A few examples of appraisal values for
1906

• SYLVESTER MARTIN, THE YORKSHIRE COACHSylvester
  SYLVESTER MARTIN, THE YORKSHIRE COACHSylvester Martin(British, 1856-1906)The Yorkshire Coach, 1883watercolor on paper laid to boardsigned and dated lower right10 1/2 x 14 1/4in (26.5 x 36cm)
• CHRISTOPHER AUGUST JORGENSEN, CROCKER
  CHRISTOPHER AUGUST JORGENSEN, CROCKER HOUSEChristopher August Jorgensen(American, 1860-1935)William H. Crocker House, 1906watercolor on papersigned lower left: Chris Jorgensen12 3/4 x 18 1/4in (32.5 x 46.5cm) Provenance:
• SEVEN BOOKS ILLUSTRATED BY ARTHUR RACKHAMSeven
  SEVEN BOOKS ILLUSTRATED BY ARTHUR RACKHAMSeven books illustrated by Arthur Rackhamlot includes: Peter Pan in Kensington Gardens. J.M. Barrie; Arthur Rackham, illus. NY: Charles Scribner's Sons, 1906. first American, Rackham illustrated editi
• A EUREKA CLOCK CO ELECTRIC CLOCK IN
  A EUREKA CLOCK CO ELECTRIC CLOCK IN OAK CASEA Eureka Clock Co electric clock in oak caseearly 20th centuryThe movement of typical construction with large balance wheel, inscribed Patent No 14614-1906 and No 4688.height 10 1/4in (26cm); width 8
• Antique Royal Worcester lidded twin
  Antique Royal Worcester lidded twin handled vase, front panel showing pheasants & woodlands to reverse. Signed Albert Shuck (A Shuck), dated for 1906. Approx 36cm H
• 2 CAST IRON SHIP SHAPED BANKSca. 1898-1906
  2 CAST IRON SHIP SHAPED BANKSca. 1898-1906 & 1912-1920; produced by J&E Stevens Oregon U.S. Navy battleship shaped bank with olive green tone original painted surface with red paint accents, 6"x 2"x 5 1/4", Condition: as found, normal paint wear, approx. 70-75% paint present; A.C. Williams side wheeler steamboat bank on iron wheels with gold leaf and red painted surface, 7 1/2"x 1 1/2"x 2 1/2", Condition: good, 75-85% paint present
• 3 FINE BEADWORK PIN CUSHIONSca. 1900-1920;
  3 FINE BEADWORK PIN CUSHIONSca. 1900-1920; all non-Indian forms sewing notions: fine boot shape pin cushion with blue velvet covered upper that has bird and floral design beadwork with bead stitch trim and beaded loop drape accent, 4"x 6 1/4"x 1 3/4", Condition: good, shows wear from use; small sawdust stuffed green bird pin cushion with wrapped cardstock mounted tail and wings, fine bead and stitchwork accent design, 5 1/2"x 3 1/4", Condition: good, shows wear from use; larger bird pin cushion dated 1906 with similar construction as small bird, light green fabric with emerald green beadwork, 8 1/4"x 4 1/2", Condition: extensive fabric soiling, poor-fair condition, shows wear from use
• Jessie Oonark ?? ??, OC, RCA (1906-1985),
  Jessie Oonark ?? ??, OC, RCA (1906-1985), Qamani’tuaq (Baker Lake) UNTITLED (MUSK OX), CA. 1967 unmarked trial proof; stamped with Qamani’tuaq (Baker Lake) chop 22.25 x 30 in — 56.5 x 76.2 cm
• Jessie Oonark ?? ??, OC, RCA (1906-1985),
  Jessie Oonark ?? ??, OC, RCA (1906-1985), Qamani’tuaq (Baker Lake) UNTITLED (WOMAN), 1972-1975 signed in syllabics verso 50 x 32 in — 127 x 81.3 cm
• George Logan for Wylie and Lochhead
  George Logan for Wylie and Lochhead Brass and Pewter Inlaid Mahogany Open Arm Chair, c.1906 with William Morris tapestry upholstery 46.5 x 23 x 19 in — 118.1 x 58.4 x 48.3 cm
• Two Pairs of English Silver Seal-Topped
  Two Pairs of English Silver Seal-Topped Berry Spoons and a Sugar Sifter, Holland, Aldwinckle & Slater, London, 1906 and Barker Bros., Birmingham, 1931 contained in two fitted cases largest spoon length 7 in — 17.7 cm
• Jessie Oonark ?? ??, OC, RCA (1906-1985),
  Jessie Oonark ?? ??, OC, RCA (1906-1985), Qamani’tuaq (Baker Lake) MY HANDS ARE LIKE BIRDS, 1984 titled, dated and numbered 46/50; artist's and printer's name in Roman and syllabics; framed sight 22.75 x 32 in — 57.8 x 81.3 cm
• Jessie Oonark ?? ?? OC, RCA (1906-1985),
  Jessie Oonark ?? ?? OC, RCA (1906-1985), Qamani’tuaq (Baker Lake) LOVING FAMILY, 1983 titled, dated and numbered 7/40; artist's and printer's name in Roman and syllabics; framed sight 20.5 x 28 in — 52.1 x 71.1 cm
• Jessie Oonark ?? ??, OC, RCA (1906-1985),
  Jessie Oonark ?? ??, OC, RCA (1906-1985), Qamani’tuaq (Baker Lake) PEOPLE OF THE INLAND, 1961 titled, dated and numbered 49/50; artist's name in Roman; unframed sheet 20 x 15 in — 50.8 x 38.1 cm
• Jessie Oonark ?? ??, OC, RCA (1906-1985),
  Jessie Oonark ?? ??, OC, RCA (1906-1985), Qamani’tuaq (Baker Lake) SPIRITS MAKING A WISH, 1978 titled, dated and numbered 23/39; artist's and printer's name in Roman and syllabics; framed sight 21.5 x 29.25 in — 54.6 x 74.3 cm
• HERCULES BRABAZON BRABAZON (BRITISH,
  HERCULES BRABAZON BRABAZON (BRITISH, 1821-1906) (2) Lake scene indistinctly signed with initials 'HBB' (lower left) pencil and watercolour 21.5 x 24cm together with a watercolour of fisherfolk on a harbour (2)
• A GERMAN EMPIRE. SOUTH-WEST AFRICA MEDAL
  A GERMAN EMPIRE. SOUTH-WEST AFRICA MEDAL FOR NON-COMBATANTS, (1904-1906) German Empire. Southwest Africa Medal for non-combatants, silvered steel, signed ‘Schulz’; Südwestafrika-Denkmünze für Nichtkämpfer, Stahl versilbert, Stempelschneider ‘Schulz’), 1904-1906; The medal was instituted on 19 March 1907 with versions for combatants and non-combatants and was awarded for participation in the crushing of the uprisings of the Herero and Nama against German colonial rule between 1904 and 1908.
• HARDY, THOMAS. DORCHESTER (DORSET),
  HARDY, THOMAS. DORCHESTER (DORSET), WITH ITS SURROUNDINGS. ORDNANCE MAP. 1st edition, 1905-1906. One of the Homeland Handbooks series (vol. 46). 8vo., original printed wrappers. Foreword by Mr Thomas Hardy. Topographical plates. Housed in a blue cloth chemise
• Ethleen Mary Palmer (1906-1958) - Kookaburra,
  Ethleen Mary Palmer (1906-1958) - Kookaburra, 1934, linocut, signed, dated 1934 and inscribed Kookaburra and linocut in pencil, with number 603 lower left corner in pencil, 21 x 23cm (irregular, sheet), unframed More Information Good condition, not laid down
• Ethleen Mary Palmer (1906-1958) - Antelopes,
  Ethleen Mary Palmer (1906-1958) - Antelopes, 1935, linocut, signed, dated 1935 and inscribed Antelopes and linocut and numbered 12/30 in pencil, with number 609 lower left corner in pencil, 26 x 29.5cm (sheet), unframed More Information Good condition, not laid down
• Ethleen Mary Palmer (1906-1958) - Spinebill,
  Ethleen Mary Palmer (1906-1958) - Spinebill, 1939, linocut, signed, inscribed Spinebill and linocut in pencil, 12.5 x 11.5cm More Information Slightly marked on selvedge clear of image, undisturbed in what is probably the original mount and narrow ebonised frame
• Dame Laura Knight DBE, RA (1877-1970)
  Dame Laura Knight DBE, RA (1877-1970) - Little Dutch Girl, signed, watercolour, 35.5 x 18.5cm  Painted in 1906 on the artist's second painting sojourn at Laren, HollandProvenance: Laura Knight's sister-in-law Agnes ("Tag") Knight by 1907; with Mary Lindsay (nee Eady), Lady Monteath (1905-1994) c1941; anon sale Bonhams, 11 November 2008 to R John Croft FCA, great nephew of Dame Laura Knight. Laura and Harold Knight first visited Laren in 1905 having been invited to join the British artist Henry Silkstone Hopwood (1860-1914) for a six weeks' painting trip. The Knights lodged at the "vrouw Kan". Laura and Harold Knight revisited Laren in Spring 1906, having purchased a six months' return ticket for £1 at Tower Wharf. Following the success of the Leicester Galleries' exhibition of that year, they returned to Laren in 1907; this time staying at one of the larger farms outside the village, but taking their meals at the widow Kan's boarding house. In her autobiography, Laura Knight describes a game the Americans staying at the artists' colony played: a version of baseball that became the couple's favourite exercise, the last game being played on Christmas day 1907. Laura and Harold Knight left Laren for the last time in January 1908. More Information Good condition
• An Edwardian silver tazza, on flared
  An Edwardian silver tazza, on flared foot, 12cm diam, by Lee & Wigfull, Sheffield 1906 More Information Good condition
• An Edwardian silver mounted cut glass
  An Edwardian silver mounted cut glass scent bottle, with pull-off cap, stopper, 11cm h, part marked, Birmingham 1906 and 1907, a contemporary silver mounted cut glass jar and stopper, several silver candle articles, etc More Information The two cut glass items in good condition, the others mostly good
• Arthur Walker Redgate (1860-1906) -
  Arthur Walker Redgate (1860-1906) - Kirke White's Cottage at Wilford near Nottingham, signed, indistinctly inscribed on the frame, 29 x 44.5cm More Information Two patched repairs, craquelure and some localised flaking of medium
• Cecil Rochfort D'Oyly-John (1906-1993)
  Cecil Rochfort D'Oyly-John (1906-1993) - Scene on the Cote d'Azur, signed, oil on board, 22 x 27cm More Information In well preserved condition, beneath glass in painted frame
• An Edwardian pierced silver bottle sleeve
  An Edwardian pierced silver bottle sleeve and contemporary moulded green glass bottle and crown stopper, of the Crown Perfumery Company, 80mm h, by Henry Williamson Ltd, Birmingham 1906 More Information Undamaged. Note: stopper stuck fast in neck of bottle
• A 9ct gold albert, c1900, 40cm l, links
  A 9ct gold albert, c1900, 40cm l, links individually marked (9c) and a 9ct gold watch fob shield, Birmingham 1906, 27g More Information Light wear
• Gold coin. Half sovereign 1906
  Gold coin. Half sovereign 1906
• EUTROPE BOURET (FRENCH, 1833-1906) "SANS
  EUTROPE BOURET (FRENCH, 1833-1906) "SANS FAMILLE" Patinaed bronze on a rouge marble swivel base. Signed 'Bouret'.
• VICTOR VASARELY (FRENCH/HUNGARIAN, 1906-1997)
  VICTOR VASARELY (FRENCH/HUNGARIAN, 1906-1997) "VEGA PAL V" 1971 Screenprint. Signed 'V. Vasarely' (lower right) and numbered '224/267' (lower left). Published by Denise Rene. Printed by Arcay. Reference: Benavides 158.Artist BioVictor Vasarely (Hungarian, 1906-1997) Victor Vasarely was a Hungarian French artist, who is widely accepted as a grandfather and leader of the Op Art movement. Vasarely was trained as an artist in Budapest in the Bauhaus tradition. In 1930 he left Hungary and settled in Paris, where he initially supported himself as a commercial artist but continued to do his own work. During the 1930s he was influenced by Constructivism, but by the 1940s his characteristic style of painting animated surfaces of geometric forms and interacting colors had emerged. Vasarely’s style reached maturity in the mid-1950s and 1960s when he began using brighter more vibrant colors to further enhance the suggestion of movement through optical illusion.
• VICTOR VASARELY (FRENCH/HUNGARIAN, 1906-1997)
  VICTOR VASARELY (FRENCH/HUNGARIAN, 1906-1997) "SIRT-MC" Color silkscreen. Pencil signed 'Vasarely' (lower right) and numbered '131/250'.Artist BioVictor Vasarely (Hungarian, 1906-1997) Victor Vasarely was a Hungarian French artist, who is widely accepted as a grandfather and leader of the Op Art movement. Vasarely was trained as an artist in Budapest in the Bauhaus tradition. In 1930 he left Hungary and settled in Paris, where he initially supported himself as a commercial artist but continued to do his own work. During the 1930s he was influenced by Constructivism, but by the 1940s his characteristic style of painting animated surfaces of geometric forms and interacting colors had emerged. Vasarely’s style reached maturity in the mid-1950s and 1960s when he began using brighter more vibrant colors to further enhance the suggestion of movement through optical illusion.
• ARY-JEAN-LEON BITTER (FRENCH, 1883-1973)
  ARY-JEAN-LEON BITTER (FRENCH, 1883-1973) PAIR OF ELEPHANT BOOKENDS Bronze, on wooden bases, inscribed 'ARY BITTER Sclp Susse Fres Edrs Paris' (on a plaque affixed to one base). Ary Jean Leon Bitter (French, 1883-1973) Ary Jean Leon Bitter was a French artist, best known for his animal sculptures. He was a designer, painter, and sculptor in various mediums including plaster, stone, terracotta, and bronze. His work was also produced in biscuit porcelain by the Sevres factory. Bitter studied at the Marseille Beaux Arts and was taught by Emile Aldebert and by Jules Coutan. He joined the studio of Louis-Ernest Barrias and in 1906 was admitted to the Ecole national superieure des beaux-arts. In 1921, Bitter was commissioned to work on the Sanary-sur-Mer war memorial as well as those in the Marseille cemeteries of St. Louis and St. Jerome.
• EXTREMELY RARE DUFFNER & KIMBERLY FRENCH
  EXTREMELY RARE DUFFNER & KIMBERLY FRENCH RENAISSANCE TABLE LAMP Circa 1906. Leaded glass, bronze. Extremely rare. Listed in the literature as Model #503. Literature: Paul Christ, "Mosaic Shades Volume II" (illustrated) pg. 196.
• RARE DUFFNER & KIMBERLY ROMAN TABLE
  RARE DUFFNER & KIMBERLY ROMAN TABLE LAMP Circa 1906, leaded glass, gilt bronze. Shade signed 'The Duffner & Kimberly Co. New York'. Appearing in the 1906 catalog, annotated as style 'Roman No 510'. Literature: Paul Christ, "Mosaic Shades Volume II" (illustrated) pg. 158, 188.
• ACHILLE GLISENTI (ITALIAN, 1848-1906)
  ACHILLE GLISENTI (ITALIAN, 1848-1906) A CHARMING PERFORMANCE Oil on canvas. Signed 'A. Glisenti '79' (lower right).