JAMES ROBINSON SILVER SERVICE SETcomprisingJAMES ROBINSON SILVER SERVICE SETcomprising 37 knives, 38 forks, 43 spoons, 3 ladles, a service set of 9, 4 serving spoons, carving set of 2, a service set of 2, in a red canvas box, each hallmarked with James Robinson England, city, standard marks and date marks alternating between G and K; dimensions of box: 33 x 58 cm (13 x 22 7/8 in.), total weight of silver: 280.43 oz (7.95 kg)
CONDITION
The service set appears in age-appropriate condition. No apparent issues visible to the naked eye. With no significant issues to report.
THOMAS KOETHER (NY B 1940) "SOMETHINGTHOMAS KOETHER (NY B 1940) "SOMETHING FEMININE"Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting.
Titled: "Something Feminine"
Dated: '83
Collage/oil on Paper.
Image Size: 16.5 x 11.5 in.
Overall Size: 23 x 17.25 in.
Framed behind glass.
(4662)
In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia.
ONE PERSON SHOWS
2001 SRQ ON MAIN, Sarasota, Florida
1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator
1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida
1993 MATRIX, Renegade Gallery, East Hampton, New York
1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York
1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida
1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY
1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia
1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY
1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY
1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY
1974 AJANTA GALLERY, New York, New York
1973 St. Croix, Virgin Islands
1972 St. Croix, Virgin Islands
1971 Ars Bar, Ibiza, Spain
1970 Ars Bar, Ibiza, Spain
1969 Ars Bar, Ibiza, Spain
1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands
SELECTED GROUP AND JURIED SHOWS
2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY
1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida
1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum
1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida
1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida
1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY
1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University
1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York
1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York
1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York
1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York
1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York
1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia
1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York
1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York
1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York
1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York
1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York
1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York
1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia
1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia
1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia
1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia
1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia
1971 LE CENTER AMERICAN, Paris, France
Condition:
- By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions.
- Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview.
- All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted.
- All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances.
- All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings.
- Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging.
- Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com
- We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly.
- Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live.
- Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
THOMAS KOETHER (NY, FL B. 1940) "CREVICETHOMAS KOETHER (NY, FL B. 1940) "CREVICE II"Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting.
Titled: "Crevice II"
Dated: '87
Oil on Canvas. Signed and dated lower right.
Overall Size: 48 x 66 in.
(98 - 4268)
In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia.
ONE PERSON SHOWS
2001 SRQ ON MAIN, Sarasota, Florida
1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator
1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida
1993 MATRIX, Renegade Gallery, East Hampton, New York
1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York
1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida
1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY
1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia
1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY
1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY
1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY
1974 AJANTA GALLERY, New York, New York
1973 St. Croix, Virgin Islands
1972 St. Croix, Virgin Islands
1971 Ars Bar, Ibiza, Spain
1970 Ars Bar, Ibiza, Spain
1969 Ars Bar, Ibiza, Spain
1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands
SELECTED GROUP AND JURIED SHOWS
2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY
1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida
1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum
1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida
1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida
1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY
1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University
1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York
1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York
1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York
1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York
1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York
1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia
1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York
1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York
1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York
1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York
1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York
1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York
1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia
1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia
1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia
1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia
1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia
1971 LE CENTER AMERICAN, Paris, France
Condition:
- By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions.
- Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview.
- All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted.
- All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances.
- All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings.
- Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging.
- Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com
- We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly.
- Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live.
- Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
THOMAS KOETHER (NY, FL B. 1940) "REDTHOMAS KOETHER (NY, FL B. 1940) "RED PROGRESSION"Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting.
Titled: "Red Progression"
Dated: '89
Oil on Canvas. Signed and titled verso.
Overall Size: 60 x 48 in.
(114 - 4266)
In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia.
ONE PERSON SHOWS
2001 SRQ ON MAIN, Sarasota, Florida
1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator
1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida
1993 MATRIX, Renegade Gallery, East Hampton, New York
1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York
1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida
1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY
1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia
1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY
1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY
1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY
1974 AJANTA GALLERY, New York, New York
1973 St. Croix, Virgin Islands
1972 St. Croix, Virgin Islands
1971 Ars Bar, Ibiza, Spain
1970 Ars Bar, Ibiza, Spain
1969 Ars Bar, Ibiza, Spain
1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands
SELECTED GROUP AND JURIED SHOWS
2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY
1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida
1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum
1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida
1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida
1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY
1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University
1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York
1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York
1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York
1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York
1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York
1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia
1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York
1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York
1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York
1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York
1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York
1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York
1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia
1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia
1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia
1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia
1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia
1971 LE CENTER AMERICAN, Paris, France
Condition:
- By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions.
- Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview.
- All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted.
- All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances.
- All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings.
- Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging.
- Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com
- We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly.
- Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live.
- Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
MOUNTED BUILDER’S HALF HULL MODELMOUNTED BUILDER’S HALF HULL MODEL LATE 19TH CENTURY BACKBOARD 12” X 36.5”.MOUNTED BUILDER'S HALF HULL MODEL, Late 19th Century, White hull with red bottom. Brass plaque marked "Schiff & Maschinenbau Agtien-Gesellschaft Germania Berlin 1895 Kiel". Dimensions: Backboard 12" x 36.5".
JEWELERS DISPLAY OF FOURTEEN HISTORICJEWELERS DISPLAY OF FOURTEEN HISTORIC DIAMONDSJEWELERS DISPLAY OF FOURTEEN HISTORIC DIAMONDS IN PASTE; including Grand Mogul 279 kar, Orlow 194 3/8 kar, Regent 136 11/16 kar, Grand-Duc de Toscane 133 1/8 kar, Etoll du sud 124 1/4 kar, Kohinour Formeancanne 186 1/2 kar, Kohinour Retallie 106 1/16 kar, Shah de la Perse 95 kar, Piggott 82 1/4 kar, Kassak 78 1/4 kar, Sancy 53 1/2 kar, Parcha de l'Egypte 49 kar, Diamante Bleu 44 1/4 kar and Etolle Polaire 40 kar. All in fitted velvet lined case with individual labels.
THIRTY-EIGHT BOTTLE VINTAGE WINE COLLECTION:THIRTY-EIGHT BOTTLE VINTAGE WINE COLLECTION: 1995THIRTY-EIGHT BOTTLE VINTAGE WINE COLLECTION: 1995 Ksara Reserve Du Couvent red wine, Lebanon, 750 ml (1); 1991 Ridge California Geyserville Vineyard red blend, 375 ml (5); 1992 San Felice Vin Santo Val D'Arbia, Tuscan dessert wine, 375 ml (12); 2003 Ste. Chapelle Ice Wine Riesling, Reserve Series, Idaho, 375 ml (1); 2001 Ste. Chapelle Special Harest Riesling, Idaho, 750 ml (2); 1989 Tempest Vineyards Pinot Noir 3000 ml (1); 1996 Tempest Vineyards Pinot Noir, 750 ml (11) and 1999 Tempest Vineyards Pinot Noir, Winemaker's Reserve, 750 ml (5).
YAMAHA PSR-295 KEYBOARD With foldingYAMAHA PSR-295 KEYBOARD With folding stand.
ANTIQUE KPM PORCELAIN CHOCOLATE POT19c,ANTIQUE KPM PORCELAIN CHOCOLATE POT19c, KPM hot chocolate pot with gold gilt floral motif. 1840-1895 KPM mark on bottom. Pot measures 7 1/2" tall x 4 1/4" from handle to spout. No cracks, chips, crazing or repairs. Paint loss to handle and finial. This item can be shipped in-house.
A set of Beswick figures comprisingA set of Beswick figures comprising Christopher Robin 2395 Kanga 2217 Rabbit 2215 Eeyore 2196 Piglet 2214 Owl 2216 Pooh Bear 2193 and Tigger 2394. (8)
U.S. Springfield Armory Model 1895 KragU.S. Springfield Armory Model 1895 Krag Carbine .30-40 Krag cal. 22'' barrel S/N 26671. Model 1896 carbine sight graduated 7-20 and marked on base and leaf with a C. Stock is a modified rifle stock. Condition: Rough condition with a rough bore.
Lot of 2, 1995 Kenner Apollo 13 AstronautLot of 2, 1995 Kenner Apollo 13 Astronaut Action Figure, mint in the original boxes Estimate $20-30
SWAROVSKI CRYSTAL KINGDOM OF ICE ANDSWAROVSKI CRYSTAL KINGDOM OF ICE AND SNOW: 1986 Large Polar Bear, Adi Stocker designer, retired 1997, approx. 3 1/2''l.; Large Penguin by Zoo, approx. 2 1/2''h. watches over the 1997 Three Baby Penguins, Adi Stocker designer, 7/8''; two 1995 Kris Bear on Skates, Michael Zendron designer, retired 2004, approx. 2''h.; 1997 seated Kris Bear, Michael Zendron designer, retired 2001, approx. 1 3/4''; Hockey Bear by Zoo, approx. 1 1/2''. Sold as a lot.
8 SWAROVSKI CRYSTAL BEARS: ''Our Woodland8 SWAROVSKI CRYSTAL BEARS: ''Our Woodland Friends'' - 1982 Small Bear, retired 1995, 2''. ''Endangered Species'' - 1987 Koala looking left, 1 3/4''; 1989 Mini Koala looking right, 1 1/8''; 1994 Mother Panda, 2''; 1994 Baby Panda, 7/8'', missing left front leg. ''When We Were Young'' - 1993 Kris Bear, 1 3/4''; 1995 Kris Bear on Skates, 2''; 1997 Kris Bear with Honey Pot, 1 1/2''. All have boxes.CONDITION: Missing arm on one panda
1995 Ken as Tinman from Wizard of Oz,1995 Ken as Tinman from Wizard of Oz, Hollywood Legends Collection, Special Edition, mint in original box, box is in good condition Estimate $25-50
ROYAL DOULTON MINIATURE TOBY JUGS includingROYAL DOULTON MINIATURE TOBY JUGS including Dr. Jekyll and Mr. Hyde (D7024) 1995 King and Queen of Clubs (D6999) 1995 and The Judge and Thief (D6988) 1994 (3)