A few examples of appraisal values for
200 L

• PAIR OF CONTEMPORARY SWIVEL
  PAIR OF CONTEMPORARY SWIVEL LOUNGE CHAIRSPair of contemporary swivel lounge chairs. 21st century. Blue and white upholstery, arm covers, and throw pillows. No apparent labels or maker's marks. Fading and losses to pattern and color of upholstery throughout both chairs. Wear, fraying and pilling to upholstery throughout both chairs. 32" W x 36 1/2" D x 33 1/2" H. 200 lbs total.
• ROBERT INDIANA "INDIANA 4 BRADEMAS"
  ROBERT INDIANA "INDIANA 4 BRADEMAS" SCREENPRINT Robert Indiana (American, b. 1928), "Indiana 4 Brademas", Screenprint, 1980, numbered 40/200 lower left and signed and dated lower right. 41.5" L x 31.25" W. Provenance: From a Fifth Avenue Collection. Keywords: Print, Series, House of Representatives
• A WERNER ALUMINUM EXTENSION
  A WERNER ALUMINUM EXTENSION LADDER Model D1120-2; 19 ft. maximum extension, 200 lb. load capacity.
• AMERICAN PRIMITIVE STEP-BACK
  AMERICAN PRIMITIVE STEP-BACK CUPBOARDAmerican primitive step-back cupboard. 19th century. Maple, blue-painted interior, five total fixed shelves and two doors. Scratches, scuffs, marks and wear throughout wood. Lowest shelf in cabinet is slightly loose. Chips to wood on bottom edges of feet. Head of nail on left side of top of lower cabinet is protruding out 1/4". Chips and losses to wood on top left corner of right door. Small chips and losses to wood along edges of top and back left and right edges. 57 3/4" W x 19 5/8" D x 73 1/8" H. 200 lbs.
• LEONARD BASKIN "SELF-PORTRAIT"
  LEONARD BASKIN "SELF-PORTRAIT" PRINT Leonard Baskin (American, 1922-2000) self-portrait print, signed "Baskin" lower right, edition: 165 / 200 lower left. Image: 19.5" H x 23.5" W; frame: 22" H x 26" W x 1" D.
• SIR RICHARD BURTON, VIKRAM AND
  SIR RICHARD BURTON, VIKRAM AND THE VAMPIRE, 1893 Or, Tales of Hindu Devilry. Tylston and Edwards, London, with 33 illustrations by Ernest Griset and a photogravure frontispiece by Albert Litchfield (1 of 200 large paper editions), hardcover in slipcase, 10.25"h x 6.5"w
• JOSEF ALBERS, COLOR SCREENPRINT,
  JOSEF ALBERS, COLOR SCREENPRINT, 1966 Josef Albers (American/German, 1888-1976),"Variant VII" (from Ten Variants), pencil initialed, titled, dated and numbered 169/200 lower margins, framed under glass, 10"h x 14"w (image), 18"squ (frame)
• JOSEF ALBERS, COLOR SCREENPRINT,
  JOSEF ALBERS, COLOR SCREENPRINT, 1966 Josef Albers (American/German, 1888-1976),"Variant V" (from Ten Variants), pencil initialed, titled, dated and numbered 169/200 lower margins, framed under glass, 10"h x 14"w (image), 18"squ (frame)
• JOSEF ALBERS, COLOR SCREENPRINT,
  JOSEF ALBERS, COLOR SCREENPRINT, 1966 Josef Albers (American/German, 1888-1976),"Variant X" (from Ten Variants), pencil initialed, titled, dated and numbered 169/200 lower margins, framed under glass, 10"h x 14"w (image), 18"squ (frame)
• LEICA M3 CAMERA WITH TELYT LENS
  LEICA M3 CAMERA WITH TELYT LENS PLUS ACCESSORIES. The Leica M3 with serial number 1041592 (C. 1962). With a Summicron 1:2/50 lens, Leitz Wetzlar. With a Telyt 1: 4/200 Leitz Canada lens, with a Telyt f=20 cm mount ring. With a Leitz metal mount ring. With a Elmarit 1:2.8 / 90 Leitz Wetzlar lens (possibly with some lens fungus or dirt on lens). With a Visoflex lens mount. With a Leitz Wetzlar viewfinder (rubber eye ring hard). With a light meter. With 3+ assorted plastic lens covers, and a Leitz light hood. From a Bronx NY estate . Condition: Good.
• SALVADOR DALI (SPANISH, 1904-1989).
  SALVADOR DALI (SPANISH, 1904-1989). "La Chouette Bleu (The Blue Owl)". Engraving on Rives paper. Signed and numbered 147/200 lower margin in pencil, from the edition of 200. Catalogue reference: Field 68-10. Partial old certificate of authenticity affixed to verso from Touchstone. From a Long Island, NY collection. Dimensions: 16" h x 10.2" w. / Sight: 22 x 16.5" Condition: Good. Framed behind glass, unexamined out of frame. Slight sheet undulation.
• HANS ERNI (1909-2015): TWO
  HANS ERNI (1909-2015): TWO HORSESHans Erni, 1909-2015 Two Horses, lithograph hand-signed lower right, numbered 120/200 lower left lithograph Dimensions: 15 x 19 in. (38.1 x 48.3 cm.), Frame: 22 1/2 x 26 in. (57.2 x 66 cm.) Condition:
• NORMAN PERCEVAL ROCKWELL
  NORMAN PERCEVAL ROCKWELL (1894-1978): AT THE BARBERNorman Perceval Rockwell, 1894-1978 At the Barber, lithograph on paper signed lower right, numbered 82/200 lower left lithograph on paper Dimensions: Sight: 25 1/4 x 19 3/4 in. (64.1 x 50.2 cm.), Frame: 38 x 32 in. (96.5 x 81.3 cm.) Condition:
• ALEXANDER CALDER, LITHOGRAPH, 1969,
  ALEXANDER CALDER, LITHOGRAPH, 1969, SIGNED Alexander Calder (American, 1898-1976), "Humanite", signed and dated in print, pencil signed lower right, numbered 129/200 lower left and stamped 129, published by Province Impressions, Paris, metal slat framed under glass, 32"h x 22"w (sheet), 35.5"h x 25.5"w (frame)
• HAROLD ALTMAN (AMERICAN 1924-2003),
  HAROLD ALTMAN (AMERICAN 1924-2003), PARK SCENE, LITHOGRAPH, SIGNED AND NUMBERED 72/200 L.L., FRAME: 16 X 29 1/4 IN. (40.6 X 74.3 CM.)Harold Altman (American 1924-2003), Park Scene, Lithograph, Signed and numbered 72/200 l.l.,, Dimensions: Frame: 16 x 29 1/4 in. (40.6 x 74.3 cm.)
• A fantastic large size vintage
  A fantastic large size vintage cement sculpture of Poseidon, purchased in NYC. Approx. 200 lbs., took three experienced people to move. 48"H x 24"W x 12"D Condition: good overall CT Transfer Fee $100
• RAOUL DUFY (FRENCH, 1877 - 1953)
  RAOUL DUFY (FRENCH, 1877 - 1953) 18½" x 26½" image "Le Havre", c. 1950. Color lithograph, hand signed with red crayon lower right, numbered 176 / 200 lower left, matted in silver frame, 29¾" x 37?" overall.
• (LOT OF 15) CAMERAS: LEICA, 3
  (LOT OF 15) CAMERAS: LEICA, 3 NIKON; AND 5 LUMIX (lot of 15) Nine cameras and 3 lens: a Leica camera; (3) Nikon cameras; (2) extra Nikon lens; (5) Lumix cameras; and a Lumix 45-200 lens
• (LOT OF 6) NIKON D1X DSLR CAMERA
  (LOT OF 6) NIKON D1X DSLR CAMERA (lot of 6) Nikon D1X DSLR camera, with a DX 55-200 lens, together with a Tamron 24-135mm lens, a Nikon 28-85mm lens, a Rokinon 85mm manual focus lens, together with an extra battery and leather carrying pouch
• ALBERTO VARGAS (1896 - 1982):
  ALBERTO VARGAS (1896 - 1982): 'FIRST LOVE'lithograph in colors on paper; signed and numbered 37/200 lower right; Condition: matted and framed under Plexiglas; 38 1/2 x 25 1/2 inches sight; 52 1/2 x 39 1/4 inches frame
• VILLON LITHOGRAPH & RENOIR
  VILLON LITHOGRAPH & RENOIR ETCHINGLot of 2 prints. 1st item: Color lithograph after Jacques Villon (French, 1875-1963; born Gaston Emile Duchamp), after his "Cubist Woman" painting. Depicts a woman rendered in Cubist style with muted colors. Printed in plate "Jacques Villon 1914" lower right and "H. Deschamps Lith. 1962" in plate lower left, pencil signed "Jacques Villon" lower right and numbered 37/200 lower left. Housed in a gold frame. Sight - 24 1/8"H x 12 1/2"W. Framed - 31 1/8"H x 19 5/8"W. 2nd item: Etching after Pierre-Auguste Renoir (French, 1841-1919) titled Le Chapeau Epingle (La Fille de Berthe Morisot et Sa Cousine). The etching depicts Julie Manet (daughter of Impressionist painters Berthe Morisot and Eugene Manet), and her cousin wearing wide brim hats. Signed in plate "Renior" lower left. Housed in gold frame. Sight - 5 1/8"H x 3 3/4"W. Framed - 12 7/8"H x 11 5/8"W. (Higher-resolution photos are available at www.caseantiques.com) Condition: Overall good condition. Toning to paper on Renoir.
• PICASSO AQUATINT "LA
  PICASSO AQUATINT "LA CORRIDA"Pablo Picasso (Spanish, 1881-1973) aquatint of bullfight, titled "La Corrida". Pencil signed lower right and numbered, 137/200 lower left. Aldo Crommelynck printer's stamp in lower left margin. Printed by Atelier Lacouriere, Paris, 1956. Old Houston Galleries label en verso reads "The Bullfight, An original artists proof, #137 of 200, lithograph designed and executed by the artist Pablo Picasso. Signed by the artist" . Plate - 25 1/2" H x 19" W. Sight - 26 3/4" H x 20 1/4" W. Framed - 31 1/4" H x 23 1/2" W. (Higher-resolution photos are available at www.caseantiques.com) Condition: Hinge mounted. Some toning, acid matt burn, light bleach spot to upper right margin.
• NORMAN ROCKWELL SIGNED
  NORMAN ROCKWELL SIGNED LITHOGRAPH, THE BOY WHO PUT THE ...Norman Perceval Rockwell (New York/Massachusetts, 1894-1978) lithograph titled, "The Boy Who Put the World on Wheels (The Inventor)", after the original oil painting created in 1952 for Ford Motor Company's 50th Anniversary calendar project, depicting a young Henry Ford at his bedside work table presenting a conceptual model for an automobile to a skeptical blacksmith. Pencil signed lower right and numbered 14/200 lower left. Housed and double matted under glass in a wooden frame with marbled finish. Sight: 20 1/4" H x 20" W. Framed: 30 5/8" H x 28 3/4" W. Condition: Minute errant material under glass, does not affect image. Not examined outside of frame.
• MANN, AL. THE PURLOINED
  MANN, AL. THE PURLOINED THOUGHT.Mann, Al. The Purloined Thought. Great Capacon: AME, 1990. Number 98 of 200 limited edition copies. Black cloth stamped in gilt. Illustrated. 4to. Fine.
• AN ANTIQUE MAP, "MAPS OF THE NEW
  AN ANTIQUE MAP, "MAPS OF THE NEW AND POPULAR ST. LOUIS ...AN ANTIQUE MAP, "Maps of the new and popular St. Louis and Texas Short Line!," LATE 19TH CENTURY, color lithograph on paper, with inset, "Map of the Saint Louis Iron Mountain and Southern Railway and Connections(East Coast)," and other inset, "A Geographically Correct County Map of States Traversed by the Saint Louis Iron Mountain and Southern Railway and its connections," advertising, "This is positively the only line which runs its entire trains from St. Louis to Texas without change!...200 lbs baggage free to each emigrant passenger." 18 1/2" x 31 5/8" Provenance: Property from a Corporate Collection, Houston, Texas. Condition: Some toning at edges, creases, trimmed, some fading but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
• GOLD NEW ENGLAND MARINE CANECa.
  GOLD NEW ENGLAND MARINE CANECa. 1850-Small 18 karat yellow gold knob fashioned in a well-proportioned classic taste and elaborately hand chased and engraved with a plethora of flowers and scrolls topped by a plain round shield with engraved initials of its first owner and ending with an integral and matching multiple ring collar. So far, so good, however, what makes this cane very special is its gently tapering baleen shaft with gold eyelets and a brass ferrule, which displays throughout the specific layered structure of the noble material of the ocean and its coveted dark brown-greenish hues. Hardly encountered in the widespread cane repertoire, this first rate dress cane with apparent New England flavor is an upscale collectable with direct ties to the golden age of whaling. Indeed, ever since the Mayflower deposited the Pilgrim Fathers on the shores of Cape Cod in 1620, New Englanders have been fascinated by their marine heritage with the marine canes flourishing at a time when whaling was a respectable and entirely natural part of life. An excellent condition adds to its desirability. H. 1” x ¾”, O.L. 35” Baleen or whalebone is a filtering structure in the mouth of most whales, which they use to feed by sieving small animals from large mouthfuls of seawater. Instead of teeth, these whales have rows of baleen plates in the upper jaw – flat, flexible plates with frayed edges, arranged in two parallel rows, looking like combs with thick hair at the end of each comb tooth. Baleen is not in fact composed of bone, but of the protein keratin, the same substance as hair, horn, scales, claws and nails. Baleen whales use these combs for filter feeding. Depending on the species, a baleen plate can be 0.5 to 3,5 meters (1,6 to 11 ft) long, and weigh up to 90 kilograms (200 lb). Its hairy fringes are called baleen hair or whalebone-hair. Baleen plates are broader at the gumline. The plates have been compared to sieves or Venetian blinds. Baleen whales are characterized by having baleen plates for filtering food from water, rather than having teeth. This distinguishes them from the other suborder of cetacean, the toothed whales or Odontocete. For few up to date annotations on Marine canes extending to the present perspective to the art of the fisherman himself refer to Youssef Kadri’s book, The Mandel Cane Collection.
• BALEEN MARINE CANE-Ca. 1850 -Single
  BALEEN MARINE CANE-Ca. 1850 -Single piece marine cane with a curving handle terminating in a stylized seal head and a cylindrical faux sprig shaft. The plain surface shows throughout the specific layered structure of the noble material of the ocean and its dark color with coveted brown-greenish hues. Hardly encountered in the widespread cane repertoire, this first rate marine cane survived in original condition with a great feel of age and has the added value of being representative for the golden age of whaling. Indeed, ever since the Mayflower deposited the Pilgrim Fathers on the shores of Cape Cod in 1620, New Englanders have been fascinated by their marine heritage with the marine canes flourishing at a time when whaling was a respectable and entirely natural part of life. -H. 3 ½” x 3 ¼”, O.L. 32 ¼” -$300-$400 -Baleen or whalebone is a filtering structure in the mouth of most whales, which they use to feed by sieving small animals from large mouthfuls of seawater. Instead of teeth, these whales have rows of baleen plates in the upper jaw – flat, flexible plates with frayed edges, arranged in two parallel rows, looking like combs with thick hair at the end of each comb tooth. Baleen is not in fact composed of bone, but of the protein keratin, the same substance as hair, horn, scales, claws and nails. Baleen whales use these combs for filter feeding. Depending on the species, a baleen plate can be 0.5 to 3,5 meters (1,6 to 11 ft) long, and weigh up to 90 kilograms (200 lb). Its hairy fringes are called baleen hair or whalebone-hair. Baleen plates are broader at the gumline. The plates have been compared to sieves or Venetian blinds. -Baleen whales are characterized by having baleen plates for filtering food from water, rather than having teeth. This distinguishes them from the other suborder of cetacean, the toothed whales or Odontocete. -For few up to date annotations on Marine canes extending to the present perspective to the art of the fisherman himself refer to Youssef Kadri’s book, The Mandel Cane Collection.
• YAAKOV AGAM, MODEN ABSTRACT
  YAAKOV AGAM, MODEN ABSTRACT SILKSCREEN, 20TH C.Yaakov Agam (Israeli B. 1928)Moden Abstract silkscreen from the series Synthesis Solfage Fusion. Signed lower right, numbered 126/200 lower left in pencil. Dimensions: 23 x 23.5 Framed: 30.25 x 30.5 Property from the Milbank Collection (MTHM693)(MM) Condition: Good, ready to hang condition
• HUGE BRONZE URN MEDUSA AND SERPENTS
  HUGE BRONZE URN MEDUSA AND SERPENTS VERSACE ESTATEMedusa head and snake handles. Provenance: Gianni Versace estate. Dimensions: 29 H x 23 across handles (LEKE6466)(WT) Condition: Very good with minor aging from outdoor use. Note this piece is very heavy -- probably weighs 150 - 200 lbs.
• WOLF KAHN SERIGRAPH YELLOW BARNWolf
  WOLF KAHN SERIGRAPH YELLOW BARNWolf Kahn (German / American, New York, 1927-2020). Serigraph yellow barn. Pencil signed Kahn and dated 82 lower right, numbered in pencil 163/200 lower left. With blindstamp lower right. 29 3/4" x 21 3/4" (with frame 31" x 23").
• ROCKWELL, Norman, (American,
  ROCKWELL, Norman, (American, 1894-1978): ''Ticket Seller'', Color Lithograph, sight size is 24.50'' x 19.50'', pencil signed lower right, numbered 108/200 lower left, framed 36.50'' x 31''.
• ROCKWELL, Norman, (American,
  ROCKWELL, Norman, (American, 1894-1978): ''See America First'', sight size is 25'' x 18.50'', pencil signed lower right, numbered 49/200 lower left, framed 36.50'' x 30.50''.
• ROCKWELL, Norman, (American,
  ROCKWELL, Norman, (American, 1894-1978): An Aviary Scene, Lithograph, sight size is 23.50'' x 19.25'', pencil signed lower right, numbed 1/200 lower left, framed 29.50'' x 25.50''.
• ROCKWELL, Norman, (American,
  ROCKWELL, Norman, (American, 1894-1978): Spelling Bee, Lithograph, sight size is 10'' x 26'', pencil signed lower right, numbered 172/200 lower left, framed 18'' x 32.50''. CONDITION: Pale matte burn.
• ROCKWELL, Norman, (American,
  ROCKWELL, Norman, (American, 1894-1978): Pont Neuf, Lithograph, sight size is 14.25'' x 19'' with margins, pencil signed lower right, numbered 1/200 lower left, framed 24.50'' x 29.50''. CONDITION: Pale scattered foxing.
• 6 PIECE INDIAN PRINT LOT
  6 PIECE INDIAN PRINT LOT CHURCHILL MEANS: Five Ward Churchill Serigraphs and One Kim Means. Churchills: 1) Artist Proof, titled Elders, 20'' x 16'' with margins, pencil signed lower right and dated `80, marked AP in lower mid margin, titled lower left, unframed. 2) Apacita, 18'' x 21.75'', Eugene Licht blind stamp lower right, titled numbered 92/165 and signed lower left, dated '80, unframed. 3) Dull Knife, marked HCI, no visible signature, 21.50'' x 24'', unframed. 4) Male and Female Seated Indians, 23'' x 32'', Eugene Licht blind stamp lower left, no visible signature, unframed. 5) Surreal Landscape with Indians on Horseback, embossed print, believed to be by Ward Churchill, 22'' x 30'', Eugene Licht blind stamp lower right, unframed. Kim Means: 6) Serigraph by Kim Means, Navajo Elder, 32'' x 25'', pencil signed lower right, titled in lower mid margin and numbered 47/200 lower left, Eugene Licht blind stamp lower right, unframed. CONDITION: 4) Pinholes in the corners, visible handling creases. 6) Some handling creases scattered throughout.