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1934
1934
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A Molteno Edward IV being
A Molteno Edward IV being introduced to Jane Shore stipple engraving
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Dated 1904
Dated 1904
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Theodor de Bry (1528-1598) a
Theodor de Bry (1528-1598) a group of four engravings after drawings by Jacques Le Moyne from Brevis narratio eorum quae in Florida Americae provincia Gallis... Frankfurt 1591 illustrating young men exercising cooking and a granary sheets approx. 7 in. x 8 in. attractively float-mounted and framed.
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Three-volume 1574 German history:
Three-volume 1574 German history: Germaniae Antiquae Illustrationem Continet in que…MDLXV-MDLXXIIII August 1574 , vellum bindings with gilt embossed coat-of-arms, book plate "Ex Libris Liechtensteinianias", 12-1/2 x 8-1/2 in. Toning, bindings stained and discolored, minor water stains and foxing. The Estate of the Late Reverend O. Leland Gilmore, Maryville, Tennessee
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An illustrated book of Krilov's
An illustrated book of Krilov's fables published 1887 Moscow and St. Petersburg.
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ENGLISH MANUSCRIPTS OF THE 14TH C.,
ENGLISH MANUSCRIPTS OF THE 14TH C., 1937 LTD. ED. Treasures of Illumination, The Studio Ltd., London and The Studio Publications, New York, No. 115 of 200 copies bound in vellum on hand-made paper, 48 pages plus 24 tipped-in color plates with accompanying text, 11.5"h x 8.75"w
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Two Derby figures of seated
Two Derby figures of seated friars and a figure of a nun, circa 1760, one monk with incised no. 104, the nun 14.3cm high, the monk 15cm high (some areas of restoration, damages)
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1 vol. (Islamic Manuscript
1 vol. (Islamic Manuscript Prayer Book.) al-Jazuli. "Dala'il al-khayyirat." [Ottoman], 1211 Islamic calendar [1796 CE]. 12mo size, 6 x 4 inches (155 x 100 mm) - leaf size, contemp. leather casing, gilt; casing loose. 105 gilt-illuminated vellum leaves + 1 blank leaf, with 2 color miniatures: The Mosque of Medina, The Kaballah. Executed by the calligrapher Abd ar-Rahman al-Munib, student of Khalil as-Safi, a.k.a. Na'alband Zadeh.
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Theodor de Bry (1528-1598) a
Theodor de Bry (1528-1598) a group of six engravings after drawings by Jacques Le Moyne from Brevis narratio eorum quae in Florida Americae provincia Gallis... Frankfurt 1591 illustrating various views of chieftains and ceremonial pursuits sheets approx. 7 in. x 8 in. attractively float-mounted and framed.
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1873
1873
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1922
1922
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Four printed fraktur together
Four printed fraktur together with a remnant hand drawn family ledger dated 1837 16 1/4" x 12 3/4". ?
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Dutch illuminated manuscript
Dutch illuminated manuscript probably 14th c. with approximately 197 vellum pages with a gilt and leather embossed binding bearing... ?
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Fourteen books on Holland Norman
Fourteen books on Holland Norman Conquest British history etc.
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A Victorian soverign 1897
A Victorian soverign 1897 (Melbourne)
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Edward Tayler
Edward Tayler (1828-1906)/Portrait Miniatures of Arthur William de Brito Savile Foljambe and of Gerald William Frederick Savile Foljambe aged one year/dated respectively 1871 and 1879/watercolour on ivory, 5cm x 4cm framed by J & W Vokins/Provenance: From the collection of the Earl of Liverpool
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Fine 1671 betrothal needlework, man
Fine 1671 betrothal needlework, man and woman in court attire separated by a shield and "1671", distant castle, birds and flowers in corners, partial sun at top, silk thread and purl with raised work, some painted details, on ivory satin ground, British, circa 1671, 8 x 9-3/4 in.; modern frame. Losses to silk thread, some areas unfinished, fading, shattering to silk ground, needle holes along edges, possibly formerly attached to a pillow. Edyth Medlin Antiques, Raleigh, North Carolina
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Four 17th and 18th century European
Four 17th and 18th century European engravings (Schley, Moncornet, Berger, and Merian); Jakobus van der Schley (Dutch, 1715-1779), the cuckold suitor; Baltazar Moncornet (French, 1600-1668), country landscape with figures leading cattle and goats; Daniel Berger (German, 1744-1824), mystical lamp with Hebrew script above; Matthaus Merian (Swiss, 17th century), rustic scene with gent chopping wood. Largest: 4 1/2" x 6 1/4". Light glue discoloration to two.
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Theodor de Bry (1528-1598) a
Theodor de Bry (1528-1598) a group of six engravings after drawings by Jacques Le Moyne from Brevis narratio eorum quae in Florida Americae provincia Gallis... Frankfurt 1591 illustrating sacrifices executions a sorcerer and hermaphrodites sheets approx. 7 in. x 8 in. attractively float-mounted and framed.
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Theodor de Bry (1528-1598) a
Theodor de Bry (1528-1598) a group of six engravings after drawings by Jacques Le Moyne from Brevis narratio eorum quae in Florida Americae provincia Gallis... Frankfurt 1591 illustrating murder of a Frenchman fortified village widows hermaphrodites and a tribal battle sheets approx. 11 in. x 8 in. attractively float-mounted and framed.
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Theodor de Bry (1528-1598) a
Theodor de Bry (1528-1598) a group of six engravings after drawings by Jacques Le Moyne from Brevis narratio eorum quae in Florida Americae provincia Gallis... Frankfurt 1591 illustrating a council meeting farming Port Royal and one of the first views of collecting gold sheets approx. 11 in. x 8 in. attractively float-mounted and framed.
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1 vol. Patrick, Symon. The Parable
1 vol. Patrick, Symon. The Parable of The Pilgrims: Written to a Friend. London: Robert Wise for Francis Tyton, 1673. The Fourth Edition. 4to, old full dark brown calf, re-backed, red morocco spine label. Trimmed - no loss of text. Scattered minor spotting. Sheet of 20th-Century ink notes mtd. to front paste-down. 18th-Century owner's signature on verso of license leaf. Wing P-
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Fare Copies of Amendments to the
Fare Copies of Amendments to the British North America Act of 1867, signed by Speaker of the House of Commons, Roland Michener, July 29, 1960 two documents, each framed, one with French and one with English text, dealing with reforms to the tenure and age of retirement of Judges of the Superior Courts of Canada
each frame 25.4 x 17.3 in — 64.5 x 44 cm
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THE GENTLEMAN'S MAGAZINE, BOUND
THE GENTLEMAN'S MAGAZINE, BOUND VOLUME, 1774 Sylvanus Urban (Edward Cave), printed for D. Henry, London, Vol. XLIV, Jan through Dec (no Aug), incl. Captain Cook, The Boston Massacre, etc., vellum binding with marbled onlays, paper spine labels, 628 pages plus index, engravings, 5 fold-out maps, 8.5"h x 5.5"w,
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O/B PORTRAIT OF MAN DATED
O/B PORTRAIT OF MAN DATED 1587Miniature oil on panel portrait, dated 1587, of a bearded man, manner of Michiel Jansz Van Mierevelt (Dutch, 1567-1641). Inscribed Aetatis Suae 67 (At the age of 67). Self-frame is part of the wood panel. 6-1/4" x 4-1/4" overall. Continental.
Condition:
Some warping to panel, overall cracquelure, 1" area of edge chipping at right side of painting near frame edge; overall good condition.
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FOURTEEN MIXED MEDIA SILHOUETTE
FOURTEEN MIXED MEDIA SILHOUETTE PORTRAITSA group of fourteen mixed media silhouette portraits18th/19th centuryIncluding two wax busts of gentlemen in 18th century attire, two medals, including one of Charles V, Duke of Lorraine, Germany, 167
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1 vol. Olearius, Adam;
1 vol. Olearius, Adam; Mendelslo, Johann Albrecht von. Persiansche Reyse... Amsterdam: Voor Jan Jansz, 1651. 2 vols. in 1. 4to, old vellum over bds.; light wear, slightly warped. Additional engraved vignette title, 10 engravings in text. Without maps. Internally generally clean. Bound with: Laet, J. de. Voyagien naa, en door het Groot en Magtige Koninkrijk van Persia. Amsterdam: S. Imbrechts, 1667. 4to. Title vignette. Generally clean.
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1824 United Stat
1824 United Stat
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Edward Lear (1812-1888)/Castel
Edward Lear (1812-1888)/Castel Giulriel Landscape/dated, Jan 7th 1845/brown ink, 21.5cm x 38cm
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Two c. 1500 early printed pages
Two c. 1500 early printed pages one on vellum with illumination 7 3/8'' h. x 4 3/4'' w.; along with two illutrated pages from an 18th C. English Gospel; an engraving after Raphael by I. Pavon; other 18th and 19th C. engravings including images of St. George; St. Cecilia; Interior of St. Peter's Basilica etc.
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Attributed to Sir Peter Lely (Dutch
Attributed to Sir Peter Lely (Dutch working in England 1618-1680) "Seated Male Figure Looking to His Right" 1666 black chalk with white highlights (the latter applied selectively to drapery modeling and anatomy) on prepared brown wove paper without watermark unsigned but inscribed en verso "2 may 1666"; 22 7/8 x 15 3/4 in. colored in later purplish-white paint (apparently on original paper) in a 1 1/2 /2-inch inverted L-shaped strip extending approx. 20 in. along left edge ending in a similar 4 1/2 in.-long strip horizontally along edge of triangular repair at upper left. Provenance: James R. Lamantia Jr. New Orleans and New York. Note: This unusually large powerful and impressive drawing is dated on its verso in English; and the evident contemporaneity of that inscription is proven by its close similarity to the date of "1666" written at the bottom of the Ashmolean Museum's portrait drawing of John Aubrey by Lely's almost exact contemporary William Faithorne (1616-1691). It happens that 1666 is the very year that Lely inaugurated his most celebrated series of portraits the Admirals (or flag-officers who had served under the Duke of York at the Battle of Lowestoft 1665) now in the National Maritime Museum at Greenwich. There is no evidence that this is indeed one of Lely's standard "posture drawings" that were offered to sitters as aids to the selection of their attitudes in his portraits; but its style technique and materials are intimately close to theirs-though this sheet is in fact unusual in showing at least parts of an entire figure arranged in a pose that is manifestly more informal than either those of a studio pattern book or probably than those others which were made for a sitter's retention (in very large numbers and widely diverse types principally by Lely himself). Lely who grew up in The Hague and was trained at Haarlem came to London in the early 1640s and in 1661-62 became a naturalized British subject as well as First Painter to the King (that is Charles II who was restored to the throne after the English Civil War in 1660). Entirely by his own hand Lely produced many hundreds of paintings of the raffish worthies of the Restoration; with the help of the large army of assistants whom he employed the number of his studio works and replicas rises into the thousands. He became enormously rich and used most of his income to acquire works of art: he owned some twenty-five capital paintings by his great predecessor Van Dyck and also (according to the catalogue of a 1682 sale after his death) pictures and sculptures by such preeminent artists as Veronese Correggio Holbein Claude Lorrain and Bernini. His roughly 10 000 prints and drawings constituted probably the finest collection assembled to that time (it was catalogued in 1688 and 1694); the drawings included sheets by Leonardo Raphael Giulio Polidoro Parmigianino (some 100 studies) Primaticcio Barocci the Zuccari the Carracci and Rubens. The present sheet was thought by James Lamantia to bear some affinity to life studies by Guercino (1591-1666) and indeed the latter's Reclining Nude Youth of 1618/19 in the Royal Library at Windsor Castle (inv. no. 01227 MS inv. A. 125)-as well as in three other nearly identical "academy drawings " in Malibu Saint Louis and Genoa-are all similarly rendered in black and white chalk on brown paper close to the shade and size of this drawing. But the Guercino full-figure "academies" are discernibly different in the minutiae of their handling in precisely those respects in which this figure is most characteristic of Lely and his circle. So the label in English on this sheet (which does not simply record Guercino's death since he died at Bologna on 22 December 1666) tends to confirm its production by-or in the studio of-Peter Lely who might very well have used as a model one of the drawings by Guercino that he may himself have owned. References: John Woodward Tudor and Stuart Drawings London 1951 pp. 30-35 49-52 pls. 34-50; Sir Ellis Waterhouse Painting in Britain 1530 to 1790 Harmondsworth 1969 esp. ch. 6 "The Age of Lely;" Oliver Millar "Lely " Grove Dictionary of Art Jane Turner ed. London 1996 34 vols. vol. 19 pp. 119-125; Nicholas Turner Guercino: Drawings from Windsor Castle Washington 1991 pp. 30-32 no. 6.
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17TH CENTURY RELIGIOUS PORTRAIT,
17TH CENTURY RELIGIOUS PORTRAIT, PRAGUEOil on canvas painting of Joes Cztiborius Kotva. Inscription at bottom states he is a theologian during the time of "Ferdi. II" or Holy Roman Emperor Ferdinand II (1619-1637). Painting is set in Bohemia (today Prague, Czech Republic) as the Church of Our Lady before Tyn can be seen over the subject's shoulder. A small suit of armor stands on the table next to a goblet. Well stabilized and relined. Some loss at bottom along with wear and visible repairs. Modern frame with period styling.
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Early colored engraving of the
Early colored engraving of the French King published London May 1844. 17"x22"
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Four mirror botanical engravings
Four mirror botanical engravings 17th Century style 66cm x 57cm (26" x 22.5")
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PHOTOGRAVURE - 'Christophe Colomb a
PHOTOGRAVURE - 'Christophe Colomb a la Cour de Ferdinand le Catholique et d'Isabelle de Castille' print par V. Brozik 1884 publ by Goupil et Cie in black molded frame SS: 20'' x 29'' OS: 29'' x 36 1/2'' heavily foxed.