- TORRES DE MARCILLO, YOUNG GIRL IN A
TORRES DE MARCILLO, YOUNG GIRL IN A LANDSCAPETorres de Marcillo (Spanish, late 19th century)Young girl in an open landscapeoil on panelsigned lower left Torres de Marcillo / Paris / 188919 1/4 x 36in (49 x 91.5cm)
- CARLO PELLEGRINI, LORD SHANNONCarlo
CARLO PELLEGRINI, LORD SHANNONCarlo Pellegrini (aka, APE) (Italy / England, 1839-1889)Lord Shannongouache and watercolor on wove papersigned APE to lower left20 x 14in (51 x 36cm) Provenance:Property fro
- GOETHE'S AND SCHILLER'S WORKSGoethe's
GOETHE'S AND SCHILLER'S WORKSGoethe's and Schiller's WorksLot includes 19 volumes: 1. Oeuvres de Goethe. Paris: G. Charpentier Et Cte, Editions, 1889. (13 of 14 volumes; lacking vol. II of Conversations) 8vos. bound in 1/2 brown
- FIVE 19TH CENTURY POP-UP AND MOVABLE
FIVE 19TH CENTURY POP-UP AND MOVABLE BOOKSFive 19th century pop-up and movable bookslot includes five books: 1. The Mammoth Menagerie: Showman Series No. 2McLoughlin Bros., Inc. Germany: J.F. Schreiber, Esslingen, 1889. 2. The Theatre Picture
- ROBERT WILLIAM WOOD, THE WHITE MTS (MOUNTAINS)Robert
ROBERT WILLIAM WOOD, THE WHITE MTS (MOUNTAINS)Robert William Wood (American, 1889-1979)The White MTS (Mountains)oil on canvassigned lower left Robert Wood, titled to reverse, with artists stamp24 x 60in (61 x 152cm)
- OTTO GUTFREUND, HEAD, PATINATED BRONZEOtto
OTTO GUTFREUND, HEAD, PATINATED BRONZEOtto Gutfreund (Czech, 1889-1927)Headpatinated bronzesigned GUTFREUND, on an integral painted wood rotating base.overall 13 3/4 x 9 1/4 x 6in (35 x 23.5 x 15cm) Provenance:P
- THEODORE HINES, ON THE THAMES AT SHIPLAKETheodore
THEODORE HINES, ON THE THAMES AT SHIPLAKETheodore Hines (British, fl. 1876-1889)On the Thames at Shiplakeoil on canvassigned to reverse Theo Hines20 1/2 x 30in (52 x 76cm)
- ITALIAN INLAID TILT TOP TABLE, ATTRIB
ITALIAN INLAID TILT TOP TABLE, ATTRIB G B GATTIAn Italian marquetry inlaid and ebonized tilt top octagonal center tableattributed to Giovanni Battista Gatti (1816-1889)mid 19th centuryheight 29in (73.5cm); width 28 1/2in (72cm) Provenance:Propert
- JOHN HENRY BOEL, PAIR OF COASTAL SCENESJohn
JOHN HENRY BOEL, PAIR OF COASTAL SCENESJohn Henry Boel (British 1889-1920), pair of oil on canvas coastal scenes with mother and child, both signed, 16" x 20", frames - 24"x 19 3/4".
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- SIBYL DUNLOP (1889-1968) ARTS & CRAFTS
SIBYL DUNLOP (1889-1968) ARTS & CRAFTS CADDY SPOON.Hand hammered bowl, with Pineapple finial. In original box.16.7cm More Information spoon is in lovely condition. there is a small mark on the reverse of the stem just below the bowl. we will upload a photo shortly
- Charles Frederick Albon (1856-1926)
Charles Frederick Albon (1856-1926) A large Watercolour."Antwerp from the Casino"Titled, Monogrammed and dated 1889 lower left.Framed and glazedHeight 76cm Width 97cm
- Antique Volume Historical Records Vol
Antique Volume Historical Records Vol 1, Governor Phillip, 1883-1789, by G.B Barton, printer Charles Potter Government Printer 1889, Ex-Libris book plate with Maori design W.H. De Luen
- 2 CAST IRON BUCKET SHAPED BANKS CA.
2 CAST IRON BUCKET SHAPED BANKS CA. 1889-1893;attributed to Nicol & Co "Whit City Puzzle Savings Pail Bank…" #2 wooden pail shaped with wire handle and nickel plated finish, 2 1/2"d, 2 1/2"h, Condition: extensive wear, retains 70% original surface, missing original cap screw; attributed Kyser & Rex penny register pail bank with lever operated gate stop and two window register, retains original black paint, 2 3/4"d, 2 3/4"h, Condition: good, retains 90% original surface
- LEHNWARE EGG CUP BY JOSEPH LEHNca. 1889
LEHNWARE EGG CUP BY JOSEPH LEHNca. 1889 date on paper label; turned wood egg cup with paper label with handwritten note to base "Made by Joseph Lehn in his 91st year, June 1889", poplar turned and polychrome painted footed egg cup with traditional black, green and red painted flute turned foot, salmon ground egg shaped vessel, hand painted with pussey willow and small floral decals, beaded rim with pussey willow brushstroke accent, interior salmon painted, 1 3/4"d, 3 1/2"h; Condition: hairline dry-in line (not crack) noted across foot, label intact without any damage, outside of hairline to foot, overall near mint
- FOLK ART INK & WATERCOLOR BOOKPLATE
FOLK ART INK & WATERCOLOR BOOKPLATE FOR ANNA STOLTca. 1889 bookplate date; traditional Ebersol design of "spider web rose" decorated bookplate with lavender in black frame braced corner textbox, the bookplates states the book was given to "Anna Stoltzfus given to her by Meinem/My" grandfather Jacob Blank, the bookplate unsigned but attributed to Barbara Ebersol, pasted inside front cover of 1881 Lancaster Imprint "The Book of Psalms" German/English edition, printer John Bär's sons, leather bound imprint, 4 3/4"x 6"x 3/4"; [Provenance: This bookplate is pictured in Luthy's book]; Condition: old tape cloth repair, some soiling and minor foxing to book and bookplate, note on interior "Book repaired by Menno B. Weaver, Ephrata, PA"
- HENRY ZIEGLER (1889-1968), WE SHALL
HENRY ZIEGLER (1889-1968), WE SHALL BE LOADING EARLY Title: Henry Ziegler (1889-1968), We Shall Be Loading Early Medium: etching and aquatint Dimensions: 7 7/8 x 9 7/8 Framed dimension: 15 x 16 1/2 x 1 1/4
- HENRY ZIEGLER (1889-1968), UNTITLED
HENRY ZIEGLER (1889-1968), UNTITLED (COWBOY RAISING HAT) Title: Henry Ziegler (1889-1968), Untitled (Cowboy Raising Hat) Medium: etching and aquatint Dimensions: 14 1/4 x 9 1/2 Framed dimension: 21 5/8 x 16 x 1 3/8
- HENRY ZIEGLER (1889-1968), UNTITLED
HENRY ZIEGLER (1889-1968), UNTITLED (CATTLE ROUND-UP) Title: Henry Ziegler (1889-1968), Untitled (Cattle Round-Up) Medium: etching and aquatint Dimensions: 7 1/2 x 12 7/8 Framed dimension: 17 3/4 x 21 3/8 x 1 3/8
- FREDERIC REMINGTON (1861-1909), ANTELOPE
FREDERIC REMINGTON (1861-1909), ANTELOPE HUNTING This print is one of fifteen chromolithographs that were included in the 1889-1890 folio 'Sport of Fishing and Shooting' published by Bradlee Whidden.
This print is one of Frederick Remington's first two prints to be issued in color and was published less than a decade after Remington first traveled to the American West.Title: Frederic Remington (1861-1909), Antelope Hunting Medium: chromolithograph on paperDimensions: 12 x 18Framed Dimensions: 14 3/8 x 20 1/2 x 1 1/4Signature: signed and dated lower left: Frederick Remington -89
- Charlie Chaplin (1889-1987) Autographed
Charlie Chaplin (1889-1987) Autographed Portrait Photograph, c.1913 albumin print on card,, signed in fountain pen in the lower margin 'Faithfully Chas Chaplin' print 7 x 5 in — 17.8 x 12.7 cm; framed 12 x 10 in — 30.5 x 25.4 cm
- French Repeating Carriage Clock, 1889
French Repeating Carriage Clock, 1889 height 5.25 in — 13.3 cm
- Six Framed Mintons Tiles, c.1880 designed
Six Framed Mintons Tiles, c.1880 designed by William Wise (1847-1889) height 6.8 in — 17.2 cm
- Pair of Victorian Scottish Silver Quaichs,
Pair of Victorian Scottish Silver Quaichs, George & Michael Crichton, Edinburgh, 1889 width 3 in — 7.7 cm
- Miscellaneous Victorian and later watercolours,
Miscellaneous Victorian and later watercolours, prints and needlework pictures, including an Art Nouveau signed painted on board, 51 x 104cm, watercolour landscape signed C Pearson, 1889, 26 x 38cm, Lowry print, Joe Scarborough - print of the Hebridean I, signed in pencil, numbered 28 of 850, 53 x 52cm, etc (9)
- Miscellaneous coins, to include Crown
Miscellaneous coins, to include Crown 1889 (4), 1896; others in base metal 1951, 1953 (4); 1960 (4), 4/- (2); 1970 proof set, 3/- bank token 1812, St Helena 25p 1973 proof and 1953 mint set, cased, few foreign
- Silver coin. Crown 1889 and British
Silver coin. Crown 1889 and British West Africa penny 1940 (2)
- A George V silver teddy bear baby's
A George V silver teddy bear baby's rattle handle, approximately 60mm h, by Crisford & Norris, Birmingham 1928, a Victorian silver mounted naturalistic porcelain walnut novelty scent bottle and silver cap, Birmingham 1889 and a miniature pen knife (3) More Information Rattle - split near socket at base. Scent bottle - cap dented but undamaged, including the porcelain. Pen knife - undamaged
- Gold coin. Sovereign 1889
Gold coin. Sovereign 1889
- Charles William Sharpe (1818-1889) and
Charles William Sharpe (1818-1889) and others - A series of 29 portraits of eminent natural philosophers, 29, mixed method engravings after various artists and photographers, each with facsimile sitter's signature, 21.5 x 16cm, framed (29) More Information Mostly good, light stains or severely stained
- Silver coins. Crown 1887, 1889, the
Silver coins. Crown 1887, 1889, the first enamelled and mounted as a brooch and Bavaria, 5 Marks 1901 (3) More Information Condition evident from image
- A Victorian silver vinaigrette, foliate
A Victorian silver vinaigrette, foliate engraved, scrolling grille, 27 x 32mm, by C H Cheshire, Birmingham 1889, 13dwts More Information Good condition
- LEATHER BOUND BOOKS Leather Bound Books.
LEATHER BOUND BOOKS Leather Bound Books. Including: Age of Chivalry or King Arthur and his Knights by Thomas Bulfinch; The Country Doctor and Other Stories by Honore De Balzac; Historical Characters Vol II by Sir Henry Lytton Bulwer, GCB; Historical Characters Vol I by Sir Henry Lytton Bulwer, GCB; Thoughts on the Future Civil Policy of America by John William Draper, MD LLD; The Beauties of Shakespear by Rev. William Dodd, LLD; Old Court Life in France by Frances Elliot; Touring in 1600: A Study in the Development of Travel as a Means of Education by E.S. Bates; The Fall of the Russian Monarchy: A Study of the Evidence by Bernard Pares; The Makers of Florence: Dante, Giotto, Savonarola, and Their City by Mrs. Oliphant; Exposition Universelle De Paris 1889 Catalogue Officiel de la Section Russe; Shelley: A Critical Biography by George Barnett Smith; Select Letters of Percy Bysshe Shelley by Richard Garnett.
- JULES DUPRE (FRENCH, 1811-1889) LANDSCAPE
JULES DUPRE (FRENCH, 1811-1889) LANDSCAPE Oil on canvas. Signed 'J. Dupre' (lower left).
Jules Dupre (French, 1811-1889)
Jules Dupre, French painter, was one of the chief members of the Barbizon school of landscape painters. Dupre's color is sonorous and resonant; the subjects for which he showed marked preference are dramatic sunset effects and stormy skies and seas. Among his chief works are the “Morning and Evening at the Louvre,” and the early “Crossing the Bridge” in the Wallace Collection.
- JOHN JOHNSTON INGLIS (AMERICAN/IRISH,
JOHN JOHNSTON INGLIS (AMERICAN/IRISH, 1867-1946) Oil on canvas. Signed 'John J. Inglis' (lower left).
John Johnston Inglis (American/Irish, 1867-1946)
John Johnston Inglis was born on August 26th, 1867 in Dublin, Ireland. He studied at the Dublin Academy then at the Ecole des Beaux-Arts under Jean-Leon Gerome. At the Academie Colorossi his teachers were Raphael Collin and Gustave Courtois. Inglis began his painting career on his return to London in 1889. He exhibited at the London Academy, the Royal Hibernian Academy and the Scottish Academy. His travels took him to Niagara Falls and Lockport, New York and in 1907 Inglis settled in Rochester, New York. Here he was active in the Rochester Art Club and served as president. He accepted a position at the School of Applied Arts at the Athenaeum and Mechanics Institute which became the second professional art school in Rochester. In 1923, Inglis was named a director of the Memorial Art Gallery. He also took on the job of restoring the extensive portrait collection owned by the Rochester Historical Society, a task he completed in 1927. After a long illness, Inglis died at his home in Rochester on September 2nd, 1946. He is best known for seasonal landscape and marine painting.
- ADRIEN-ETIENNE GAUDEZ (FRENCH, 1845-1902)
ADRIEN-ETIENNE GAUDEZ (FRENCH, 1845-1902) "DUO DIFFICILE" Circa 1880. Patinaed bronze. Plaque titled and signed "Duo Difficile Par A. Gaudez Hors Concours" on a revolving circular plinth. Signed "A. Gaudez" on sculpture.
Adrien-Etienne Gaudez (French, 1845-1902)
Adrien-Etienne Gaudez was a 19th century French sculptor born in Lyon, France. Gaudez worked almost exclusively in bronze, and he produced a wide array of sculptures, ranging from genre subjects to military and patriotic themes. His earlier work was mostly of a classical nature but in the latter part of his career he produced some sculpture that can be categorized as art nouveau. Gaudez entered the Ecole des Beaux-Arts in 1862 where he was a pupil of the noted sculptor Francois Jouffroy. He made his Salon debut two years later and continued to exhibit his work regularly in public exhibitions and in addition to numerous honors he won Gold Medals at the Exposition Universelle of 1889 and 1890. Gaudez's output was prolific, and his sculptural oeuvre encompassed a wide range of subjects, though the artist is best known for his orientalist compositions, such as the present bust of a bejeweled maiden.
- LOUIS COMFORT TIFFANY (AMERICAN, 1848-1933)
LOUIS COMFORT TIFFANY (AMERICAN, 1848-1933) "GOSSIPY MARKET WOMEN AT NUREMBERG" Circa 1889, oil on canvas. Inscribed and titled (on paper label verso). Original carved and giltwood frame attributed to Stanford White / Louis C. Tiffany Decorating Company.
Catalogue Note: The work, titled Study of Women at Market, oil on panel; 6 3/4 x 5 in. (17 x 14 cm) CHMF 55-21, currently in the collection of the Charles Hosmer Morse Museum of American Art, Winter Park, Florida is undoubtably the study for this work. Tiffany used wood panels in the early stages of design to perfect details he felt important to the finished paintings. The studies appear to have been very personal to him as they were displayed on shelves in his studios and lined the halls of his personal suite at his Long Island country home, Laurelton Hall.
When the house and contents were sold in the 1940’s, these cherished studies escaped the auction block and were offered first to family. This study was later gifted to the museum by Tiffany’s daughter, Comfort Tiffany Gilder. Although unsigned and undated the study was likely painted during a summer trip from June 15, 1889 - September 2, 1889, when Louis C. Tiffany traveled to the Exposition Universelle in Paris, Nuremburg, Germany, & northern Italy.
Exhibitions: Society of American Artists, Thirteenth Annual Exhibition, The American Art Gallery, Madison Square, New York, 1891.
The Art Institute of Chicago, Fourth Annual Exhibition of American Oil Paintings & Sculpture, Chicago, 1891, no. 335.
Louis Comfort Tiffany (American, 1848-1933)
Louis Comfort Tiffany was an American artist and designer who worked in the decorative arts and his best known for his work in stained glass. He is associated with the art nouveau and aesthetic art movements. Tiffany was affiliated with a prestigious collaborate of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Solman. He designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewelry, enamels, and metalwork. He was the first design director at his family company, Tiffany & Co., founded by his father Charles Lewis Tiffany.