A few examples of appraisal values for
1547

• 1787 WOOLLETT ENGRAVING PRINT
  1787 WOOLLETT ENGRAVING PRINT
• late 17th Century English
  late 17th Century English SchoolPortrait of a Gentlemanwearing a lace jacket and a gold coloured coatoil on canvas 71.5cm x 56cm (28" x 22")
• Wenzel Hollar (1607-1677) after
  Wenzel Hollar (1607-1677) after Francis Cleyn (circa 1582-1658) - Engraving - Jupiter in a landscape with two birds 12ins x 7.5ins two others from the same series engraved by Plombart depicting a mythological scene and a battle 11.5ins x 7.5ins each and 17th/18th Century engraving - Ships being wrecked at sea whilst gods look on 10.25ins x 7.5ins all in modern frames and glazed
• 17th century British needlework,
  17th century British needlework, two figures, soldier with tents in background, woman in court dress in front of buildings, oval panel surrounded by stylized flowers, insects and birds above lion and leopard, silk on silk ground, British, late 17th century, 17 x 21 in. (sight); wood frame. Extensive fading and browning to silk, approximately 1-1/2 x 6 in. area with losses of silk ground and some shattering, losses to embroidered elements, possible pest damage; frame with losses and chips.
• Late 17th/early 18th century
  Late 17th/early 18th century (English school) - Oil painting - Portrait of a lady wearing blue shawl canvas 30ins x 24ins in early carved and gilded frame
• 17TH CENTURY RELIGIOUS PORTRAIT,
  17TH CENTURY RELIGIOUS PORTRAIT, PRAGUEOil on canvas painting of Joes Cztiborius Kotva. Inscription at bottom states he is a theologian during the time of "Ferdi. II" or Holy Roman Emperor Ferdinand II (1619-1637). Painting is set in Bohemia (today Prague, Czech Republic) as the Church of Our Lady before Tyn can be seen over the subject's shoulder. A small suit of armor stands on the table next to a goblet. Well stabilized and relined. Some loss at bottom along with wear and visible repairs. Modern frame with period styling.
• 17TH CENTURY, ITALIAN SCHOOL Oil on
  17TH CENTURY, ITALIAN SCHOOL Oil on canvas.
• 17th Century English
  17th Century English School/Portrait of a Lady in Holy Order/head and shoulders, wearing a black cape and dress with lace trim/oil on canvas, 63.5cm x 45.75cm/in a fine 17th Century gilded frame carved with putti musicians and cherubs, 63.5cm x 45.75cm/see illustration
• Late 17th Century Italian
  Late 17th Century Italian School/Landscape/pen and ink wash, 15.5cm x 29cm
• 17TH CENTURY ENGLISH PORTRAIT,
  17TH CENTURY ENGLISH PORTRAIT, SCHOOL OF VAN DYKE Oil on canvas.
• Oil on canvas portrait of a
  Oil on canvas portrait of a 16th/17th c. Spanish conquistador canvas laid down on board. 27"x21"
• 1675 AMERICAN COLONIAL LAND
  1675 AMERICAN COLONIAL LAND GRANTDated 55 years after the Pilgrims landed. Handwritten, listing many early Pre Revolutionary War 17th C. Connecticut settlers. Document has been reinforced with two Connecticut Civil War Bonds, somewhat visible through the back of the document. Appr ox. 12-1/4" L x 15-3/8" H. Overall discoloration, tears, ECT. See images for more details on condition. This item can be shipped in-house.
• A number of historic
  A number of historic proclamations and other documents of the years 1659 to 1715 including the taking and subsequent execution of Lord Monmouth after the rebellion of 1685 proclamations after the treaty of Breda 1667 details of the court which sentenced Charles I in 1648 and a later court sentencing after the Jacobite rebellion in 1715.
• British School (17th Century)
  British School (17th Century) Portrait of a gentleman. Oil on canvas no signature found framed in an antique gilt frame overall apprx. 38" x 32-1/4". Old auction number stenciled on the stretcher "794 DZ". Other paper label fragments; illegible.
• 17th century miniature portrait,
  17th century miniature portrait, gentleman with goatee and white lace collar, dated upper right corner "1627", oil on undetermined ground, Flemish School, 3 x 2 in.; bezel set frame low silver content or silver plate.. Craquelure, not examined out of frame.
• Charles G Lewis after Thomas J
  Charles G Lewis after Thomas J Barker/The Relief of Lucknow and triumphant meeting of Havelock, Outram and Sir Colin Campbell, November 1857/mixed method engraving, 75cm x 127cm in a birdseye maple frame/Provenance: The Estate of the late Sir John and Lady Smith
• After the 17th Century English
  After the 17th Century English School/Portrait of a Lady/three-quarter length, standing with her right hand resting on a chair, an armorial top left with motto Vurtus et Spes/oil on panel, 128cm x 98cm/Provenance: Little Sodbury Manor, Property from the Estate of the Lady Killearn
• Four 17th and 18th century European
  Four 17th and 18th century European engravings (Schley, Moncornet, Berger, and Merian); Jakobus van der Schley (Dutch, 1715-1779), the cuckold suitor; Baltazar Moncornet (French, 1600-1668), country landscape with figures leading cattle and goats; Daniel Berger (German, 1744-1824), mystical lamp with Hebrew script above; Matthaus Merian (Swiss, 17th century), rustic scene with gent chopping wood. Largest: 4 1/2" x 6 1/4". Light glue discoloration to two.
• ITALIAN (16TH /17TH CENTURY)
  ITALIAN (16TH /17TH CENTURY) PUTTI Watercolor on paper: 7 x 11 in. Framed
• 17th Century English
  17th Century English School/Portrait a Nobleman/traditionally thought to be the Earl of Leicester/head and shoulders, wearing a feathered cap and white ruff/oil on panel, 49.5cm x 40.5cm /in a fine 17th Century carved and gilded frame carved with military trophies and flowers in scrollwork/see illustration
• ITALIAN (16TH /17TH CENTURY)
  ITALIAN (16TH /17TH CENTURY) PUTTI Watercolor on paper: 7 x 11 in. Framed
• Dutch School, Early 17th
  Dutch School, Early 17th Century/Portrait of a Lady/bust length, wearing a black dress with a deep white collar and white cap/oil on canvas, 49.5cm x 40cm/Provenance: from the collection of Harry Wolton QC
• BRAUN AND HOGENBERG, VENETIAN
  BRAUN AND HOGENBERG, VENETIAN SCENES FROM CIVITATES ORBIS TERRARUM Dated 1578, but issued from that date into the early 17th century, being a copperplate engraving with hand color; the sheet consists of two scenes, the first depicting St. Marks Square and the second records a fire that consumed the Doge's palace in 1577; the verso with descriptive text in Latin related to the engravings. Presented behind a mat in a plain wooden frame, circa 1930.
• LATE 17TH/EARLY 18TH CENTURY OIL ON
  LATE 17TH/EARLY 18TH CENTURY OIL ON CANVASLATE 17TH/EARLY 18TH CENTURY OIL ON CANVAS, SCHOOL OF PIETER MULIER II (Italy/Holland, 1637-1701), "Naufragio," shipwreck against rocks with figures, buildings, and stormy seas, 25.5" x 34" (oval image), 33.25" x 41.25" (frame). Pieter Mulier II is also called Cavalier Pietro Tempesta. From the collection of Ernest G. Becker-Colonna, according to article attached verso.
• Anglo-Indian campaign d
  Anglo-Indian campaign d
• A 17th Century Flemish crossed
  A 17th Century Flemish crossed carving of the Virgin & Child 7.75ins high (damaged) on later oak plinth
• Fine 1671 betrothal needlework, man
  Fine 1671 betrothal needlework, man and woman in court attire separated by a shield and "1671", distant castle, birds and flowers in corners, partial sun at top, silk thread and purl with raised work, some painted details, on ivory satin ground, British, circa 1671, 8 x 9-3/4 in.; modern frame. Losses to silk thread, some areas unfinished, fading, shattering to silk ground, needle holes along edges, possibly formerly attached to a pillow. Edyth Medlin Antiques, Raleigh, North Carolina
• A 17th century oil on canvas
  A 17th century oil on canvas portrait of a lady 60 x 74cm in an impressive carved rococo gilt frame.
• A Molteno Edward IV being
  A Molteno Edward IV being introduced to Jane Shore stipple engraving
• 17th century Dutch painting,
  17th century Dutch painting, Italianate landscape with castle, lake and distant mountains, seated boy in foreground, Dutch School, late 17th/early 18th century, oil on canvas, 12-5/8 x 17-1/8 in.; modern painted wood panel frame. Laid down on Masonite, some separation of canvas from Masonite, areas of overcleaning, crackle, cupping, cleavage, flaking; frame with abrasions.
• O/B PORTRAIT OF MAN DATED
  O/B PORTRAIT OF MAN DATED 1587Miniature oil on panel portrait, dated 1587, of a bearded man, manner of Michiel Jansz Van Mierevelt (Dutch, 1567-1641). Inscribed Aetatis Suae 67 (At the age of 67). Self-frame is part of the wood panel. 6-1/4" x 4-1/4" overall. Continental. Condition: Some warping to panel, overall cracquelure, 1" area of edge chipping at right side of painting near frame edge; overall good condition.
• Portrait, attributed to Gilbert
  Portrait, attributed to Gilbert Stuart (Massachusetts, 1755-1828), half portrait of a British soldier, unsigned, oil on canvas, canvas stencil verso "Prepared by Robe-Miller/…London", serial number on stretcher "A6599", 26 x 21 in. Original stretcher, three patches verso, crackle, small hole with paint loss at rose, retouch beside left eye, possibly at bottom, some in background, 1 in. tear bottom middle. Estate of the late Judge John Emery Parks, Honolulu, Hawaii.
• 17th century Italian School
  17th century Italian School painting, architectural capriccio with figures among classical ruins, unsigned, oil on canvas, late 17th/early 18th century, 40-1/2 x 48-1/4 in. Early 20th century lining, overcleaning possible in central statue, abrasions, craquelure, accretion lower left, two periods of restoration with scattered retouch throughout with less than 10 percent of surface affected; frame with abrasions. The Estate of the Late Parker B. Poe to Benefit the Thomasville Cultural Center, Thomasville, Georgia
• 17th Century Italian School A
  17th Century Italian School A Saintly Figure oil on canvas 93.75cm x 66cm (37" x 26")
• HAND-COLOURED SHIP ENGRAVINGS,
  HAND-COLOURED SHIP ENGRAVINGS, LONDON, 1797 & 1835Two hand-coloured aquatint engravings, to include: "The Samuel Enderby, of 422 Tons William Lisle Commander, Leaving Cowes Roads for London, September, 1834" (on left). After William John Huggins (1781-1845). Painted by W.J. Huggins, London, 1835. Frame 26.5" x 21". Along with, "Portrait of East Indiaman Coming to Anchor at Spithead". After Robert Dodd (Artist & Engraver), published N. 22 Lifson Green August 1797. Frame 26.5" x 21".
• 1797 WATERFORD HERALD
  1797 WATERFORD HERALD NEWSPAPERMentions Napoleon. Dated July 27, 1797. shipping info This item can be shipped in-house.