A few examples of appraisal values for
768

• AFTER ANTONIO CANAL
  AFTER ANTONIO CANAL CANALETTOAfter Antonio Canal Canaletto(Italian, 1697-1768)Veduto di San Giacomo di Rialto, Veniceetching on laid papercirca 1735-44; etching from Canaletto's series Vedute altre prese da i luoghi altre ideate
• A SIX PIECE GROUP OF ENGLISH SILVER
  A SIX PIECE GROUP OF ENGLISH SILVER TABLEWAREA six piece group of English sterling silver tablewarevarious makers18th-19th centuryComprising a chamber stick with snuffer, W.T, London, 1768, with heraldic crest, a hot milk jug, marks and monogram
• A GEORGE III STERLING SILVER COFFEE
  A GEORGE III STERLING SILVER COFFEE POTA George III sterling silver coffee potmaker's mark mis-struck, London1768With heraldic crest to one side and coat of arms opposite.height 11in (28cm); length 9in (23cm); width 4 1/2in (11.5cm); gross
• AFTER JACQUES BARRABAND, PERRUCHE
  AFTER JACQUES BARRABAND, PERRUCHE ARA GUAROUBAAfter Jacques Barraband (French, 1768-1809)Perruche Ara Guarouba dans son jeune agehand-colored engraving on wove paperPlate 20 from Francois Levaillant's Histoire Naturelle des Perroquets, Paris: Che
• George III Silver Oval Meat
  George III Silver Oval Meat Platter, London, Edmund Vincent, 1768 engraved with armorials on the rim length 17.5 in — 44.5 cm; width 12.7 in — 32.2 cm
• A Derbyshire saltglazed brown
  A Derbyshire saltglazed brown stoneware loving cup, Chesterfield, dated 1816, incised JAMES AND HANNAH CARLINE DECR 16 1816 / About this time our Saviour came to save his fallen creature man to save us all .... and me from sin and endless misery, framed by a wavy line and leaves, the reverse and flared neck incised and impressed with leafy flowering boughs, 26cm h James Carline (1764-1843), a basket maker of Ashover, Derbyshire, the son of Thomas Carline and his wife Hannah, married Hannah Else (1768-1827) at Ashover on Christmas Day 1768 More Information One handle restored
• GEORGE GROVES, PAIR OF BRASS
  GEORGE GROVES, PAIR OF BRASS CANDLESTICKSGeorge Groves (Birmingham, fl. 1748-1768) , pair of Queen Anne brass candlesticks marked GEO GROVE, with scalloped bases, 9" h. Competitive in-house shipping is available for this lot. Condition: Base - 4 1/4" w. One with tight crack to rim.
• GEORGE GROVES, PAIR OF ENGLISH
  GEORGE GROVES, PAIR OF ENGLISH BRASS CANDLESTICKSGeorge Groves (Birmingham, fl. 1748-1768), nearly identical pair of Queen Anne brass candlesticks, signed GEO GROVE and GEORGE GROVE , 7 3/4" h., together with two pairs of English brass candlesticks, 19th c. Competitive in-house shipping is available for this lot. Condition: Small plugged holes below rim of talest.
• DANIEL SCHUMACHER, FRAKTURDaniel
  DANIEL SCHUMACHER, FRAKTURDaniel Schumacher (active 1754-1786) , Heidelberg Township, Northampton County, Pennsylvania watercolor and ink on paper fraktur, dated 1768 , for Christopher Kern, with script surrounded by tulip vines and urn with vines and flower, signed lower center, 8 1/2" x 13". Competitive in-house shipping is available for this lot. Condition: Frame size - 11'' x 16''. A couple small holes, small loss to border. Toned.
• Sydenham Teast Edwards (British,
  Sydenham Teast Edwards (British, 1768-1819) Red Breast, 1791; House Sparrow, 1794; and Stonechat, 1794 (three works) watercolor and gouache each signed and dated 8 x 11 inches.
• SEVRES PORCELAIN FEUILLE DE CHOUX
  SEVRES PORCELAIN FEUILLE DE CHOUX WINE COOLERS, 2 Pair of Sevres Porcelain "Feuille-de-Choux" Pattern Wine Coolers, or "seaux a bouteilles", each with underglaze interlaced L marks and "P" date mark for 1768. 7" H x 10.25" W x 8" Diameter. Provenance: From a 140 East 56th Street estate. Keywords: Antique, Hand-painted ceramics, French porcelain
• THOMAS GRAY, POEMS BY MR. GRAY 1768
  THOMAS GRAY, POEMS BY MR. GRAY 1768 Poems by Mr. Gray published 1768. First London edition that includes the famous "Elegy Written in a Country Churchyard. Rare half-title page is present. Contents on page 121. Fully bound in leather with raised bands on the spine. Marbled boards. Small 8vo.
• 9VOL THE GENTLEMANS MAGAZINE,
  9VOL THE GENTLEMANS MAGAZINE, LONDON, 1734-1799 Nine issues of The Gentleman's Magazine. Select issues Feb. 1734, Oct. 1735, April 1736, Jan. 1743, June 1768, Aug. 1772, April 1779, and Jan. 1786, August 1799.
• SAMUEL JOHNSON, DICTIONARY OF
  SAMUEL JOHNSON, DICTIONARY OF ENGLISH 1768 A Dictionary of the English Language in which The Words are deduced from their Originals, Explained in their Different Meanings, and Authorized by the Names of the Writers in whose Works they are found. By Samuel Johnson, printed by W.G. Jones, for Thomas Ewing, in Dame Street. Third Edition. Fully bound in brown leather. Spine title is on a field of red. 8vo. Early edition of a pivotal work in grammar.
• 6PCS EARLY AMERICAN NEWSPAPERS,
  6PCS EARLY AMERICAN NEWSPAPERS, INC. AARON BURR A collection of six early newspapers. The Country Journal or Craftsman, June 28, 1735 #469, discussing Savannah, Georgia being built. Contains advertisements and other news. Columbian Repository, Dec 1, 1807, #48, vol, vI, discussed Aaron Burr conspiracy. National Intelligencer, Sept 18, 1807, #1081, Aaron Burr trial. Pennsylvania Gazette, Feb 18, 1768, #2043, patriotic letters to editor and Stamp Act. Massachusetts Spy, or, The Worcester Gazette, Sept 11, 1788, #806, war history, North Carolina ratifying their constitution. Massachusetts Spy, or, The Worcester Gazette, June 23, 1791 #951, breeding silk worms in Georgia and George Washington visiting Savannah, Georgia with the16 toasts given listed in print. All above have many adverts and local interest stories of the time.
• 9PCS COLONIAL UNITED STATES
  9PCS COLONIAL UNITED STATES NEWSPAPERS, 1780S The first being, The Boston Chronicle: Jan 11 to 18 1768; The Independent Gazetteer: December 5, 1787; The Pennsylvania Packet: March 21, 1788; The Massachusetts Centinel: March 26, 1788; The Independent Gazetteer: April 15, 1788; The Pennsylvania Gazette: April 30, 1788; The Independent Gazetteer: June 24, 1788; The Massachusetts Centinel: January 6, 1790; The Balance and Columbian Repository: Vol. 2 #51, Dec. 20, 1803.
• P. FRENEAU, AMERICAN REVOLUTION,
  P. FRENEAU, AMERICAN REVOLUTION, POEMS, 1795 Poems Written Between the Years 1768 & 1794, by Philip Freneau, of New Jersey: A New Edition, Revised and Corrected by the Author; Including a considerable number of Pieces never before Published. Monmouth (N.J.), Printed at the press of the author, 1795, and, of American Independence, XIX. Already well-known as a poet, satirist, and journalist, Philip Freneau was encouraged by Thomas Jefferson and James Madison to publish and edit The National Gazette (1791-1793) in Philadelphia. This publication gave voice to Jeffersonian Democratic-Republican views, largely to counter the Hamiltonian Federalist tone of John Fenno's Gazette of the United States. Freneau is often called the "Poet of the American Revolution." Book is fully bound in dark brown, almost black leather. Raised bands and gilt titling on the spine. Errata page in the back.
• WINCHESTER 30-30 MODEL 94
  WINCHESTER 30-30 MODEL 94 BICENTENNIAL LEVER-ACTIONWinchester .30 Model 94 (serial #:USA19768)Saddle ring carbine and shows a deluxe walnut checkered wood stock with inlaid medallion marked, ''WINCHESTER SALUTES THE UNITED STATES BICENTENNIAL 1776-1976.'' the receiver shows a silver finish with factory engraving. Left side marked with an engraved border and us bald eagle. The right side is marked with an engraved border and 76 surrounded by 13 stars. 20 inch round barrel. Original box and paper work. No wall mount.Measures overall 38 inches with 20 inch barrel.New in box. Box in fair condition.
• AFTER CANALETTO (ITALIAN,
  AFTER CANALETTO (ITALIAN, 1697-1768), NORTHUMBERLAND HOUSE Oil on canvas (lined), 19th century, etched "YA" monogram at lower right, presented in a gilt frame.
• MARANTZ MODEL 2245 STEREOPHONIC
  MARANTZ MODEL 2245 STEREOPHONIC RECEIVER Serial# 52768 Stereo receiver with 45 watts per channel into 8 ohms, AM/FM tuner, phono, and auxiliary inputs, as well as a tape loop with tape monitor. The main and remote speaker outputs with pin/bare wire connections.
• A STERLING SILVER REVERE BOWL, MARK
  A STERLING SILVER REVERE BOWL, MARK OF FISHER Paul Revere 1768 reproduction bowl, pattern number 238, without a monogram.
• DE VAUGONDY MAP OF NORTHWESTERN
  DE VAUGONDY MAP OF NORTHWESTERN NORTH AMERICA Robert de Vaugundy. CARTE GÉNÉRALE DES DÉCOUVERTES DE L'AMIRAL DE FONTE REPRESENTANT LA GRANDE PROBABILITÉ D'UN PASSAGE AU NORD OUEST PAR THOMAS JEFFERYS. Paris, 1772. Copperplate engraving, French print of the English cartographer Jefferys's map of 1768 depicting the theory of the Northwest Passage according to 17th-century admiral, Bartholomew de Fonte, no. 8 from a series of (10) maps of North America from the Supplement to Encyclopédie edited by Denis Diderot; presented behind mat in wooden frame.
• SET OF FOUR EMPIRE CARVED
  SET OF FOUR EMPIRE CARVED MAHOGANY FAUTEUILS EN GONDOLE, STAMPED JACOB FRERES RUE MESLEEEach 35 1/2 x 23 x 23 in., seat height 17 in. Jacob Frères Rue Meslée' was the stamp used by Georges II (1768-1803) and François-Honoré Georges Jacob (1770-1841), sons of Georges Jacob (1739-1814, maître in 1765) between 1796 and 1803, after taking over their father's workshop. Three of four stamped. Condition In good overall condition, wear is consistent with age and use. Upholstered in green silk damask fabric. Minor scuffing, nicks and veneer losses and lifting. Minor veneer replacements on the back legs of the fauteuils and top rails. A few back legs spliced and now repaired and are structurally sound. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• SET OF FOUR EMPIRE CARVED
  SET OF FOUR EMPIRE CARVED MAHOGANY FAUTEUILS EN GONDOLE, STAMPED JACOB FRERES RUE MESLEEEach 35 1/2 x 23 x 23 in., seat height 17 in. Jacob Frères Rue Meslée' was the stamp used by Georges II (1768-1803) and François-Honoré Georges Jacob (1770-1841), sons of Georges Jacob (1739-1814, maître in 1765) between 1796 and 1803, after taking over their father's workshop. One of four stamped. Condition In good overall condition, wear is consistent with age and use. Upholstered in green silk damask fabric. Minor scuffing, nicks and veneer losses and lifting. Minor veneer replacements on the back legs of the fauteuils and top rails. A few back legs spliced and now repaired and are structurally sound. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• EMPIRE CARVED MAHOGANY SETTEE,
  EMPIRE CARVED MAHOGANY SETTEE, JACOB FRERES RUE MESLEEUnmarked. Ensuite with lot 115 and 117. 37 1/2 x 6 ft. 4 in. x 25 in., seat height 16 in. Jacob Frères Rue Meslée' was the stamp used by Georges II (1768-1803) and François-Honoré Georges Jacob (1770-1841), sons of Georges Jacob (1739-1814, maître in 1765) between 1796 and 1803, after taking over their father's workshop. Condition In good overall condition, wear is consistent with age and use. Upholstered in green silk damask fabric. Minor scuffing, nicks and veneer losses and lifting, predominantly along the seat rail of the settee and back legs. Structurally sound. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• ROBERT JOHN THORNTON (1768-1837):
  ROBERT JOHN THORNTON (1768-1837): ROSESMezzotint with hand-coloring on wove paper, 1805. 22 x 18 in. (sheet), 28 1/2 x 22 1/2 in. (frame). Condition With margins. Old binding along the left sheet edge. Scattered foxing and pale staining. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• ROBERT JOHN THORNTON (1768-1837):
  ROBERT JOHN THORNTON (1768-1837): THE PERSIAN CYCLAMEN; AND THE OBLIQUE-LEAVED BEGONIATwo mezzotints with hand-coloring on wove paper, 1804 and 1800. Both 20 x 15 in. (sight), 28 1/2 x 22 3/4 in. (frame). Condition Both with margins, scattered foxing and pale staining. Not examined out of frame. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• ROBERT JOHN THORNTON (1768-1837):
  ROBERT JOHN THORNTON (1768-1837): TULIPSMezzotint with hand coloring on wove paper, 1798. 19 x 14 in. (sight), 28 1/2 x 22 3/4 in. (frame). Condition With margins. Scattered foxing and pale staining. Not examined out of frame. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• NUREMBERG FAMILY BIBLE, DATED
  NUREMBERG FAMILY BIBLE, DATED 1768Nuremberg family Bible, dated 1788 , the front bookplate with Abraham Herr and family listed within a rose border, the back bookplate inscribed Abraham Stehman and Elizabeth Bucher 1768 with elaborate floral border, together with an enclosed vorschrift for the Stehman family and a birth record fraktur for Christian Herr, 1777. Competitive in-house shipping is available for this lot. Condition: Losses and staining, clasps missing, damage to spine. Both enclosed fraktur attached to linen cloth.
• AN IMPORTANT LATE LOUIS XV
  AN IMPORTANT LATE LOUIS XV ORMOLU, WHITE MARBLE AND PORPHYRY PENDULE à CERCLES TOURNANTS Michel Stollewerck, circa 1765. Signed Stollewerck A Paris, signed two train movement, verge escapement.Catalog Note: Michel Stollenwerck was of German birth but recorded in Paris by 1730. He first established his workshop in the precincts of the Abbey St Germain des Pres in 1739 but moved to the rue de la Comedie Francaise by 1747. Stollenwerck had exceptional mechanical talent and specialized in musical clocks. Stollenwerck supplied clocks for the French nobility and the crowned heads of Europe including King Stanislas Leszczynski, Frederick II of Prussia and Augustus III of Saxony. The horizontal rings that indicate the time in cercles tournants clocks can be troublesome, in that they can rub or jam if incorrectly balanced, or not handled with great care. The 90 degree change in the direction of rotation required to drive the rings can also introduce problems. The clock offered for sale here demonstrates Stollewercks innovative solution to this problem. By using rings of rigid construction, a stout, well supported motion transmission arbor, and a disc with wheel bearings to reduce friction and to decrease the chances of the rings fouling each other, the failings of other clocks of this type are avoided. He invented this system. The square, two train movement is very well made and finished, and a testament to the fine work being done in Paris during the mid 18th century. Stollewerck employed the finest craftsmen of his time for his clock cases, including bronziers such as Jean Joseph de St. Germain and Robert Osmond. The stonework and castings are of exceptional quality, and appear to retain most of their original gilding. By the time of his death in 1768, he was considered to be one of the finest makers in Europe. Watch Video
• ENGLISH DOCUMENTARY SALT-GLAZED
  ENGLISH DOCUMENTARY SALT-GLAZED STONEWARE POLYCHROME-ENAMELED JUG, DATED 1768 HEIGHT: 6 3/4 IN. (17.1 CM.)ENGLISH DOCUMENTARY SALT-GLAZED STONEWARE POLYCHROME-ENAMELED JUG, DATED 1768, probably John Platt Factory, Yorkshire, Rotherham, the painting perhaps from the workshop of David Rhodes, of pear shape, the strap handle with pinched kick terminal, the mouth painted in iron-red with an entrelac band, centered below the spout a distinctive iron-red and black feathered cartouche enclosing the inscription "John Kirkham 1768", the sides with tight bouquets and scattered sprays Dimensions: Height: 6 3/4 in. (17.1 cm.) Provenance: With Ginsburg & Levy, New York The Collection of Harriet Carlton Goldweitz, Sotheby's, New York, January 20, 2006, Lot 157 (paper label) ($7,803) From the Collection of Diana Edwards Murnaghan, No. 372
• LAMBETH DELFTWARE BLUE AND WHITE
  LAMBETH DELFTWARE BLUE AND WHITE EARTHENWARE PLATE, CIRCA 1770 DIAMETER: 8 7/8 IN. (22.5 CM.)LAMBETH DELFTWARE BLUE AND WHITE EARTHENWARE PLATE, CIRCA 1770, the center painted with a shepherd and shepherdess in a tree lined garden, an arched ruin in the background Dimensions: Diameter: 8 7/8 in. (22.5 cm.) Provenance: Purchased in Brugge, Belgium, August 6, 1988, 1,000BF ($263) From the Collection of Diana Edwards Murnaghan, No. 212 Catalogue note: Print source: Francois de Cuivillies (d. 1768) engraved by Lespillez, circa 1770 An example in Bristol Museum, accession no. N.7111; Illustrated in Frank Britten, "London Delftware", (1986), p. 158. Also see, The Victoria & Albert Museum, accession no. C.192-1923, in Michael Archer, "Delftware", (1987) p. B265 for a detailed example of this subject attributed to Lambeth.
• WEDGWOOD LACQUER SNUFF-BOX AND
  WEDGWOOD LACQUER SNUFF-BOX AND COVER WITH TRI-COLOR JASPERWARE MEDALLION, CIRCA 1790 DIAMETER: 2 7/8 IN. (7.3 CM.)WEDGWOOD LACQUER SNUFF-BOX AND COVER WITH TRI-COLOR JASPERWARE MEDALLION, CIRCA 1790, the mounts perhaps Matthew Boulton, Soho Birmingham, cylindrical, the central lavender medallion sprigged with Neptune (Poseidon) and Minerva (Athena) disputing the naming of Athens, the blue and white border with a laurel Vitruvian scroll Dimensions: Diameter: 2 7/8 in. (7.3 cm.) Provenance: Gift of J.V.G. Mallet, October 2017, 800 pounds From the Collection of Diana Edwards Murnaghan, No. 488 Catalogue note: For a blue and white medallion of the same subject, see The British Museum, London, accession no.1887,0307,I.671. The 'Cameo' source, once owned by the King of Naples, appears in the 'Tassie and Raspe catalogue' of 1791, as no. 1768.
• LARGE TABRIZ CARPET NORTHWEST
  LARGE TABRIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the burgundy field with allover palmette and saz leaf pattern, within turquoise border768cm x 413cmProvenance: Pallinsburn House Sale, Lyon & Turnbull, 4 May 2005, lot 490
• A TREATISE ON CIVIL ARCHITECTURE
  A TREATISE ON CIVIL ARCHITECTURE . . . BY CHAMBERSA Treatise on Civil Architecture In Which the Principles of that Art are laid down, and Illustrated by a great Number of Plates , by William Chambers, London, printed by J. Dixwell, 1768. Second Edition, Folio, full calf, complete, 22" x 15". Competitive in-house shipping is available for this lot. Condition: Front board detatched, some foxing.
• RARE AND IMPORTANT CHARLESTON
  RARE AND IMPORTANT CHARLESTON BRACKET CLOCK18th century, the painted dial marked "Wm. Lee/CharlesTown" with Roman numerals, set in mahogany case with pierced fretwork atop fabric backing, hinged brass handle over arched top, all over four claw feet, hinged glass doors opening to works and dial, with pendulum and key, 17 x 11-1/2 x 6-1/2 in. Provenance: Property from Historic Dean Hall Plantation, South Carolina Note: According to Mesda's research, "William Lee, whose name is engraved on the clock's dial, was typical of the merchants who imported, sold, and serviced clocks. William Lee completed his apprenticeship in Charleston to Joshua Lockwood and began advertising in the Charleston newspapers in 1768. In the early 1770s his former master recommended him to the vestry at St. Michael's Church as "a journeyman very capable of taking care of the clock" while he (Lockwood) was abroad in England. The vestry was apparently very satisfied with Lee, giving him the position permanently, as well as £20 more per year than they had been paying Lockwood. In 1769 "William Lee, Clock and Watch-maker" married "Miss Anne Theus, Daughter of Mr. Jeremiah Theus." Anne's portrait, by her father, is in the MESDA collection (acc. 1179). William Lee died in 1804 leaving a sizeable estate worth more than $2,000. The movement has not been tested for accuracy and Brunk Auctions makes no warranty or guarantee whatsoever regarding that any clock or watch is in working order. Condition: some flaking and loss to painted dial, solder repair to hinge on front door, panel with handle on top slightly loose, small crack to fretwork decoration in lower left on front