CORNELIS SAFTLEVEN ATTR OIL ON PANELCORNELIS SAFTLEVEN ATTR OIL ON PANEL DUTCH 17TH C. Dutch School 17th century oil on panel attributed to Cornelis Saftleven (Netherlands, 1607-1681), depicting river landscape with figures, bearing exhibition, gallery or other label on frame reverse. Image: 5.75" H x 9" W; frame: 11.25" H x 14.5" W x 1.5" D.
GOLD COIN GHAZNAVID DINAR MAHMUD A-1607,GOLD COIN GHAZNAVID DINAR MAHMUD A-1607, MGC GENUIAH389-421 Ghaznavid Dinar A-1607 Mahmud Gold Coin NGC Genuine, housed in NGC slab, Genuine
SPANISH MILITARY CABASSET STEEL HELMET,SPANISH MILITARY CABASSET STEEL HELMET, C.1600SSpanish or English cabasset, a military helmet worn by soldiers, late 16th/ early 17th c., constructed from one piece of steel with rivets above the narrow brim for attaching the internal lining band, this example retaining two fragments of a leather lining band, the interior with a reinforcing iron strap at peak, dent at top side, approx 7"h, 9.75"w, 8.5"d, 1.5lbs **Note: Examples have been excavated in the Jamestown and Popham colonies, c. 1607.** **stand not included**
HUBERTUS QUELLINUS, ENGRAVING, 17THHUBERTUS QUELLINUS, ENGRAVING, 17TH C. Hubertus Quellinus (Flemish, 1619 -1687) after a c. 1665 drawing by Erasmus Quellinus (Flemish, 1607-1678), portrait of Philip IV of Spain seated on a throne, backed by his coat of arms, his son, the future Charles II, at his knee, beneath a canopy over which two angels hold a cartouche inscribed "Vota Publica" and with further inscriptions, to left a female figure with a winged putto nearby, offering a sacrifice on an altar encircled by a serpent, with emblematic figures and a lion, on laid paper laid down on modern paper backing, loose and unframed, 20.75"h x 13.75"w (sheet)
WILLIAM SELWOOD (ENGLISH, 1607-1653)WILLIAM SELWOOD (ENGLISH, 1607-1653) LANTERN CLOCKA first period English brass lantern clock of theCharles I period to early Commonwealth period,by noted clockmaker William Selwood (British, 1607-1653). Inscribed across the front fret: "William Selwood at ye Maremaid in Louthbury." Roman numerals, floral engraved face. Offered with brass weight, cotton cord, and a later wooden wall bracket.
The clock measures 16" x 7 1/2" x 7"not including bracket or weight.
Alternate spelling : William Sellwood
Condition
The clock is untested. Tarnish and patination consistent with age. There is an old repaired crack on the backside of the bell. The cotton cord is worn and should be replaced.
ROYAL DOULTON ART DECO FIGURINE, CERISEROYAL DOULTON ART DECO FIGURINE, CERISE HN1607Leslie Harradine Victorian girl in luster of pink, lavender, cream.
#RoyalDoulton #LeslieHarradine #HNSeries #Figurines #Cerise
Artist: Leslie Harradine
Issued: c. 1935
Dimensions: 5.5"H
Manufacturer: Royal Doulton
Country of Origin: England
CERISE HN1607 - ROYAL DOULTON FIGURINEHarradineCERISE HN1607 - ROYAL DOULTON FIGURINEHarradine Child Classics series. Young girl in luster of pink, cream and floral print dress.
Royal Doulton backstamp. Hand-written "Potted by Doulton & Co" on the bottom.
Artist: Leslie Harradine
Issued: 1933 � 1949
Dimensions: 5.25"H
Manufacturer: Royal Doulton
Country of Origin: England
Condition:
Good condition.
CERISE HN1607 - ROYAL DOULTON FIGURINEPrettyCERISE HN1607 - ROYAL DOULTON FIGURINEPretty young lady in a floral dress holding a basket of blueberries.
In a world where old fashioned values seems to be long gone, a tradition of craftsmanship still lives on in the Royal Doulton studios in which these figures are created. The artists and sculptors, potters and decorators, employ many of the same tried and tested techniques as their predecessors and use only the highest quality materials such as fine bone china, natural pigments and deep lustre glazes. - Harradine - Child Classics
Artist: Leslie Harradine
Issued: 1933 - 1949
Dimensions: 5.25"H
Manufacturer: Royal Doulton
Country of Origin: England
Condition:
Good.
SKULTUNA COPPER KETTLEDESCRIPTION: AnSKULTUNA COPPER KETTLEDESCRIPTION: An antique Skultuna 1L copper kettle with hinged handle. Stamped: "Skultuna 1607, 1L"
CIRCA: 1900s
ORIGIN: Sweden
DIMENSIONS: H: 7" x D: 7"
Have a similar item to sell? Contact: Info@Akibaantiques.com.
CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
"VIRGINIA CARTOGRAPHERS AND THEIR MAPS""VIRGINIA CARTOGRAPHERS AND THEIR MAPS" FOLIO"A Description of the Country, Virginia's Cartographers and Their Maps 1607-1881" by E.M. Sanchez-Saavedra; includes sixteen facsimiles of the originals from the Virginia Historical Society (map 6 is a nine part map); apparently missing map #3; smallest measures approximately 13-1/2" x 16-3/4" and largest measures approximately 19-1/4" x 27-7/8"; all in good overall condition.
CIRCLE OF MATHIEU LE NAIN, PORTRAITCIRCLE OF MATHIEU LE NAIN, PORTRAIT YOUNG MAN O/C(French, 1607-1677) the unidentified subject shown half length, unsigned. Sight: 23 34/" high, 19 14" wide; frame size 32 1/2" high, 28" wide. Restorations, relined. Exhibited: S„o Paulo, Museo de Arte, O Retrato na FranÁa, January 1952, no. 7; Johannesburg, Art Gallery, Three Centuriesof French Painting: FranÁois I-Napoleon I, March-April 1974. Provenance: Vivier, Tours, Christies New York, February 9, 2009 lot 65. Property of a Southbury CT Collector.
IN THE MANNER OF TIZIANO ASPETTI (ITALIANIN THE MANNER OF TIZIANO ASPETTI (ITALIAN C. 1565-1607)...in the manner of TIZIANO ASPETTI (Italian c. 1565-1607) A PAIR OF BAROQUE STYLE SCULPTURES, "War," and "Peace," ATTRIBUTED TO THE 17TH/18TH CENTURY, cast bronze, the modest figure of Venus presented as a personification of Tactus (Touch); she holds a book, a libation offering, and surmounts a turtle, and the subdued Mars is crowned with oak leaves, also offers libation, and wears a monaei pteruges, each mounted to a later black granite base. Height: 20 1/2" Diameter: 10"
Condition:
Some old repairs, surface wear, dust, some visible seams, rubbing, minor scratches, unsigned, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
CANON EOS 1-N CAMERA W/ 3 ZOOM LENSESCanonCANON EOS 1-N CAMERA W/ 3 ZOOM LENSESCanon EOS-1N camera; Serial No. 170190. With three camera lenses. One Canon Ultrasonic EF 70-200mm 1:2.8 L zoom lens; Serial No. 043826. One Canon EF 100-300mm 1:5.6 L zoom lens; Serial No. 1607957. One Canon EF 35-80mm 1:4-5.6 zoom lens; Serial No. 8801490. With metal carrying case.
Condition:
Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
ATTRIBUTED TO VINCENZO DANDINI (ITALIANATTRIBUTED TO VINCENZO DANDINI (ITALIAN 1607-1675)ATTRIBUTED TO VINCENZO DANDINI (ITALIAN 1607-1675)
Sibyl with Quill ,
oil on canvas
89 x 73.5 cm (35 x 29 in.)
CONDITION
Observed in frame, the work is in age-appropriate condition. Overall craquelure visible to the naked eye. The painting has been relined. Inspection under UV shows between 15%-20% of retouching to craquelure, as well as the figure's cheeks and head.
N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
"BEAUTIFUL LANDSCAPES" MELCHIOR KUSEL"BEAUTIFUL LANDSCAPES" MELCHIOR KUSEL & JOHANN WILHELM ..."Beautiful Landscapes in Italy and Other Countries." Volume containing engravings by Melchior Kusel (1626-1684) and Johann Wilhelm Baur (1607-1640).
Condition:
Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
WENCESLAUS HOLLAR(Bohemian, 1607-1677)
SixWENCESLAUS HOLLAR(Bohemian, 1607-1677)
Six etchings, Divers Prospects in and about Tangier, largest sheet 8-1-2 x 12-3/4 in.; unframed
Provenance: P & D Colnaghi or Christie's (accompanied by receipts); Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family
Condition:
some trimmed, small tears, creases, toning, some with light foxing
TWO PIECE LOT, TO INCLUDE AN ETCHINGTWO PIECE LOT, TO INCLUDE AN ETCHING ON PAPER AFTER DOM...Two Piece Lot, to include an etching on paper after Domenico Fontana (Italian, 1543 - 1607) "Obelisco Campo Marzio", along with an engraving of Christofel Colonus, circa 1600 or later, image size 18 1/2 " x 39".
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
STUDIO OF ANTHONY VAN DYCK(Flemish,STUDIO OF ANTHONY VAN DYCK(Flemish, 1599-1641)
Portrait of King Charles I (1630-1685), wearing the Blue Garter Ribbon, unsigned, an early copy, possibly one of the pendant pairs that were early copies of the prime which is not located (IV.A8)(1632), oil on canvas, 45 x 33-1/8 in. (114.3 x 83.82 cm.); fine gilt wood frame, 62-1/2 x 52-1/2 in.
Note: The original portrait was painted as a pendant to the portrait of Queen Henrietta Maria. Oliver Millar states, "A three quarter length of the king was produced by Van Dyck as a pendant to the portrait of the Queen (IV.115) now in the Loyd Collection. It is recorded with the pendant in early references cited under IV.115 and is probably the portrait of the queen in David Teniers of the Archduke's picture gallery, also cited under IV.115. It was in the 8th Duke of Marlborough's sale, Christie's, London, 31 July 1886 (233); see also Blenheim 1862, part I, pg.25. The whereabouts of the portrait is not apparently known, but the composition is recorded in the copy in the pair of copies formerly in a private collection, Scotland (illus.; canvas: 125.7 x 101.6 cm)."
This portrait resembles the work of Remee van Leemput (Flemish, 1607-1675) who was an early copyist and associate of Van Dyck. The RKD states there is not enough work on which to judge this painting as that of Leemput. They have stated that it is a worthy copy most importantly in the sensitivity of the artist in the face of the portrait which seems better than the known Scottish copy. The clothing, however, seems less careful than the Scottish copy (see correspondence which accompanies the lot). This portrait will be included in the RKD-Netherlands Institute for Art History database.
References: https://www.sammlung.pinakothek.de/de/artwork/02LAQl7Lyk/david-teniers-d-j/ansicht-der-galerie-des-erzherzogs-leopold-in-bruessel-ii)
The pendant of Queen Henrietta Maria: https://upload.wikimedia.org/wikipedia/commons/1/1f/Anthony_van_Dyck_%281599-1641%29_-_Queen_Henrietta_Maria_%281609-69%29_-_RCIN_404430_-_Royal_Collection.jpg
Literature: O. Millar in S. Barnes et al., Van Dyck, a Complete Catalogue of the Paintings, New Haven and London , 2004, p. 631, no. IV.A8 and pp. 520-521, no. IV115.
John Smith, A Catalogue Raisonn‚ of the Works of the Most Eminent Dutch, Flemish and French Painters: Anthony van Dyck, and David Teniers, pg. 78, no. 256
Provenance: New York Estate, purchased Circa 1950s
Condition:
19th century paste and linen lining, restretched on 19th century stretcher, tacking edge on original course linen trimmed, craquelure, five patches verso, retouch, crackle, some spots of overcleaning, two periods of retouch; frame resurfaced, reduced
THREE FRAMED PIECESThree Framed PiecesTHREE FRAMED PIECESThree Framed Pieces to include Johnny Friedlaender (German 1912-1992) Deux Oiseaux III, 1956 aquatint in colors on paper plate 6 1/2"x 4 7/8", Rudy Pozzatti (American b. 1925) etching on paper of the Duomo, 1952 signed and dated 16"x18 1/2" Jan Saenredam (Dutch 1565-1607) and Hendrick Goltzius (Dutch 1558-1617) engraving on paper, of an old woman offering coins to a young couple (from the Unequal Love series) 1589-1607, plate 6 1/4"x 10 1/4"
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past. Condition: Reports are available by request and answered in the order they are received starting the week of the sale. Our online buyers premium is 28%.
WOODEN FIELD PHOTOGRAPHY TRIPODS ANDWOODEN FIELD PHOTOGRAPHY TRIPODS AND HEADS5 wooden Ries tripods as follows: 2-Model A Deluxe Ries tripods, 3-Ries Jr tripods (2 with soft bag case), 1-Ries Model A207 photoplane tilt head, 1 Ries model 1607 tilt head Lengths 24" and 42", unextended
(JGLO8126/7)(GO)
8TH C. ISLAMIC GILT GLASS BOWL W/ ARABIC8TH C. ISLAMIC GILT GLASS BOWL W/ ARABIC SCRIPT & BIRDS...Near East, Islamic culture, ca. 8th to 9th century CE. A marvelous glass vessel boasting a mesmerizing relief decoration adorned with a lustrous gilding comprised of 44% gold. The gorgeous jar presents a squat, bulbous body with a gently sloped shoulder and an annular, lipped rim, all sitting upon a planar base. Divided into two registers, the top half of the ancient vessel's exterior exhibits a lovely Arabic script motif, while the bottom half displays a vegetal pattern of six ovals filled with bird silhouettes, each appearing to be a different species. The base of the jar is additionally embellished with a six-petalled flower surrounded by a decorative swirling design. Sparkling iridescence has developed over the centuries, making this elegant vessel quite a wonder to behold! Size: 5.125" in diameter x 2.875" H (13 cm x 7.3 cm)
Provenance: private southern California, USA collection, acquired in the 1970s to mid 1980s
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
We ship worldwide and handle all shipping in-house for your convenience.
#160787
Condition:
Repaired from several pieces with break lines visible. Chip to rim. Some minor nicks along break lines. Pontil scar on base. A pontil mark or scar indicates this vessel was free-blown. Otherwise, excellent with gorgeous iridescence throughout.
10TH C. KOREAN KORYO BRONZE MIRROR FIGURAL10TH C. KOREAN KORYO BRONZE MIRROR FIGURAL RELIEF**Originally Listed At $500**
East Asia, South Korea, Goryeo/Koryo Dynasty, ca. 918 to 1392 CE. A cast-leaded bronze mirror with a polished face, a petite handle, and an ornate back displaying a figural scene in high relief. The intricate relief features two robed figures facing one another surrounded by a pagoda, a dog, two clouds, and several abstract geometric designs. Bronze mirrors that were polished on one side and decorated on the reverse were a popular luxury item coveted throughout East Asia. While they originated in China during the early years of China's development of bronze technology, circa 1700 BCE or possibly earlier, the taste for such mirrors spread beyond China's borders to Korea and Japan. Size: 3.375" in diameter (8.6 cm)
Provenance: private southern California, USA collection, acquired before 2000
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
#160764
Condition:
Repair and nick to rim. Expected scratches, commensurate with age. Light encrustations and softening to finer details. Otherwise, intact and very good. Great patina and earthen deposits throughout.
MUSEUM-EXHIBITED ETRUSCAN BRONZE FIGUREMUSEUM-EXHIBITED ETRUSCAN BRONZE FIGURE NUDE KOUROSNorthern Italy, Etruria, Etruscan people, ca. 6th to early 5th century BCE. A cast leaded bronze example of a form that originated in Archaic Greece, a kouros. This figure depicts a young man with his left foot forward, one hand on his hip, and the other raised. The figure is an homage to male youth, the highest ideal of beauty in the Classical world, and appears to be nude aside from a tight cap on the head; he has wide, staring eyes, an aquiline nose, and a closed mouth. The figure probably once held an attribute in his raised hand. This wonderful statuette was probably dedicated in a sanctuary, made to be a votive offering to the gods. Size: 1.5" W x 3" H (3.8 cm x 7.6 cm); 3.5" H (8.9 cm) on included custom stand.
The Etruscans were renowned in early antiquity for their bronzes, and votive figures like this one were traded far and wide according to Pliny the Elder. Titus Livius records that when the consul Marcus Fluvius Flaccus conquered the Etruscan city of Volsinii, they took a line of wagons, including two thousand bronze statues, to Rome, where they were melted down to make coinage to finance the war against Carthage.
Exhibited: This piece was on loan to Miami University Art Museum, Ball State University Art Gallery, George Mason University, and Fitchburg Museum from 1988 to 2016.
Provenance: private Rochester, Michigan USA collection, acquired from Royal Athena in June 1997; ex H. Kahn collection, Basel, Switzerland, October 1985; On loan to Miami University Art Museum, Ball State University Art Gallery, George Mason University, and Fitchburg Museum from 1988 to 2016.
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
We ship worldwide and handle all shipping in-house for your convenience.
#160773
Condition:
Missing right proper hand and both feet. Nice deep green patina and a fine early example of the style.
CARTIER, SMALL SANTOS TWO TONE TRAVELCARTIER, SMALL SANTOS TWO TONE TRAVEL CLOCK Cartier (French), late 20th century. Small Santos desk clock in classic two tone with rivet detail and black roman numerals. Maker's marks to dial and back, 7508 1607 Quartz Swiss made. Approx. h. 3", w. 2.875".
BOOK: (35) JAPANESE UKIYO-E WOODBLOCKBOOK: (35) JAPANESE UKIYO-E WOODBLOCK PRINTSBook: Japanese ukiyo-e wooblock prints, four-hole stab binding, Boston Book and Art Shop label, including: (1) "A Beauty," Kitagawa Utamaro (c.1753-1806), (1) "Beauty in Spring Dress," (1) "Enchantress," Chobunsai Eishi/ Hosoda Eishi (1756-1829), (1) "A Beauty," Shiba Kokan (1747-1818), (1) "The Gay Quarters," Morikiyo, (1) "Woman of a Shop," Katsukawa Shunsho (1726-1793), (1) "Feast at a Water-Side Pavillion," Utagawa Toyoharu (1735-1814), (1) "Street in the Evening," Kawamata Jogyo (1688-1703), (1) "Refined Beauty," Utagawa Sadahide/ Gyokuransai Sadahide (1807-1879), (1) "Beauty in the Snow," Kitagawa Fujimaro (1790-1850), (1) "Hanaogi," Kitao Masayoshi (1764-1824), (1) "The Seven Beauties," Katsukawa Shunsho (c.1743-1793), (1) "A Chinese Beauty," Terasaki Kogyo (1866-1919), (1) "Korenori," Fujiwara Nobuzane (1176-1265), (1) "Nakatsukasa," Fujiwara Nobuzane (1176-1265), (1) "Sosen," Fujiwara Nobuzane (1176-1265), (1) "Manzai," Miyagawa Choshun (c.1682-c.1752), (1) "The Stage," Hishikawa Moronobu (1618-1694), (1) "The Dance Nunozarashi," Hanabusa Itcho (1652-1724), (1) "Enjoying the Cool at the Ryogoki Bridge, no. 1," Kitagawa Utamaro (c.1753-1806), (1) "Enjoying the Cool at the Ryogoki Bridge, no. 2," Kitagawa Utamaro (c.1753-1806), (1) "A Jollification," Seiko Miyakawa, (1) "Entertainment," Torii Kiyonaga (1752-1815), (1) "Beauty at Kotatsu," Suzuki Harunobu (c.1725-1770), (1) "Ogurayama," Okumura Masanobu (1686-1764), (1) "On a Journey to Yedo," Miyagawa Choshun (1683-1753), (1) "Reading," Chobunsai Eishi/ Hosoda Eishi (1756-1829), (1) "Mt. Hiyoriyama in Shima Provinco," Utagawa Hiroshige (1797-1858), (1) "Red Flowers," Wan Shan Chin Chung, (1) "A Cock," Kano Naonobu (1607-1650), (1) "Crimson Camellias," Wang Jeshui, (1) "Cow," (1) "Green Pheasant," Hoitsu Jonin (1761-1828), (1) "A Frothy Poppy," Hoitsu Jonin (1761-1828), (1) "A Melon and the Rats," Tsien Shun-Chu; approx 14.25"h, 10.25"w, 1"d, 1.75lbs
Attributed to Gillis van Coninxloo (Flemish,Attributed to Gillis van Coninxloo (Flemish, 1544-1607)
Temptation of Christ
pen and ink on paper
8 x 10 3/4 inches.
Property from the Estate of Charles and Lorraine Janda, Hinsdale, Illinois
FOUR SMALL HEREND CAT FIGURINES GreenFOUR SMALL HEREND CAT FIGURINES Green fishnet and red fishnet #15860, #15245, #5283, #16074.
WENZEL HOLLAR ENGRAVINGWENZEL HOLLARWENZEL HOLLAR ENGRAVINGWENZEL HOLLAR (Czech, 1607-1677) engraving, portrait of King Charles I, dated 1649, after van Dyck. Image measures 6" x 4.25". In a gilt wood frame; 14.5" x 11.5" overall.
JAN PIETERSZ SAENREDAM (DUTCH, 1565-1607)JAN PIETERSZ SAENREDAM (DUTCH, 1565-1607) AFTER ABRAHAM BLOEMAERT (DUTCH, 1564-1651), SCENES OF THE PROPHET AHIJAH: AHIJAH AND JEROBOAM, 1604, ENGRAVING, SHEET: 10 X 7 1/2 IN. (25.4 X 19.1 CM.)JAN PIETERSZ SAENREDAM (DUTCH, 1565-1607) AFTER ABRAHAM BLOEMAERT (DUTCH, 1564-1651), SCENES OF THE PROPHET AHIJAH: AHIJAH AND JEROBOAM, 1604, Engraving Lower left in plate: Abrahamus Bloemaert inuen / Joan. Saenredam Sculp. et excu. / 1604 Engraving Dimensions: Sheet: 10 x 7 1/2 in. (25.4 x 19.1 cm.)
ROTC MANUAL 145-20 'AMERICAN MILITARYROTC MANUAL 145-20 'AMERICAN MILITARY HISTORY,' USED BY GENERAL POWELL, CIRCA 1950S 9 1/2 X 6 1/2 IN. (24.13 X 16.51 CM.)ROTC MANUAL 145-20 'AMERICAN MILITARY HISTORY,' USED BY GENERAL POWELL, CIRCA 1950s, American Military History 1607-1953. Department of the Army. US Government Printing Office. July 1956. 8vo. Hardcover, grey cloth binding with black titles. With Colin Powell's name stamped to the front free endpaper 'C.L. Powell' Dimensions: 9 1/2 x 6 1/2 in. (24.13 x 16.51 cm.) Provenance: Estate of General Colin L. Powell, to benefit America's Promise Alliance and the Colin Powell School at City College of New York.
AMERICAN QUILT REFERENCE BOOKSAMERICANAMERICAN QUILT REFERENCE BOOKSAMERICAN QUILT REFERENCE BOOKS, topics relate to American regionalism as well as women and African American quiltmaking, titles include: The Quilts of Gee's Bend, Tinwood Books, 2002; Women and Their Quilts: A Washington State Centennial Tribute, That Patchwork Place, 1988; Stitched from the Soul: Slave Quilts from the Antebellum South, UNC Press, 2002; Quilts of Virginia, 1607-1899: The Birth of America Through the Eye of a Needle, Schiffer, 2006; Lest I Shall Be Forgotten: Anecdotes and Traditions of Quilts, Goschenhoppen Historians, 1993; A Maryland Album: Quiltmaking Traditions 1634-1934, Rutledge Hill Press, 1995; A People and Their Quilts, Schiffer, 1984; Plan and Fancy: Vermont's People and their Quilts, Quilt Digest Press, 1991; The History of the Patchwork Quilt: Origins, Traditions and Symbols of a Textile Art, Schiffer, 1988; Quilts from the Indiana Amish: A Regional Collection, EP Dutton, 1983; Country Quilts, Hearst Books, 1992; All Flags Flying: American Patriotic Quilts as Expressions of Liberty, EP Dutton, 1986; Hearts and Hands: The Influence of Women & Quilts on American Society, Quilt Digest Press, 1987; Amish Crib Quilts, Good Books, 1985; Who'd A Thought It: Improvisation in African-American Quiltmaking, San Francisco Craft and Folk Museum, 1988; Quilts, The Fabric of Friendship: The York County Quilt Documentation Project and the York County Heritage Trust, Schiffer, 2000; Northern Comfort: New England's Early Quilts 1780-1850, Rutledge Hill Press, 1988; Southern Quilts: Surviving Relics of The Civil War, Rutledge Hill Press, 1998; Mary Black's Family Quilts: Memory and Meaning in Everyday Life, USC Press, 2005; Facts & Fabrications, Unraveling the History of Quilts & Slavery, C&T Publishing, 2006; The Hawaiian Quilt, Honolulu Academy of Arts, 1998; Stitched from the Soul: Slave Quilts from the Ante-Bellum South, Dutton Studio Books, 1990; A Gallery of Amish Quilts: Design Diversity from a Plain People, EP Dutton, 1967; North Carolina Quilts, UNC Press, 1988 (24)
HALLEY'S COMET 1 OUNCE .999 SILVER ROUNDHALLEY'S COMET 1 OUNCE .999 SILVER ROUND Astronomer Edmund Halley on the obverse and reverse has comet statistics with last appearances: 1456, 1531, 1607, 1682, 1759, 1835 and 1910. Quite an interesting silver round,not often seen, just like the 1985 appearance wasn't well seen.
EIGHT LAMBERTON VIRGINIA SOUVENIR PLATES,EIGHT LAMBERTON VIRGINIA SOUVENIR PLATES, 1907 Retailed by Max Schwan, Norfolk, Va.: All depict the planting of the Cross at Cape Henry in April, 1607.
ILLINOIS WATCH CO. POCKET WATCHunsignedILLINOIS WATCH CO. POCKET WATCHunsigned Ace of Spades pocket watch porcelain dial with sunken seconds dial (no cracks), B & B Royal gold filled case (with wear), Illinois 17J pendant set and wind movement, serial 5221607, circa 1929; 16 millimeters diameter Condition:
THREE ANTIQUE VELLUM-BOUND BOOKStheTHREE ANTIQUE VELLUM-BOUND BOOKSthe first: Pasquier, Estienne "Les Recherches de la France", Paris: Chez Laurent Sonnius..., 1607 (9 1/2 x 7 inches); the second: "Commentarius Dogmaticus", Naples: 1636 (12 x 8 1/2 inches); the third: Herodotus, 1566 (13 x 8 1/4 inches) Condition:
KANO NAONOBU (JAPANESE 1607 - 1650):KANO NAONOBU (JAPANESE 1607 - 1650): PAIR OF SIX-PANEL SCREENSpainted in ink on paper, framed in wood; each signed; Provenance: The Mrs. Stuart Davis Collection, Beverly Hills, CA; four panels: 66 3/4 x 24 1/2 inches; eight panels: 66 3/4 x 23 3/4 inches Condition: