fresh Gathered Peas, Young Hastings. Pois Rames, Pois Nouveaux écorces. D’après G. Vendramini. Plate 8: Round & Sound Five pence a Pound Duke Cherries. - Cerises douces, Cerises à la douce Cerise. D’après A. Cordon. Plate 9: Strawberries, Scarlet Strawberries. - Fraises, fraises, mes belles fraises. D’après G. Vendramini. Plate 10: Old Chairs to Mend - Vieilles chaises à rempailler. D’après G. Vendramini. Plate 11: A New Love Song only ha’penny a piece. - Chanson nouvelles deux sols le livre. D’après A. Cordon. Plate 12: Hot Spice Gingerbread, Smoking hot! - Du Croquet de Pain d’Épices! D’après G. Vendramini. Plate 13: Turnips & Carrots ho. - Carrottes & Navets. D’après T. Gaugain.
• After Francis Wheatley (British,
  After Francis Wheatley (British, 1747-1801) "Cries of London" two color engravings after prints by Giovanni Vendramini plate 9-"Scarlet Strawberrys" and plate 12-"Hot Spice Gingerbread" 13 3/4" x 10 3/4"
• Set of (11) 19th c. ''Cries Of
  Set of (11) 19th c. ''Cries Of London'' prints. Site 10'' x 8''. Reverse painted frames imperfections.
• A set of twelve hallmarked silver
  A set of twelve hallmarked silver cast '' Cries of Old London '' characters menu holders in fitted box London 1975. Approx. weight 16 oz.
• SET OF FIVE CRIES OF LONDON
  SET OF FIVE CRIES OF LONDON ENGRAVINGS. England early 20th century handcolored restrikes. Nicely framed. 21 1/2''h. 17 1/4''w. Together with a resin plaque of Albrecht Durer's Knight Death and Devil. Unframed 10''h. 8''w.
• 20TH C. SCHOOL: "THE CITY OF LONDON
  20TH C. SCHOOL: "THE CITY OF LONDON IN 1964" Collaged newspaper and architectural photographs on a hand-colored lithographic print 15 x 23 in. (image) signed J.A. Anthony.
• Set of ten framed hand-colored
  Set of ten framed hand-colored stipple engravings (after) Francis Wheatley British 1747-1801 from the series titled "The Cries of London" published by L. Schiavonetti et al. Image 14"x11" overall20.25"x15.75"
• Spode Copeland Porcelain Figurine
  Spode Copeland Porcelain Figurine ''Criesof London'' lady with baskets selling strawberries 7 1/4'' excellent.
• Two dried flower pictures a
  Two dried flower pictures a flower print and a print from the 'Cries of London' series
• AFTER FRANCIS WHEATLEY (ENGLISH
  AFTER FRANCIS WHEATLEY (ENGLISH 1747 - 1801), COMPLETE ...After Francis Wheatley (English 1747 - 1801), complete set of thirteen "Cries of London", engravings on paper having hand coloring, engraved by Luigi Schiavonetti, each titled and inscribed in plate through the lower margin, image size (each) 14" x 10 1/2". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• Full Cry (British, 1775-1831) 21
  Full Cry (British, 1775-1831) 21 x 39 inches.
• CRUCHLEY'S EVIRONS OF LONDON 1823
  CRUCHLEY'S EVIRONS OF LONDON 1823 ENGRAVED, HAND COLORED MAP 24"H X 24"WCruchley's Evirons of London 1823 engraved, hand colored map, "extending 15-18 miles round St. Paul's on a Scale of Three Quarters of an Inch to a Mile, On which is carefully delineated all the Main & Cross Roads, Foot paths, & Gentlemen's Seats, Parks, Inns. Divisions and Sub-divisions of the Counties in the Hundreds, EC, EC, EC. Constructed & Improved from a minute investigation. from Actual Survey. Engraved and Published July 17, 1823 by G. F. Cruchley Mapseller, London Dimensions: 24"H x 24"W
• Group of two vintage decorative
  Group of two vintage decorative arts collection, including: Engraving, D'apres Vendramini, ''Cries of London'' after an original painting by Francis Wheatley (1747-1801); Studio Dante di Volteradici Collector Plate, Serene Madonna, with certificate of authenticity; overall good condition, age wear, surface wear; largest L 10" H 13" (Approx.)
• A set of six coloured prints of
  A set of six coloured prints of London landmarks each 20 x 13 cm together with a lithograph of a Constable painting of the River Stour.
• 1 vol. The Great Chronicle of
  1 vol. The Great Chronicle of London. London, 1938. #24/500 printed on hand-made paper at The Sign of The Dolphin. Edited by A.H. Thomas & I.D. Thornley. 4to, orig. full brown morocco, gilt-armorial front cover, gilt-lettered spine, t.e.g., other edges untrimmed, raised bands; spine & edges fading, by Zaehnsdorf. With 10 facsimiles. Internally clean. Guildhall Library MS
• THREE ANTIQUE AERIAL VIEWS OF
  THREE ANTIQUE AERIAL VIEWS OF LONDON Each a hand-colored engraving, circa 1750, Thomas Bowles, to include "The South East Prospect of Westminster," "The South West Prospect of London," and "A General View of the City of London, Next to the River Thames," presented in uniform framing.
• LONDON AND 'LITTLE LEAGUE', COLOR
  LONDON AND 'LITTLE LEAGUE', COLOR PRINT, 16 X 40 INCHESLondon and 'Little League', Color Print, 16 x 40 inches
• ENGLISH SCHOOL: LONDON STREET SCENE
  ENGLISH SCHOOL: LONDON STREET SCENE Watercolor on paper 11 1/8 x 18 in. (sight) signed Hanslip Fletcher and dated 1922.
• Cruikshank (G) Sunday in London,
  Cruikshank (G) Sunday in London, 1833, 8vo, half calf gilt
• Bugle marked ''The
  Bugle marked ''The buglet...London''.
• English School (20th c.) London
  English School (20th c.) London Street Sceneoil on canvas illegible signature lower right an impressionist cityscape in which pedestrians scurry by a bright red telephone booth on a gray late autumn day. A large domed building likely St. Paul's Cathedral dominates the background. Presented in a modern wooden frame.SS 17.75 x 25 in.; DOA 22 x 29 in.Estate of the late Arthur H. Danielson of Raleigh NC
• * (ENGLAND) SHEPHERD THOMAS
  * (ENGLAND) SHEPHERD THOMAS Metropolitan Improvements; or London in the Nineteenth Century. [uniformly bound with:] London and its Environs in the Nineteenth Century. London: Jones 1827 1829. 2 vols. 4to 3/4 smooth green calf over marbled boards extra title page vignettes. With 82 and 78 (of 80) sheets of plates respectively (160 total). Spines and upper boards detached both vols. with loss to calf; intermittent foxing; large tear to plate 3 vol. 1; bookplates tipped in both vols.
• ENGRAVED MAP OF LONDONThe Tower and
  ENGRAVED MAP OF LONDONThe Tower and St. Catherines; Condition: creases and discoloration; taken from a book; 12 x 15 inches; 18 1/2 x 21 inches frame; Condition:
• ARTIST UNKNOWN, 20TH C. VIEW OF
  ARTIST UNKNOWN, 20TH C. VIEW OF LONDON, WATERCOLOR Watercolor on paper, unsigned, sight size: 3 1/2 x 4 3/4 in., framed.
• AFTER ROY LICHTENSTEIN (AMERICA,
  AFTER ROY LICHTENSTEIN (AMERICA, 1923-1997), “CRYING GIRL”, THE PARRISH ART MUSEUM EXHIBITION POSTER, 1994., OFFSET COLOR LITHOGRAPH ON GLOSSY WOVE PAPER, SHEET 26.75” X 30”.AFTER ROY LICHTENSTEIN, America, 1923-1997, "Crying Girl", The Parrish Art Museum exhibition poster, 1994. Dimensions: Offset color lithograph on glossy wove paper, sheet 26.75" x 30".
• BRITISH SCHOOL, 19TH CENTURY, GROUP
  BRITISH SCHOOL, 19TH CENTURY, GROUP WITH SIX VIEWS OF LONDON, EACH HAND-COLORED PHOTOGRAVEURE FROM A BOOK, EACH FRAMED: 9-1/2 X 11 INBritish School, 19th Century, Group with Six Views of London, each Hand-Colored Photograveure from a Book, each Framed: 9-1/2 x 11 in
• Panorama of London and the Thames.,
  Panorama of London and the Thames., circa 1846, Illustrated London News, 4to, coloured wood engraved panorama, printed key on separate tipped in leaf, original green cloth board, with decorative cloth design on upper cover with gilt arms of the City of London/see illustration
• 1 vol. Pynchon, Thomas. The Crying
  1 vol. Pynchon, Thomas. The Crying of . Philadelphia: Lippincott, (1966). First edition. 12mo, orig. blind-stamped yellow & grey cloth; minor edge wear, d/j (minor occasional wear). Attractive copy. Near Fine-.
• MR. DRYDEN, FABLES ANCIENT AND
  MR. DRYDEN, FABLES ANCIENT AND MODERN, LONDON 1700Mr. Dryden, Fables Ancient and Modern, London 1700
• CHRISTOPHER CLARK. "LONDON FOR
  CHRISTOPHER CLARK. "LONDON FOR STATE OCCASIONS," LITHOGRAPH (British, 1875-1942). Color lithograph, circa 1930, 39 1/2 x 49 1/2 in., framed.