A few examples of appraisal values for
1503

• ALBRECHT DURER, THE
  ALBRECHT DURER, THE VISITATIONAlbrecht Durer (German, 1471-1528)The Visitation from The Life of the Virgin (B. 84; M.166, Holl. 196), circa 1503-04woodcut on laid paperwatermark of small city gate with two towers present to upper
• 1961 LEICA M3 CAMERA BODY & 50MM
  1961 LEICA M3 CAMERA BODY & 50MM SUMMICRON F2 LENS 1961 Leica M3 camera body (serial number 1033 806), with a 1961 Leica Summicron 50mm f2 lens (serial number 1831503), together with a Leica MR meter, and a Leica Sooky-M or Somky close range attachment; and a Leica leather case, strap, and manuals. Approximate Dimensions:
• GIOVANNI PONTANO, OPERA, ALDINE
  GIOVANNI PONTANO, OPERA, ALDINE EDITION, 1513 Ioannis Ioviani Pontani (1424-1503) Opera, published 1513 by Aldine Press in Venice. First edition with vellum binding. A scarce and important work. Bound in vellum. Gilt titling on spine in field of red. 16mo. 256pp.
• BATTISTA GUARINI, RIME DEL MOLTO,
  BATTISTA GUARINI, RIME DEL MOLTO, PRINTED 1598 Rime del molto illustre signor caualiere Battista Guarini dedicate all'illustrissimo, et reuerendissimo signor cardinale pietro aldobrandini, by Battista Guarini (1503-1562). Period limp vellum binding. Previously signed by owner in 1657 and 1674. 137 pp. Priovenance: Sothebys lot 26, 6/22/98
• LUCIAN, DIALOGI ET ALIA MULTA, 1522
  LUCIAN, DIALOGI ET ALIA MULTA, 1522 ALDINE EDITION Lucian of Samosata. Luciani Dialogi et alia multa opera quorum index est in proximis paginis. Imagines Philostrati. Eiusdem Heroica. Eiusdem vit? Sophistarum. Imagines Junioris Philostrati. Descriptiones Callistrati. Venice: In aedibus Aldi, & Andrae Asulani soceri, October, 1522. Third edition in Greek and second Aldine edition of Lucian's Dialogues (the edition princeps was published in Florence in 1496, and the first Aldine edition was published in 1503) and second edition of the Philostratean texts and the Callistratus. Title and preliminaries in Greek and Latin, text in Greek. Greek and Roman letter. Aldine woodcut anchor and dolphin device on title and on verso of final leaf. Very rare to see the printer?s device twice. Capital spaces with guide letters. Imprint from colophon. With a preface by Franciscus Asulanus. At the demand of the Congregation of the Index Expurgatorius (otherwise known as the Inquisition) pages 385-92 and 435-440 were removed in order to destroy two passages, p. 386 and 436" (Ebert). Those pages are missing in this edition. Full early 17th century panelled brown leather binding. Raised bands and gilt titling on the spine. Speckled page edges. 55 lines plus pagination. 571pp. 4to. "The first of these Aldine editions...is very imperfect, and apparently taken from inaccurate MSS, without any collation of the edition princeps. The second is rather more valuable, and has served as the basis of many subsequent editions. It exhibits in some places a purer text than the Florentine edition" (Dibdin, Greek and Latin Classics II, pp. 190-191). Brunet III, cols. 1206-1207. Ebert 12374. Renouard, p. 95, 4.
• RENé LALIQUE (FRENCH 1860-1945)
  RENé LALIQUE (FRENCH 1860-1945) FLEURS ET RINCEAUX NECKLACE, NO. 1503 designed 1914twelve beads, black, and white stainedeach bead 3.5cm (3 3/8in) long
• RENé LALIQUE (FRENCH 1860-1945)
  RENé LALIQUE (FRENCH 1860-1945) FLEURS ET RINCEAUX NECKLACE, NO. 1503 designed 1914twelve beads, electric blue, and white stainedeach bead 3.7cm (3 3/8in) long
• 16TH C. ITALIAN-ROMAN SCHOOL HEAD
  16TH C. ITALIAN-ROMAN SCHOOL HEAD OF AN OLD MAN Circle of Parmigianino (Italian, 1503 - 1540), Italian-Roman School, Head of an Old Man, Pen & Bristle, 16th C.. Provenance: From the collection of C.F. Louis de Wild of New York, a prominent art conservator. Removed from a 41 Fifth Avenue Estate. Image: 2.75" H x 2.25" W; frame: 12.25" H x 11.5" W.
• STERLING. ASSORTED GROUPING OF
  STERLING. ASSORTED GROUPING OF STERLING HOLLOWWARE Including a Meriden Brittania Co. reticulated basket with a fixed handle - stamped, "Sterling 391A"; a Medley & Langhans Inc. sterling round tray with a pierced border - stamped, "Medley & Langhans Inc. Sterling 460"; a Hunt Silver Co.sterling paw footed open sugar and creamer set - both items stamped, "Sterling 155" with a pictorial maker's mark; a damaged Whiting sterling cigarette urn - stamped, "Sterling By Frank M Whiting & Company 1211"; monogrammed pair of sterling coasters stamped, "Sterling 1503"; a sterling chased kiddush cup coaster - stamped, "Esco Sterling";pair of sterling bobeches - stamped, "Sterling"; and a pair of Crown weighted sterling salt/pepoper shakers - stamped, "Crown Sterling Weighted". Total approx. weight of all items is 33.88 troy oz (gross) excluding weighted items. From a Larchmont, NY estate. Dimensions: round tray measures approx. 11.50" in diameter. Condition: Good, with light surface scratches and minor dings/dents. cigarette urn is damaged. Salt and pepper shakers exhibit corrosion.
• BROWNING BLACK LABEL 1911-380
  BROWNING BLACK LABEL 1911-380 PISTOLBROWNING BLACK LABEL 1911-380 SEMI AUTOMATIC PISTOL, 380 ACP caliber, 4 1/4" barrel, blackened stainless slide, black composite frame, burlwood grips, skeletonized trigger, bobbed hammer, grip safety, (5) eight round magazines, original plastic carry case, manual and lock, serial #51HZV01503, manufactured 2015. Lot requires FFL or background check.
• LADIES' LONGINES SWISS 18K GOLD,
  LADIES' LONGINES SWISS 18K GOLD, DIAMOND AND GREEN JADE FANCY DRESS WATCH 2 ¼" within the bangle x ?"W at the widest point 18k yellow gold bangle dress watch by Longines, gold tone dial with Roman numerals at VI and XII, gold tone hour and minute hands, marked on dial "Longines Swiss"; bangle with slide-in clasp and double safety catch; elegant open scroll design with heart shape and round cabochon cut green jade, further accented with round brilliant cut diamonds, total estimated diamond weight 0.60 ct, SI1-2 clarity, H/I color; marked on the bangle and watch back, serial #30150350, L4 212 6; overall weight 46.2 gm.
• PRINT, ALBRECHT DURER Albrecht
  PRINT, ALBRECHT DURER Albrecht Durer (German, 1471-1528), "Visitation," (circa 1503-04), from "The Life of the Virgin," woodcut, on laid paper with Two Towers or City Gate (Ravensburg Coat of Arms) watermark (Meder 262), sheet: 11.5"h x 8.25"w, overall (with frame): 21"h x 16.5"w
• Tiffany Studios. Bud vase. c. 1918,
  Tiffany Studios. Bud vase. c. 1918, hand-blown Favrile glass. 12 h × 4 dia in. result: $1,226. estimate: $800–1,200. Etched to underside '1503 9323 M L.C. Tiffany - Inc. - Favrile'. Incised to underside 'X565 544/c97'. Provenance: Important Private Collection, Highland Park, IL
• GWENDOLEN HN1503 - ROYAL DOULTON
  GWENDOLEN HN1503 - ROYAL DOULTON FIGURINEA pretty lady sits in repose holding flowers in a yellow and pink gown with a green ribbon sash and shoes. This figure was inspired by Gwendolen Fairfax, the heroine of Oscar Wilde's 'The Importance of Being Earnest'. Artist: Leslie Harradine Issued: 1932�1949 Dimensions: 6"H Manufacturer: Royal Doulton Country of Origin: England Condition: Good
• NEGLECTED 1001503 - LLADRO
  NEGLECTED 1001503 - LLADRO PORCELAIN FIGURINEGlossy finish; Ragdoll laying on their side. Lladro backstamp. Artist: Jose Puche Issued: 1986 - 1991 Dimensions: 2.25"H Manufacturer: Lladro Country of Origin: Spain Condition: Good.
• LUNDBERG STUDIOS ART GLASS
  LUNDBERG STUDIOS ART GLASS ATOMIZERS PERFUME BOTTLEA stunning luster canary-yellow orb shaped bottle with leaf pattern outlines. Lundberg Studios etched on the underside. 15030505 Issued: 1985 Dimensions: 4"W x 5"H Manufacturer: Lundberg Studios Country of Origin: United States Condition: Age related wear.
• THREE PIECES CHINESE EXPORT ROSE
  THREE PIECES CHINESE EXPORT ROSE MEDALLIONlate 19th/20th century, enamel painted with flowers, fruits, butterflies, and shou symbols, comprising: large charger, 1503/4 in.; bowl, 4 x 10 in.; large punch bowl, 6-1/2 x 15-3/4 in. Provenance: Collection of General Sam S. Walker and Charlotte B. Walker, Pinehurst, North Carolina Condition: scratches, rim flakes, enamel loss, smaller bowl with hairlines, repaired break with retouch; punch bowl with interior stains
• ALBRECHT DüRER WOODCUTAlbrecht
  ALBRECHT DüRER WOODCUTAlbrecht Dürer (German, 1471-1528) Calvary with the Three Crosses (Bartsch 59; Meder, Hollstein 180), circa 1503, state II/II, a late impression, woodcut on laid paper, sheet 8-1/2 x 5-7/8 in. Provenance: Property from a Southern Institution [[europeanart]] Condition: laid down, some wear to ink, repaired tear upper left, tear at bottom, trimmed, no visible watermark in strong light
• KASHAN TYPE CARPETBright red field,
  KASHAN TYPE CARPETBright red field, white border with leaf trellis. Dimensions: 9' x 12'4" (SJKR1503)(WT) Condition: Strong vibrant colors. Very good condition except to tiny losses at base of fringe.
• LURISTAN BRONZE DAGGER - GORGEOUS
  LURISTAN BRONZE DAGGER - GORGEOUS PATINA!Ancient Near East / Anatolia, eastern Turkey and northwestern Iran, Luristan culture, ca. 1000 to 600 BCE. A striking cast-bronze slender dagger with a pointed, recessed blade and cuboid handle, which flairs outwards at its base. A series of handle cavities decorate the area just below the blade, likely meant for inlays of bone, stone, or wood. Enveloped in rich patina of azurite blue, seafoam green, and russet hues, this ancient dagger is historical evidence that looks can kill! Size: 12.1" L x 1.1" W (30.7 cm x 2.8 cm) Provenance: private Virginia, USA collection, acquired from a site in Western Turkey prior to 1970 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #150318 Condition: Slight bending to blade with nicks to handle and blade, otherwise intact and very good. Great patina throughout.
• 19TH C. CHINESE WOOD ACUPUNCTURE
  19TH C. CHINESE WOOD ACUPUNCTURE TEACHING MODEL**Originally Listed At $2500** East Asia, China, ca. 1860 to 1880 CE. A sizeable, carved wooden male model with black-painted inscriptions used to teach acupuncture in China. The standing figure is marked with various acupuncture holes representing pressure points where needles should be placed on the human body as well as the meridians through which the qi (chi) or energy in the body flows. It is necessary for qi to flow freely along the body's channels or meridians in order to ensure good health. Acupuncture was developed in China and spread throughout East Asia, especially Korea and Japan, centuries before Europeans learned of the practice. Dutch physician Willem ten Rhijne, who studied acupuncture in Japan for two years, wrote "De Acupunctura," the first European text on the subject published in 1683. It was not until 1823 that British surgeon James Morss Churchill wrote "A Treatise on Acupuncturation," the first English text on acupuncture. Size: 5.7" L x 8.375" W x 31.375" H (14.5 cm x 21.3 cm x 79.7 cm); 32.5" H (82.6 cm) on included custom stand. According ot the Wood Library Museum of Anesthesiology, "The practice of acupuncture is based on the ancient Chinese concept of yin yang balance. Yin and yang represent the interdependent opposites that exist in everything, and for good health the two must be in balance. According to traditional Chinese Medicine, a metaphysical energy called "qi", or “chi”, is believed to circulate throughout the body along invisible channels called meridians. It is thought that stagnation or problems with the flow of "qi" causes a yin yang imbalance. To restore that balance, the skin is punctured with very fine needles at acupoints. Most acupoints are found along the body’s twelve meridians. Practitioners of acupuncture use it to relieve pain and to treat a variety of health conditions." Provenance: private Hawaii, USA collection; ex Lissauer collection, Sydney, Australia, 1950 to 2000 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #161503 Condition: Body shows age crack down center from chest to waist wrap. Integral cylindrical base shows expected wear with abrasions, surface losses, and age cracks, the largest to right and below left proper foot as shown. Arms either carved separately and joined to body or reattached. Normal surface wear with scuffs and abraded areas. Hand-painted writing is well preserved. Drops of white pigment on head and body as shown.
• OLMEC JADE DUCK PENDANT W/ HUMAN
  OLMEC JADE DUCK PENDANT W/ HUMAN FACEPre-Columbian, southern Mexico to Guatemala, Olmec, ca. 1200 to 600 BCE. An interesting pendant of a petite size depicting a human face on one side and a minimalist duck visage on the other, all hand-carved from mottled, forest green omphacite jade with light green and beige inclusions. The obverse of the slender pendant features an Olmec countenance with characteristic features such as wide-set, almond-shaped eyes, a broad nose flanked by deep nasolabial folds, puffy lips, and rounded cheeks. The verso bears a bulbous, conical duck beak with a pair of slit-form nostrils and an incised groove delineating the top of the beak from the bottom. When viewed at the correct angle, the eyes of the human face are seen as the eyes of the duck's face. A biconically drilled suspension hole situated behind the pendant enables this to be worn as an attractive and ancient accessory! Size: 2.44" L x 0.98" W (6.2 cm x 2.5 cm) Provenance: ex-E. Thomas collection by descent from father, Southern California, USA, around 1980 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. b>PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship b>PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #150330 Condition: A few stable hairline fissures across face not commensurate with repairs, with light abrasions to head and duck beak, small area of chipping to top of head, and light encrustations within some recessed areas, otherwise intact and excellent. Great surface smoothness and jade coloration throughout.
• PORTRAIT OF A FEMALE DIGNITARY
  PORTRAIT OF A FEMALE DIGNITARY (CONTINENTAL SCHOOL, EAR...PORTRAIT OF A FEMALE DIGNITARY (CONTINENTAL SCHOOL, EARLY 17TH CENTURY) CIRCLE OF FRANS POURBUS THE YOUNGER Oil on canvas, unsigned. Dated 1615 when the sitter was 28 years old, as indicated by the Latin inscription, the coats of arms probably those of Halsingland, Sweden. The subject in red dress with white collar meticulously adorned with lace; her right hand held to her chest holding a small pink carnation, a beribboned rosary spilling over a bible stationed at her right side, her left hand holding her gloves down at her side. Fine gold jewelry adorns her hands and a large, jeweled pendant hangs at her chest. The later ebonized, gothic style frame with the gilded date 1628 (probably a misinterpretation of the Roman numeral 28). The sitter bearing resemblance to Constance of Austria who gave birth in January of 1616. Constance was a daughter of Charles II of Austria and Maria Anna of Bavaria. Her paternal grandparents were Ferdinand I, Holy Roman Emperor and Anna of Bohemia and Hungary (1503–1547). Anne was the only daughter of King Vladislaus II of Bohemia and Hungary and his wife Anne de Foix. Her maternal grandparents were Albert V, Duke of Bavaria and Anne Habsburg of Austria. Constance was also a younger sister of Ferdinand II, Holy Roman Emperor, Margaret of Austria, Leopold V of Austria and Anna of Austria. Her older sister Anna was the first wife of King Sigismund III Vasa, King of Sweden and Poland. After her sisters death Constance and Sigismund were married on December 11, 1605. The final photo of the lot is a documented portrait painting of a young teenage Constance by Frans Pourbus the Younger. The pose, articles, and clothing bear a close resemblance. Stretcher: 46 x 34 1/4 in. (116.8 x 87 cm.), frame: 56 1/4 x 43 3/4 in. (142.9 x 111.1 cm.)
• PAUL MCCOBB PLANNER GROUP BENCH AND
  PAUL MCCOBB PLANNER GROUP BENCH AND CHESTPaul McCobb (Massachusetts 1917-1969) Planner Line for Winchendon Furniture Company. Bench 1546. Double Drawer Dresser 1503 and Three Drawer Chest 1506. Marks, dents and scratches. Over all wear consistent with age. Bench 60" x 15" x 18". Three drawer dresser 24" x 24" x 18".
• ROLEX 14K GOLD 'OYSTER PERPETUAL
  ROLEX 14K GOLD 'OYSTER PERPETUAL DATE' WRISTWATCHROLEX 14K Gold 'Oyster Perpetual Date' Wristwatch, Ref. 15037; the gold toned dial with baton indicators and date aperture; enclosing an automatic movement; signed on dial and clasp; completed by a 14k gold Oyster bracelet; 55.98 dwts.; case 34 mm.; int. cir. 6 1/2 in. Provenance: Property of a Massachusetts Family. Condition: winds and sets; kept time at time of condition report; scratches to gold commensurate with light wear; accompanied by Rolex box. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• (4) CAST IRON TOY WRECKER TOW TRUCK
  (4) CAST IRON TOY WRECKER TOW TRUCK HUBLEY ARCADEThree Hubley #2234 cast iron toy wrecker or tow trucks & one Arcade #1503 tow truck. Trucks have age appropriate wear, paint loss & oxidation. Tires are missing on one Hubley truck. Please see photos for more details on condition. The toys in today's auction are from a show dealer and have been in storage for over 15+ years. Some toys may require some level of cleaning and/or repair for operation. shipping info This lot can be shipped in-house.
• 14K TIFFANY & CO ROLEX OYSTER
  14K TIFFANY & CO ROLEX OYSTER PERPETUAL GOLD WATCH14K yellow gold Rolex Oyster Perpetual Date chronometer watch retailed by Tiffany and Company. Watch features: Fluted bezel, signed Rolex crown, Acrylic crystal, self winding movement. Model Ref# 1503, serial# 6077029. Tiffany #12636. Case measures approx. 35mm, 18mm lug. Case and bracelet are both marked 14k. Overall weight 93.4 grams. Watch runs, minimal wear to case and bracelet, likely previously polished. shipping info This lot can be shipped in-house.
• ALBRECHT DURER (AFTER),
  ALBRECHT DURER (AFTER), ENGRAVING, 1503/1566 Albrecht Durer (German, 1471-1528), "The Virgin Seated on a Grassy Bank (Bartsch 34; Meder 31), signed "AD" in plate and dated 1566, after the original 1503 printing, with Kennedy Galleries information card, ink stamps on verso, matted and unframed, 4"h x 2.75"w (sheet)
• 14K YELLOW GOLD ROLEX OYSTER
  14K YELLOW GOLD ROLEX OYSTER DATEJUST Rolex (Swiss), 1971. Vintage 14k Oyster Perpetual 1503 datejust having champagne dial, fluted bezel, and gold baton hour markers. Accompanied by black leather band. Maker's mark to several areas and serial number to side of case 2813488. Note: New and International bidders may be required to pay for this Lot using certified funds. Please consider this when placing bids. Approx. length 9" (with band) diam. 1.25" (bezel).
• GIOVANNI BOCCACCIO EARLY PRINTED
  GIOVANNI BOCCACCIO EARLY PRINTED BOOKIn Latin, Basle, September 1532. Edited by Jacobus Micyllus. Early white vellum cover, now in a wood case. Peri Genealogicas (graece) Deorum, Libri Quindecim, cum annotationibus Iacobi Micylli. Eiusdem de Montium, Sylvarum, Fontium, Lacuum, Fluviorum, Stagnorum, & marium nominibus. Liber I. Huc accessit rerum, & fabularum scitu dignarumcopiosus index. Basle: Iohannes Herwagen September 1532. 34 unnumbered leaves, 504 pages, 2 ununbered leaves, with woodcut printer’s device on title and last leaf, 13 full page woodcut genealogical trees, and numerous figurative woodcut initials, partly in Greek. First Micyllus edition, (first 1472). Adams B 2173; VD 16 B 5846; Heitz/Bernoulli 126 and 127 (for the printer’s devices); Butsch I, plate 59 (for the initials). Edited and with commentary by Jacob Micyllus (1503-1558), German humanist, professor for Greek at University of Heidelberg. (Cond: spine cover in need of restroration, bug damage, some discoloration)
• TWO ENGRAVINGS, AFTER ALBRECHT
  TWO ENGRAVINGS, AFTER ALBRECHT DURER AND REMBRANDTThe first, ALBRECHT DURER (German. 1471-1528), Apollo and Diana, [original] 1503, later strike, monogrammed, engraved on paper with brown fiber, 5.25 in. by 3.5 in., overall 19 by 17 in. The second, REMBRANDT H. VAN RIJN (Dutch, 1606-1669), The Visitor, [later strike], plate 9.75 by 8.75 in. overall 26 by 20.5 in. (Cond: Rembrandt askew within mat, otherwise both good)
• TWO VINTAGE LEICA D.R.P. LEITZ
  TWO VINTAGE LEICA D.R.P. LEITZ WETZLAR RANGEFINDER CAMERAS, EACH WITH LENS Germany, No. 213302 (1936) with a Leitz Elmar f=3,5 cm 1:3,5 lens; No. 523671 (1957) with an Ernst Leitz Wetzlar Summicron f = 5 cm 1:2 lens, serial number 1091503; both with Leica lens caps.
• PAUL MCCOBB PLANNER GROUP BENCH AND
  PAUL MCCOBB PLANNER GROUP BENCH AND CHESTPaul McCobb (Massachusetts 1917-1969) Planner Line for Winchendon Furniture Company. Bench 1546. Double Drawer Dresser 1503 and Three Drawer Chest 1506. Marks, dents and scratches. Over all wear consistent with age. Bench 60" x 15" x 18". Three drawer dresser 24" x 24" x 18".
• FIVE STERLING SILVER AMERICAN
  FIVE STERLING SILVER AMERICAN WALTHAM & SWISS POCKET WATCHESthe 1st: Keystone Leader coin silver Heavy Hunter Case No 4 (some wear to back of case), Waltham Porcelain dial with sub seconds dial (loss / chip on edge), American Waltham 17J lever set movement, serial 15030010; the 2nd: C.W.C. Company sterling silver 0 size (good overall condition), Waltham porcelain (with cracks), Waltham 7J pendant set movement serial # 27404753; the 3rd: Philadelphia watch case, gold filled 25 year serial 8326671, case with engraved monogram to back, Waltham porcelain dial with sub seconds dial (no cracks), Waltham AWW Co 15J, pendant set and wind movement serial #17382765; the 4th: 800 sliver hinged case (with wear), dial is unmarked porcelain with sunken seconds dial (no cracks, chip to crystal), 15J unmarked movement, pin set cylinder type; the 5th: sterling silver marked hinged case, multicolored dial, movement a finger bridge cylinder type key wind and key set Condition:
• ROYAL VIENNA-TYPE PORCELAIN
  ROYAL VIENNA-TYPE PORCELAIN MYTHOLOGICAL PLAQUE OF 'CUPID MAKING HIS BOW' MID-19TH CENTURY PLAQUE: 16-7/8 X 10-3/8 IN (42.9 X 26.4 CM);, FRAMED: 22 X 15-1/4 IN (55.9 X 38.7 CM)Royal Vienna-Type Porcelain Mythological Plaque of 'Cupid Making His Bow', Mid-19th Century After a painting by Girolamo Francesco Maria Mazzola (Italian 1503-1540), known as Parmigianino; verso with an impressed shield below '854' and an engraved '33' artisan mark along c.r. and pencil artist and date notations in u.r.; illegibly signed possibly 'L. Zelser' and dated '1856' l.r. in glaze. Dimensions: Plaque: 16-7/8 x 10-3/8 in (42.9 x 26.4 cm);Framed: 22 x 15-1/4 in (55.9 x 38.7 cm) Provenance: Property from the Collection of Jill D. Sachs Sold in these rooms, Estate Auction: Winter 1985, December 6-8, 1985, lot 1062
• ALBRECHT DüRER (GERMANIC)
  ALBRECHT DüRER (GERMANIC) 1471-1528. COAT-OF-ARMS WITH A LION AND A COCK. ENGRAVING, C. 1500-1503. BARTSCH 100; MEDER 97, A-B (BUT W...Albrecht Dürer (Germanic) 1471-1528. Coat-of-Arms with a Lion and a Cock. Engraving, c. 1500-1503. Bartsch 100; Meder 97, a-b (but with the small horizontal scratches, l.l. as described in Meder A); Strauss 81. The artist's insignia in the plate, l.r. Printed in black ink on contemporary laid paper with a small jughead watermark (as described for Meder b). A very fine impression trimmed to the platemark. 181 x 119 mm. (7 1/8 x 4 5/8 in.)