A few examples of appraisal values for
DODSON

• A Derby plate, c1830, painted by Daniel
  A Derby plate, c1830, painted by Daniel Lucas with a watermill, in blue and gilt border, 22.5cm diam, red printed circular mark and painted title View Bakewell Derbyshire in red script and a contemporary Derby dessert dish, painted by Richard Dodson with four birds in a landscape, red painted mark (2) More Information Plate cracked. Dish - with old discoloured restoration
• A Derby plate, c1820, painted by Richard
  A Derby plate, c1820, painted by Richard Dodson with three brightly plumaged birds reserved on a duck egg blue ground, 22.5cm diam, red painted mark More Information Hairline crack at 8 o'clock and localised stacking wear
• (4) SIGNED STAR WARS ACTION FIGURESOola
  (4) SIGNED STAR WARS ACTION FIGURESOola and Salacious Crumb signed by (voice) Mark Dodson, Gamorrean Guard signed, Saesee Tiin signed by Jesse Jensen, Mas Amedda signed by Jerome Blake. In original packaging. See images. shipping info This item can be shipped in-house.
• ITALY, REPUBLIC. ORDER OF MERIT OF THE
  ITALY, REPUBLIC. ORDER OF MERIT OF THE ITALIAN REPUBLIC, OFFICER, TO SIR GERALD DODSON Italy Order of Merit of the Italian Republic, officer (Ordine al Merito della Repubblica Italiana, ufficiale), with buttonhole rosette, to known British recipient. This example was awarded to Sir Gerald Dodson (1884-1966), Recorder of the City of London, during the State Visit to the United Kingdom of His Excellency Giovanni Gronchi, President of the Italian Republic, on the occasion of his visit to the City of London on 14 May 1958.
• CHUCK DODSON STANDING NUDE SCULPTUREChuck
  CHUCK DODSON STANDING NUDE SCULPTUREChuck Dodson (American, 1903-1983) Untitled nude figure Cast composition 11" x 4" x 2 1/2" Signed to the back of the figure's right leg. Affixed atop a rough-hewn granite base. Condition Very good condition.
• Mark flower. Charles I provincial Buddha
  Mark flower. Charles I provincial Buddha knop spoon. c. 1640, silver. 7½ h in. result: $2,250. estimate: $1,500–2,500. Features fig-shaped bowl and tapering stem with gilded Buddha knop. Back of bowl prick-engraved ‘MC/WF’. Marked to bowl with flower, the stem marked twice with another device. 1.6 ozt. Sold with a diminuitive James I provincial silver Maidenhead spoon, possibly William Dodson I, Lewes, c. 1610. Reverse of stem engraved ‘A.G.’. Marked to bowl. Measures 5.25 h inches, .7 ozt. Provenance: Sotheby's, Torquay, 13 January 1982, Lot 364 (Mark flower) | Private Collection
• VINTAGE ESKIMO COILED BALEEN TRINKET
  VINTAGE ESKIMO COILED BALEEN TRINKET BASKET.Vintage Eskimo Coiled Baleen Trinket Basket. Signed "W.W. Dodson, Barrow Alaska, 1968". Lidded with a carved walrus ivory finial carved in the form of a polar bear head. 3-1/2"h. x 4-1/4" diam. Condition: : Very good with minor wear, some lines on finial. Condition: Condition: : Very good with minor wear, some lines on finial.
• ROYAL DOULTON DICKENS SERIESWARE PLATE,
  ROYAL DOULTON DICKENS SERIESWARE PLATE, MR. DODSONDepicts the lawyer from 'The Pickwick Papers' standing with a firm gaze. Royal Doulton Dickensware backstamps. Artist: Charles Noke Issued: 20th c. Dimensions: 1" H x 7.75 Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear.
• CHUCK DODSON (AMERICAN, 20TH C) EROTIC
  CHUCK DODSON (AMERICAN, 20TH C) EROTIC STATUEDESCRIPTION: A "Chuck Dodson" (Miami Artist) figural erotic statue composed of terracotta pottery. Inscribed signature near base "Dodson" (Chuck Dodson was an architect turned sculptor that was a resident artist at the Grove House in Coconut Grove, FL. He earned much national attention after being featured in Playboy Magazine in the 1970's. His sculpture were predominantly of female nudes and erotica.") CIRCA: 20th Cent. ORIGIN: USA DIMENSIONS: H: 14.25" x W: 7" x L: 7.25" CONDITION: Great condition, minor wear with slight chipping. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• ENCHANTED TALKING TEA KETTLEEnchanted
  ENCHANTED TALKING TEA KETTLEEnchanted Talking Tea Kettle. Columbus: Nelson Enterprises, ca. 1965. Oversized faux teakettle appears entirely innocent. When the kettle's spout is held to the ear, a ghostly voice emanates from within, answering questions posed to it. The voice is not pre-recorded; any questions can be answered in any manner, even though they have only been thought of by the spectators participating in the experiment. 8 7/8Ó diameter, 6Ó high. Very good condition. Sold with a file of documents and instructions relating to the kettle and Nelson's ÒSecret Invention,Ó including brochures, TLSs from Nelson, advertising, photographs, and more. Lacks ÒdetectaphoneÓ (floor coil) required for operation. Rare. In the 1950s, Nelson Ð the leading dealer and manufacturer of supplies for mind readers and fortunetellers -- offered his Enchanted Talking Tea Kettle for sale for the astounding price of $365.00. Based on an idea first developed by David P. Abbott of Omaha, Nebraska, the kettles were most likely built for Nelson on request by the famed electronics wizard of Louisville, Bill Dodson.
• T.N.H. WALSH "DRAWN BLANK" & "A CHECK"
  T.N.H. WALSH "DRAWN BLANK" & "A CHECK" HUNT PRINTST.N.H. Walsh (1878 - 1882) hand colored hunt prints including "A Check" hand colored print. Painted by T.N.H. Walsh to lower left, Engraved By E. G. Hester to lower right, Published Nov. 1 1878 at R. Dodson's Fine Art Gallery, 147, Strand, London with title to lower center; measures approximately 26" in height by 32-1/2" in width with the sight image measuring approximately 16-5/8" in height by 22-7/8" in width. Lot also includes "Drawn Blank" hand colored print". Painted by T.N.H. Walsh to lower left, Engraved By E. G. Hester to lower right, Published Oct. 1st 1879 at R. Dodson's Fine Art Gallery, 147, Strand, London with title to lower center; measures approximately 26-1/4" in height by 32-1/2" in width with the sight image measuring approximately 16-5/8" in height by 22-7/8" in width. Both identically matted and framed under glass. Both having COA verso.
• J.F. HERRING "BREAKING COVER" & "THE
  J.F. HERRING "BREAKING COVER" & "THE MEET" PRINTSJohn Frederick Herring Sr. (London, 1795-1865) hand colored prints pair, including "The Meet", painted by J.F. Herring, Sen. to lower left, Engraved by J. Harris to lower right, London Published October 1867, By R. Dodson, 147, Strand with title to lower center of the plate; measures approximately 25-1/2" in height by 35-3/8" in width with the sight image measuring approximately 15-7/8" in height by 25-7/8" in width. Lot also includes "Breaking Cover" hand colored print. Painted by J.F. Herring, Sen. to lower left, Engraved by J. Harris to lower right, London Published October 1867, By R. Dodson, 147, Strand with title to lower center of the plate; measures approximately 25-1/2" in height by 35-3/8" in width with the sight image measuring approximately 15-7/8" in height by 25-7/8" in width. Both Identically matted and framed under glass. Both having COA verso.
• PAIR ROYAL CROWN DERBY ORNITHOLOGICAL
  PAIR ROYAL CROWN DERBY ORNITHOLOGICAL DISHESwith hand painted birds, attributed to Richard Dodson. Painted red mark with crown above crossed batons and D, 1806-1825. 1 1/2" high, 7 5/8" wide. Crazing, gold wear. Property of a CT collector. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• "THE OLD INN YARD" ENGRAVING, 19TH CENTURY"The
  "THE OLD INN YARD" ENGRAVING, 19TH CENTURY"The Old Inn Yard" Engraving, 19th Century , painted by T.N.H. Walsh, engraved by C. R Stock, published June 1st 1883 at R. Dodson's Fine Art Gallery, 147 Strand, from the original drawing in the possession of the publisher 14.5 in. x 29 in. Framed 25.5 x 41 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• SOUTHERN FEDERAL INLAID FIGURED MAHOGANY
  SOUTHERN FEDERAL INLAID FIGURED MAHOGANY SIDEBOARDprobably Virginia, 1790-1810, with restorations, inlaid top over a single bowfront long drawer, above two cellarette doors centering two cabinet doors, and flanked by large cabinet doors, tapered legs with bellflower chains, 40 x 71 x 26 in. Provenance: Tradition of belonging to Mr. and Mrs. William P. Dodson, Virginia Beach, Virginia and Mrs. Dodson's parents, Mr. and Mrs. Ernest Woodard, Norfolk, Virginia; Property Deaccessioned by the Colonial Williamsburg Foundation, Williamsburg, Virginia; all proceeds to benefit the Collections Acquisitions Fund Condition: restorations and rebuilding with re-veneering and probably later inlay, front legs refaced, other restorations and repairs (see Colonial Williamsburg condition notes for further details) central cabinet doors with some veneer cracks and distress, otherwise presents well and is ready for use
• HERRING SR. 4 LARGE 19TH C. HUNT COLOR
  HERRING SR. 4 LARGE 19TH C. HUNT COLOR ENGRAVINGSThe full set from From "Herring's Fox Hunting Scenes", Engraved by J. Harris. Published October 1857 by R. Dodson London, three with old Ackermann's labels verso, in good ebonized frames. images 18x30, framed 29x40 Litchfield Auctions is honored to offer Selections from the Collection of Peter Tillou. Peter has enjoyed wide renown across the United States and Internationally over his seventy-year career as the consummate dealer-collector. While in college in 1956, Peter was already advertising a pair of fine antique flintlock pistols. By 1960, now a resident of historic Litchfield Connecticut, he was cited by the New York Times as a dealer in "great rarities." With later residences and shops in London, Manhattan, Sun Valley Idaho, and Sanibel Island Florida, Peter continued to consider Litchfield his home. By 2013, Peter was recognized by the Antiques Dealers of America with its highest honor, its Award of Merit,"in recognition of his extensive contributions to the fields of fine art, American decorative arts and antiques." More recently, a cover story in The Antiques and the Arts Weekly traced "the arc of Tillou’s long career" (PTIL1005/4)(TC) Condition: scattered foxing and old stains, but generally good 19th c. condition
• ROMANO-EGYPTIAN CARTONNAGE MUMMY MASK,
  ROMANO-EGYPTIAN CARTONNAGE MUMMY MASK, EX-CHRISTIE'SIt's not often we start a listing by stating the provenance, but in this case the pedigree is almost as impressive as the piece. Sold - Christies, December 1996; Ex Alan Dershowitz (legal and TV fame) / Carolyn Cohen collection, MA; published (Illustrated on the cover) in 2013 - Art of the Ancients, Aphrodite Ancient Art; featured - Pawn Stars, History Channel, August 14, 2017. Egypt, Romano Egyptian Period, ca. 2nd century CE. A stunning mummy mask made from gesso-lined linen called cartonnage depicting the elegant visage of a youthful female. Presented in vibrant polychrome, the serene woman peers forward with almond eyes, elongated outer canthi, and sweeping brows lined with thick lashes, her head extending outwards and slightly downwards in a manner consistent with "Egyptian Group" masks. Full lips outlined with red pigment, a slender nose, and a rounded chin further emphasize her feminine grace, all beneath a headdress that rests low along the forehead. Dense decorations in traditional Egyptian stylization further embellish her timeless beauty. Size: 5.25" L x 13.625" W x 18.75" H (13.3 cm x 34.6 cm x 47.6 cm); 20.125" H (51.1 cm) on included custom stand. The top of her head just in front of her diadem bears a red band containing a blue scarab flanked by a pair of segmented columns, 2 seated deities of unknown identity, an additional pair of columns, and 2 wadjet eyes. Beneath a curving brown band is a white-ground panel featuring a central sun disc with dangling triangular ornamentation - perhaps representing lotus blooms - flanked by the goddess sisters Isis and Nephthys as well as 2 papyrus columns and a pair of unidentified zoomorphic funerary deities holding their arms towards the sun. Outlining her head is a grand diadem bearing a plaited pattern above horizontal stripes in red and green, the midsections dotted with lotus buds, the terminals with recessed pink rosettes, and a pair of uraeus cobras emanating out from either side of a sun disc on the front. The upper corners show columns of polychrome panels, 2 panels containing a mummiform Osiris wearing an Atef crown and Horus or Ra in mummiform donning the Pschent crown. Stretching across the brow are 2 sphinxes atop column capitals as well as images of the ibis-headed god Thoth wearing an Atef crown, a left-facing human deity with a sun disc resting between a pair of horns; beneath this decorative register is a right-facing procession of royal uraei. Below the cobras are 2 windows each showing the sisters Isis and Nephthys anointing the body of the mummiform god Osiris beside sections of blue, pink, and white segmentation. Further below are 2 columns showing a rosette, a wadjet eye, and a recumbent Anubis jackal holding a pesesh-kef - a tool used during a ceremony known as the "opening of the mouth" - along with the body of the deceased resting atop a leonine-form embalming table and 2 sets of the 4 Sons of Horus wearing blue headdresses. An additional pair of sphinxes and a pair of Horus falcons with outstretched wings lie below the funerary fraternities, and an inverted T-shaped panel of triangles, petite floral beads, blue stripes, diagonal striations on a pink ground, checkerboarding, and additional painted beadwork completes the elaborate and visually dazzling composition. The verso of the mask shows the beige, khaki, and brown-hued linen framework that has been impregnated with bituminous material to solidify the linen as well as create a general likeness of the deceased that would hold for eons to come. One lower section even shows a plaster patch job that was included to perhaps fix a hole or abrasion made by the embalmer. Given the size of both the sarcophagus mask itself as well as the interior head cavity, this was likely made for a young woman from a prominent, middle-to-upper-class family. While gilding was a popular decorative element for later Egyptian sarcophagi, embellishing with gold was reserved solely for those who could afford such luxuries. The lack of gilding on this example would perhaps indicate the somewhat lower status of this individual's family, however the artistry, polychrome pigments, and overall elevated craftsmanship suggests that perhaps the deceased was someone who favored substance rather than superficiality with their religious or spiritual ideals. The use of cartonnage in the Ptolemaic and later Romano-Egyptian periods signified a transitional time in Egyptian funerary techniques from using a full, multi-part sarcophagus for the deceased to using fewer materials but with all the same decorative panache. These cartonnage masks, according to Egyptologists Dr. Salima Ikram and Dr. Aidan Dodson, "…are a reflection of a trend for the mummy to become free-standing, perhaps housed in a rectangular wooden sarcophagus, but without an intervening anthropoid coffin. This development came to fruition during the succeeding Roman Period which saw a range of outer treatments, some broadly maintaining earlier principles, while others diverged widely, although remaining true to basic concepts. The fundamental division is between mummies that conformed to a traditionally-derived 'Egyptian Group', and a 'Roman Group', which incorporated elements grounded in Classical art." They continue on to explain how, "The [Egyptian Group] continued with the use of separate cartonnage helmet-masks, together with other foot and body adornments in the same material. Distinctive points, however, are the head which was somewhat raised and angled forward…As time passed, masks took on a less 'Egyptian' look. A Hellenistic style prevailed in the area of the head and shoulders, while traditional Egyptian vignettes and ornamentation remained around the sides and crown of the head." (Ikram, Salima and Aidan Dodson. "The Mummy in Ancient Egypt: Equipping the Dead for Eternity." Thames & Hudson, London, 1998, pp. 187-188) Published in "Art of the Ancients: A Selection of Ancient Art." Aphrodite Ancient Art, New York, Vol. 1, 2013, pp. 8-9 and front cover Cf. Ikram, Salima and Aidan Dodson. "The Mummy in Ancient Egypt: Equipping the Dead for Eternity." Thames & Hudson, London, 1998, p. 187, fig. 218 and p. 188, figs. 220 & 221; The Walters Art Museum, accession number 78.3 A similar mask with gilding and fewer decorations from the 1st century CE hammered for $55,000 at Christie's, New York "Antiquities" auction (Live auction 1915, December 6, 2007, lot 35). Provenance: ex-private Las Vegas, Nevada, USA collection; ex-Gold and Silver Pawn Store, Las Vegas, Nevada, USA, acquired 2016. As see on Pawn Stars, "If the Pawn Don't Fit" (History Channel, August 14, 2017, season 14, episode 28); ex-Aphrodite Ancient Art, New York, New York, USA, published in "Art of the Ancients: A Selection of Ancient Art," Vol. 1, 2013, pp. 8-9 and front cover; ex-collection of Alan Dershowitz and Carolyn Cohen, Chilmark, Massachusetts, USA; ex-Christie's, New York "Antiquities" auction (auction 8568, December 18, 1996, lot 82, hammered for $9,775, published in corresponding catalog) All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #170552 Condition: Obverse gesso layer repaired from dozens of small pieces with restoration and new material to missing areas, and resurfacing with extensive overpainting across new material and break lines; the linen layer on the verso is intact albeit with some plaster patches placed in antiquity given the desiccated nature. Losses around most peripheral areas, with fading and heavy overpainting to pigment, with light abrasions, and softening to some finer raised details. Verso also shows some dark bituminous resin used to stabilize the form of the linens. Beautiful remains of original pigment, iconography, and facial details.
• GEORGE GOETZ (AMERICAN (OKLAHOMA), 20TH
  GEORGE GOETZ (AMERICAN (OKLAHOMA), 20TH CENTURY)George Goetz American (Oklahoma), 20th century Las Golindrinas Oil on board Signed lower right. Courtyard scene with grazing chickens and sheep outside a southwestern-style abode. Painted wooden frame, titled to verso. Acquired June 12, 2010 from Dodson Gallery in Oklahoma City, Oklahoma and accompanied by bill of sale. Board: 11 x 14 in. (27.94 x 35.56 cm.); frame: 17 x 20 in. (43.18 x 50.80 cm.) The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways. Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
• JIM WILCOX (AMERICAN, B. 1941)Jim Wilcox American,
  JIM WILCOX (AMERICAN, B. 1941)Jim Wilcox American, b. 1941 Reflections of Dawn Oil on board Signed lower center. Marshland landscape at dawn, the sun rising behind a lavender mountain range reflecting in the still water. Gilt frame. Acquired December 15th, 2008 from Dodson Gallery of Oklahoma City, Oklahoma and accompanied by bill of sale and Wilcox Gallery Certificate of Authenticity. Board: 16 x 20 in. (40.64 x 50.80 cm.), frame: 23 1/4 x 27 1/4 in. (59.06 x 69.22 cm.) The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways. Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
• J.F. HERRING (AFTER), (4) LARGE FOLIO
  J.F. HERRING (AFTER), (4) LARGE FOLIO ENGRAVINGS John Frederick Herring (British, 1795-1865) , full set of "Herring's Fox-Hunting Scenes" including "The Meet", "Breaking Cover", "Full Cry", and "The Death", color aquatint, published 1867 by R. Dodson, London, matted and framed under glass, each 24"h x 37"w (sight), 35"h x 48"w (frame)
• J. F. HERRING, SR., (3) AQUATINT ENGRAVINGS,
  J. F. HERRING, SR., (3) AQUATINT ENGRAVINGS, 1867 Herring's Fox-Hunting Scenes, engraved by J. Harris, pub. by R. Dodson, London, incl. "The Meet", "Breaking Cover", and "The Death", each 21.5"h x 33"w (sight), 24.5"h x 36.25"w (frames)
• CHUCK DODSON MID-CENTURY MODERN EROTIC
  CHUCK DODSON MID-CENTURY MODERN EROTIC SCULPTURE Chuck Dodson (American, 1908-1993) Mid Century modern erotic sculpture with man and woman, signed ton rear. 6" H x 10" W x 10" W.
• SOUTHWEST DAN DODSON SANTA FE PENDANT
  SOUTHWEST DAN DODSON SANTA FE PENDANT NECKLACESouthwest sterling silver pendant, Dan Dodson (Santa Fe, 20th c.), central bezel-set spiny oyster shell, framed by turquoise cabochons, on an assembled beaded necklace, clasp marked Italy 925, approx 18"l, pendant: approx 2.75"h, 1.5"w, 49 grams total (inclusive of all materials) **Provenance: Eight Point Ranch, Elgin, Texas**
• SOUTHWEST DAN DODSON SANTA FE PENDANT
  SOUTHWEST DAN DODSON SANTA FE PENDANT NECKLACESouthwest sterling silver pendant, Dan Dodson (Santa Fe, 20th c.), central bezel-set purple spiny oyster shell, framed by turquoise cabochons, on an assembled silver (content unknown) beaded necklace, approx 18"l, pendant: approx 2 5/8"h, 1 3/8"w, 43 grams total (inclusive of all materials) **Provenance: Eight Point Ranch, Elgin, Texas**
• SEASCAPE ACRYLIC ON BOARD, SIGNED "DODSON"
  SEASCAPE ACRYLIC ON BOARD, SIGNED "DODSON" ON VERSSEASCAPE ACRYLIC ON BOARD, signed "Dodson" on verso and dated 1989. Image measures 24" x 36". In a gilt wood frame; 32" x 44" overall.
• C.R. STOCK AFTER T.H.N. WALSH, BRITISH
  C.R. STOCK AFTER T.H.N. WALSH, BRITISH 19TH CENTURY, DODSON'S HUNTING SERIES: "BADLY DOWN" AND "A NARROW SQUEAK", COLORED ENGRAVING, SIGHT: 10 X 12 1/2 IN. (25.40 X 31.75 CM.), FRAME: 21 X 23 1/2 IN. (53.34 X 59.69 CM.)C.R. STOCK after T.H.N. WALSH, BRITISH, 19TH CENTURY DODSON'S HUNTING SERIES: "BADLY DOWN" and "A NARROW SQUEAK", Colored engraving Lower left signed in plate: T/Walsh (2) Colored engraving Dimensions: Sight: 10 x 12 1/2 in. (25.40 x 31.75 cm.), Frame: 21 x 23 1/2 in. (53.34 x 59.69 cm.)
• GRAY DODSON, BARN AND SISTERS, OIL ON
  GRAY DODSON, BARN AND SISTERS, OIL ON CANVAS, FRAME: 14 X 17 INGray Dodson, Barn and Sisters, Oil on Canvas, Frame: 14 x 17 in
• ALTHEA DODSON TANNER (AMERICAN/NEW ORLEANS,
  ALTHEA DODSON TANNER (AMERICAN/NEW ORLEANS, 1919)Althea Dodson Tanner (American/New Orleans, 1919-2014) , "Sunflowers", oil on canvas, signed lower left, signed en verso, titled on stretcher, 18 in. x 11 in., unframed
• ALTHEA DODSON TANNER (AMERICAN/NEW ORLEANS,
  ALTHEA DODSON TANNER (AMERICAN/NEW ORLEANS, 1919)Althea Dodson Tanner (American/New Orleans, 1919-2014) , "Still Life of Turnips and Lemons", 1974, oil on canvas board, signed lower left, signed, titled, dated and inscribed on backing board, 20 in. x 16 in., framed
• ALTHEA DODSON TANNER (AMERICAN/NEW ORLEANS)Althea
  ALTHEA DODSON TANNER (AMERICAN/NEW ORLEANS)Althea Dodson Tanner (American/New Orleans, 1919-2014), "Circle in a Square (White) + Gray Border", oil on canvas, signed lower left, pencil-signed, titled and artist label en verso, inscribed on stretcher, 20 in. x 18 in., unframed Condition: Overall good condition
• ALTHEA DODSON TANNER (AMERICAN/NEW ORLEANS)Althea
  ALTHEA DODSON TANNER (AMERICAN/NEW ORLEANS)Althea Dodson Tanner (American/New Orleans, 1919-2014), "Western Lounge #40", 1993, mixed media collage on board, pencil-signed lower right, pencil-signed, titled, dated and inscribed en verso, handwritten label with title and artist label on backing board, 21 1/2 in. x 17 5/8 in., framed without glass Condition: Overall fair condition. Ext. Frame: 24 1/4 in. x 20 1/8 in. x 1 in
• (13) Woodworking molding planes, including
  (13) Woodworking molding planes, including JC Dodson, John T Brown Baltimore
• CASED PR IRISH ENGRAVED EDWARD DODSON
  CASED PR IRISH ENGRAVED EDWARD DODSON PISTOLSFine cased pair of Irish engraved Edward Dodson percussion pistols , approximately .52 caliber, with checkered walnut bag grips, barrel flat inscribed Dodson Louth , cross scepter proof, German silver scroll engraved frame, folding trigger, the fitted case with various accoutrements including a John Dixon oiler, ramrod with jag, nipple wrench, bullet mold, etc., 3" octagonal screw barrel. Competitive in-house shipping is available for this lot. Condition: Overall fine condition, #1 barrel is slightly odd line with tightened, interior label on case is a modern replacement, lid has been broken off at hinges.
• LEWIS CARROLL, THE HUNTING OF THE SNARK,
  LEWIS CARROLL, THE HUNTING OF THE SNARK, 1876 [Charles Lutwidge Dodson], ... An Agony in Eight Fits, with Nine Illustrations by Henry Holiday, Macmillan and Co., London, 1st edition, in Riviere & Son leather binding, navy endpapers, gilt page edges, original covers: front, back and spine, bound in, bookplate tipped to verso of free front endpaper, 84 pages, 1 ad page, 7.125"h x 4.75"w
• LEWIS CARROLL, THE GAME OF LOGIC, 1887
  LEWIS CARROLL, THE GAME OF LOGIC, 1887 1ST ED [Charles Lutwidge Dodson], Macmillan and Co., London and New York, in Riviere & Son leather binding, marbled endpapers, gilt top page edges, original covers: front, back and spine, bound in, along with envelope containing game instructions and round pieces, bookplate tipped to verso of front free endpaper, 96 pages, 4 pages ads incl. "Specimen page" facsimile from "Alice's Adventures Under Ground", 7.25" x 5"w
• MARVEL SUPERIOR SPIDER-MAN TEAM-UP #1
  MARVEL SUPERIOR SPIDER-MAN TEAM-UP #1 CGC 9.8 United States,2013Marvel Comics Superior Spider-Man Team-Up issue 1 from September, 2013. The book featured a "Deadpool" variant cover, sketch cover by Terry and Rachel Dodson. CGC 9.8 w/ White Pages