A few examples of appraisal values for
876

• A PAIR OF CONTINENTAL GLAZED
  A PAIR OF CONTINENTAL GLAZED EARTHENWARE FIGURESA pair of Continental glazed earthenware figureslate 19th centuryDiana impressed M 8769, fisherwoman impressed BU/M/8770.height 30in (76cm); width 12 1/2in (32cm); depth 10 1/2in (16.5cm)
• ALFRED DE MUSSET & JEAN-BAPTISTE
  ALFRED DE MUSSET & JEAN-BAPTISTE MOLIEREAlfred de Musset & Jean-Baptiste Moliere.Lot includes: 1. Oeuvres Completes. 28 Gravures d'apr?s Bida et un portrait par Flameng. Paris: Edit? par Charpentier,1876. (10 volumes, complete) 8vos. bound
• HARRY LIEBERMAN, FIGURES AT A
  HARRY LIEBERMAN, FIGURES AT A TABLEHarry Lieberman (American, 1876-1983)Figures at a tableoil on canvas20 x 16in (51 x 41cm)
• VICTORIAN SILVER JUG AND PAIR
  VICTORIAN SILVER JUG AND PAIR GEORGE III COASTERSA Victorian sterling silver claret jug and a pair of George III sterling silver and mahogany bottle coastersthe jug Thomas Smily, London1876The coasters no maker's mark evident, London, 1790, engraved
• ALEXANDRE JOSQUIN, BOARDING THE
  ALEXANDRE JOSQUIN, BOARDING THE TRAINAlexandre Josquin (French, 1822-1876)Boarding the Trainoil on lined canvassigned lower left JOSQUIN22 3/4 x 30 1/2in (57.8 x 77.5cm)
• JEAN LOUIS PAGUENAUD, FARM IN A
  JEAN LOUIS PAGUENAUD, FARM IN A LANDSCAPEJean Louis Paguenaud (French, 1876-1952)Farm in a landscapeoil on lined canvassigned lower right J.L. PAGUENAUD20 x 28 3/4in (50.8 x 73cm)
• JAMES JACQUES TISSOT, RAMSGATE,
  JAMES JACQUES TISSOT, RAMSGATE, 1876 (W. 22)James Jacques Tissot (France, 1836-1902)Ramsgate, 1876 (W. 22)drypoint, etching on cream laid paperThe bon à tirer impression, before the edition of 25. Initialed and inscribed Bon à tirerin pencil,
• AN AMERICAN BRONZE MODEL OF A
  AN AMERICAN BRONZE MODEL OF A MARINER, RAPHANELAn American patinated bronze model of a marinerafter a model by Xavier Raphanel (French 1876-1957)modernIncised X. Raphanel and ART BRONZE foundry pastille.height 24 1/2in (62.5cm); width 10in (25.5cm
• A BRONZE BUST OF A NATIVE AMERICAN,
  A BRONZE BUST OF A NATIVE AMERICAN, AFTER FRASERA patinated bronze bust of a Native American manafter a model by James Earle Fraser (1876-1953)modernIncised J.E. FRASER on upper neck and with ART BRONZE foundry pastille.height 12 1/4in (31cm); widt
• HIROSHI YOSHIDA, LANDSCAPE AND
  HIROSHI YOSHIDA, LANDSCAPE AND TEMPLE SCENES (4)Hiroshi Yoshida (Japan, (1876-1950))Landscape and temple scenes (4)woodblock prints on wove paperlot includes: 1. Sacred Bridge at Nikko. published in 1937 by Yoshida Studio;titled and signed in penci
• THEODORE HINES, ON THE THAMES AT
  THEODORE HINES, ON THE THAMES AT SHIPLAKETheodore Hines (British, fl. 1876-1889)On the Thames at Shiplakeoil on canvassigned to reverse Theo Hines20 1/2 x 30in (52 x 76cm)
• UNUSUAL CARVED AND PAINTED PREENING
  UNUSUAL CARVED AND PAINTED PREENING DUCK DECOYUnusual carved and painted preening duck decoy, attributed to John Glenn, Rock Hall, Maryland (1876-1954), 20" l. NO in-house shipping for this lot. Condition: Almost no paint remaining, large age crack through bottom.
• REDWARE BANK, MINIATURE
  REDWARE BANK, MINIATURE JUGRedware bank, signed and dated 1881 , together with a miniature jug inscribed Little Brown Jug 1876 , 4 1/4" h. and 3" h. Competitive in-house shipping is available for this lot. Condition: Bank with a couple surface imperfections.
• TEODORO WOLF-FERRARI, OIL ON
  TEODORO WOLF-FERRARI, OIL ON PANELTeodoro Wolf-Ferrari (Italian 1876/78-1945), oil on panel canal scene, signed lower right, 10" x 16". Competitive in-house shipping is available for this lot. Condition: Unframed, small surface abrasions.
• THREE APPLIQUé PANELSThree appliqué
  THREE APPLIQUé PANELSThree appliqué panels, largest - 16 1/2" x 20 1/2". Provenance: Hattie Brunner; Pook & Pook, January 28, 2006, Lot 876. Competitive in-house shipping is available for this lot. Condition: Good condition. No apparent damages or repairs. Hand stitched.
• A collection of Coins &
  A collection of Coins & notes.Including a ten shilling note, Greek 100 Drachma, 1893 Victoria crown, 1876 & 1891 1/2 crowns and 1918 3 pence.
• The personal pocket Bible of Samuel
  The personal pocket Bible of Samuel Marsden, written in the front pages "Samuel Marsden's Windsor New South Wales, Dec 1 of 1827". Later written Harriet Marsden's Windsor New South Wales March 29th 1835. The Gift of her Father SM? The bible was printed in 1808.Samuel Marsden (1796-1854) came to Australia in 1821 on The Westmorland with his wife and daughter Harriet who was born on the Ship. Samuel's brother Thomas married Jane Catherine a Daughter of Rev Marsden, both Samuel and Thomas Marsden where cousins of the Rev Samuel Marsden.Harriet married Anthony Hordern of the retail firm Anthony Hordern Sydney, with this lot are photo's of both Harriet and Anthony, Harriet Died in Italy aged 52 (1820-1872) and Anthony died Sydney aged 56 (1819-1876), approx 14cm H x 8cm W. Provenance: Directly from the Hordern Family
• RARE DOUBLE HEAD EAGLE PATTERN
  RARE DOUBLE HEAD EAGLE PATTERN HANDLED BUTTERprint ca. 1876 era; believed to be in southeastern PA, the print lathe turned single piece with ball nob hand, central layout line with upper central eight-point star and opposing faced double head eagle holding long bow of willow branch, body of eagle deep carved diamond pattern with lower portion of print having long flower bow of tree, attributed to shop that carved the vigilant cow series prints, 4"d, 2 3/4"h; Condition: some deterioration to chip carved rim band from use, print and body cleaned of original patina, possibly carved as part for centennial 1776 celebration
• RED & WHITE JACQUARD WOVEN COVERLET
  RED & WHITE JACQUARD WOVEN COVERLET CA.1876-1880s; jacquard double weave coverlet of red wool yarn and un-dyed wool with cotton warp, pattern of coverlet with large central star and floral medallion with eagles on interior field, coverlet with large floral design border, red fringes on side and foot end, 82"x 74"; Condition: minor soiling to head end, minor loss of fringes
• PAIR OF CAST IRON "GEORGE
  PAIR OF CAST IRON "GEORGE WASHINGTON" ANDIRONSca. 1876-1926 era; unsigned sand cast figural fronts of George Washington wearing a vest, frock coat and shoulder epaulettes, the cast fronts with noted small round pour spout on back, the fronts have brackets for dovetail mounts to heavy fire grate bases, painted black, 15 1/2" front, 15 1/2" rack; Condition: chipping to one foot; parts are separated to make easier to move, however, they are quite heavy
• 2 CAST IRON BUILDINGS BANKSca.
  2 CAST IRON BUILDINGS BANKSca. 1876-1900; J&E Stevens patented 1876 magic bank mechanical operated cashier door bank with iron mansard roof with large arched rose windows on side and back, bronze radiator painted surface, operating with hinged door, 5"x 4 1/4"x 5", Condition: good, catch spring missing, crack noted near slot and 1 window arch; unattributed New England Church steeple and steeple roof churchhouse shaped bank with white and green paints, 7 1/2"x 4 1/4"x 7 3/4", Condition: extensive paint wear, 40-50% original paint remains
• 4 SMALL CAST IRON BUILDING BANKSca.
  4 SMALL CAST IRON BUILDING BANKSca. late 19th-early 20th century; English made rose window tower and dome building bank, brown varnish paint, 2 1/4"x 1 1/2"x 2 1/4", Condition: extensive paint loss; unknown maker "1876 Bank" building with openwork three-lite windows on each side of door, paint and varnished finish, 2 3/4"x 2 1/4"x 3 1/4", Condition: 85-90% original; odd hexagon shaped building bank with four window and blue painted surface, 2 1/4"x 1 3/4"x 2 1/2", Condition: paint peeling, 60-80% paint intact, missing original peg fastener; Williams dome bank small size with radiator gray/bronze paint, 2"x 1 3/4"x 3", Condition: 90-95% original paint
• FRAMED ASSEMBLED WOOL FELT
  FRAMED ASSEMBLED WOOL FELT CENTENNIAL GAMEBOARDca. 1876; colorful cut-work inlay on wool ground two-sided gameboard with traditional checkerboard in black and red with black, red, green and yellow binding and backgammon game on reverse, the board with colorful date board inlays in center of gameboard, in a black painted frame, 19 1/4"x 19 1/4" framed; Condition: wool felt has substantial bug hole damage and soiling
• POLYCHROME PAINTED CAST IRON HALL'S
  POLYCHROME PAINTED CAST IRON HALL'S LILLIPUT MECHAca. 1875 & 1876 patented; ribbed domed block shaped bank depicting banker standing on staircase that revolves to receive coin in bank, manufactured by J&E Stevens Co, design by John Hall, 4 1/2"h; Condition: figure holds fluted edge tin tray, replaced "make-do" coin door, 80-90% original surface
• Hiroshi Yoshida (1876-1950),
  Hiroshi Yoshida (1876-1950), Chion-in Temple Gate Signed in pencil 'Hiroshi Yoshida' and sealed 'jizuri' (self-printed) to margin; from the series 'Sakura hachidai' (Eight views of cherry blossoms) image 10 x 15.2 in — 25.5 x 38.5 cm
• JAMES PRICE (BRITISH, ACT.
  JAMES PRICE (BRITISH, ACT. 1842-1876) (3) A drover with cattle outside a cottage watercolour 44 x 67cm together with Landscape in a storm; and The Young Angler, two watercolours by a follower of David Cox (3)
• A pair of Minton pierced dessert
  A pair of Minton pierced dessert plates, outside-decorated, 1870 and 1876, painted by James Rouse, signed (J Rouse Junr Derby) with a ghillie on a moor or girl cradling a deer, the pierced chrome green border with six miniature floral painted reserves in raised gilt ovals, 23.5cm diam, impressed marks More Information One plate with some crazing of glaze; not cracked or chipped, no restoration
• Noel Denholm Davis (1876-1950) -
  Noel Denholm Davis (1876-1950) - News From The Front, signed and dated 1915, inscribed and titled plaque, oil on canvas, 71 x 92cm, gilt softwood and composite rectangular frame Reputedly commissioned by Jesse Boot, 1st Baron Trent (1850-1931), of the eponymous Nottingham pharmacy chain 'Boots the Chemist'. More Information Relined. Some portions cleaned/lightly scrubbed. The centre with a stabilised 2cm l split/hole, which is lost in the overall display of the picture.
• A Victorian silver mustard pot,
  A Victorian silver mustard pot, with beaded rims, blue glass liner, 70mm h, by William and Henry Stratford, Sheffield 1876, 7ozs 10dwts, a Victorian miniature silver oval stand, London 1900 and a Victorian plated salt cellar (4) More Information Light wear but undamaged, liner also in good condition save for pin head sized graze on surface of rim
• Americana. Charles Mottram
  Americana. Charles Mottram (1807-1876) after John William Hill (1812-1879), Boston, [Massachusetts], panorama, London: Colnaghi & Co., New York: Smith Brothers & Co., Paris: François Delarue, et al., dated 1857 within the plate, etching and engraving, contemporary hand-colouring, 65.5 x 100cm More Information Good condition, fresh colouring. One or two foxed spots, though displaying well. Unexamined out of frame.
• Gold Coin. Sovereign 1876
  Gold Coin. Sovereign 1876
• 1876 PHILADELPHIA CENTENNIAL
  1876 PHILADELPHIA CENTENNIAL EMBROIDERED AMERICANA QUILT Felted wool, velvet, silk, cotton, and appliqué. Textile depicts every important event in the USA up until 1887. Made for and exhibited in the Centennial celebration in 1876 in Philadelphia, PA.
• RICHARD HAYLEY LEVER (AMERICAN,
  RICHARD HAYLEY LEVER (AMERICAN, 1876-1958) "MENEMSHA, MARTHA'S VINEYARD" Watercolor on paper. Signed 'Hayley Lever' (lower right) and dated '1931'. Richard Hayley Lever (American, 1876-1958) Born in Adelaide, Australia in 1876, Hayley Lever was known for his town-shore landscapes and still-life painting in a style that combined impressionism with vivid colors and strong lines of realism - post impressionism. In his use of color, he was deeply influenced by Vincent Van Gogh. He freely explored numerous styles based on impressionism but was never locked into any particular style. He showed early art talent and traveled to England in 1893. He studied art in London and then painted at an artists' colony in Cornwall on the seacoast of St. Ives where he began his seacoast paintings. He received much attention in Europe for these works. In 1908, he did a series of paintings called "Van Gogh's Hospital, Holland" expressing the profound influence he felt of that artist. Lever came to America in 1911, encouraged by American artist Ernest Lawson whom he knew in France, and was soon counted among the most widely exhibited artists in New York City.
• ALFRED VON WIERUSZ-KOWALSKI
  ALFRED VON WIERUSZ-KOWALSKI (POLISH, 1849-1915) MEETING THE TRAIN Oil on panel. Signed 'A. W. Kowalski' (lower left). Alfred von Wierusz-Kowalski (Polish, 1849-1915) Alfred Wierusz-Kowalski was a Polish painter and representative of the Munich School. He settled in Munich in 1876 after studies in Warsaw, Prague, and Dresden. He studied for a year at the Munich Academy of Fine Arts and worked under Jozef Brandt and Alexander von Wagner. He was the most popular polish painter in Munich, alongside Jozef Brandt. His paintings received medals at numerous art exhibitions and were sought-after by collectors and German art dealers. Wierusz-Kolwaski painted landscapes, generic, and historical scenes. After his journey to Africa in 1903, he also undertook oriental themes.
• (6) JOHN WENDT SILVER SPOONS &
  (6) JOHN WENDT SILVER SPOONS & LARGE SILVER SERVING SPOON Ball Black & Co. Spoons. Arabesque Pattern (1870) Silver Smith: John Wendt, New York City, 1851-1876. Large spoon, unknown maker. Total weight: 12.3 troy ounces.
• THIRTY-EIGHT STAR PRINTED
  THIRTY-EIGHT STAR PRINTED AMERICAN PARADE FLAGThirty-eight star printed American parade flag, ca. 1876, 8 3/4" x 13 1/2", frame - 15" x 18 3/4". Competitive in-house shipping is available for this lot. Condition: Edge wear, small hole in upper right corner, not examined out of frame.