WALTER RALEIGH, HISTORIE OF THE WORLDWALTER RALEIGH, HISTORIE OF THE WORLD 1634 Historie of the World in Five Bookes by Sir Walter Raleigh (Ralegh). Five books bound in one. Published 1634 by Lathan and Young, London. Book has the original leather boards present. Gilt titling and raised bands on the spine. Book contains eight double maps throughout and an engraved title page. Large quarto.
David Loggan (1634-1692) - GonvilleDavid Loggan (1634-1692) - Gonville and Caius College Cambridge, engraving, 37.5 x 49.5cm, three other prints of Caius College and an 18th c engraving of the Royal College of Physicians London (5) More Information Loggan - minor stains and light creases but acceptable, apparently not laid down although unexamined out of frame. The other prints generally good
SIR EDWARD COKE (AND) HECTOR BERLIOZSIR EDWARD COKE (AND) HECTOR BERLIOZ SIGNATURES A framed engraving of Sir Edward Coke (1552-1634), framed together with a small handwritten and signed note (engraving appx. 10" x 8", text fragment 5.25" x 2.25"), (together with) Framed oval portrait of Hector Berlioz, framed with one page note signed "H. Berlioz", not dated, "Mon Cher Garcia (?)". Condition: Berlioz clean, damp stain on bottom edge of Coke not extending to the written note.
SCHOOL OF NICHOLAES MAES (1634-1693):SCHOOL OF NICHOLAES MAES (1634-1693): PORTRAIT OF A LADY; AND PORTRAIT OF A MAN IN ARMORTwo oil on panel, unsigned, both with an unidentified wax seal on the reverse, with label from J. Leger & Son, London.
Both 14 x 11 1/2 in., 17 1/2 x 15 1/2 in. (frame).
Condition
Both with some surface soiling. Lady with scattered losses at right. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
FOLLOWER OF HENDRICK AVERCAMP (1585-1634):FOLLOWER OF HENDRICK AVERCAMP (1585-1634): WINTER LANDSCAPEInk, chalk and watercolor on paper, unsigned.
10 1/4 x 16 in. (sight), 18 x 24 in. (frame).
Property from the Estate of Emile Wolf
Condition
Scattered foxing and staining. Otherwise apparently in good condition. Not examined out of frame.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
AFTER CASPAR NETSCHER (NETHERLANDS,AFTER CASPAR NETSCHER (NETHERLANDS, 1639-1684) "A Woman Feeding a Parrot", the original painted in 1666, oil on coarse linen, unsigned, inscribed in ink on back "Ochtervelt", probably refering to artist Jacob Ochtervelt (Netherlands, 1634-1682). Frame label is inscribed "No. 209, Interieur Flamand, par D. Teniers", refering to David Teniers (The Younger) (Flemish, 1610-1690). The image is virtually identical other than the exclusion of the Page standing to the right, the changing of the dress from gold to blue silk, the drapery also changed to blue, and the Roman numerals on the front of the stone seat. Housed in an ornate gilt Victorian frame, OS: 25" x 21", SS: 17" x 13". The original is hanging in the National Gallery, Washington, DC. West Building, Main Floor - Gallery 50A. Wax export seal on back, collector's stamp lower left corner on front.
REMBRANDT HARMENSZ VAN RIJN (DUTCH,1606-1669)REMBRANDT HARMENSZ VAN RIJN (DUTCH,1606-1669) 4 ?" x 4 ?" image; 57/16" x 47/16" sheet "Christ and the Woman of Samaria among Ruins" (B71), 1634. Etching with drypoint, signature and date in the plate upper right. New Hollstein V (of V). Top edge mounted to support, unframed. Provenance: From the collection of Dr. E. Feer, Zurich with label from original frame which reads (from French) "Received from Dr. E. Feer at the reception of his daughter Marianne".
PAINTING, PETER VAN DEN VELDE PeterPAINTING, PETER VAN DEN VELDE Peter van den Velde (Flemish, 1634-1687), Untitled (Ships in a Storm), oil on panel, unsigned, artist title placard affixed lower center, sight: 6"h x 8"w, overall (with frame): 11.5"h x 13.5"w
Tiffany & Co.. Vegetable bowl. c. 1904-05,Tiffany & Co.. Vegetable bowl. c. 1904-05, sterling silver. 3 h × 12¼ dia in. result: $1,375. estimate: $1,200–1,800. Bowl features a gold-washed bowl and undulating pierced rim decorated with leaves and berries. Impressed manufacturer's mark to underside ‘Tiffany & Co 16346 Makers 4195 Sterling Silver 925-1000 C’.
CLEMENCY HN1634 - ROYAL DOULTON FIGURINEHarradineCLEMENCY HN1634 - ROYAL DOULTON FIGURINEHarradine Classics series. Lady in pale green, yellow and orange dress. Carrying a basket.
Royal Doulton backstamp.
Artist: Leslie Harradine
Issued: 1934 - 1949
Dimensions: 7"H
Manufacturer: Royal Doulton
Country of Origin: England
Condition:
Good
DIAMOND ANNIVERSARY SET - TINY - ROYALDIAMOND ANNIVERSARY SET - TINY - ROYAL DOULTON CHARACTE...Set includes: Dick Turpin, John Barleycorn, Jester, Granny, Parson Brown, and Simon the Cellarer. Includes wooden base.
This set was issued in 1994 to commemorate the Diamond Anniversary of the revival of the traditional Staffordshire jugs by Charles Noke in 1934. It was issued in a limited edition of 2,500. Royal Doulton backstamp.
Artist: William K. Harper
Issued: 1994
Dimensions: 1.5"H
Edition Number: 1634 Manufacturer: Royal Doulton
Country of Origin: England
Condition:
Good
VINTAGE STERLING SILVER PEDESTAL BOWLBeautifulVINTAGE STERLING SILVER PEDESTAL BOWLBeautiful classic bowl, ornate geometrical piercings along edge with gleaming finish giving this piece elegance. Hallmarked Sterling, model no. 1634 to bottom. Weight: 72 grams.
Dimensions: 3.75"W x 3.5"H
Condition:
Age related wear.
CLEMENCY HN1634, COLORWAY - ROYAL DOULTONCLEMENCY HN1634, COLORWAY - ROYAL DOULTON FIGURINEFigure of a young woman holding a basket. In a green ruffled dress with yellow accents. Yellow ribbon around her neck.
Royal Doulton backstamp.
Artist: Leslie Harradine
Issued: Circa 1934-1949
Dimensions: 4" L x 4" W x 7" H
Manufacturer: Royal Doulton
Country of Origin: England
Condition: : Age related wear.
High Res Image 1
High Res Image 2
High Res Image 3
Condition:
Age related wear.
BLAEU - TWO MAPS OF SOUTH AMERICAWillemBLAEU - TWO MAPS OF SOUTH AMERICAWillem Janszoon Blaeu (1571-1638), including: Tabula Magellanica qua Tierrae del fuego cum celeberrimis fretis a F. Magellano et I. Le Maire... , Amsterdam, circa 1640, in two sheets, text in French verso, engraving on laid paper with hand colored highlights, plate 16-3/8 x 21-1/4 in., sheet 17-1/2 x 22-3/8 in., unframed; Freti Magellanici ac novi Freti vulgo Le Maire exactissima delineatio , Amsterdam, circa 1634, in two sheets, text in French verso, engraving on laid paper with hand colored highlights, 14-3/4 x 19-1/4 in., sheet 16-1/2 x 21-1/8 in., unframed
Provenance: Humber Family, North Carolina
Condition:
scattered light staining, handling creases, formerly hinged in (tape remnants at top verso); Tabula Magellanica with small tear at top edge with tape reinforcement verso
BLAEU, LE ROUGE - THREE MAPS OF FRANCE,BLAEU, LE ROUGE - THREE MAPS OF FRANCE, ONE WORLD MAPFour maps, engravings on laid paper with hand colored highlights, all unframed, including: Willem Janszoon Blaeu (1571-1638), Provincia Auctore Petro Joanne Bompario, Provence , Amsterdam, 1634-1650, text verso; Willem Janszoon Blaeu (1571-1638), Gallia, Le Royaume de France , Amsterdam, circa 1640, text verso; Georges Louis Le Rouge (1707-1790), La France, Divisee En ses 37 Gouvernements Militaires , published by Crepy, Paris, 1767; Georges Louis Le Rouge (1707-1790), Mappe Monde qui Comprend les Nouvelles..., published by Crepy, Paris, 1767; largest sheet 16-3/8 x 22-1/4 in.
Provenance: Humber Family, North Carolina
Condition:
scattered light staining throughout, toning at edges; Gallia and Provencia formerly hinged in (tape remnants at top verso)
IN THE MANNER OF GIUSEPPE RECCO ITALIAN,IN THE MANNER OF GIUSEPPE RECCO ITALIAN, 1634 - 1695 ST...In the Manner of Giuseppe Recco Italian, 1634 - 1695 still life with grapes, pomegranates, an oriental rug, and a clock oil on canvas Gustave White 1985 appraisal 31 3/4 x 36 1/2 inches
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
TIFFANY STERLING BOWLAmerican, 1902-1907,TIFFANY STERLING BOWLAmerican, 1902-1907, round form with shaped rim with pierced grape and vine decoration, monogram "1881 H 1906", marks for Tiffany & Co., "16346...2659", 23.39 oz. T., 3 x 12-1/4 in.
Provenance: Private Collection
Condition:
light scratches and minor wear
CIRCLE OF NICOLAES MAES DOUBLE PORTRAIT(Dutch,CIRCLE OF NICOLAES MAES DOUBLE PORTRAIT(Dutch, 1634-1693)
Two Girls with a Spaniel in a Landscape, circa 1670, unsigned, oil on canvas, 48-1/2 x 39-3/8 in. (121.92 x 99.06 cm.); reproduction gilt wood frame, 52-5/8 x 43-1/8 in. [Old Masters]
Provenance: Rita Cusimano and Bernadette Strianese (joint heirs), purchased in 2007 for $95,000 (accompanied by a facsimile of the original receipt on Tillou invoice);Collection of Peter Tillou
Condition:
lined with paste and linen, restretched on 19th century stretcher, crackle, some areas of retouch; frame with abrasions
20TH C. NEPALESE LEADED BRASS BOWL W/20TH C. NEPALESE LEADED BRASS BOWL W/ LIDCentral Asia, Nepal, ca. early to mid 20th century CE. A fabulous leaded brass bowl presenting a conical foot, a bulbous body, and a flared rim, all topped with a concave lid. The exterior of this intriguing vessel has been intricately adorned in relief by an abstract vegetal design and various symbols, such as a swastika, representing purity or the sun, and a target-motif. The pedestal of the vessel is additionally adorned with a repeated petaloid motif. Alternatively, the lid is free of decoration and dips inwards creating a planar basin atop the bowl. Size: 10.375" in diameter x 5.25" H (26.4 cm x 13.3 cm)
Provenance: private Oregon collection, USA
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
We ship worldwide and handle all shipping in-house for your convenience.
#163472
Condition:
Stable fissure to rim of lid. Expected nicks, chips, abrasions, and light softening of detail, all commensurate with age and use. Abraded areas on interior. Otherwise, intact and very nice with excellent patina and light earthen deposits.
31 ANASAZI POTTERY, STONE, BASKETRY31 ANASAZI POTTERY, STONE, BASKETRY & SHELL ARTIFACTSNative American, Southwestern United States, Eastern Arizona, Ancestral Puebloan/Anasazi culture, ca. 1150 to 1250 CE. A fabulous gathering of Ancestral Puebloan artifacts; four basket fragments, one pottery fragment, two strands of stone beads, sixteen stray stone beads, and eight shell beads. Presenting shades of tan and beige, each of the basket fragments are comprised of tightly woven strands of vegetal fiber. The grey piece of pottery is adorned with a stippled pattern. The stone beads all boast tube and barrel forms in hues of butterscotch and espresso, while the shell beads each exhibit a discoid shape in a lustrous tone of white. Size of largest: 19" L (48.3 cm); Size of custom display box: 24" W x 10.625" H (61 cm x 27 cm)
Provenance: private Fayetteville, Arkansas, USA collection; ex-Dr. David Harner collection, Springdale, Arkansas, USA, acquired between the 1950s and 1960s
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
#163433
Condition:
Baskets, pottery, and bead strands are all fragments of larger pieces. Light fraying to periphery of center basket piece. Nicks/chips to peripheries of beads. Otherwise, nice with light earthen deposits.
15 NATIVE AMERICAN KENTUCKY STONE PROJECTILE15 NATIVE AMERICAN KENTUCKY STONE PROJECTILE POINTS**Originally Listed At $300**
Native American, Southern United States, Kentucky, Archaic to Woodland period, ca. 4000 BCE to 800 CE (6000 to 1200 BP). A collection of 15 hand-knapped stone projectile points from the southeastern part of North America. The points all exhibit a nice assortment of typology, and many have notched and stemmed blades. Some of the different forms include: Koens Crispin, Fulton Turkeytail, Cotaco Creek, Little Bear, Lowe, Robbins, Burkett, Limestone, Modesto, Scherschel, and Mcwhinney. Several are made from a matte chert stone with hues of tan, orange, gray, and pink. Size of largest point: 2.75" L x 1.25" W (7 cm x 3.2 cm); case: 10" L x .75" W x 12" H (25.4 cm x 1.9 cm x 30.5 cm)
Provenance: private Fayetteville, Arkansas, USA collection; ex-Charles (Charlie) Meyer collection, noted collector and famed illustrator for Greg Perino, famed authenticator and writer
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
#163453
Condition:
Chips and losses to points and fins not from knapping process. Old inventory labels on the surfaces of several. Displayed in modern wood and glass case. Glass and brackets are slightly loose.
21 NATIVE AMERICAN SOUTHERN STONE ARROWHEADS**Originally21 NATIVE AMERICAN SOUTHERN STONE ARROWHEADS**Originally Listed At $1800**
Native American, Georgia, Virginia, Kentucky, Mississippi, Paleo Indians to Early Woodlands Period, ca. 13000 to 500 BCE (15,000 to 2,500 BP). A handsome assemblage of 21 hand-knapped stone arrowheads boasting various shades of toffee, chestnut, russet, puce, ash grey, charcoal grey, cream, taupe, and black. These fascinating projectile points range greatly in shape, presenting triangular auriculate, side notch, triangular bifurcated, triangular expanding stem, triangular corner notch, triangular stemmed, auriculate lanceolate, lanceolate, triangular side notch, triangular fluted, and stemmed forms. They fall into the classification of the following types: Santa Fe, Hardaway, St. Albans, Nansemond, Palmer, Kirk Stemmed, Beaver Lake, Steubenville, Decatur, Thebes, Guilford, Kirk, Cave Springs, Kirk Stemmed, Rowan, Appomattox River, Harpeth River, and MacCorkle. Size of largest: 1.375" W x 3.2" H (3.5 cm x 8.1 cm); Size of frame: 7.75" W x 12" H (19.7 cm x 30.5 cm)
Knapped lithics, like these examples, are made using percussion, striking them with other stones; the process required to get them the correct shape requires training and skill.
Provenance: private Fayetteville, Arkansas, USA collection; ex-Charles (Charlie) Meyer collection, noted collector and famed illustrator for Greg Perino, famed authenticator and writer
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
#163416
Condition:
Losses to tips of three, stems of four, and corners of one. Nicks/chips to peripheries, commensurate with age and use. Otherwise, excellent. Fit with modern wood and glass frame.
INDIAN CHANDRAKETUGARH POTTERY JAR DANCINGINDIAN CHANDRAKETUGARH POTTERY JAR DANCING FEMALES TL'D...India, Chandraketugarh, Period III, Shunga (Sunga) Period, ca. 185 BCE to 50 CE. An incredibly rare find from a little-known area, this is an example of fine gray pottery with an extensive stamped design. This is a delicate thin-walled vessel, with a wide slightly raised foot, flaring rim and bulbous body decorated with repeating scene of dancing females with an occasional interspersed male on the lower register and females riding what appears to be a variant of a hippocamp on the top register. Size: 7" W x 7.125" H (17.8 cm x 18.1 cm)
Chandraketugarh, located northeast of modern-day Kolkata, was a large fortified settlement with high ramparts and wooden housing on both sides of the fortifications. Period III was the most prosperous period, when the level of pottery production seems to have been the finest - as well as the most influenced by contact with the Romans (or at least, their trade goods). Beginning in this period and continuing to ca. 650 CE, their pottery was bright, with intricate designs created by painting, stamping, incisions, molding, and appliqueing. Vases like this one were not handmade - they were made by specialists in an urban economy and were made for an urban, elite or at least middle-class clientele. The quality of this vase speaks to Chandraketugarh's place along the Indian Ocean trade routes and its cosmopolitan culture.
This piece has been tested using thermoluminescence (TL) and has been found to be ancient and of the period stated. A full report will accompany purchase.
Provenance: private Hawaii, USA collection acquired from Ibrahimi Gallery, California, USA, 2002
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
We ship worldwide and handle all shipping in-house for your convenience.
#163478
Condition:
Chips to foot and rim, wear to some of the highpoints of the figures. TL holes to foot and under rim.
BRONZE TRIPOD CENSER
YONGLE MARK BUTBRONZE TRIPOD CENSER
YONGLE MARK BUT 20TH CENTURY ???? ??? ????????the compressed globular body with a pair of upright u-shaped handles and plain interior, the base cast with a six-character Yongle mark in recessed square panel(1)16cm diameter; 1634g
PAIR OF MAJOLICA WINE CASKS WITH MEDICIPAIR OF MAJOLICA WINE CASKS WITH MEDICI COAT OF ARMS: Pair of tin enameled earthenware casks, having the Medici's and Della Rovere's coat-of arms, the latest for the Dukes of Urbino branch. They recall the marriage of the Grand-duke Ferdinando II, born in Florence born on July 4th, 1610, son of Cosimo II Medici and of Maddelena, daughter of Arch-duke Carlo d' Austria. Ferdinando II married in 1634 to Vittoria Della Rovere, daughter of Prince Ubaldo d' Urbino, latest of Della Rovere's family. Both resided in the Museum of Fine Arts. Largest approx. 49'' h x 37'' w.
CONDITION: One with extensive repair & loss, crazing & loss commensurate with age and use.
Norton (Thomas), The Institution ofNorton (Thomas), The Institution of Christian Religion written in Latine by M Iohn Calvin translated into English according to the Authors last Edition, London, Printed by Anne Griffin for Joyce Norton and R. Whitaker, 1634, tooled leather binding with engraved title page
TWO LIONEL FLAT CARS WITH LOADS IncludingTWO LIONEL FLAT CARS WITH LOADS Including Southern Pacific T.T.U.X. 6-16345 and Lionel double stack set with four removable containers 6-16975.
MANNER OF LUCA GIORDANO, (ITALIAN, 1634-1705),MANNER OF LUCA GIORDANO, (ITALIAN, 1634-1705), SIX MEN, OIL ON CANVAS, 25 X 30 IN.Manner of LUCA GIORDANO, (Italian, 1634-1705) Six Men, oil on canvas 25 x 30 in. Provenance: A New England Institution. Condition: Condition: Trimmed; canvas lined; thick yellowed varnish. Craquelure and corresponding restoration, primarily along top and bottom edges.
MANNER OF LUCA GIORDANO, (ITALIAN, 1634-1705),MANNER OF LUCA GIORDANO, (ITALIAN, 1634-1705), SAINT PETER, OIL ON CANVAS, 16 X 13 1/2 IN., FRAME: 23 1/2 X 21 IN.Manner of LUCA GIORDANO, (Italian, 1634-1705) Saint Peter, oil on canvas 16 x 13 1/2 in., frame: 23 1/2 x 21 in. Provenance: Hub Molding Company; Castano Galleries, Boston, Massachusetts; by descent from the Estate of a Massachusetts Collector. Condition: Condition: Canvas lined; canvas slightly warped; inpainting throughout; stable craquelure; scattered losses throughout.
LUCA GIORDANO (ATTRIB.), INK ON PAPERLUCA GIORDANO (ATTRIB.), INK ON PAPER DRAWING Attributed to Luca Giordano (Italian, 1634-1705), sketch depicting a family in distress, on laid paper with hard to distinguish watermark in center, possibly "M T D" over a bell, 7.25"h x 95"w (sheet)
CIRO FERRI, SANGUINE DRAWING, EX DHIKEOSCIRO FERRI, SANGUINE DRAWING, EX DHIKEOS Ciro Ferri (Italian, 1634-1689), "Flight into Egypt", red chalk on paper, no signature observed, collector's mark lower right of Nicos Dhikeos (Greek-French 1896-1987), owner of the Saint-Francois Gallery, possibly a study for a painting, red grid lines visible, matted and framed under plexiglass, 16.5"h x 10.75"w (sight), 24.5"h x 18.5"w (frame)
TIFFANY & CO. STERLING SILVER FLORALTIFFANY & CO. STERLING SILVER FLORAL BOWL Tiffany & Co. (American, founded 1837). Sterling silver bowl, ruffled rim with raised floral decoration over a gadrooned body. Marked "Tiffany and Co / 16346A Makers 8764 / Sterling Silver / 925-1000 / M". Monogrammed in bowl "MBR". Approx.
PAIR OF FRENCH EMPIRE BRONZE GARNITURESPAIR OF FRENCH EMPIRE BRONZE GARNITURES MID-19TH CENTURY HEIGHTS 10.75”. WIDTHS 5.75”. DEPTHS 5”.PAIR OF FRENCH EMPIRE BRONZE GARNITURES, Mid-19th Century, Small urns on plinths atop shaped giltwood bases. Plinths with applied bronze roses on fronts and lion's-head and paw feet. Stamped on reverse "1634". Dimensions: Heights 10.75". Widths 5.75". Depths 5".
Attributed to Nicolaes Maes (Dutch,Attributed to Nicolaes Maes (Dutch, 1634-1693)
Portrait of a Lady with Her Dog
oil on canvas
61 x 45 1/4 inches.
ATTRIBUTED TO JEAN-BAPTISTE MONNOYERATTRIBUTED TO JEAN-BAPTISTE MONNOYER (FRANCE, 1634-1699), STILL LIFE OF FLOWERS AND FRUIT., OIL ON CANVAS, 19" X 25.5". FRAMED 24" X 32".ATTRIBUTED TO JEAN-BAPTISTE MONNOYER, France, 1634-1699, Still life of flowers and fruit. No signature noted. Artist attributed on frame plaque. Dimensions: Oil on canvas, 19" x 25.5". Framed 24" x 32".
HAND DRAWN FAMILY TREE NAMING MASSACHUSETTSHAND DRAWN FAMILY TREE NAMING MASSACHUSETTS PATRIOT GENERAL ISRAEL PUTNAM Pen and ink on vellum, late 19th century, inscribed lower right, Drawn by C D Rathbone / Bellvue O 1889, all names emanating from that of "John Putnam, Salem, Mass 1634," with General Putnam named on the trunk just above the lower branches; framed with an engraving of Putnam on a galloping horse, and a somewhat later photograph of his home. In wooden frame behind a green linen mat.