A few examples of appraisal values for
25 STEVENS

• STEVENS, Stanford, (American,
  STEVENS, Stanford, (American, 1897-): Middle Eastern Street Scene, Watercolor, sight size 21 1/2'' x 15'', signed, framed, 30 1/2'' x 24''.
• Will Henry Stevens
  Will Henry Stevens (American/Louisiana, 1881-1949) "Fisherman in a Pirogue and Cabins Along the Edge of the Bayou", pastel drawing, sight 13" x 16-1/2", signed lower right "Stevens". Glazed, matted and framed.
• STEPHEN PENTAK (AMERICAN, B.
  STEPHEN PENTAK (AMERICAN, B. 1951) 16" x 80" Untitled, 1988. Oil on panel, signed and dated verso, unframed.
• GEORGE STEVENS (AMERICAN, 1866 -
  GEORGE STEVENS (AMERICAN, 1866 - 1926), STEAMSHIPS IN P...George Stevens (American, 1866 - 1926), steamships in port, oil on canvas, signed lower left "G. Stevens", 24" x 12". Provenance: Estate of James Wadhams Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• WILL HENRY STEVENS
  WILL HENRY STEVENS (AMERICAN/LOUISIANA)Will Henry Stevens (American/Louisiana, 1881-1949), "No. 25, Rise and Turn", 1947, pastel on paper, pencil-signed and dated lower left, pencil-titled en verso, handwritten label with title and "Richard York Gallery" exhibition catalogue and article from 1987 on backing, 18 in. x 16 in ., framed
• Selection of Steins, approx 23cm
  Selection of Steins, approx 23cm H and shorter (4)
• WILLIAM LESTER STEVENS (AMERICAN,
  WILLIAM LESTER STEVENS (AMERICAN, 1888 - 1969) STILL LI...William Lester Stevens (American, 1888 - 1969) still life with cupid oil on canvas laid on board signed lower right W. Lester Stevens 18" x 19 1/2" Provenance: Matthes-Theriault Collection, Woodbridge, Connecticut Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• STEPHEN SMYERS (AMERICAN, 20TH
  STEPHEN SMYERS (AMERICAN, 20TH CENTURY), (22) GILT DECORATED GLASS STEMS Circa 1990, including (11) goblets (8 in.); and (11) wine glasses (6.75 in.), signed.
• FORTY-ONE PIECES OF STEUBEN CRYSTAL
  FORTY-ONE PIECES OF STEUBEN CRYSTAL STEMWARE 20TH CENTURYFORTY-ONE PIECES OF STEUBEN CRYSTAL STEMWARE, 20th Century, 1-16) Sixteen champagnes. Heights 4". 17-41) Twenty-five cordials. Heights from 4.5" to 4.75". Many etched "S" on undersides. Provenance: Property of a direct descendant of Thomas Jefferson, the contents of the Brick House at Coolidge Point, Manchester by the Sea, Massachusetts.
• STEPHEN MERRITT (AMERICAN,
  STEPHEN MERRITT (AMERICAN, 20/21ST CENTURY) COVERED VESSEL Signed and impressed with artist monogram.
• WILLIAM LESTER
  WILLIAM LESTER STEVENS(Massachusetts, 1888-1969) The Church Steeple, signedÿ lower right "W. Lester Stevens NA", inscribed with title stretcher verso, oil on canvas, 28 x 24 in.; 31-1/4 x 27-1/4 in., Provenance: From the Estate of the Late Jim VanStory, Weaverville, North Carolina Condition: wax and linen lined, surface dirt layer, small surface anomaly canvas verso middle; frame with wear and abrasions
• STEVENS & WILLIAMS (ATTRIB.)
  STEVENS & WILLIAMS (ATTRIB.) STEMWARE SERVICE Early 20th c., (42) pieces, the bowls decorated with cut and etched floral and exotic bird design, star cut bases, including: (14) water glasses (7"h), (14) red wine glasses (6.25"h), (6) tumblers (5"h), and (8) highboys (4"h), unmarked
• WILLIAM LESTER STEVENS (AMERICAN,
  WILLIAM LESTER STEVENS (AMERICAN, 1888 - 1969), BOATYAR...William Lester Stevens (American, 1888 - 1969), Boatyard, watercolor on paper, signed lower left "W. Lester Stevens N.A.", sight size 14" x 20". Provenance: Estate of James Wadhams Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• F. Stevens (American 20th
  F. Stevens (American 20th Century) Floral still life. Oil on canvas signed in the lower right corner framed in a carved rounded corner frame overall apprx. 34-1/4" x 28-1/2".
• STEPHEN HANSEN (AMERICAN, B.
  STEPHEN HANSEN (AMERICAN, B. 1950) 56" x 24" "Any Good Dutchman", 1988. Papier mache, signed and dated on bottom of pant leg.
• STEPHEN PENTAK (AMERICAN, B.
  STEPHEN PENTAK (AMERICAN, B. 1951) 18" x 80" Untitled SVII, 1988. Mixed media on panel, signed and dated on the reverse. Provenance: from the art collection of an international corporation.
• WILLIAM LESTER STEVENS, AMERICAN
  WILLIAM LESTER STEVENS, AMERICAN (1888-1969), POINT PLEASANT, DELAWARE RIVER, CA. 1927-1929, OIL ON CANVAS, 42 X 48 INCHESWILLIAM LESTER STEVENS, American, (1888-1969) Point Pleasant, Delaware River, ca. 1927-1929, oil on canvas signed lower right "W. Lester Stevens" oil on canvas Dimensions: 42 x 48 inches Provenance: A New Jersey estate; Private Collection, Massachusetts. Framed dimensions: 46 7/8 x 53 1/4 x 2 1/2 inches William Lester Stevens was born in Rockport, Massachusetts, a seaside town that had been an established destination for artists. He completed his early formal training with Parker Perkins and then attended the Boston Museum School as a student of Edmund Tarbell, Frank Benson, Philip Hale and William Paxton. In 1917, Stevens joined the Army and was sent to Europe. He painted and sketched while in Europe and when he returned to Rockport found that it had become a destination for artists including Frank Duveneck, Childe Hassam, Leon Kroll and Jonas Lie. Together with his friend, Aldro T. Hibbard, Stevens was instrumental in organizing the Rockport Art Association in 1921 exhibiting the works of fifty area artists.Their shared goal was to make fine art more accessible to a broader audience. Stevens would continue to pursue these goals later in his career by organizing the Conway Festival of the HIlls and the Berkshire Arts Festival. As an established artist, Stevens first taught in Rockport and then from 1925-1926 at Boston University and from 1927-1929 at Princeton. He traveled in the south and had one-man exhibitions in Charlotte and Asheville, North Carolina, where his work was well received. When speaking of Stevens few are aware of his time spent painting in the New Hope, Pennsylvania area from 1927 to 1929. In 1927, he was appointed an instructor of freehand drawing and watercolor at Princeton University. According to his exhibition records, Stevens exhibited two paintings at the Pennsylvania Academy of the Fine Arts with New Hope area subjects, "Winter in New Jersey",1929, and "Lumberville" in 1930. In addition, a painting titled "Lumberville" was exhibited at the National Academy of Design in 1929 and at the Art Institute of Chicago in 1930. During his time at Princeton, Stevens was extremely productive and exhibited extensively. In 1928, Stevens exhibited at the American Watercolor Society and won the William S. Delano Prize. He also exhibited at the National Gallery of Art and the Corcoran Gallery of Art. Despite his rigorous academic schedule, he produced enough paintings during 1928 to send works to the New Haven Paint and Clay Club where Winter in New Jersey won the Mansfield Prize. Also, during this time he had a one man show at the American Association of University Women at the Public Library in Birmingham, Alabama, followed by an exhibition of over thirty oil paintings at the J.B. Speed Museum in Louisville, Kentucky. In 1929, Stevens gave up his teaching position at Princeton and returned to Rockport. In an article written by Charles Movalli for the 'American Artist' he wrote: "Stevens loved to talk about art - and himself. Steve thought he was the only painter in the world, a friend remembers fondly. He used to joke that 'only God and Lester Stevens can make a tree. He never tired of talking about the time his hero, Edward Redfield, the great outdoor painter, saw a Stevens painting in a show and said, "That kid's going to go far." It is likely that Redfield and his paintings of Point Pleasant first inspired Stevens to visit the area." In 1934, the Stevens family left Rockport and moved to Conway, Massachusetts where the artist remodeled an old farmhouse and built a studio facing Mount Monadnock. He painted throughout his entire life and died in Conway in 1969. By 1964 he had won more awards than any other living artist except for Sargent. Tags: American Impressionist, American Impressionism, oil painting, New Hope School, Cape Ann School, Rockport artist, Delaware, Pennsylvania Impressionism Condition: overall good condition; there are two repairs apparent under UV, one about 2 x 3 inches in the left tree, another linear repair lower center, approximately 12 x 1 inch; UV photos available upon request We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon’s is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE.
• STEPHEN MCMILLAN (AMERICAN, 20TH
  STEPHEN MCMILLAN (AMERICAN, 20TH CENTURY) 14 ½" x 7 ¾" "High Sierra", 1978. Limited edition aquatint etching on paper, edition 64/100, signed, titled, and numbered in pencil in the lower margin, in a metallic frame with mat, overall 25 ½" x 18". Provenance: from the art collection of an international corporation.
• WILLIAM LESTER STEVENS,
  WILLIAM LESTER STEVENS, (AMERICAN, 1888-1969), SEASIDE VIEW, OIL ON CANVAS BOARD, 14 X 16 IN., FRAME: 16 1/2 X 20 1/2 IN.WILLIAM LESTER STEVENS, (American, 1888-1969) Seaside View, oil on canvas board signed W. Lester Stevens NA, l.r. 14 x 16 in., frame: 16 1/2 x 20 1/2 in. Provenance: The Estate of Dr. Edward Sleeper, Boston, Massachusetts. Condition:
• (SHAKESPEARE WILLIAM) STEEVENS
  (SHAKESPEARE WILLIAM) STEEVENS GEORGE Twenty of the Plays. London: Printed for J. and R. Tonson 1766. 4 vols. 8vo contemporary mottled calf spines tooled and lettered in gilt red morocco spine labels marbled endpapers. Rubbing to boards; hinges starting; corners bumped; bookplates tipped to front pastedowns; light toning.
• SET OF 25 STEUBEN #7877 WINE
  SET OF 25 STEUBEN #7877 WINE GLASSESSET OF 25 STEUBEN #7877 WINE GLASSES, each with a baluster column containing a suspended air bubble, each signed under foot (25) - h:5.18in. Provenance: Estate of Nina Rodale Houghton, wife of the late Arthur A. Houghton, President of The Metropolitan Museum of Art Carmichael Farm, Queenstown, Maryland
• STEIG, WILLIAM Four original
  STEIG, WILLIAM Four original drawings, each signed Estimate:$2,000-$3,000
• WILLIAM LESTER STEVENS,
  WILLIAM LESTER STEVENS, (AMERICAN, 1888-1969), COASTAL VIEW, OIL ON CANVAS, 24 X 30 IN., FRAME: 28 X 33 IN.WILLIAM LESTER STEVENS, (American, 1888-1969) Coastal View, oil on canvas signed W. Lester Stevens, l.r. 24 x 30 in., frame: 28 x 33 in. Provenance: The Estate of a Boston Gentleman. Condition: Condition: "As-is" - several tears, canvas loose on stretcher.
• TWENTY-NINE STEUBEN GLASS
  TWENTY-NINE STEUBEN GLASS GOBLETSTwenty-Nine Steuben Glass Goblets , designed by Frederick Carder and/or Bolislav Manikowski before 1931, incl.: 17 water, h. 5 1/8 in., and 12 wine, h. 4 1/2 in Provenance: Collection of Dr. Isidore Cohn, Jr. (1921-2015), New Orleans.
• Will Henry Stevens,
  Will Henry Stevens, (Louisiana/North Carolina, 1887-1949), \"Boulders\", signed lower left \"Stevens\", pastel on paper, 19-3/8 x 15 in. (sight), stained wood frame,
• Steuben American, Early 20th
  Steuben American, Early 20th Century Rosaline Jar glass, silver silver marked Sterling / Hawkes / 3023 H 4 1/4 inches.
• WILL HENRY STEVENS
  WILL HENRY STEVENS (AMERICAN/LOUISIANA, 1881)Will Henry Stevens (American/Louisiana, 1881-1949), "Untitled (Fishing Boat)", 1934, pastel on paper, signed and dated lower left, typed label "On Loan to Alexandria Museum of Art 1995-96, from Blue Spiral 1, Asheville, N.C." with artist on backing paper, 17 7/8 in. x 21 7/8 in., framed . Provenance: Blue Spiral 1, Asheville, NC; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.
• WILL HENRY STEVENS
  WILL HENRY STEVENS (AMERICAN/LOUISIANA)Will Henry Stevens (American, 1881-1949), "Untitled (Abstract Composition in Green and Grey)", c. 1935-1938, gouache, graphite and pastel on paper, signed lower center, "Fay Gold Gallery, Atlanta, GA" label with artist, title and date on backing, 29 7/8 in. x 22 1/8 in., framed . Provenance: Robert P. Coggins Collection, Marietta, GA
• Will Henry Stevens (American, New
  Will Henry Stevens (American, New Orleans, 1807-1949) \"Abstract Composition\", 18\" x 16\", signed upper right: \"Stevens\". Professionally glazed, matted and presented in a silver-gilt frame.
• Will Henry Stevens (New
  Will Henry Stevens (New Orleans/North Carolina, 1881-1949), Smoky Mountains, North Carolina, signed lower right "Stevens", pastel on paper, 18 x 21-7/8 in.; gray-painted frame.
• STEEVES Bill. Oil on Canvas of a
  STEEVES Bill. Oil on Canvas of a Riverbank.Signed lower left. Bill Steeves American 20th C. From a storage warehouse. Dimensions: 22'' high x 28'' wide. Condition: Surface grime; slight cracking in paint; minor losses to middle right.
• FIVE BENCH MADE KNIVES Including
  FIVE BENCH MADE KNIVES Including Steigerwalt folding knife; Elishewitz, ATS-34 fixed blade knife; S30V folding knife; a Snody, 154CM folding knife; and a Blackwood, S30V folding knife.
• Stevenson, Robert Louis works,
  Stevenson, Robert Louis works, New York 1895, 23 vols, original cloth. 8.5" x 5.5"
• STEVENS William Lester (1888-1969):
  STEVENS William Lester (1888-1969): ''Rocks and Blossoms'' 20'' x 23 3/4'' Oil/Canvas laid on Board signed lower left W. Lester Stevens titled verso encased in silver gilt frame with painted green patina 23 3/4'' x 27 1/2''.
• William Lester Stevens (American
  William Lester Stevens (American 1888-1969) oil on canvas landscape signed lower left 15" x 22". ?
• WILL HENRY
  WILL HENRY STEVENS(American/Louisiana, 1881-1949) #516, Untitled (Abstract with Squares), signed lower right "Stevens", pastel on paper, 24-1/2 x 19 in.; metallic wood frame, 37 x 31 in. Condition: surface is excellent, not examined out of archival framing; frame with minor dings