A few examples of appraisal values for
300 M

• A Patek Philippe 18ct gold
  A Patek Philippe 18ct gold gentleman's wristwatch, No 1143480, calibre 23/300 movement, 33mm diam More Information Working order, good condition
• 300 MASTERPIECES OF CHINESE
  300 MASTERPIECES OF CHINESE PAINTING, 6 VOLUMES Six Volumes of Three Hundred Masterpieces of Chinese Painting in the Palace Museum, Republic of China, Taipei, Taiwan, 1959-1980. Each portfolio of three volumes: 17.25" H x 13" W x 3.25" D. Provenance: From a 50 Madison Avenue estate. Keywords: Books, Complete set
• A CIRCA 1951 WHIZZER SPORTSMAN
  A CIRCA 1951 WHIZZER SPORTSMAN MODEL MOTOR BIKEThe nice, clean example in green with cream pin stripes has the 300 motor upgraded with German-made roller crankshaft, crash bars, battery box, luggage carrier and automatic clutch.Very good condition as shown in the images. The motor turns freely.
• LEXUS IS300 MODEL CAR Auto Art
  LEXUS IS300 MODEL CAR Auto Art Performance Lexus IS300 model car, new in box. 9" L.
• KAWASAKI 1979 KZ650 S.R.
  KAWASAKI 1979 KZ650 S.R. MOTORCYCLE. Kawasaki 1979 K2 650 S.R. motorcycle with approx. 14,300 miles, original owner, with sissy bar, black leather seat, with title. VIN #KZ650D-011346.
• TAG AQUARACER UNISEX QUARTZ WATCH
  TAG AQUARACER UNISEX QUARTZ WATCH 32 mm head will fit 8 ½" wrist Mother of Peal dial with diamond inset square chapter markers for all except three, the location of the quickset date window. Variant polished luminous plongeur minute/hour hands, with polished tapered sweep second indicator. All second/minute hash marks at the dials edge. Approximately 75 pts of diamond in the unidirectional bezel. Segmented bracelet similar to a Rolex oyster, utilizing a spring locking deployant type clasp. Included is the original bracelet box, paperwork and outer box. Extra links included. Rated for 300 meters. Current retail is $4700.
• LADIES OMEGA SEAMASTER PROFESSIONAL
  LADIES OMEGA SEAMASTER PROFESSIONAL 300 METER QUARTZ WRISTWATCH 28 mm head will fit 7 ½" wrist Midnight blue dial with wave pattern, luminous markers for all chapters, except three, the location of the date window. Luminous sword type minute/hour hands, stick type sweep indicator with luminous dot, red tip, and marquee. Unidirectional bezel, lockdown crown and sapphire crystal. Spring loaded, with sliding leaf, deployant type clasp. Five link, staggered brickwork pattern bracelet.
• STEINHART OCEAN ONE RATED TO 300
  STEINHART OCEAN ONE RATED TO 300 METERS 42.5 mm head Matte black dial with luminous triangle at twelve, luminous rectangles at six and nine, all other chapters use luminous round circles. All second/minute hash marks at the dials edge, bold at chapters. Luminous Mercedes hour hands, luminous pencil type hour hand, with extra fine stick type sweep second hand, sporting a luminous dot. Unidirectional bezel ring, with sapphire crystal. ETA caliber 2824-2, 25 jewel, ball bearing rotor, automatic movement. Sales box, outer cardboard box, hanging tag and instructions included. Has red paint two line address, denoting greater depth ability.
• Pablo Picasso. Yan Bandeau Noir
  Pablo Picasso. Yan Bandeau Noir pitcher. 1963, earthenware with engobe and incised decoration. 10 h × 4½ w × 6½ d in. result: $6,250. estimate: $3,500–4,500. This work is number 108 from the edition of 300. Incised signature and number to underside ‘Edition Picasso 108/300 Madoura’. Impressed manufacturer's mark to underside ‘Madoura Plein Feu Edition Picasso’. Provenance: Skinner's, American & European Works of Art, 19 September 2014, Lot 110 | Private Collection, New York
• Pablo Picasso. Yan Petites Têtes
  Pablo Picasso. Yan Petites Têtes pitcher. 1963, earthenware with engobe and incised decoration. 10 h × 4½ w × 6½ d in. result: $6,250. estimate: $3,500–4,500. This work is number 96 from the edition of 300. Incised signature and number to underside ‘Edition Picasso 96/300 Madoura’. Impressed manufacturer's mark to underside ‘Madoura Plein Feu Edition Picasso’. Provenance: Private Collection, New York
• Pablo Picasso. Yan barbu pitcher.
  Pablo Picasso. Yan barbu pitcher. 1963, earthenware with engobe decoration. 10½ h × 6¼ w × 4¾ d in. result: $7,800. estimate: $4,000–6,000. Incised manufacturer's mark and number to underside ‘Edition Picasso - 137/300 Madoura’. Impressed manufacturer's mark to underside ‘Madoura Plein Feu Edition Picasso’. This work is number 137 from the edition of 300. Provenance: Private Collection, Washington D.C.
• LLADRO FIGURINE, THE STUDENT
  LLADRO FIGURINE, THE STUDENT 01011753Goyesca porcelain finish; Number 123 in a limited edition of 300. Includes original box and base. Lladro backstamp. Artist: Enrique Sanisidro Issued: 1991 Dimensions: 11"H Edition Number: 123 of 300 Manufacturer: Lladro Country of Origin: Spain Condition: : Good
• PEGGY DAVIES FIGURINE, ACE
  PEGGY DAVIES FIGURINE, ACE PLAYERGlossy porcelain in a limited edition of 300; hand painted with ace of hearts and spades. Peggy Davies backstamp. Artist: Andy Moss Issued: 20th c. Dimensions: 8"H Edition Number: 78 of 300 Manufacturer: Peggy Davies Studios Country of Origin: England
• LADY DENDROBIUM HN5463 - ROYAL
  LADY DENDROBIUM HN5463 - ROYAL DOULTON FIGURINEAustralian Flower Ladies Collection. Ltd Edition. Purple and green colorway. Commissioned for Royal Doulton Australia. Doulton marks on the underside. Issued: 2010 Dimensions: 9"H Edition Number: 256 of 300 Manufacturer: Royal Doulton Country of Origin: England
• JAN VAN RIEBEECK LOVING CUP - ROYAL
  JAN VAN RIEBEECK LOVING CUP - ROYAL DOULTONFrom Men of History Series. With the growth of the spice trade, the Dutch East India Company decided in 1648 to establish a foothold at the Cape of Good Hope and chose as commander a young ships surgeon, Jan Van Riebeeck. On Christmas Eve 1651 he set sail with his wife and son on the �Dromedarius� accompanied by two support ships, dropping anchor below Table Mountain on April 6th 1652. Van Riebeeck, a resolute and energetic man, was ordered to build a fort and provide fresh water, vegetables and meat to passing ships. To prevent contact with the natives he built a hedge of bitter almonds around the settlement, the remains of which can still be seen. When he left ten years later, the base was well established and a small group of settlers had been given permission to start farming the land for themselves. The loving cup shows the first settlers rowing to shore from the ships, which are anchored below Table Mountain. On the reverse Jan Van Riebeeck is praying before the Dutch national flag at the Cape. The handles are modeled as full-length figures of Van Riebeeck, and on the base is �Landing at the Cape of Good Hope 1652. The achievement of this mission marked the beginning of the great Dominion which is now the Union of South Africa�. Royal Doulton backstamp. #Ceramic #England #Vase #Dickens Artist: Charles Noke, Fenton Issued: 20th c. Dimensions: 10.5"H Edition Number: 80 of 300 Manufacturer: Royal Doulton Country of Origin: England Condition: Good.
• ROYAL DOULTON CHARLES NOKE LOVING
  ROYAL DOULTON CHARLES NOKE LOVING CUP, JAN VAN RIEBEECK...Limited edition 48 of 300. A ceramic two handle cup; colorful reliefs of settlers rowing to shore, and Van Riebeeck praying. Royal Doulton backstamp. Harry Fenton and Charles Noke signatures on the bottom. #RoyalDoulton #Ceramic #LovingCup Artist: Harry Fenton and Charles Noke Issued: c. 1935 Dimensions: 10.5" L x 7.5" W x 10.5" H Edition Number: 48 of 300 Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear.
• SHROVETIDE TOMMIES HN5769 - ROYAL
  SHROVETIDE TOMMIES HN5769 - ROYAL DOULTON FIGURINEShrovetide Football Centenary 1916-2016 figure. Limited edition. Hand decorated bone china. Doulton marks on the underside. Artist: Neil Faulkner Issued: 2016 Dimensions: 7.5"W x 10"H Edition Number: 71 of 300 Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear.
• ROYAL DOULTON LOVING CUP JAN VAN
  ROYAL DOULTON LOVING CUP JAN VAN RIEBEECKGlossy raised scene of the first settlers rowing to shore from the ships anchored below Table Mountain. On the reverse Jan Van Riebeeck is praying before the Dutch national flag at the Cape. The handles are modeled as full-length figures of Van Riebeeck. The base reads Landing at the Cape of Good Hope 1652. Signed Noke to the left of the boat. Issued: 1935 Dimensions: 10.25"H Edition Number: 91 of 300 Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear.
• VINTAGE ORIENT & FLUME ART GLASS
  VINTAGE ORIENT & FLUME ART GLASS VASELimited edition luster yellow and green footed base. Beautiful decorated with pink-purple irises. Orient & Flume etched on the base. Dimensions: 3"W x 6"H Edition Number: 79 of 300 Manufacturer: Orient & Flume Country of Origin: United States Condition: Age related wear.
• HALCYON DAYS ENAMEL BOX , QUEEN
  HALCYON DAYS ENAMEL BOX , QUEEN VICTORIAA round limited-edition box, featuring a light green tone and adorned with depictions commemorating Her Majesty Queen Victoria's accession in 1837 and her Golden Jubilee in 1887, offering a historical and elegant design. With Halcyon Days Enamels backstamp. #Enamel #Art 2"L x 1.75"W x 2"H Dimensions: 2.5"L x 2.25"W x 1.5"H Edition Number: 182/300 Manufacturer: Halcyon Days Country of Origin: England Condition: Age related wear.
• 2 MILITARY BOLT-ACTION RIFLES1st
  2 MILITARY BOLT-ACTION RIFLES1st item: Carcano Italian Army Rifle, Model 1891/24 TS (Special Troops), 6.5mm, serial #TL8264. Sights are 300 meters and adjustable 600-1,500 meters. From 1924 to 1929 M1891 long rifles were converted into T.S. pattern carbines. Early models may have been drilled out and had new rifled tubes inserted, but most conversions just cut down the barrel and re-crowned. The cut down carbines ususally still have the longer rifle rear sight base. Stamped on the barrel near the bolt "TERNI 17 TL 8264". Barrel length - 18 1/2", Overall length - 36". Late 19th to early 20th century. 2nd item: Mossberg & Sons bolt action rifle, Model 42M-B .22, serial #17079. Comes with two magazine clip accessories along with strap attachments on bottom of forestock and buttstock. Breech stamped "United States Property, Serial No. 17079", barrel stamped "O.F. Mossberg & Sons, Inc, New Haven, Conn. U.S.A, 42M-B 22 S-L-LR". Stock behind hammer protrudes with green "S". Barrel length - 22 7/8", Overall length - 40 1/8". Firearms made after 1898 require passing an FFL background check prior to transfer. Please be prepared with proper identification. Early to mid 20th century. Condition: 1st item: Worn bore, missing magazine clip. 2nd item: Minor losses to wood, minor oil staining to bolt, good bore.
• MARC CHAGALL (RUSSIAN-FRENCH
  MARC CHAGALL (RUSSIAN-FRENCH 1887-1985)MARC CHAGALL (RUSSIAN-FRENCH 1887-1985) Place de la Concorde , 1960 lithograph on paper lithograph printed in colours, 1961, from the edition of 180, from Regards Sur Paris , published by Editions Andre Sauret, Paris, on wove paper, the full sheet printed to the edges, 390 x 300 mm (15 3/8 x 11 3/4 in) CONDITION N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
• THEODORE ROOSEVELT SIGNED
  THEODORE ROOSEVELT SIGNED DOCUMENT ON POLICE DEPT OF TH...Theodore Roosevelt Signed Document on Police Dept of The City of New York, 300 Mulberry Street, New York, Stationery, "October 7th, 1895 Dear Mr. Hoyt, I telegraphed to you at the Broadway Central House; but could not find you in. I do wish I could have had the chance to see you. Sincerely yours, Theodore Roosevelt" 7.25 in. x 12 in. Framed 17.5 in x 11.5 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• SWEDISH WARSHIP VASA INTRICATE
  SWEDISH WARSHIP VASA INTRICATE 54" HANDMADE MODELFor your consideration is this 54" Handcrafted Model of the 17th Century Swedish Warship Vasa (Wasa). Vasa or Wasa is a Swedish warship built between 1626 and 1628. The ship sank after sailing roughly 1,300 m (1,400 yd) into her maiden voyage on 10 August 1628. She was located in the late 1950s and salvaged with a largely intact hull in 1961. Since her recovery, Vasa was completely restored and now rests in the Stockholm Naval Museum. Vasa has become a widely recognized symbol of the Swedish Empire (17th - 18th centuries). This model measures 54" long from bow to stern, 46" high at the center main mast, 10" beam. Attention to detail and fine craftsmanship highlight this scale tall model ship. 1/50 scale size est. Historically accurate sails upon all masts and spars, extensive rigging, gun ports actually cut into the hull. Intricately carved hand-painted figurehead, scrollwork, planked deck, and stern reliefs. This tall ship model is in fair to good overall condition, deck cannons need to be glued into gunports, Metal gilt lion figurehead needs to be glued beneath bowsprit. Measures 54"L x 46"H x 10"B. Weight approximate 20lb, 6oz
• WEATHERBY MARK V 300 MAGNUM
  WEATHERBY MARK V 300 MAGNUM RIFLE, BOLT ACTION WITH RED...Weatherby Mark V 300 Magnum rifle, bolt action with Redfield scope, SN: P21392, book #550, lg. 44 3/8". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• GROUP OF CAMERAS AND LENSESGroup of
  GROUP OF CAMERAS AND LENSESGroup of Cameras and Lenses, to include Nikon FM2, Nikkormate F23, and Pentax with three additional lenses, all with cases; a Honeywell Super Tahumer 300 millimeter lense, two Kodak Bantans with cases, a Rollei 35 SE with flash, along with a Yashica Mat-124G. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• RAPHAEL SOYER SERIGRAPH OF A
  RAPHAEL SOYER SERIGRAPH OF A YOUNG WOMANSigned in in plate LR, in ink lower center margin. Old label on back from previous dust cover backing- "only 300 made". Framed, linen liner. (DORI21203)(JP) Dimensions: sight 25 5/8" x 20 framed 37.25 x 27.25 Condition: Very good, no craquelure, tears, or holes.
• DAVID STONE (1922-2001) "JAPANESE
  DAVID STONE (1922-2001) "JAPANESE LAND", ORIGINALDavid K Stone (Oregon, 1922 - 2001) "Japanese Land on New Guinea" Signed lower right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Republic of the Marshall Islands 29c Japanese Land on New Guinea 1942 stamps issued March 8, 1992. Seeking new territories to add to its East Asia Co-Prosperity Sphere, Japan inched island by island toward its ultimate goal -- Australia. New Guinea, the second largest island in the world, loomed wide on Japan's covetous horizon as a possible launch site for its Australian campaign. On March 8, the invasion of New Guinea commenced. Amphibious landings on Huon Gulf's coastal airfields dispatched Japanese troops which moved toward Port Moresby, a southern outpost only 300 miles from Australia's northern coast. The Japanese met only token ground resistance but ultimately failed to achieve their goal. A bolstered Allied air and ground offensive ultimately ensured the reconquest of New Guinea and blocked Japan's territorial expansion in the South Pacific. Image Size: 15.5 x 24.75 in. Overall Size: 24 x 27 in. Unframed. (B13637) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• MAX PAPART (1911-1994) COLLAGEMax
  MAX PAPART (1911-1994) COLLAGEMax Papart (France, 1911-1994) Collage on Board. Signed lower left. Inscribed verso with (V-LXIV) Sight Size: 31 x 31 in. Overall Size: 32 x 32 in. Influenced by such rich and varied sources as Cranach, Delacroix, Matisse, and Klee and inspired by his friend Jacques Prevert, Max Papart did work intended to open a window into a world that provokes as much thought as pleasure. Since his first one-man show in 1946, he had over 300 museum and gallery exhibitions around the globe, and is the subject of dozens of books and catalogues. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• MAX PAPART (1911-1994) COLOR
  MAX PAPART (1911-1994) COLOR LITHOGRAPHMax Papart (France, 1911-1994) Pencil signed and inscribed lower margin. Image Size: 12.5 x 3.25 in. Sheet Size: 16 x 9.5 in. Unframed. Influenced by such rich and varied sources as Cranach, Delacroix, Matisse, and Klee and inspired by his friend Jacques Prevert, Max Papart did work intended to open a window into a world that provokes as much thought as pleasure. Since his first one-man show in 1946, he had over 300 museum and gallery exhibitions around the globe, and is the subject of dozens of books and catalogues. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• MAX PAPART (1911-1994) COLOR
  MAX PAPART (1911-1994) COLOR LITHOGRAPHMax Papart (France, 1911-1994) Color Lithograph. Pencil inscribed lower margin. Sight Size: 25.5 x 20 in. Overall Framed Size: 31 x 23.25 in. Framed behind glass. Influenced by such rich and varied sources as Cranach, Delacroix, Matisse, and Klee and inspired by his friend Jacques Prevert, Max Papart did work intended to open a window into a world that provokes as much thought as pleasure. Since his first one-man show in 1946, he had over 300 museum and gallery exhibitions around the globe, and is the subject of dozens of books and catalogues. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• MAX PAPART (1911-1994) COLOR
  MAX PAPART (1911-1994) COLOR LITHOGRAPHMax Papart (France, 1911-1994) Color Lithograph Pencil signed and inscribed lower margin. Image Size: 19.75 x 19.75 in. Sheet Size: 28.75 x 21 in. Unframed. Influenced by such rich and varied sources as Cranach, Delacroix, Matisse, and Klee and inspired by his friend Jacques Prevert, Max Papart did work intended to open a window into a world that provokes as much thought as pleasure. Since his first one-man show in 1946, he had over 300 museum and gallery exhibitions around the globe, and is the subject of dozens of books and catalogues. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• MAX PAPART (1911-1994) "L'HOMME
  MAX PAPART (1911-1994) "L'HOMME SOURIANT"Max Papart (France, 1911-1994) "L'Homme Souriant" (The Smiling Man) Color Lithograph Pencil signed and inscribed lower margin. Image Size: 18 x 22 in. Sheet Size: 21.5 x 27.5 in. Unframed. Influenced by such rich and varied sources as Cranach, Delacroix, Matisse, and Klee and inspired by his friend Jacques Prevert, Max Papart did work intended to open a window into a world that provokes as much thought as pleasure. Since his first one-man show in 1946, he had over 300 museum and gallery exhibitions around the globe, and is the subject of dozens of books and catalogues. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• MAX PAPART (1911-1994) MIXED
  MAX PAPART (1911-1994) MIXED MEDIAMax Papart (France, 1911-1994) Mixed Media Pencil signed, inscribed and numbered (65/75) lower margin. Image Size: 21 x 25 in. Overall Framed Size: 28 x 31.75 in. Influenced by such rich and varied sources as Cranach, Delacroix, Matisse, and Klee and inspired by his friend Jacques Prevert, Max Papart did work intended to open a window into a world that provokes as much thought as pleasure. Since his first one-man show in 1946, he had over 300 museum and gallery exhibitions around the globe, and is the subject of dozens of books and catalogues. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• MAX PAPART (1911-1994) OILMax
  MAX PAPART (1911-1994) OILMax Papart (France, 1911-1994) "En Vue du Kilimanjaro" (In View of Kilimanjaro) Oil on Canvas. Signed lower right. Inscribed verso with title. Sight Size: 31.75 x 25.25 in. Overall Size: 33 x 26.5 in. Influenced by such rich and varied sources as Cranach, Delacroix, Matisse, and Klee and inspired by his friend Jacques Prevert, Max Papart did work intended to open a window into a world that provokes as much thought as pleasure. Since his first one-man show in 1946, he had over 300 museum and gallery exhibitions around the globe, and is the subject of dozens of books and catalogues. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• A belemnite fossil, of irregular
  A belemnite fossil, of irregular shape, approximately 83cm x 45cm/Note: Orthocerus lived more than 300 million years ago and their remains are found in fossil beds. The animals developed into our modern day squid, leaving behind their fossilised shells in the black marble that they lived in.