A few examples of appraisal values for
1938 FLORENCE

• FLORENCE HENRI (1893-1982):
  FLORENCE HENRI (1893-1982): NATURE MORTE 1937 Gelatin silver print 14 x 18 in. (sheet) signed and marked E.A. on verso.
• FLORENCE MINARD
  FLORENCE MINARD (CALIFORNIA/MAINE, 1886-1985), A YOUNG GIRL WITH A HORSE PULL TOY., OIL ON CANVAS, 62.5" X 30". FRAMED 70" X 38".FLORENCE MINARD, California/Maine, 1886-1985, A young girl with a horse pull toy. Unsigned. Dimensions: Oil on canvas, 62.5" x 30". Framed 70" x 38".
• Florence H. Austrian American b.
  Florence H. Austrian American b. 1889 Armistice Day Downtown Baltimore oil on canvas signed ''Florence H. Austrian'' ll 21 x 17 in. framed Estimate $ 500-700 Paintings have not been examined by blacklight.
• FLORENCE PHARIS (AMERICAN 20TH C.),
  FLORENCE PHARIS (AMERICAN 20TH C.), OIL ON CANVAS, A YOUNG GIRL SITS IN FRONT OF MIRROR FIXING HER HAIR INTO PIGTAILS WITH RED RIBBO...Florence Pharis (American 20th C.), oil on canvas, a young girl sits in front of mirror fixing her hair into pigtails with red ribbon, she wears shorts and a striped shirt, not examined out of frame, wear consistent with age, including canvas slightly loose in frame, etc., ss: 29 1/2" h. x 23 1/2" w.
• Fernand Vichi, Florence, Italy
  Fernand Vichi, Florence, Italy (1875-1925), Carrara marble sculpture depicting a long-tressed girl kneeling on a cushion, fourth quarter 19th century, signed en verso "F. Vichi", h. 18", w. 12", d. 13".
• FLORENCE ROBINSON (AMERICAN,
  FLORENCE ROBINSON (AMERICAN, 1874-1937), DUTCH LANDSCAPE WITH FIGURES Watercolor on paper, signed at lower right, matted and framed under glass.
• GURSCHNER, Herbert, (Austrian,
  GURSCHNER, Herbert, (Austrian, 1901-1975): ''Florence, Italy'', Woodcut on Japon, 7 3/4'' x 8'' with margins, image size 5 1/2'' x 6 1/4'', pencil signed, framed, 12'' x 13'', embossed Wohlgemuth & Lissner Berlin Blindstamp lower left.
• Florence Julia Bach (New York,
  Florence Julia Bach (New York, 1887-1978) oil on canvas still life of flowers signed upper right and dated 194? 36.5" x 28.5" sight size / 40" x 32.5" overall Condition: Scratches to canvas
• Frank Stanley Herring
  Frank Stanley Herring (Georgia/New York 1894-1966) TWO WORKS: CATHEDRAL OF FLORENCE 1296 and SANTA CROCE-FLORENCE 1294 pastel and color pencil framed signed: lower right sight sizes: H12 1/4'' W9 1/4'' and H12 1/2'' W9 1/2'' (2pcs) Provenance: Milledgeville Georgia private collection. Both appear to be in good condition. Not examined out of frame.
• FLORENCE KROGER (CALIFORNIA/OHIO,
  FLORENCE KROGER (CALIFORNIA/OHIO, 1897-1980), A CHILD AND DOG., OIL ON CANVAS, 30" X 24". FRAMED 37" X 31".FLORENCE KROGER, California/Ohio, 1897-1980, A child and dog. Signed lower right "Florence Kroger". Dimensions: Oil on canvas, 30" x 24". Framed 37" x 31".
• WILBUR NIEWALD "FLORENCE"
  WILBUR NIEWALD "FLORENCE" (WATERCOLOR CA. LATE 1960S)Wilbur Niewald (Missouri, 1925-2022) Florence , circa late 1960s Watercolor on paper 13 1/2" x 19" (sight) An expressive abstract landscape by the revered painter that Nelson-Atkins Director Julian Zugazagoitia dubbed "the Patriarch of the Kansas City Art World." Not only was Niewald's fruitful body of work both exciting and influential, but his career as a member of the Kansas City Art Institute faculty, begun in 1949, saw him help to prepare several generations of contemporary painters. Pencil-signed to the bottom right, and titled to the reverse. Presented behind glass in a wooden frame that measures 22" x 28". Provenance : From the collection of a Fortune 500 company, acquired from the artist. Condition Very good condition. Not removed from the frame.
• JULIUS ROLSHOVEN, FLORENCE,
  JULIUS ROLSHOVEN, FLORENCE, 1926Julius Rolshoven(American, 1858-1930)Florence, 1926goauche on papersigned and inscribed Greeting / To Dr and Mrs Slaughter / Julius Rolshoven lower right and titled and dated Florence / 1926 lower l
• GERALD F. BROMMER (B. 1927):
  GERALD F. BROMMER (B. 1927): ROOFTOPS OF FLORENCEGerald F. Brommer, B. 1927 Rooftops of Florence, watercolor and pen on paper signed lower right watercolor and pen on paper Dimensions: Sight: 21 1/2 x 29 1/2 in. (54.6 x 74.9 cm.), Frame: 30 x 38 in. (76.2 x 96.5 cm.) Provenance: From the Pacific Palisades estate and collection of Mr. and Mrs. Hoyt S. Pardee, the founder of Pardee Construction Company Condition:
• Florence Knoll American, b. 1917
  Florence Knoll American, b. 1917 Sofa and Ottoman, circa 1960 Estimate:$1,000-$1,500
• Mid 20th century Florence with
  Mid 20th century Florence with maker's mark '283 FI' (Brandimarte di Guscelli & Passeri S.d. f.) and further marked '800' with swan finial to hinged lid swan's head spout and grotesque mask-headed ebonized wood handle resting on three slender legs with claw feet 11.75'' H x 4.5'' Dia. 20.6 oz troy approximately
• Italian landscape, view of Florence
  Italian landscape, view of Florence with the Uffizi in the distance; oil on canvas; 19 1/4" x 12 1/4"; signed V. Bianchi lower right.
• FLORENCE ARNOLD (1900 - 1994):
  FLORENCE ARNOLD (1900 - 1994): UNTITLEDFlorence Arnold (1900 - 1994): Untitled, color screenprint; 1971; pencil-signed and dated, numbered 8/25 Dimensions: Sheet: 18 x 18 in. (45.7 x 45.7 cm.), Frame: 18 1/4 x 18 1/4 in. (46.4 x 46.4 cm.) Provenance: Property from the personal collection of Jeff Schuerholz of Fat Chance, the iconic Los Angeles store for the Hollywood elite Note: Jeff Schuerholz spent close to 50 years serving Los Angeles, from pioneering Melrose to developing the Los Angeles fixture that was Fat Chance. His connection to the stars, "including David Bowie, Jocelyn Wildenstein, and everyone in between," generated enthusiasm and started new trends in the design world. Schuerholz says his "dream as a kid was always to do something that would involve people from all over the globe." Fat Chance could be seen in dozens of Hollywood movies over the past four decades, including "Dreamgirls." Condition: Mounted to canvas and framed in acrylic box frame.
• Adolfo Cipriani (Italy, 1880 -
  Adolfo Cipriani (Italy, 1880 - 1932) allegorical sculpture of Flora, a fine carved Carrara marble bust of a young woman with flowers in her hair and downcast eyes, signed on back, "A. Cipriani," 25"h x 15"w, x 15"d
• FLORENCE PIERCE, DISTRICT OF
  FLORENCE PIERCE, DISTRICT OF COLUMBIA, NEW MEXICO, CALIFORNIA (1918 - 2007), UNTITLED #23, 1989, RESIN ON PLEXIGLASS, 17 1/4"H X 20 1/2"W X 3/4"DFlorence Pierce, District Of Columbia, New Mexico, California, (1918 - 2007) untitled #23, 1989, resin on plexiglass signed, titled and dated verso. Provenance: Charlotte Jackson Fine Art, Santa Fe, New Mexico. Damage / restoration in two corners. Biography from the Archives of askART: Florence Miller Pierce was known for thought provoking abstract, non-objective, monochromatic painting rooted in her dedication to Zen Buddhism and meditation. Many of her works give the appearance of floating off the wall, something she achieved with richly colored and textured geometric shapes---polygons, triangles, and rectangles---encased in divided layers of transparent resin over colors that had been softened through mixing with with milled fiberglass. Working with resin to create textures occurred for her in 1969 when she 51 years old and was in her New Mexico studio making foam sculpture. A chance spill of resin landed on a piece of aluminum foil, and when it hardened, it 'shimmered', and she was fascinated. Learning that she could create an interesting effect with resin adhering to mirrored tiles, "she would continue with the new body of work for nearly 35 years." (Regan)In 2005, the Tucson Museum of Art held a solo exhibition of work by Florence Miller Pierce, then age 87, and featured were 33 pieces of resin-on-mirror paintings described as "jeweled bits of minimalism, delicately colored and sensuously textured. Sometimes, the thick layers of resin are as pearly and smooth as flesh. Elsewhere, where Pierce has manipulated the resin while it's drying; the layers are dimpled, folded like cloth, or even crumpled like paper. And their forms echo the sculptures that Pierce abandoned when she had her eureka moment. Shaped into squares, arches and triangles, they veer into 3-D, hanging out slightly from the walls and casting shadows in the light." (Regan) She was born with the name Florence Miller in Washington DC, and by age 18, had a serious dedication to art and spiritualism. Her parents ran a private boarding school. From childhood, she was interested in art, and nurtured by an art teacher, May Ashton, she visited museums. Miller studied in DC at the Phillips Gallery and the Corcoran School of Art. Having become aware that Taos, New Mexico was an art center from visiting her grandparents, who lived there, she persuaded her parents to allow her to go alone to Taos in 1936 for a summer to study at the Studio School with Emil Bisttram, who not only was a highly accredited teacher but who also had a dedication to meditation and spiritualism. She returned to Taos in the winter of 1937, and the next year, she returned, at Bisttram's invitation, to take part in the forming of the Transcendental Painting Group (TPG). These founders were nine artists dedicated to abstract art expression, grounded in creative art imagination and the transporting of painting beyond objective recognition. In 1938, they banded together to share ideas and organized mutual exhibition venues that made the public aware of fnon-objective and abstract art. She was the youngest member and outlived all the other members of the organization, which held together for several years until World War II sidetracked their ability to remain a cohesive entity. Four decades later, it was written that her austere, abstract works of art reflecting color, beauty and natural forms, were indeed a synthesis of the teachings of Emil Bisttram who inspired his students with the words "Idea, Shape, Color and Form." Of her work, Pierce reflected that she had been "trying to do the purest work I knokw how. What comes to mind is the Zen word that means original mind, about emptying mind and space." (Regan) Through Bisttram, Florence Miller met Horace Towner Pierce, an art student and one of the founders of TPG, and they married in 1938. He was described as looking like the pipe-smoking movie star, Fred MacMurray. The couple lived in New York and California, where in 1939, she and her husband, along with other members of the Transcendental Painting Group, exhibited at the Golden Gate International Exposition. By 1950, they had settled in Albuquerque. They had two children, one whom died several months after birth. Horace Pierce, age 41, died suddenly in 1958, when Florence was 39. She remained in Albuquerque, continuing her commitment to geometric abstract and non-objective painting and relief sculpture of layered dried pigmented resin. Some viewers regard her artwork as "distillations of the New Mexico landscape" with their "stark geometry and earthy color palette" (Regan) that suggests adobe. However, she was not an artist who did a lot of interacting with other artists as she worked pretty much in isolation and viewed herself as a 'silent artist'. She became a strong admirer of Agnes Martin, the reclusive painter from Taos who was her peer and whose minimalist paintings brought record-breaking prices in New York auction houses. In 2004, Pierce, Martin and the potter, Maria Martinez, were honored in a group show, In Pursuit of Perfection, in Santa Fe at the Museum of Fine Arts. Florence Pierce died at age 90 at her home in Albuquerque on October 25, 2007 resin on plexiglass Dimensions: 17 1/4"H x 20 1/2"W x 3/4"D
• Florence Prince Ewing, American,
  Florence Prince Ewing, American, 20th c, o/c, County Town, 24" x 30", very nice frame, signed LR Estimate $800-1,200
• FLORENCE GIUSEPPE ARMANI
  FLORENCE GIUSEPPE ARMANI FIGURINE, SCARLETT 698CFigure of year 1995. Porcelain; matte finish. Florence backstamp. Depicts lady in billowing skirt. Florence backstamp. Issued: 1995 Dimensions: 10.5"H Manufacturer: Florence Country of Origin: Italy
• FLORENCE GIUSEPPE ARMANI " EMMA "
  FLORENCE GIUSEPPE ARMANI " EMMA " FIGURINES.Florence Giuseppe Armani dama con pelliccia " EMMA " Made in Italy model 1330/C design for member of 2000. ( height: 12, width: 4) Certification and and original box included.
• FLORENCE WHITE WILLIAMS OIL ON
  FLORENCE WHITE WILLIAMS OIL ON CANVAS (Massachusetts/Illinois 1888-1953) A floral still life with figurines. Image measures 24'' x 20'' signed lower right. Set in a wood frame.
• Acrylic on canvas by Jaroslav
  Acrylic on canvas by Jaroslav Gebr (Slovakian/American 20th C.); "Florence"; 1963; framed; with COA; 29" x 23 1/2" (sight, approx.)
• FLORENCE GIUSEPPE ARMANI " VICTORIA
  FLORENCE GIUSEPPE ARMANI " VICTORIA " FIGURINESFlorence Giuseppe Armani Event piece of 1998 Dama Con Colomba " VICTORIA " Model 525/C Made in Italy, Lady With Black Dress Holding A White Dove With Both Hands, Sign By Artist. ( Height: 14, Width 5). Certification and and original box included.
• (3) FMR ITALY TITLES: FLORENCE,
  (3) FMR ITALY TITLES: FLORENCE, LA SCALA, PARMA Franco Maria Ricci, (3) titles in clamshell cases: 1) Florence Lost as seen in the 120 paintings by Fabio Borbottoni. 1985, 2 vols.; 2) La Scala: Milan's Opera House. 1999; 3) Parma e la Francia. 1985, 2 vols.; 12.5"h x 12.5"w
• FLORENCE ROBIE REED HOLWAY
  FLORENCE ROBIE REED HOLWAY (AMERICAN, 1915-2012), PORTRAIT OF A YOUNG GIRL Oil on canvas, signed at lower right, circa 1940s, presented in a period frame.
• FLORENCE GIUSEPPE ARMANI " PRETTY
  FLORENCE GIUSEPPE ARMANI " PRETTY WOMAN" FIGURINESFlorence Giuseppe Armani Dama Con Usignolo Collection Of 2005 " PRETTY WOMAN " Model 1938/C. Woman Standing Looking At A Light Brown Bird On Her Left Hand With A Long Beautiful Light Green Dress With Pink Roses At The Bottom Part Of The Dress, ( Height: 13.5 Width: 6). Certification and and original box included.
• Florence Parker Bloser (1889-1935
  Florence Parker Bloser (1889-1935 Los Angeles CA) Still Life with Zinnias in a Vase
• Florentine School, 13th/14th
  Florentine School, 13th/14th Century Saint Damian tempera on wood panel 44 x 19 1/2 inches. Property from the Collection of Arnold B. Taylor, Jr.
• FLORENCE ARNOLD (AMERICAN
  FLORENCE ARNOLD (AMERICAN 1900-1994): TWO WORKSFlorence Arnold (American 1900-1994): Two Works, each: serigraph; 1977; signed and dated lower right; numbered 17/25 and 25/25 respectively Dimensions: Each: 18 x 18 in. (45.7 x 45.7 cm.), Frame: 22 1/8 x 22 1/8 in. (56.2 x 56.2 cm.) Provenance: Property from the personal collection of Jeff Schuerholz of Fat Chance, the iconic Los Angeles store for the Hollywood elite Note: Jeff Schuerholz spent close to 50 years serving Los Angeles, from pioneering Melrose to developing the Los Angeles fixture that was Fat Chance. His connection to the stars, "including David Bowie, Jocelyn Wildenstein, and everyone in between," generated enthusiasm and started new trends in the design world. Schuerholz says his "dream as a kid was always to do something that would involve people from all over the globe." Fat Chance could be seen in dozens of Hollywood movies over the past four decades, including "Dreamgirls." Condition: Custom-framed floating under acrylic.
• FLORENCE LOUISE WALTON POMEROY
  FLORENCE LOUISE WALTON POMEROY (AMERICAN, 1889-1981), PORTRAIT OF A SEATED WOMAN Oil on canvas, signed "F. W. Pomeroy" at lower right, presented in Art Deco style frame.
• ZOCCHI VIEWS OF FLORENCE27 views of
  ZOCCHI VIEWS OF FLORENCE27 views of Firenze (Florence), Italy, after Giuseppe Zocchi (Italian, 1716-1767), lithographed edition folio (100 published) after the original 18th century maps and elevations, published by Walker & Co. New York, 1967, housed in a linen covered box, all approx 13-1/2" x 18-1/2 image, 17-1/3" x 22-1/3" sheet. Descriptive book included. Condition: Mint condition.
• Florence Engelbach (1872-1951)
  Florence Engelbach (1872-1951) oil on canvas Still life of flowers in a jug signed Unframed; 24 x 20in. Estimate ?400-600 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?400
• FLORENCE KROGER (AMERICAN
  FLORENCE KROGER (AMERICAN 1897-1980), SPANIEL, OIL ON CANVAS, SIGNED L.R., FRAME: 19 1/4 X 15 3/4 IN. (48.90 X 40.01 CM.)Florence Kroger (American 1897-1980), Spaniel, Oil on Canvas, Signed l.r.,, Dimensions: Frame: 19 1/4 x 15 3/4 in. (48.90 x 40.01 cm.)
• RUTH ORKIN (AMERICAN, 1921-1985)
  RUTH ORKIN (AMERICAN, 1921-1985) "AMERICAN GIRL IN FLORENCE, ITALY" Silver gelatin photograph, executed in 1951. Estate signed, titled & dated. Documents: Original invoice dated March 17, 1998.