- AN AMERICAN WOVEN WOOL JACQUARD COVERLETAn
AN AMERICAN WOVEN WOOL JACQUARD COVERLETAn American woven wool jacquard coverletCasebeer and Hoffman, Pennsylvania, 1848together with a blue and white woven wool overshot coverlet. (2)approximately 78 x 78in (198 x 198cm) Provenance:
- ATTRIBUTED TO HENRY SHAYER, LANDSCAPE
ATTRIBUTED TO HENRY SHAYER, LANDSCAPE WITH CHURCHAttributed to Henry Shayer(British, c. 1825-1864)Landscape with church in distance, 1848oil on canvassigned lower right H. Shayer and dated14 x 18in (35.5 x 45.5cm)
- A FRENCH BRONZE BATHING MAIDEN, AFTER
A FRENCH BRONZE BATHING MAIDEN, AFTER BARTHOLOMEA French patinated bronze figure of a bathing maidenafter a model by Paul Albert Bartholome (French, 1848-1928)A.A. Hebrard foundry, Parisearly 20th centuryheight 18 1/2in (47cm); width 23 1/2in (59.5
- FOUR ENGLISH GLASS MATCH STRIKESFour
FOUR ENGLISH GLASS MATCH STRIKESFour English glass match strikesComprising one clear glass match strike with silver rim marked for Birmingham, 1848, one with mark for 1862, a pink glass match strike with silver rim marked for London
- JEAN ALEXANDRE MARICOT, PORTRAIT OF
JEAN ALEXANDRE MARICOT, PORTRAIT OF A MANJean Alexandre Maricot (French, 1789-after 1848)Portrait of a man, 1827gouache on panelsigned center right Maricot and dated8 1/2 x 6 1/4in (22 x 16cm) Provenance:Property o
- EMILE CHARLES DAMERON, SHEPHERDESS AND
EMILE CHARLES DAMERON, SHEPHERDESS AND SHEEPEmile Charles Dameron (French, 1848-1908)Shepherdess and sheepoil on canvassigned bottom right16 1/4 x 12 3/4in (41.5 x 32.5cm)
- LESLIE JAMES SKELTON, IN THE LAGOONLeslie
LESLIE JAMES SKELTON, IN THE LAGOONLeslie James Skelton (Canadian/American, 1848-1929)In the Lagoonoil on canvassigned lower left LJ Skelton, titled in pencil to top stretcher bar to reverse.10 x 15in (25.5 x 38cm)
- MARIA DI BORBONE, FOUR SCENES OF LANDSCAPESMaria
MARIA DI BORBONE, FOUR SCENES OF LANDSCAPESMaria Isabella di Borbone (Spanish, 1789-1848)Four scenes of landscapes and ruinspencil and watercolor on papereach signed and dated Maria Isabella f: an: 180912 1/2 x 17 in. (31.8 x 43.2 cm.)
- NEW YORK JACQUARD COVERLETNew York Jacquard
NEW YORK JACQUARD COVERLETNew York Jacquard coverlet inscribed Woven at the Ithaca Carpet Factory By Archd Davidson 1848 , 86" x 83".
Competitive in-house shipping is available for this lot.
Condition:
Fringe replaced. Staining. Frays.
- PENNSYLVANIA JACQUARD COVERLETPennsylvania
PENNSYLVANIA JACQUARD COVERLETPennsylvania Jacquard coverlet inscribed Magdalena Hartzel John Kaufman 1848 , 95" x 80".
Competitive in-house shipping is available for this lot.
Condition:
Some toning and minor staining.
- THREE SILK ON LINEN NEEDLEWORK SAMPLERS,
THREE SILK ON LINEN NEEDLEWORK SAMPLERS, 19TH C.Three silk on linen needlework samplers, 19th c., one inscribed Susan Spangler 1840 , one inscribed Hannah Seastierbe 1848 , and one dated 1782 , frame - 7 3/4" x 11 1/4".
Competitive in-house shipping is available for this lot.
Condition:
Toning, stains.
- RARE "JAMES BUCHANAN FOR PRESIDENT"
RARE "JAMES BUCHANAN FOR PRESIDENT" SMALL PRINTEDca. 1856 campaign; the small printed leaflet by unknown printer with patriotic scene of man on flag pole attempting to secure liberty flag to pole, the original broadside included "Rough & Ready" for Zachary Taylor, a Whig party President who used this design in his 1848 campaign, the scene taken from 1843 engraving; leaflet includes his vice president's name (who lost election to Abraham Lincoln and immediately left the Union for succession), names of the PA electors, 3 1/2"x 6 3/4"; Condition: two noted folds, foxing from being in a book for an extended period
- British Naval General Service Medal,
British Naval General Service Medal, 1793-1840 obverse; Victoria bust left with legend 'VICTORIA REGINA 1848' and signed 'W. WYON R.A.' on truncation, reverse: Britannia seated on a sea horse with trident and olive branch, with 'W. WYON R.A.' in exergue
diameter 1.4 in — 3.6 cm
- After Evgeny Alexandrovich Lanceray
After Evgeny Alexandrovich Lanceray (Russian, 1848-1886) COSSACK HUNTING PARTY WITH A WOLF patinated equestrian bronze hunt group, signed in Cyrillic E. Lanceray 13 x 23 x 15 in — 33 x 58.4 x 38.1 cm
- Evgeny Alexandrovich Lanceray (Russian,
Evgeny Alexandrovich Lanceray (Russian, 1848-1886) A ZAPOROZHIAN COSSACK AFTER BATTLE, WITH A TURKISH TROPHY HORSE 19th century patinated bronze equestrian group, signed in Cyrillic with an Adolf Moran foundry mark 22 x 19 x 11 in — 55.9 x 48.3 x 27.9 cm
- Keisai Eisen (1790-1848) and Jukodo
Keisai Eisen (1790-1848) and Jukodo Yoshikuni (Active 1804-1843), Two Woodblock Prints Consisting of one oban print 'Beauty Applying Makeup' from the series 'Bijin Kaichu Kagami', 33.7 x 23 cm; and one chuban print depicting a Kitsune (fox spirit)
chuban 10.1 x 7.6 in — 25.7 x 19.3 cm
- Shunbaisai Hokuei (Died 1837), Keisai
Shunbaisai Hokuei (Died 1837), Keisai Eisen (1790-1848), Utagawa Kunisada II (Toyokuni IV, 1823-1880), Utagawa Sadatora (active 1818-1844), Utagawa Sadafusa (1825-1850), and Gigado Ashiyuki (Circa 1814-1835), Seven Woodblock Prints, 19th Century Consisting of Sawamura Dennosuke III as Keisei Ochigumo, in reality Kumo no jo, 1864, and a triptych of three beauties by the river, by Toyokuni IV; Matsuchiyama from the series Toto gokei no uchi (Five Views of the Eastern Capital) by Sadafusa, circa 1840; Nakamura Utaemon III as Gotobe, in a farewell performance, and Ichikawa Ebijuro I as Izumi no Saburo by Ashiyuki, 1825; Shin Yoshiwara kakuchuka from the series Hana meisho Azuma hyakkei (Places Famous for Flowers: A Hundred Views in the East) by Eisen, circa 1830; Ichikawa Danzo V and Bando Tamasaburo by Sadatora, circa 1830; and a diptych of Nakamura Utaemon III as Kasahara Roo and Nakamura Shikan II as Miyamoto Musashi by Hokuei, 1835
largest triptych 14.2 x 29.9 in — 36 x 76 cm
- A Victorian linen sampler, over mounted
A Victorian linen sampler, over mounted with contemporary embroidered strip inscribed Finished this work 1848, the lower part with a symmetrical design of stylised trees, 24.5 x 26cm, oak frame More Information Several pulled threads and a little faded in places, but generally good
- David Cox (1783-1859) - Eglwyseg Crags,
David Cox (1783-1859) - Eglwyseg Crags, Denbighshire, signed and dated 1848, watercolour, 24 x 36.5cm More Information Good ready to hang condition, clean and laid down in modern washline mount and gilt frame
- FRANK KNOX MORTON REHN (AMERICAN, 1848-1914)
FRANK KNOX MORTON REHN (AMERICAN, 1848-1914) "MOONLIGHT GRAND MUNAN" Oil on academy board. Signed (lower left).
Frank Knox Morton Rehn (American, 1848-1914)
Frank Rehn was a highly successful 19th-century marine painter born in Philadelphia. After finishing his training at the Pennsylvania Academy, he supported himself with portrait commission work and by selling terra cotta plates. He also painted many landscapes and still lifes and won exhibition awards for these subjects. Rehn determined to be exclusively American in his fine art painting, although French Impressionism heavily influenced his style. He is most known for his marine, portrait, and landscape paintings.
- LOUIS COMFORT TIFFANY (AMERICAN, 1848-1933)
LOUIS COMFORT TIFFANY (AMERICAN, 1848-1933) "GOSSIPY MARKET WOMEN AT NUREMBERG" Circa 1889, oil on canvas. Inscribed and titled (on paper label verso). Original carved and giltwood frame attributed to Stanford White / Louis C. Tiffany Decorating Company.
Catalogue Note: The work, titled Study of Women at Market, oil on panel; 6 3/4 x 5 in. (17 x 14 cm) CHMF 55-21, currently in the collection of the Charles Hosmer Morse Museum of American Art, Winter Park, Florida is undoubtably the study for this work. Tiffany used wood panels in the early stages of design to perfect details he felt important to the finished paintings. The studies appear to have been very personal to him as they were displayed on shelves in his studios and lined the halls of his personal suite at his Long Island country home, Laurelton Hall.
When the house and contents were sold in the 1940’s, these cherished studies escaped the auction block and were offered first to family. This study was later gifted to the museum by Tiffany’s daughter, Comfort Tiffany Gilder. Although unsigned and undated the study was likely painted during a summer trip from June 15, 1889 - September 2, 1889, when Louis C. Tiffany traveled to the Exposition Universelle in Paris, Nuremburg, Germany, & northern Italy.
Exhibitions: Society of American Artists, Thirteenth Annual Exhibition, The American Art Gallery, Madison Square, New York, 1891.
The Art Institute of Chicago, Fourth Annual Exhibition of American Oil Paintings & Sculpture, Chicago, 1891, no. 335.
Louis Comfort Tiffany (American, 1848-1933)
Louis Comfort Tiffany was an American artist and designer who worked in the decorative arts and his best known for his work in stained glass. He is associated with the art nouveau and aesthetic art movements. Tiffany was affiliated with a prestigious collaborate of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Solman. He designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewelry, enamels, and metalwork. He was the first design director at his family company, Tiffany & Co., founded by his father Charles Lewis Tiffany.
- FRANK DUVENECK (AMERICAN, 1848-1919)
FRANK DUVENECK (AMERICAN, 1848-1919) STUDY OF A MALE MODEL Oil on canvas laid on masonite.
Frank Duveneck (American, 1848-1919)
Frank Duveneck was an American figure and portrait painter. Born in Covington, Kentucky, the son of German immigrant Bernhard Decker. Considered to be one of the most innovative late 19th century American painters, Frank Duvenck lived and worked for the majority of his life in Cincinnati, Ohio, where he influenced many important American talents of the time, including John Henry Twachtman, Robert Blum, and Edward Henry Potthast.
- (2) EDOUARD JEAN BAPTISTE DETAILLE (FRENCH,
(2) EDOUARD JEAN BAPTISTE DETAILLE (FRENCH, 1848-1912) MILITARY PORTRAITS 19th century. Both oil on wood panel. Depicting soldiers on horseback.
- ACHILLE GLISENTI (ITALIAN, 1848-1906)
ACHILLE GLISENTI (ITALIAN, 1848-1906) A CHARMING PERFORMANCE Oil on canvas. Signed 'A. Glisenti '79' (lower right).
- DOVER, NEW HAMPSHIRE WALLPAPER HAT BOX,
DOVER, NEW HAMPSHIRE WALLPAPER HAT BOX, 19TH C.Dover, New Hampshire wallpaper hat box, 19th c. , the lid inscribed A.D. Purinton, Dealer in Hats, Caps & Furs, Morrill's Block, Franklin Square, Dover , the interior lined with The Boston Atlas 1848 .
Condition:
17" h., 13 1/8" dia. A few tears to lid rim. Base with some wear and staining. Overall good.
- WATERCOLOR SILHOUETTE OF A FATHER AND
WATERCOLOR SILHOUETTE OF A FATHER AND DAUGHTERWatercolor silhouette of a father and daughter, inscribed Father and Maggie 1848 , 7" x 8", frame - 8" x 9". Provenance: A Pennsylvania collection.
Competitive in-house shipping is available for this lot.
Condition:
Minor wear to frame.
- ROCKHILL ARTIST, WATERCOLOR DRAWING
ROCKHILL ARTIST, WATERCOLOR DRAWING OF A BIRDRockhill Artist (Bucks County, Pennsylvania, active 1830-1848) , watercolor drawing of a bird perched on a flowering branch, signed indistinctly on verso, 4" x 3 1/4", frame - 7" x 6". Provenance: A Pennsylvania collection.
Competitive in-house shipping is available for this lot.
Condition:
Very small edge loss to left side, stains. Contemporary frame.
- PENNSYLVANIA WATERCOLOR AND INK ON PAPER
PENNSYLVANIA WATERCOLOR AND INK ON PAPER FRAKTURPennsylvania watercolor and ink on paper fraktur drawing, dated 1848 , initialed D.W.G. , with two large roosters and other birds and flowers, 12 1/2" x 15 1/2", frame - 15 1/2" x 18 1/2".
Competitive in-house shipping is available for this lot.
Condition:
Poor condition, stains, tears.
- ALEXANDRE GASTON GUIGNARD, (1848-1922),
ALEXANDRE GASTON GUIGNARD, (1848-1922), BARN INTERIORAlexandre Gaston Guignard, (French, 1848-1922), Barn Interior with sheep and shepherd, oil on panel, signed lower left "Gaston Guignard, 1901". 16 1/2" x 20 3/4"; frame: 24" x 27 1/2". Very good condi
- NATHANIEL HAWTHORNE DUTIES CERTIFICATE
NATHANIEL HAWTHORNE DUTIES CERTIFICATE WITH SIGNATURENathaniel Hawthorne (1804-1864), Celebrated American Novelist. Port of Salem duties certificate with signature dated April 8, 1848 for ninety five tons of plaster. Image included.
- CAPT FREDERICK MARRYAT, HANDWRITTEN
CAPT FREDERICK MARRYAT, HANDWRITTEN LETTER WITHCaptain Frederick Marryat (1792-1848), English Novelist, Handwritten letter to Charles Marryat referencing Sherry and Beer with signature / autograph and dated March 8, 1841. Image included.
- William Preston Phelps (American, 1848-1923)
William Preston Phelps (American, 1848-1923)
New England Landscape with Riveroil on canvassigned W. P. Phelps, lower left19 1/2 x 29 1/2 inches.
- PRESCOTT, William. The Works of William
PRESCOTT, William. The Works of William H. Prescott. Philadelphia & London: J. B. Lippincott Company, ca 1904.
22 volumes, octavo. Engraved frontispieces and plates (a few with hand-coloring). Contemporary half tan morocco gilt, green morocco onlays on spines, top edge gilt, others uncut. LIMITED EDITION, number 18 of 250 copies of the "Aztec Edition."
WITH AN ORIGINAL ALS BOUND IN: Prescott, William. Autograph letter signed ("W. H. Prescott"), to publisher Ticknor. Pepperell, 23 September 1848. Writing about a translation of his work: "As I have but one copy of the Spanish translation of my works, I am worry it is not in my power to accommodate you with a set."
- A Victorian Silver Goblet
Maker unknown,
A Victorian Silver Goblet
Maker unknown, London, 1848
hallmarked for Sterling beneath rim
13 ozt 6 dwt
Height 8 x diameter 4 7/8 inches.
- 4 PIECE ENGLISH STERLING TEA SET4 piece
4 PIECE ENGLISH STERLING TEA SET4 piece English sterling silver tea set. Tea pot, coffee pot, sugar bowl and creamer. Repousse flower and scroll motifs, teapot and coffee pot with eagle finials on lids. All with English sterling hallmarks, coffee pot HH (Henry Holland), London maker's marks, circa 1848; tea pot, sugar and creamer all JS AS (Joseph & Albert Savory), London maker's marks, circa 1848. Coffee pot 10"H to top of finial. All with some tarnishing, bands in handles of tea pot and coffee pot cracked. 2556 grams total.
- GROUP OF SILVER FIDDLE BACK TEA SPOONS,
GROUP OF SILVER FIDDLE BACK TEA SPOONS, 12 Group of Silver Fiddle Back Tea Spoons, 12, seven American coin silver, four Scottish sterling with makers marks of Adam Mossman & Co., Edinburgh, 1848. Weight: 6.52 ozt. Provenance: Private Collection, New York.