A few examples of appraisal values for
1660

• SIX 17TH, 18TH, AND 19TH CENTURY EUROPEAN
  SIX 17TH, 18TH, AND 19TH CENTURY EUROPEAN WORKSA group of six 17th, 18th, and 19th century European etchings and engravingsLot includes six prints: 1-2. two 17th century allegorical etchings, (ca. 1660-80) after Pietro Testa (1611-1650) etched ova
• AFTER FRANCESCO ALBANI, ENGRAVINGS (2)After
  AFTER FRANCESCO ALBANI, ENGRAVINGS (2)After Francesco Albani (Italy, 1578?1660)Two engravings by Etienne Baudet after Francesco Albaniengraving and etching on laid paperlot includes two (2) engravings by Etienne Baudet (1638?1711): 1. The
• ENGLISH BRASS TRUMPET CANDLESTICK, CA.
  ENGLISH BRASS TRUMPET CANDLESTICK, CA. 1660English brass trumpet candlestick, ca. 1660 , with sausage turned shaft, 6" h. Provenance: Mark and Marjorie Allen, 2009. Competitive in-house shipping is available for this lot. Condition: Dents to rim of base.
• ENGLISH DELFTWARE SALT, BRISTOL, CA.
  ENGLISH DELFTWARE SALT, BRISTOL, CA. 1660English delftware salt, Bristol, ca. 1660 , 3 1/4" h. Provenance: Kevin Morris, 2008. Competitive in-house shipping is available for this lot. Condition: Losses to rim.
• 17TH C. CHARLES II OAK CHEST OF DRAWERSEngland
  17TH C. CHARLES II OAK CHEST OF DRAWERSEngland circa 1660, the peg joined case fitted with five tiers of graduated drawers, all with later but stylistically correct drop pulls, raised overall on stile supports. Measuring 34" high x 32" wide x 22" deep.
• HARREWYN, "L'ANATOMIE DE LEIDE," ENGRAVING,
  HARREWYN, "L'ANATOMIE DE LEIDE," ENGRAVING, FRAMED Jacobus Harrewyn (Dutch: 1660/1 - 1732 or '40) A view of the famous collection of natural history curiosities and surgical theatre at the University of Leiden, circa 1690, signed in the plate, lr; engraving, 5 1/8 x 6 1/2 in. visible.
• AFTER JOHANN BAPTIST CLOSTERNAN (GERMAN
  AFTER JOHANN BAPTIST CLOSTERNAN (GERMAN 1660-1711)After Johann Baptist Closterman (German 1660-1711) , oil on canvas portrait of Lancelot Whelpdale, 50 1/4 x 39 3/4. NO in-house shipping for this lot. Condition: Frame: 55 1/8" h. x 44 5/8" w. Condition: not examined.
• ROLEX OYSTER "SEA-DWELLER" WRISTWATCHROLEX
  ROLEX OYSTER "SEA-DWELLER" WRISTWATCHROLEX OYSTER PERPETUAL DATE "SEA-DWELLER" WRISTWATCH, water resistant to 4000', black dial, adjustable bezel, stainless steel case and bracelet, 3135 caliber automatic movement, sapphire crystal, face reads "Sea-Dweller 4000ft = 1220m Superlative Chronometer Officially Certified", Ref 16600, SN:A443179, manufactured 1999.
• SAINT-CLOUD PORCELAIN BLUE AND WHITE
  SAINT-CLOUD PORCELAIN BLUE AND WHITE SUGAR-BOWL AND COVER, 1740-1750 HEIGHT OVERALL: 4 1/4 IN. (10.8 CM.)SAINT-CLOUD PORCELAIN BLUE AND WHITE SUGAR-BOWL AND COVER, 1740-1750, blue painted St.C T mark, of gadrooned tapering cylindrical form, with blue Berainesque lambrequin at the rims, the cover with a stemmed flat button finial, a dotted arcade pattern at the footrim Dimensions: Height overall: 4 1/4 in. (10.8 cm.) Provenance: London Ceramics Fair, SMC, June 16, 2007 With Bernard Dragesco and Didier Cramoisan, Paris, 880 pounds ($1,760) From the Collection of Diana Edwards Murnaghan, No. 381 Catalogue note: Compare Bertrand Rondot, "Discovering the Secrets at the Saint-Cloud Manufactory 1660-1766", (1999), no. 45. It is interesting to note, the inclusion of the 'T' in the mark seems to imply a date of after 1722, corresponding to the year Henri and Gabriel Trou inherited an interest in the firm and renewed the patent.
• WHITE MARBLE BUST OF A GENTLEMAN, JOHN
  WHITE MARBLE BUST OF A GENTLEMAN, JOHN KIRK (SCOTTISH B.1832) DATED 1850 depicted in the classical style, the back inscribed 'John Kirk Sculp, 1850', with an associated socle82cm high, 45cm wide, 25cm deepNote: "John Kirk of Dumfries (Scottish b.1832) joined the Royal Academy Schools in 1847... He exhibited at the Royal Academy, 1847-1854, and at the British Institution, 1849-1854, showing busts etc." - Gunnis, R. Dictionary of British Sculptors 1660-1851, The Abbey Library, London, p.230
• CELADON-GLAZED CHARGER, ARITA OR HASAMI EDO
  CELADON-GLAZED CHARGER, ARITA OR HASAMI EDO PERIOD, CIRCA 1650-60S ?? ??????? ??????short foot, everted rim, carved to the centre with large flowers, covered overall with a green glaze, save for the base with an unglazed band revealing the buff body(1)38.8cm diameterProvenance: J.A.N. Fine Art, 28 September 2004, with an original receipt and an associated label on base.Dr. Kenneth P. Lawley's inventory number: Cer.138.Note: Comparable examples of celadon glazed chargers, Arita or Hasami, dated to ca. 1660, sold at Christie's, one in London, 9 Nov 2008, lot 96, note the similarity of the key fret border; the other Amsterdam, 21 May 2003, lot 458, note the comparable rendition of the foliage in the centre.Please note this lot will be offered with no reserve. ???????
• MORES HOMINUM BY JUVENALMores Hominum.
  MORES HOMINUM BY JUVENALMores Hominum. The Manners of Men, Described in sixteen Satyrs , by Juvenal, translated by Robert Stapylton, illustrated by Wenceslaus Hollar, printed by R. Hodgkinsonnne, London, 1660. Folio with engraved frontispiece, portrait of the translator, and sixteen engraved plates all of which are by Hollar except the portrait, 17 1/2" x 11". Provenance: R.W. Emerton. Competitive in-house shipping is available for this lot. Condition: Some spotting and toning, front board and first several pages detached, back board detached.
• LONDON DELFTWARE WHITE FUDDLING CUPcirca
  LONDON DELFTWARE WHITE FUDDLING CUPcirca 1660-80, formed as three conjoined baluster shaped vessels linked by their entwined handles, 3-1/2 in. Provenance: Sotheby's London, Early English and Continental Pottery from the John Philip Kassebuam Collection, October 7, 1992, Lot 17 (with collection label); Property from the Collection of Dudley and Constance Godfrey Condition: one vessel with large chip to rim, rims, base, and entwined handles with chips and losses to glaze, scratching, discoloration, hairlines, glaze voids, firing anomalies, pinholes, accession number to base, small restored patch to one side of vessel
• ENGLISH DELFTWARE WHITE PORRINGERprobably
  ENGLISH DELFTWARE WHITE PORRINGERprobably London, circa 1660-70, affixed with a flat, scalloped and pierced handle, 6-1/2 in. Provenance: Sotheby's New York, Garbisch Collection, May 22, 1980, Lot 1; Sotheby's London, Early English and Continental Pottery from the John Philip Kassebaum Collection, October 7, 1992, Lot 42; Property from the Collection of Dudley and Constance Godfrey Condition: chipping and glaze losses primarily to rim and handle, hairlines, chips to base, accession number to base, label adhesive to body
• THREE NEW HAMPSHIRE HOUSE PORTRAITSThree
  THREE NEW HAMPSHIRE HOUSE PORTRAITSThree New Hampshire ink and watercolor house portraits, late 19th c. , two titled Warner House built 1718 and Jackson House built 1660 , frames - 9 3/4" x 11 3/4". Competitive in-house shipping is available for this lot.
• BOOKS ON LONDON, ENGLAND, AND BRITAIN,
  BOOKS ON LONDON, ENGLAND, AND BRITAIN, 9 Group of art reference / coffee table books on Fashion and Style comprising - Above London by Robert Cameron and Alistair Cooke / Bodley Head London: Portrait of a City by Reuel Golden / Taschen Craftsmen and Interior Decoration in England 1660-1820 by Geoffrey Beard / Bloomsbury Books The House of Parliament by Sir Harry Boyne / Batsford London Overlooked by Geoffrey Fletcher / Hutchinson Debrett?s The Stately Homes of Britain by Sibylla Jane Fowler / Webb & Bower The Inspiration of the Past: Country House Taste in the Twentieth Century by John Cornforth / Viking Blenheim Revisited: The Spencer-Churchills and their Palace by Hugh Montgomery-Massingberd / Bodley Head The Treasure Houses of Britain: Five Hundred Years of Private Patronage and Art Collecting by National Gallery of Art & Yale University Press
• 'THE SPINNERS' AFTER DIEGO VALAZQUEZ,
  'THE SPINNERS' AFTER DIEGO VALAZQUEZ, 25" X 36"Framed oil painting on canvas, "Las Hilanderas" (The Spinners), signed lower left Marcus Cid (Professor, University of Madrid, 20th/ 21st c.), after the original 1657 painting by Diego Velazquez (Seville, Spain, 1599-1660), now housed in the Prado Museum, Madrid, Spain, sight: 25"h, 35.5"w, overall: 30.75"h, 41.25"w
• 'SURRENDER OF BREDA' AFTER VELAZQUEZ,
  'SURRENDER OF BREDA' AFTER VELAZQUEZ, 45" X 51"Framed oil painting on canvas, "La rendicion de Breda" (The Surrender of Breda), signed lower left Marcus Cid (Professor, University of Madrid, 20th/ 21st c.), after the original 1635 painting by Diego Velazquez (Seville, Spain, 1599-1660), now housed in the Prado Museum, Madrid, Spain, sight: 44.25"h, 50.5"w; overall: 50.25"h, 56.5"w
• 'APOLLO IN THE FORGE' AFTER VELAZQUEZ,
  'APOLLO IN THE FORGE' AFTER VELAZQUEZ, 45" X 51"Framed oil painting on canvas, "Apolo en la Fragua de Vulcano" (Apollo in the Forge of Vulcan), signed lower left Marcus Cid (Professor, University of Madrid, 20th/ 21st c.), after the original painting by Diego Velazquez (Seville, Spain, 1599-1660), now housed in the Prado Museum, Madrid, Spain, sight: 44.25"h, 50.5"w; overall: 50.25"h, 56.5"w
• THREE PRIVATE LABEL ANTIQUE POCKET WATCHES.
  THREE PRIVATE LABEL ANTIQUE POCKET WATCHES. American, late 19th century. Three 18S Columbus Watch Co. watches including: OF, 7J, LS/SW (doesn't wind), silverode case with worn engraving of a stag, dial marked 'E.V. Wausau Wis', minute hand missing, serial #181660 (1891-92); HC, 15J, LS/SW, dial with black log Roman numerals and marked 'Jackson Park', serial #209501, engraved case in very nice condition; Together with white metal HC, 15J, Adj, LS/SW, dial with black log Roman numerals and marked 'Jackson Park', small chips, case with wear. Two watches in running condition - no guarantee.
• CORNELIS PLOOS VAN AMSTEL (1726-1798),
  CORNELIS PLOOS VAN AMSTEL (1726-1798), AFTER GOVAERT FLINCK (1615-1660): MAN AT THE PARAPETChalk manner and roulette in black on laid paper, 1774. 10 x 7 1/4 in. (sheet), 21 1/4 x 19 1/4 in. (frame). Condition Trimmed to the image. Some pale staining. A small printed area and remains of old glue staining on the reverse. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• PAIR OF NAPOLEON III SILVERED-METAL
  PAIR OF NAPOLEON III SILVERED-METAL URNS WITH SPHYNX HANDLESUnmarked. 15 x 12 x 9 in. Note: The design of this urn is by Claude Ballin (1615-1678). The original urn is part of a set of thirteen pairs designed for Louis XIV's formal terraced garden's at Versailles, the parterre du Nord and the parterre du Midi , cast between 1660 and 1680. Condition Wear and areas of oxidation to the patination. Both with loose handles, one with a loose socle and greater oxidation to the patination. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• PIERRE LEPAUTRE (1660-1744) AFTER SAMUEL
  PIERRE LEPAUTRE (1660-1744) AFTER SAMUEL WALE (1721-1786): VUE DE L'INTERIEUR DE L'éGLISEEtching in black on laid paper. 8 1/4 x 5 1/8 in. (sheet), 12 1/2 x 10 1/4 in. (frame). Condition With margins. Staining, surface soiling and creasing. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• AFTER JAKOB BOGDANI (1660-1724): WHITE
  AFTER JAKOB BOGDANI (1660-1724): WHITE PHEASANT IN A LANDSCAPEOil on canvas, unsigned, lined. 25 x 30 in., 34 x 38 in. (frame). Condition Lined. Craquelure with inpainting throughout. Surface soiling. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• GILLIS VAN SCHEYNDEL (1595-1660): IAN-HAGELS
  GILLIS VAN SCHEYNDEL (1595-1660): IAN-HAGELS COMPAGNE: EIGHT PLATESEight etchings in black on laid paper, all with the Gustav Seeligmann collector's mark on the reverse (Lugt 1215). All approximately 2 1/4 x 1 3/4 in. (sheet), 17 1/2 x 19 1/2 in. (framed together). Condition All trimmed to or within the platemark Some pale staining and surface soiling. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• TIFFANY STUDIOS BRONZE ZODIAC BOX #1660
  TIFFANY STUDIOS BRONZE ZODIAC BOX #1660 Box measures 4.5" wide x 2" tall x 3 3/8" deep. Fitted wood interior, polish residue on interior. From a Scarsdale, NY estate. Condition: Good
• JOAN BLAEU (1599-1673): TEVIOTIA VULGO
  JOAN BLAEU (1599-1673): TEVIOTIA VULGO TIVEDALE (TEVIOTDALE, SCOTLAND)Engraved map with hand-coloring, c. 1660; and Tvedia cum Vicecomitatu Etterico Forestae , engraved map with hand-coloring, c. 1654; together with Italian School: La Scozia Meridionale , engraved map with hand-coloring, 1779. 16 3/4 x 21 in. (plate), 25 1/2 x 30 in. (frame), 17 x 21 in. (plate), 25 1/2 x 30 in. (frame), 12 3/4 x 16 1/2 in. (plate), 20 3/4 x 24 1/4 in. (plate). Condition All with margins and central vertical creases (some backed) where previously folded. Pale staining. La Scozia with foxing.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• ATTRIBUTED TO AGOSTINO MITELLI (1609-1660):
  ATTRIBUTED TO AGOSTINO MITELLI (1609-1660): INTERIOR WITH COLUMNS; AND INTERIOR WITH WINDOWTwo sanguine and ink on paper, signed 'Mitelli' upper left and lower left respectively; together with European School: Columns and Doorway , ink and wash on paper, unsigned, with label from the Fogg Art Museum Loan for Examination. 8 1/4 x 5 3/4 in. (sheet), 7 x 3 1/2 in. (sheet), 8 x 4 5/8 in. (sheet), 14 x 20 3/4 in. (framed together). Exhibited: Middlebury College, Architectural, Ornament, Landscape and Figure Drawings Collected by Richard Wunder , 1975, no. 18, ill. pg. 93. Condition Both Columns with small holes. All with creasing, small losses at the sheet edges, staining and surface soiling. Framed together.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• REMBRANDT (AFTER) (20TH CENTURY). Copy
  REMBRANDT (AFTER) (20TH CENTURY). Copy of "Self-Portrait", 1660. (Rembrandt van Rijn, Dutch). Oil on canvas. "Copy from the original in The Metropolitan Museum of Art", stamps on verso, dated 1959. Museum Permit to Copy stamps verso. Apparently unsigned. From a Fairfield, CT collection. Dimensions: 36" h x 29" w. Condition: Occasional craquelure, faint scuffs and scratches.
• STERLING. (3) ASSORTED STERLING BOWLS.
  STERLING. (3) ASSORTED STERLING BOWLS. Including a Gorham sterling large footed bowl - stamped, "Gorham Sterling 41660 P. Revere Reproduction"; a Fina sterling medium footed bowl - stamped, "Sterling By Fina 208 Exemplar Paul Revere 1768"; and an International Silver Co. Lord Saybrook sterling small footed bowl - stamped, "International Sterling Lord Saybrook Y90-1". Total approx. weight of all items is 49.28 troy oz (gross). From a Scarsdale, NY estate. Dimensions: bowls measure approx. 4.75", 8", and 9" in diameter. Condition: Good, with light surface scratches and minor dings/dents.
• KENT COFFEY "IMPACT" SERIES CREDENZA
  KENT COFFEY "IMPACT" SERIES CREDENZA Midcentury Modern Walnut Console Cabinet or Sideboard, by Kent Coffey Furniture, having three flush mount central drawers with chrome pulls, flanked by cabinet doors, each interior with single shelf, top drawer interior branded with Kent Coffey mark, back stamped "1660-14", 31" high, 61 1/4" x 17 1/2".
• ANDREAS CELLARIUS, MAP, C. 1660, EX
  ANDREAS CELLARIUS, MAP, C. 1660, EX ARADER Andreas Cellarius (Dutch, 1596-1665), "Sceno Systematis Ptole / Graphia Mundani Maici", hand-colored engraving, from "Harmonia Cosmographica", matted and framed under plexiglass, gallery label verso, 17"h x 20.5"w (sight), 23.75"h x 27"w (frame)
• CORNELIUS DUSART (DUTCH, 1660-1704),
  CORNELIUS DUSART (DUTCH, 1660-1704), VIOLIN PLAYER Etching, dated 1685, possibly printed slightly later, framed without glass.
• A William III arabesque marquetry strong
  A William III arabesque marquetry strong box, c1700, of holly and, probably, rosewood, bound by elaborate brass strapwork secured by flower shaped bosses, the carrying handles and lock original, the interior incorporating concealed compartments and veneered in prince's wood, the veneers obliquely cut on those to the fall front, on affixed giltwood stand of later date, 34cm h; 40 x 63cm (102cm h; 47 x 69cm including stand)    Provenance: Acquired by the late father of the present vendor in the 1970s.The present high status strong box would have been a costly purchase, the more so if supplied with a matching chest for display in the principal bed chamber of the household. It is of the type of William and Mary 'marketree' furniture associated with the workshop of Gerrit Jensen, Cabinet Maker in ordinary to the Crown. A similar strong box that still retains an equally striking chest of drawers on which it stood is at Lyne Park, Cheshire (see Bowett, Adam - English Furniture 1660-1714, plt 7; 7) More Information Much old settled dust, the marquetry darkened with age, the ground almost black, the brass mounts covered in an old and now discoloured lacquer but intact, complete and unrestored
• TWO STERLING SILVER SERVING DISHES,
  TWO STERLING SILVER SERVING DISHES, a 1928 Reed & Barton Sauceboat, lg. 7 3/4 , and a Dominick & Haff Bowl with square pleated rim, monogrammed, lg. 8 5/8 in., approx 12.85 troy oz. Provenance: Hailing from Wales and England, the Jones family were early settlers to Massachusetts circa 1660. Settling in the Berkshires, the family worked closely with Zenas Crane of Crane Paper, established in 1801. The paper firm still exists today and holds the recipe for the currency of the United States. At that time, all paperwork was done by hand; rags were pounded into pulp in mortar and twenty mortars were required to reduce 100 pounds of rags to pulp each day. In 1845, Edward Dorr Griffin Jones branched out and founded E.D. Jones Company in Pittsfield, Massachusetts. Working closely with local machine shops, he developed and patented specialized machinery, notably the "No Wave" pulp machine for the manufacture of papermaking. A pioneer in the industry, E.D. Jones & Sons Company was sold for $5,000,000 to Beloit Iron Works in 1958. The silver being offered here has been handed down from generation to generation of the Jones family.
• Massialot, François (c.1660-1733) NOUVELLE
  Massialot, François (c.1660-1733) NOUVELLE INSTRUCTION POUR LES CONFITURES, LES LIQUEURS ET LES FRUITS NOUVELLE INSTRUCTION POUR LES CONFITURES, LES LIQUEURS ET LES FRUITS