A few examples of appraisal values for
DALE EARNHARDT

• STEVE KAUFMAN (1960 - 2010):
  STEVE KAUFMAN (1960 - 2010): "DALE EARNHARDT JR"2007, screenprint on canvas with hand embellishments, numbered 30/50 Condition: unframed 39 x 41 inches Condition:
• ACTION 1:24 DALE EARNHARD JR.
  ACTION 1:24 DALE EARNHARD JR. OREO MONTE CARLO CAR United States,Contemporary1:24 scale diecast car model, Dale Earnhardt Jr. 2002 Chevrolet Monte Carlo Oreo Ritz edition, total production of 21,012. Item no. 102543.
• DALE EARNHARDT SIGNED MAX RACE
  DALE EARNHARDT SIGNED MAX RACE CARDDESCRIPTION: Dale Earnhardt signed collectable "Maxx Race Cards" trading card. Signed "Dale Earnhardt" in black marker. CIRCA:20th Ct. ORIGIN:USA DIMENSIONS: L:5" x W:3" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• Wilsos Leather Windston Cup
  Wilsos Leather Windston Cup series jacket 7 time champion, Dale Earnhardt no. 3, Chase Authentics 2XL, appears generally unworn
• TWO SHELVES OF NASCAR
  TWO SHELVES OF NASCAR COLLECTIBLES Most with Dale Earnhardt theme, including 9 Franklin Mint Dale Earnhardt tankards; diecast cars, and others.
• DALE EARNHARDT #3 WINSTON CUP
  DALE EARNHARDT #3 WINSTON CUP JACKET, NOS NEVER WORN, LIKE NEW CONDITION, COLORFUL LOGOS, RETAILED UNDER JEFF HAMILTON LOGO, SIZE 2XL.Dale Earnhardt #3 Winston Cup jacket, NOS never worn, like new condition, colorful logos, retailed under Jeff Hamilton logo, size 2XL.
• LARGE GROUP OF NASCAR ITEMS
  LARGE GROUP OF NASCAR ITEMS Including hats, wall clock, posters, unopened matches, photos with some signed, totes, and other similar items most relating to Dale Earnhardt.
• MAC TOOLS LIMITED EDITION DALE
  MAC TOOLS LIMITED EDITION DALE EARNHARDT JR. TOOL BOX Issued in 2008 by Mac Tools, model number MB100A-DEJ08/serial number 260389 2g. Featuring custom paint, badges, and wheels. Top mat is embossed with the #88 and Mac Tools racing logo. Features a plate personally autographed by Dale Jr. with authentication. Eleven drawers total, with all drawer liners, and handles with hardware in unopened bags.
• PETER MAX SIGNED DALE EARNHARDT
  PETER MAX SIGNED DALE EARNHARDT POSTER 2000: Framed, 26'' x 38''.
• PETER MAX SIGNED DALE EARNHARDT
  PETER MAX SIGNED DALE EARNHARDT POSTER 2000: Framed, 26'' x 38''.
• Eyvind Earle (1916-2000 Carmel
  Eyvind Earle (1916-2000 Carmel CA) Hills and Fields
• Erle (Earle) Loran (American
  Erle (Earle) Loran (American 1905-1999) Abstract landscape. Oil on masonite apprx. 23-3/4" x 36" signed and dated '49 along the lower edge not framed. Old Butterfield's auction sticker verso.
• Eyvind Earle (1916-2000 Carmel
  Eyvind Earle (1916-2000 Carmel CA) Verdant hillside with a single grazing cow sight size: 29.5''x39.5''
• DANNY EDWARDS, LEAPING ELK BRONZE
  DANNY EDWARDS, LEAPING ELK BRONZE (American, 1947-2023). Elk leaping over fallen trees, signed "Danny D. Edwards 2005 23/100," 18 in. H., on black marble base, mounted on wood base.
• Eyvind Earle (1916-2000 Carmel
  Eyvind Earle (1916-2000 Carmel CA) Cattle Country
• DEAN ELLIS (NEW YORK/OHIO,
  DEAN ELLIS (NEW YORK/OHIO, 1920-2009), ROADSIDE, EAST HAMPTON, NEW YORK., OIL ON CANVAS, 44.5” X 39.5”. FRAMED 42" X 47.5".DEAN ELLIS, New York/Ohio, 1920-2009, Roadside, East Hampton, New York. Signed lower left "Dean Ellis". Dimensions: Oil on canvas, 44.5" x 39.5". Framed 42" x 47.5". Provenance: An important Connecticut Collection.
• DEAN ELLIS (1920 - 2009) "ROBERT E.
  DEAN ELLIS (1920 - 2009) "ROBERT E. LEE"Dean Ellis (American, 1920 - 2009) "Robert E. Lee" Signed middle right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This artwork was originally published on the Fleetwood Commemorative Cover for The Shapers of America series issued in 1987. Distinguished in family, in presence, and in character, he seemed to have every virtue. His father was the famous "Lighthorse Harry" Lee of Revolutionary fame. His wife was the great-granddaughter of Martha Washington. He presided over a magnificent Arlington estate. He went through West Point without a single demerit and served with distinction in the Mexican War. He was -- almost inevitably -- Superintendent of West Point Academy. Robert E. Lee was, indeed, an ardent patriot, devoted to the Union. But when Beauregard fired on Fort Sumter, Lee made the only decision he could, siding with his home state and the cause of its people. But, throughout the war, he was free of any private hostility. He referred to the Union troops as "those people," not the enemy. As Commander in Chief of the Army of Northern Virginia, he proved himself a brilliant combat general and skillful strategist, loved by subordinates and soldiers alike. "I would go through Hell for General Lee," Stonewall Jackson said. Against odds sometimes of two to one, Lee repeatedly took the offensive, and shattered one Union Army after another. "It is well war is so terrible," he said, "else we should get too fond of it." When he was forced to surrender, Lee bade farewell to those who had been "faithful to the last." "Take satisfaction in the consciousness of duty faithfully performed," he said. After his retirement, Lee was appointed President of Washington College in Lexington, Virginia. Image Size: 18 x 21 in. Overall Size: 24 x 27 in. Unframed. (B11254) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• Earnest Williams
  Earnest Williams (American/Alabama 20th/21st c.) "Market Farm Face" 2009 oil on board signed and dated lower right titled and dated en verso 38 3/4 in. x 17 1/2 in. framed.
• EDDIE ARNING (1898-1993) "SHIP WITH
  EDDIE ARNING (1898-1993) "SHIP WITH FLAG ON GREEN SEA",...Eddie Arning (American, 1898-1993) "Ship with Flag on Green Sea", c. 1965, crayon on paper. Framed. 18'' x 24'', 46 x 61 cm (sheet); 26.25'' x 32.25'', 67 x 82 cm (frame). Provenance: Private Collection; Acquired from Hill Gallery, Birmingham MI (label on verso).
• Lewis Edmund Darch
  Lewis Edmund Darch [American/Pennsylvania 1835-1910] oil on canvas mountain landscape painting signed l.r. "E.D. Lewis 1869". 19"x27"
• LOREN ENTZ (1949- ), DOWNHILL
  LOREN ENTZ (1949- ), DOWNHILL RACERS Fine Art
• Ernest Haskell WHERE DUELS ARE
  Ernest Haskell WHERE DUELS ARE FOUGHT; ALANA PASTORALE Two etchings Estimate: $75  - $125
• Earnest Williams
  Earnest Williams (American/Alabama 20th/21st c.) "Watching Television" and "Filling Station" 2012 acrylics on board signed and dated en verso 13 1/2 in. x 19 1/2 in. framed as a diptych.
• Essie Leone Seavey Lucas
  Essie Leone Seavey Lucas (Kentucky/Virginia, 1872-1932) "Chester, 2-12 1/4 Driven By F.W. Noble", signed lower right "E.L. Seavey '97", oil on canvas, 11 x 14 in.; original gilt wood and composition frame,
• 1960S EDDIE ARNING OIL PASTEL, KENT
  1960S EDDIE ARNING OIL PASTEL, KENT CIGARETTES, OUTSIDE...Eddie Arning (American, 1898-1993). Oil pastel on paper, ca. 1960s. A large oil pastel drawing by Outsider Artist Eddie Arning inspired by advertisements for Kent cigarettes. Arning has a man who is smoking a cigarette while pulling a wheelbarrow and a woman who is holding a plant, perhaps a tobacco plant, beside an oversized box of Kent cigarettes. The scene is contextualized with the following handwritten inscription, "to a Smoker Happiness is the taste of Kent …. More taste … fine tobacco." Arning covered the background in golden yellow with a bold green and brick red border. Both figures are dressed in colorful garb and white gloves; the gentleman wears a red and yellow gingham shirt, an orange neckerchief, and blue jeans with red socks, brown shoes, and a green cap; the lady wears a sky blue dress, and the flower pot she holds is cotton candy pink, just like her complexion. The piece is set in a custom frame under glass. Size: 16" L x 21.875" W (40.6 cm x 55.6 cm) Size of frame: 25.3" L x 31.375" W (64.3 cm x 79.7 cm) According to the Smithsonian American Art Museum, "Arning, like many self-taught artists, used magazine advertisements and illustrations as models or inspiration for his work. Nonetheless his work is highly individual; the link with the original source is often difficult to discern. Most of the print sources for Arning’s drawings have been saved. Institutionalized for most of his adult life, Arning was introduced to drawing in 1964 by a hospital worker who supplied him with materials. Arning’s medium from 1964 to 1969 was Crayolas. In 1969, he switched to oil pastels, or 'Cray-pas.' Regardless of his media, Arning always worked in the same manner, covering the entire surface of the paper with dense strokes of color. He stopped drawing in 1974; a year after leaving his nursing home." Source: Lynda Roscoe Hartigan "Made with Passion: The Hemphill Folk Art Collection in the National Museum of American Art" (Washington, D.C. and London: National Museum of American Art with the Smithsonian Institution Press, 1990) An Eddie Arning craypas drawing hammered for $4,400 at Slotkin Folk Art Auction on April 24, 2021 - lot #178. Arning's work is in the permanent collections of many respected museums including the Museum of Fine Arts in Boston, the Smithsonian American Art Museum, the Milwaukee Art Museum, and the American Folk Art Museum in New York. Provenance: J Compton Gallery, Wimberley, Texas, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #172738 Condition: This artwork has not been examined outside the frame but appears to be in very nice condition save a diagonal crease mark at the upper left corner. Minor puncture to gallery paper on verso that does not impact the artwork. The imagery as well as the text are vivid and legible. The frame is also very nice save slight scuffs here and there. Wired for suspension and ready to display.
• WILLIAM EDGAR LOECHEL (AMERICAN,
  WILLIAM EDGAR LOECHEL (AMERICAN, 1923-2011), WRANGLING HORSES Oil on canvas, signed and dated 1972 at lower right, presented in a period frame.
• CAROUSEL 1 1967 INDY 500 AAR
  CAROUSEL 1 1967 INDY 500 AAR EAGLE DIECAST CAR United States,Contemporary1:18 scale diecast car model, Dan Gurney Wagner Lockheed Eagle race car, limited edition of 1,200. Item no. 4761
• Eyvind Earle (1916-2000 Carmel
  Eyvind Earle (1916-2000 Carmel CA) Coastal Landscape
• EDGAR PAYNE: TWO WORKSpencil on
  EDGAR PAYNE: TWO WORKSpencil on paper, both depicting figures on horseback; with estate certificate verso Provenance: De Ru's Fine Arts, Bellflower, CA Estate of DeWitt McCall III 11 1/2 x 13 inches; the other 11 1/2 x 11 1/2 inches Condition:
• CHARLEY EARNESTA, UNTITLED
  CHARLEY EARNESTA, UNTITLED (LANDSCAPE WITH DEER), 1934Charley Earnesta, (20th Century) Untitled (Landscape with Deer), 1934, gouache on paper signed and dated lower right: CHARLEY EARNESTA / 1934 A piece by this artist is apart of the Gilcrease Museum collection. https://collections.gilcrease.org/object/02372 gouache on paper Dimensions: 8 3/8 x 11 3/8 in. (21.27 x 28.89 cm.), Frame: 14 3/4 x 17 3/4 x 1 1/4 in. (37.47 x 45.09 x 3.18 cm.) Provenance: The Connie S. Sanchez Estate, California
• EDGAR A. PAYNE (1883-1947): "ON THE
  EDGAR A. PAYNE (1883-1947): "ON THE TRAIL"pencil drawing Provenance: DeRu's Fine Arts 15 x 22 inches; 26 1/2 x 33 inches framed Condition:
• Henry Earp Senior (1831-1914) -
  Henry Earp Senior (1831-1914) - Watercolour - Lane at ''Haywards Heath on the Cuckfield Road West Sussex'' 29ins x 21.25ins signed in gilt frame and glazed
• 1908 EDDIE GRANT BASEBALL HOF
  1908 EDDIE GRANT BASEBALL HOF PLAYER POSTCARD1908 Rose Company postcard with a Horner portrait of Eddie Grant within an embossed and gilt frame with bats in a green field with a baseball diamond. Edward Leslie Grant attended Cambridge and Harvard Law School before making his way to the National League to play with the Philadelphia Phillies as 3rd baseman from 1905-1915, part of the Deadball Era. "Harvard Eddie" retired to practice law but soon enlisted, becoming the first MLB player to become a WW1 soldier. As part of Company H 307th Infantry Regiment he was killed during the Battle of the Argonne in France, becoming the first Major League Baseball player to die in the first World War. Approx. 3-1/2" L x 5-1/2" H. Some wear to edges, note in pencil on verso. See images for details This item can be shipped in-house.
• STEVE KEENE (AMERICAN, B. 1957),
  STEVE KEENE (AMERICAN, B. 1957), KENTUCKY DERBY Oil on found plywood, monogrammed and dated 2002 at upper right, presented in a black frame.
• STEVE KEENE (AMERICAN, B. 1957),
  STEVE KEENE (AMERICAN, B. 1957), KENTUCKY DERBY Oil on found plywood, monogrammed and dated 2002 at upper right, presented in a black frame.
• EDGAR ALWIN PAYNE
  EDGAR ALWIN PAYNE (CALIFORNIA/MISSOURI, 1883-1947), “ON 17 MILE DRIVE, MONTEREY”., ETCHING, 4.75” X 7” SIGHT. FRAMED 10” X 11”.EDGAR ALWIN PAYNE, California/Missouri, 1883-1947, "On 17 Mile Drive, Monterey". Titled and signed in pencil lower margin. Dimensions: Etching, 4.75" x 7" sight. Framed 10" x 11".