A few examples of appraisal values for
1612

• AN ELKINGTON & CO CHARGER: TEMPERANTIAAn
  AN ELKINGTON & CO CHARGER: TEMPERANTIAAn Elkington & Co parcel gilt silvered electrotype charger: Temperantiaafter the model by Francois Briot (French, 1550-1612)second half 19th centuryWith maker's plaque to back, #794.diameter 18 1/2in
• A folio of Old Master and other prints,
  A folio of Old Master and other prints, 18th c and later, including Giovanni Battista Piranesi (1720-1778) - Veduta dell' Arco di Costantino, e dell' Anfiteatro Flavio detto il Colosseo, from 'Vedute di Roma', n.d. [18th c], engraving, repaired, 41 x 55cm, Carlo Lasinio (1759-1838) - Napoleon's Coronation; Napoleon and his wife Marie Louise, Duchess of Parma being received at a tent, 1811, engravings, 54 x 70cm, Pierre Lombart (1612/13-1682) after Sir Anthony van Dyck (1599-1641), Penelope, Lady Herbert; Elizabeth Cavendish, Countess of Devonshire; and Anne, Countess of Bedford, a set of three, later 18th c restrikes, engravings, 38 x 27cm, tipped onto leaves, [Scotland] Smith, Elder, & Co's aquatints of Cromarty and Rothesay, n.d. [early 19th c], 43.5 x 54.5cm, mounted on card, a pair of 'Grand Tour' aquatints, 18th/19th c, trimmed within the plate-mark but with loss of all lettering, on stretchers, 45.5 x 59.5cm, Hackert's Pompeii, 1793, engraving, 44 x 60cm, Grégoire Huret, a defective 17th c map of Moravia, etc More Information Piranesi defective. The rest in mixed condition.
• HEREND QUEEN VICTORIA COFFEE SERVICE
  HEREND QUEEN VICTORIA COFFEE SERVICE WITH TRAY (12) twelve piece group ti include: a coffee pot with cover #1612 (8 1/2 in.), a covered sugar, a cream jug, a handled tray #426 (18 1/4 in.), two cups with two saucers #4228 and two smaller cups with saucers #707 all with factory backstamps.
• A LALIQUE GLASS BIRD "11612" marked
  A LALIQUE GLASS BIRD "11612" marked on bottom, 5 1/4 in. H.
• A SELECTION OF OLD MASTER PRINTS Comprising
  A SELECTION OF OLD MASTER PRINTS Comprising 15 items, from 16th to 19th century, notably Phillip Galle (Antwerp, 1537-1612) a group of men in various stages of life and distress, all having use of sticks, published about 1563, engraving and typography, largely trimmed to plate edge, 9 1/8 x 9 1/2 in., laid into a larger sheet; J. Kornlein and C. Ploos van Amstel, after Cornelis Visscher, Portrait of a Gentleman, 1771, mezzotint, 11 1/2 x 9 1/4 in., p.m.; and Proudhon, Cupid Taken Prisoner, stipple engraving, 10 x 12 5/8 in.
• Numismatics: Eight Hungarian Coins,
  Numismatics: Eight Hungarian Coins, 16th and 17th centuries including five denars: Ferdinand I (1528), Maximillian II (1566), Rudolph II (1576), Mathias II (1612) and Ferdinand II (1629), a Leopold I (The Hogmouth) AR 6 Krajczar, a Marie Therese AR Thaler, dated 1780, together with a 1765 AE Marie Therese Poltura denars each approx. diameter 0.5 in — 1.3 cm; krajczar diameter 1 in — 2.5 cm
• BOTTEGA VENETA BROWN WOVEN LEATHER HANDBAGBottega
  BOTTEGA VENETA BROWN WOVEN LEATHER HANDBAGBottega Veneta Brown Woven Leather Handbag, with original certification label, no. 161276 V0CB0 1301 Dimensions: Excluding strap: 9 x 16 x 5 1/2 in. (22.9 x 40.6 x 14 cm.) Condition:
• WURLITZER MULTISELECTOR JUKEBOX MODEL
  WURLITZER MULTISELECTOR JUKEBOX MODEL 1015 Rudolph Wurlitzer Company, N. Tonnawanda (Buffalo) New York. Matching serial numbers. Serial #: 1016124.Catalog Note: The Wurlitzer 1015 Jukebox was introduced in 1946, after WWII ended and building materials became available again. The 1015 brought the Wurlitzer Company great success, allowing it to rebound from near-bankruptcy brought on by the Depression. The 1015 pushed Wurlitzer forward as the leader of jukebox manufacturing, with 56,000 units being sold in less than 2 years. This was the Golden Age of jukebox production. And the 1015 wasn't just a huge hit in the United States, but also appeared anywhere Americans went, following GI's all over the globe. Also called the "1015-Bubbler," this juke is arguably the most popular jukebox of all time. It was conceptualized by the famous designer Paul Fuller (who was chief designer with the Wurlitzer Company from 1935-1948). The ornate design of 1940s jukeboxes has been referred to as "gothic" or having a "cathedral" look, but this juke has more of an art deco influence. With its illuminated, color-changing pilasters, 8 bubble tubes, shiny chrome and domed top, it is reflective of the positive, uplifted attitude of the post-war nation. The coin-operated 1015 plays 78-RPM records and has push-button Multi-Selector technology, allowing selected records to be played. The model 1015 was produced from 1946 to 1947, and was so popular that many of them were utilized right into the '50s. This longevity is responsible for the 1015s association with the 1950s sock-hop era. By 1954 the 45-RPM records were becoming so popular that the Wurlitzer factory introduced conversion kits for their jukeboxes so they could play them. In addition, the Wurlitzer 1015 was such a popular model of jukebox that in 1986 Wurlitzer celebrated the 40th anniversary of the 1015 by manufacturing it once again and dubbing it the "One More Time." It had the classic design of the 1015 with all the latest technology, including the ability to play CDs. Through the years, there have been many Wurlitzer 1015s that appeared in background shots of TV shows and films like Cheers, Friends, Back to the Future, and On the Waterfront. Watch Video
• GéRARD AUDRAN (FRENCH 1640 - 1703)
  GéRARD AUDRAN (FRENCH 1640 - 1703) AFTER PIERRE MIGNARD (1612 - 1695), 'PLAGUE OF THE AEGINA', ETCHING AND ENGRAVING, SHEET 21 1/4 X 28 3/4 IN. (54 X 73 CM.)Gérard Audran (French 1640 - 1703) after Pierre Mignard (1612 - 1695), 'Plague of the Aegina', Etching and Engraving,, Dimensions: Sheet 21 1/4 x 28 3/4 in. (54 x 73 cm.)
• SIMONE CASTARINI "FLIGHT INTO EGYPT"
  SIMONE CASTARINI "FLIGHT INTO EGYPT" ETCHING Simone Castarini (1612 - 1648), "The rest on the flight into egypt with two angels," etching, bearing gallery label to verso "Royal Athena Galleries." 8.75" H x 6.5" W; frame: 17" H x 13" W x 0.75" D.
• MARK OF KUNCAN (SHIQI), (8) INK LANDSCAPES
  MARK OF KUNCAN (SHIQI), (8) INK LANDSCAPES Kun Can (Chinese, 1612 - c. 1671), Album of Eight Landscapes, ink and color on paper, each mounted to larger sheet, bound in silk lined hardwood cover, black ink script on cover, title page and interior back cover, some painting with red in stamps, signed Shi Qi, the back page with Qing era scholar inscription attesting to the authenticity of the drawings, 25"h x 15"w (total)
• (5) CARRS SHEFFIELD STERLING SILVER
  (5) CARRS SHEFFIELD STERLING SILVER PHOTO FRAMES(lot of 5) Sterling silver picture frames, Carrs of Sheffield, hallmarked RC into a hexagon, with lion passant and Tudor rose, including: (2) with beaded and gadrooned border, central cartouche, sizes varied, largest: photo: 7.25"h, 4.5"w, overall: 10"h, 6.75"w, (1) with repousse floral motif, photo: 5.5"h, 4"w, overall: 7.75"h, 5.75"w, (1) with central cartouche, gadrooned border, photo: 5.25"h, 3.75"w, overall: 8.25"h, 5.75"w, (1) squared, with lozenge and dentil borders, photo: 7"h, 5"w, overall: 9"h, 7"w; 1612 grams total (inclusive of all materials) **Provenance: from a private Austin, Texas estate collection**
• THREE OPEN FACE COIN SILVER POCKET WATCHES.
  THREE OPEN FACE COIN SILVER POCKET WATCHES. Late 19th century. Three 18S, OF pocket watches: one Columbus Watch Co., LS, SW, 17J, serial #126679 (1889-90), engraved case with wear, running - no guarantee; Columbus Watch Co., 15J, Adj, SW and set, serial #287536 (1896-97), dial with small hairlines, engraved case with wear, currently running - no guarantee; Together with continental watch, 15J Adj, SW & set, dial with fancy Roman numerals marked 'B.C. Smith 3036 Archer Ave.', movement marked 'Smith's Perfection', crystal worn and chip on bezel, engraved case with wear, serial #161276, runs for short time - no guarantee.
• CIRCLE OF PIERRE MIGNARD (1612-1695):
  CIRCLE OF PIERRE MIGNARD (1612-1695): LA DAME DE QUALITéOil on canvas, unsigned, with an indistinct inkstamp on the stretcher, lined. 18 x 15 in., 24 1/2 x 21 in. (frame). Condition Lined. Unobstrusive craquelure. Scattered small areas of inpainting, a tiny spot in the face and décolletage, small spots on the arms. Some surface soiling.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• JODOCUS HONDIUS (1563-1612), DORSETSHYRE
  JODOCUS HONDIUS (1563-1612), DORSETSHYRE coloured engraving 39cm x 50cm, in later gilt frame and glazed
• JODOCUS HONDIUS (1563-1612), THE COUNTIE
  JODOCUS HONDIUS (1563-1612), THE COUNTIE OF LYNCOLNE coloured engraving, 39cm x 51cm, dated 1610, in later gilt frame and glazed
• RARE ENGRAVING, KING CHARLES II, CIRCA
  RARE ENGRAVING, KING CHARLES II, CIRCA 1666Cornelis van Dalen the younger (1638-1664), after Pieter Nason (1612-1688), King Charles II (1630-1685), an exceptionally rare line engraving, circa 1666. With a letter from the Department of Prints & Drawings, British Museum dated 1934 accompanies this lot. Measuring, 15.5" x 11.25". Note: events that took place at the time this engraving was created: The Convention Parliament & Lords proclaim Charles II King after he issues a declaration from Breda offering an indemnity to those who had committed crimes against the crown during the civil war and Interregnum. Charles lands at Dover from The Hague on 25th May to great pomp and ceremony. Dutch portrait painter, Peter Lely, is appointed principal painter to Charles II. Official foundation of the Royal Society. The Anglo-Spanish War, begun by Lord Protector, Oliver Cromwell, formally ends after the restoration of the British monarchy and peace is made with Philip IV of Spain.
• AFTER ALBRECHT DURER (GERMAN, 1471-1528)
  AFTER ALBRECHT DURER (GERMAN, 1471-1528) 5 ¼" x 4 ¼" The Small Passion Series; Sheet 19 "Ecco Homo - Christ Presented to the People" (1509) and Sheet 33 "Christ Appearing to the Apostles [The Doubting Thomas]" (1510). Pair of later impressions from Albrecht Durer's original 16th-century woodcuts with monogrammed signatures in the plates, no watermarks or text, each floated in a shadowbox frame, overall 11 ½" x 9". The first edition of "Small Passion" was published in 1511, with the Latin text on the reverse; in Venice, in 1612, it was published with the Italian text. "The Small Passion" was incredibly popular in different countries of Europe. The prints from it were republished till the 20th century, as a full cycle or as separate sheets.
• AFTER ALBRECHT DURER (GERMAN, 1471-1528)
  AFTER ALBRECHT DURER (GERMAN, 1471-1528) 5" x 4" "Noli Me Tangere" (The Small Passion), 1612. Later impression from Albrecht Durer's original 16th century woodcut with monogrammed signature in the plate, no watermarks or text, in a black mat, overall with mat 11" x 9 ¾". The first edition of "Small Passion" was published in 1511, with the Latin text on the reverse; in Venice, in 1612, it was published with the Italian text. "The Small Passion" was incredibly popular in different countries of Europe. The prints from it were republished until the 20th century, as a full cycle or as separate sheets.
• AN ALEXANDRITE, DIAMOND AND EIGHTEEN
  AN ALEXANDRITE, DIAMOND AND EIGHTEEN KARAT WHITE GOLD RING An alexandrite, diamond and eighteen karat white gold ring designed as an oval-cut alexandrite, measuring approximately 7.88 x 6.22 x 3.93 mm, between two radiant-cut diamonds; accompanied by GIA report no. 2161212902, June 14, 2014, stating natural chrysoberyl, natural alexandrite, green changing to orange brown, 7.88 x 6.22 x 3.93 mm. 2.9 dwt; size: 7 Time: May 2021 Place: CLARS AUCTION GALLERY, Oakland, CA, USA Sold for: $1,200.00 Imported successfully Replaced successfully Error: unknown error
• (LOT OF 30) GROUP OF HEREND PORCELAIN
  (LOT OF 30) GROUP OF HEREND PORCELAIN IN THE ROTHSCHILD BIRD BLUE SCALE RO-EB PATTERN (Lot of 30) Group of Herend porcelain in the Rothschild Bird Blue Scale RO-EB pattern, comprising coffee pot 1612, 8.75"h; teapot with associated cover 1603; individual coffee pot 1615; pitcher 1641 5.25"h; tray 400, 16"l; (8) crescent plates 530; (8) cups 707; (5) saucers 707; and (3) saucers 709.
• Karl Springer. Free Form coffee table.
  Karl Springer. Free Form coffee table. c. 1970, brass, granite. 18 h × 36 w × 29 d in. result: $5,040. estimate: $2,000–3,000. Sold with a certificate of authentication from Tom Langevin, former director of Karl Springer, Ltd. Provenance: Rago, Modern Design, 12 June 2011, Lot 1612 | East Coast Collection
• MAP OF VIRGINIA AFTER JOHN SMITH 1612
  MAP OF VIRGINIA AFTER JOHN SMITH 1612 MAP.18th Century Map of Virginia After John Smith 1612 Map. Image size 12" x 14-1/4", framed and matted 20-1/2" x 22-1/2" overall. Condition: : Good with foxing. Condition: Condition: : Good with foxing.
• DOULTON ART DECO MINI WALL MASK, LADY
  DOULTON ART DECO MINI WALL MASK, LADY IN STYLISH HATHN1612. Rare ceramic miniature mask; pink hat. Doulton backstamp. Issued: c. 1928 Dimensions: 3"H Manufacturer: Royal Doulton Country of Origin: England
• PREENING CRANE 1001612 - LLADRO PORCELAIN
  PREENING CRANE 1001612 - LLADRO PORCELAIN FIGURINEGlossy porcelain. Lladro backstamp. Lladro backstamp. Artist: Salvador Deb�n Issued: 1989-1998 Dimensions: 7.5"H x 4.75"W Manufacturer: Lladro Country of Origin: Spain Condition: Good.
• GIUSEPPE ARMANI FIGURINE, LADY WITH
  GIUSEPPE ARMANI FIGURINE, LADY WITH CAMELLIAS 1612FFeatures smiling lady in long backless dress holding bouquet, hat with floral decoration; attached wooden square base. Includes mini Armani care booklet. Giuseppe Armani signature on porcelain. Official Armani Florence golden plate on wooden base. Includes original Giuseppe Armani Florence box. Dimensions of box: 16" x 7.5" x 16." Giuseppe Armani backstamp.#italy #armani #camellias #lady Issued: 2000 Dimensions: 12.5" H Manufacturer: Giuseppe Armani Country of Origin: Italy Condition: Good.
• 19TH C. KPM PORCELAIN PLAQUE BRONZE
  19TH C. KPM PORCELAIN PLAQUE BRONZE FRAMEA very good K.P.M. porcelain plaque of a young woman of aristocracy in formal attire and jewelry circa 1870. Framed in bronze mounted octagonal frame with marble medallions. Label on reverse reads "Franz Xaver Thallmer/Munchen KPM-Sh315-955. Provenance: From the Reception Room of the Henry C. Gibson house, 1612 Walnut Street, Philadelphia, PA circa 1870; demolished 1928. For an illustration of one of the plaques, please refer to page 66 of the book, The Opulent Interiors of the Gilded Age". Ht: 30" Wd: 25"
• GALLET CHRONOGRAPH POCKET WATCHstamped
  GALLET CHRONOGRAPH POCKET WATCHstamped in interior "Gallet & Co. Swiss 3116127". Plate wear, loss, case dents, not in running condition. 1 3/4" diameter. We offer in-house packing and shipping of this item to an address in the United States for $45 via USPS Priority Mail.The price includes insurance up to $5000. Tracking information will be sent to your email address. International buyers are responsible for arranging third party shipping.
• A RENAISSANCE MAP, "ASIæ NOVA DESCRIPTIO,"
  A RENAISSANCE MAP, "ASIæ NOVA DESCRIPTIO," ABRAHAM ORTE...A RENAISSANCE MAP, "Asiæ Nova Descriptio," ABRAHAM ORTELIUS, ANTWERP, 1570-1612, hand colored engraving on paper, a fragment from an edition of Theatrum Orbis Terrarum, considered the "first modern world atlas," compiled and published by cartographer Abraham Ortelius (Barbantian 1527-1598), plate engraving attributed to Frans Hogenberg (1535-1590), showing the Middle East to Nova Guinea, with part of the coastline of Australia labeled, "Terrae Incognitae," at the extreme lower right, with a griffin mask scrolling cartouche centering the bust of a man. Sheet: 16 1/2" x 21 5/8" Plate: 14 1/2" x 19 1/4" Note: Van Den Broecke Ort. 7. Provenance: Property from a Corporate Collection, Houston, Texas. Property from a Corporate Collection, Houston, Texas Condition: Some torn edges, well laid neat line, some unstable and faded colors, ironed creases in lower margin, likely trimmed, ink inscriptions of a list at right margin, some repairs and losses, overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.” NO REFUNDS will be issued based on condition.
• A RENAISSANCE MAP, "AFRICæ TABULA NOVA,"
  A RENAISSANCE MAP, "AFRICæ TABULA NOVA," ABRAHAM ORTELI...A RENAISSANCE MAP, "Africæ Tabula Nova," ABRAHAM ORTELIUS, ANTWERP, 1570-1612, a hand colored copperplate engraving on paper, a fragment from the atlas Theatrum Orbis Terrarum, compiled and published by cartographer Abraham Ortelius (Barbantian 1527-1598), plate engraving attributed to Frans Hogenberg (1535-1590), showing major cities, rivers, islands, and the entire landmass of Africa, the stipple sea with jumping swordfish and a grumpy whale sits at the mouth of the Rio de la plata on the marginal coastline of South America, the title cartouche unfurls a window upheld by Renaissance caryatids, and in the lower right a smokey battle between Dutch and Portuguese ships. Sheet: 16 1/2" x 21 1/8" Plate: 14 7/8" x 19 7/8" Provenance: Property from a Corporate Collection, Houston, Texas. Property from a Corporate Collection, Houston, Texas Condition: Some holes, losses, backed repairs, buckles, buckles at neat line, paper possibly trimmed, some yellowing, inscriptions in margin, overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.” NO REFUNDS will be issued based on condition.
• A RENAISSANCE MAP, "TYPUS ORBIS TERRARUM,"
  A RENAISSANCE MAP, "TYPUS ORBIS TERRARUM," ABRAHAM ORTE...A RENAISSANCE MAP, "Typus Orbis Terrarum," ABRAHAM ORTELIUS, ANTWERP, 1587-1612, hand colored copperplate engraving on paper, a fragment from an edition of Theatrum Orbis Terrarum, considered the "first modern world atlas," compiled and published by cartographer Abraham Ortelius (Barbantian 1527-1598), plate engraving attributed to Frans Hogenberg (1535-1590), showing a view of the known world including major cities, churches, rivers, geographical elevations, overlaid with latitude and longitude lines, the world enclosed by profusely fruiting, swag, garland, masks and birds issued from scrollwork. Sheet: 16 1/4" x 21 3/8" Plate: 14 1/8" x 19 1/4" Note: Courtesy translation of corner medallions: Upper left: Man's law on the subject is generated: be faithful guardians of the Globe, who, over time, the earth will guide (Cicero). Upper Right: The horses are here to ride, the oxen for selling, the dog for playing, and no matter what on this earth, man is here for contemplation(Cicero). Lower left: This is the point, that so many nations, raise fire and cut the sword; how ridiculous a pursuit that ends with death(Senecca)? Lower Right: I wish for the whole universe, all the different faces that we can see, for all to possess and practice one noble philosophy (Senecca). Lower central banner: What greatly occupies man, for all eternity, is noting the magnitude of the whole world (Cicero). Provenance: Property from a Corporate Collection, Houston, Texas. Property from a Corporate Collection, Houston, Texas Condition: Some stains, yellowing, some minor losses, handling creases, surface soil, backed repairs, overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.” NO REFUNDS will be issued based on condition.
• A RENAISSANCE MAP, "EUROPæ," ABRAHAM
  A RENAISSANCE MAP, "EUROPæ," ABRAHAM ORTELIUS, ANTWERP,...A RENAISSANCE MAP, "Europæ," ABRAHAM ORTELIUS, ANTWERP, 1570-1612, hand colored copperplate engraving on paper, a fragment from an edition of Theatrum Orbis Terrarum, considered the "first modern world atlas," compiled and published by cartographer Abraham Ortelius (Barbantian 1527-1598), plate engraving attributed to Frans Hogenberg (1535-1590), showing modern day Great Britain, Europe, and portions of North Africa, the Arabian Peninsula, Anatolia, Turkestan, Russia, a compass rose upper right, a distance scale, and a title banner in the form of a nude female personification of Europe seated atop a golden bull on a classical stepped plinth. Sheet: 15 3/8" x 20 1/4" Plate: 13 1/2" x 18 1/2" Provenance: Property from a Corporate Collection, Houston, Texas. Property from a Corporate Collection, Houston, Texas Condition: Some backed repairs, indrawing, expected fading of color, yellowing mostly at paper edges, minor surface wear, creases, soil, overall in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.” NO REFUNDS will be issued based on condition.
• A LOUIS XIV MAP, "L'AMERIQUE SEPTENTRIONALE,"
  A LOUIS XIV MAP, "L'AMERIQUE SEPTENTRIONALE," HUBERT JA...A LOUIS XIV MAP, "L'Amerique Septentrionale," HUBERT JAILLOT, PARIS, 1696, hand colored engraving on paper, "Divisée en ses principals parties, ou sont distingués les uns des autres Les Estats suivant qu'ils appartiennent présentement aux François, Castillans, Anglois, Suedois, Danois, Hollandos, Tirée des Relations de toutes ces nations. Par le Sr. Sanson geographe ordinair du Roy.," Présentée à Monseigneur Dauphin, parson tres humble tres obeissant, et tres fidele serviteur, Hubert Jaillot.," the title cartouche centering a royal crown over the Coat of Arms of the Dauphin of France within baroque scrolls, fruits, and perched parrot and cockatiel, the sides upheld by two terminal figures modeled after John Smith's earlier published 1612 depictions of Powhatan in his court lodge; the female draped in beads holds a recurve bow and arrow, the male with a bead and feather collar and sash upholds a war club, below a grotesque issued from feathery mustached nostrils flanked by an armadillo and bobcat, the mile chart with seated figures of war, one shown in the reverse and the other wearing a shield and shell arm and leg bands centering fruiting cornucopia, the border with scale of sea leagues and half leagues and the map overlaid with latitude and longitude lines. 22 1/2" x 34 1/2" Note: Created for use by the Monseigneur le Dauphin, son to King Louis XIV, after Nicolas Sanson's original map. This edition uniquely points out the seat of the Powhatan Confederation located in Virginia. Jaillot spells the seat of Algonquin power "Pou'hatan" in French and places it on a small arm of the York River, just north of the labeled "Powhatan" river. This is likely the site of "Werowocomoco." The French cartographer acknowledges the indigenous culture before the English territorial claim of the Tidewater Region of colonial Virginia. The seat of "Pou'hatan" does not appear on Sanson's earlier version of this map, and is an update that Jaillot added. The Tidewater Region of Virginia was an area destined to become a crucial land space in early colonial American history. The Dauphin died before inheriting the throne, just fifteen years after this map was published. A rapidly changing "New World" is drawn incorrectly with an island California and unfinished northeastern coastline. Condition: Some creasing and mild tear at margins near neat line, mild fading of hand color, some toning and foxing, but overall in good to very good condition, wear commensurate with age and use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
• MANNER OF PIERRE MIGNARD (FRENCH 1612-1695)
  MANNER OF PIERRE MIGNARD (FRENCH 1612-1695) A PAINTING,...manner of PIERRE MIGNARD (French 1612-1695) A PAINTING, "The Baptism of Christ in the River Jordan," 18TH/19TH CENTURY, oil on canvas, 53 1/2" x 38". Condition: Unframed, with some buckles to canvas and stretched canvas areas, on an old stretcher with old exposure to woodworm, some possible inpainting, surface wear, soil, dust, some flaking, overall in fair to good condition, wear commensurate with age and use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• SAMUEL BUTLER "HUDIBRAS" 1761 - RARE
  SAMUEL BUTLER "HUDIBRAS" 1761 - RARE FOULIS PRINTEDSamuel Butler (ca. 1612-1680), "Hudibras in Three Parts, Written in the Time of the Late Wars, Volume I.," Glasgow: Robert & Andrew Foulis, 1761. Rare edition printed by Foulis. A. Gaylord Beaman Bookplate. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• VAN VEEN "BATAVORUM CUM ROMANIS BELLUM"
  VAN VEEN "BATAVORUM CUM ROMANIS BELLUM" 1612Otto van Veen (1556-1629), engravings by Antonio Tempesta (1555-1630), "Batavorum cum Romanis Bellum, a Corn. Tacito lib. IV & V Hist olim descriptum, figuris nunc aeneis expressum," Antwerp, 1612. This very popular historical work features heroic allegorical illustrations based on Tacitus's history of the war between the Romans and Batavians. Van Veen (also known as Vaenius) was court painter to Alessandro Farnese and was a teacher of Peter Paul Rubens. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.