A few examples of appraisal values for
HOMER LAUGHLIN

• Homer Laughlin Mexicana Plate
  Homer Laughlin Mexicana Plate marked Homer Laughlin made in USA 137 N 8 in blue inkstamp including Mexicana in gold small surface scratches in the paint tiny chip on the bottom edge of rim 10.5''h.
• Clarence John Laughlin
  Clarence John Laughlin (American/Louisiana 1905-1985) "The World of the Primitive Painter: 1952 (Clementine Hunter Art Exhibit Admission 25 cent Thanks)" silver gelatin photograph signed and titled on board New Orleans Museum of Art exhibition label en verso image 7 3/4 in. x 9 1/2 in. Provenance: Exhibited in the New Orleans Museum of Art's 1985 exhibition "A Centennial Salute to Clementine Hunter". Previously in the Collection of Dr. and Mrs. Robert F. Ryan.
• CLARENCE JOHN LAUGHLIN
  CLARENCE JOHN LAUGHLIN (AMERICAN)Clarence John Laughlin (American/Louisiana, 1905-1985), "The Luminous Columns (#7) (Houmas House Plantation)", 1945, silver gelatin print mounted to board, signed and titled lower margin of backing board, print date (July 22, 1945), negative and batch number in Laughlin's hand en verso of backing board, 14 1/2 in. x 19 3/16 in., framed
• CLARENCE JOHN LAUGHLIN
  CLARENCE JOHN LAUGHLIN (AMERICAN/LA)Clarence John Laughlin (American/Louisiana, 1905-1985), "The Apparition (No. 9)", 1946, silver gelatin print mounted on board, signed, titled and dated on board, signed, titled, inscribed, negative and batch numbers and print date (2/12/76) in Laughlin's hand and artist stamp en verso of board, 13 3/4 in. x 10 13/16 in., framed
• Homer Costello, American, 20th c,
  Homer Costello, American, 20th c, o/c, 24" x 48", City Skyline, Schertle Galleries, Philadelphia stamp on stretcher Estimate $100-200
• Clarence John Laughlin
  Clarence John Laughlin (American/New Orleans 1905-1985) two silver gelatin photographs of "Amedeo Modigliani Sculpture" photographer's stamp en verso inscribed "#6012 B-350" and "3/23/51" and "#1" en verso 18 1/2 in. x 12 1/4 in. and "African Mask #143" unsigned 18 1/2 in. x 13 3/4 in. both unframed. Provenance: Gift of the artist to Monita Gerson a favorite model of Laughlin; descended in the family New Orleans
• CLARENCE JOHN LAUGHLIN
  CLARENCE JOHN LAUGHLIN (AMERICAN/LOUISIANA, 1905)Clarence John Laughlin (American/Louisiana, 1905-1985), "Poem at Sunset (No. 1)", 1938, dry mounted gelatin silver print, signed, titled and dated on mounting board, artist stamp and date en verso of mounting board, 13 3/8 in. x 9 3/4 in., matted
• Clarence John Laughlin and David
  Clarence John Laughlin and David Cohn New Orleans and Its Living Past Houghton Mifflin Company Boston 1941 #699 of 1030 copies signed by the author and photographer on the limit page 32 pages of text 62 full-page illustrations.
• *Homer Dodge Martin (American
  *Homer Dodge Martin (American 1836-1897) View over the Valley oil on canvas signed H. D. Martin (lower left) 25 x 35 inches.
• Homer Gunn (American 1919-2001)
  Homer Gunn (American 1919-2001) sheet bronze sculpture abstract leaf form free standng signed on work ''Homer Gunn'' and titled ''The Leaf'' 47 1/2'' h. Gunn was born in Woonsocket RI and studied at the Rhode Isalnd School of Design. Gunn was also taught at the Deerfield Academy and is notable for his work on the monumental Greenfield War Memorial and his works for the Boston Symphony Orchestra which are located at Tanglewood.
• Homer S. Nelson (20th century)
  Homer S. Nelson (20th century) Hidden Home oil on canvas signed Homer S. Nelson (lower left) 36 x 30 inches.
• HOMAR. THE WIZARD OF THE WESTHomar.
  HOMAR. THE WIZARD OF THE WESTHomar. The Wizard of the West. Chicago: National Printing & Engraving, ca. 1920. Color lithographed stock poster, overprinted for Chicago magician Herman Homar, which shows a magician producing colorful ribbons, playing cards and a live duck for an astounded spectator. 20 _ x 28”. Mounted on linen. Repaired tears on bottom margin and light soiling affecting letters. A-.
• CLARENCE JOHN LAUGHLIN
  CLARENCE JOHN LAUGHLIN (AMERICAN/LA)Clarence John Laughlin (American/Louisiana, 1905-1985), "The Repulsive Bed", 1941, silver gelatin print mounted on board, signed, titled and dated on board, initialed, titled, inscribed, negative and batch numbers, print date (3/23/73) in Laughlin's hand and artist stamp en verso of board, 10 1/8 in. x 13 3/8 in., framed
• HOMER DODGE MARTIN (1836-1897,
  HOMER DODGE MARTIN (1836-1897, ALBANY, NY, SAINTPaul, MN) oil painting on canvas, titled "In the Catskills". Signed in the ship "H. D. Martin". Signed on paper label on verso. Unusual dovetailed stretcher. Painting has been lined. Exhibited at the South Shore Art Center in 1992. Sight size 16" x 13 1/2", overall with original gilded frame 20" x 17 3/4". Provenance: Private collection of Robert Vose.
• PALENSKE, Reinhold H., (American,
  PALENSKE, Reinhold H., (American, 1884-1954): Collection of 9 Etchings dedicated to Homer, from Pal, More Coming, The Boss, The Travelers, Feeding Time, Construction Engineers, Father and Son, Retired, Ringnecks, and The Arabian; 8'' x 8 1/2'', pencil signed, in one frame.
• Attributed to Clara Laughlin
  Attributed to Clara Laughlin (Mrs. N. C.) Hamilton (American, b.1872), summer landscape, a home is seen in the distance with smoke rising from the chimney; oil on board; 19 1/2" x 23 1/2; unsigned. Hamilton lived in Kokomo, Indiana. Her teachers included Gottwald, Coats, and Forsyth.
• HOMER DODGE MARTIN (AMERICAN,
  HOMER DODGE MARTIN (AMERICAN, 1836-1897), "LAKE GEORGE SUNSET" Oil on canvas. Signed 'H. D. Martin' (lower right).Homer Dodge Martin (American, 1836-1897) Homer Dodge Martin was an American artist, particularly known for his landscape paintings. Martin was born in Albany, New York. During the 1860s he spent the summers in the Adirondacks, Catskills, and White Mountains, and painted landscapes from the sketches he made there at his studio in New York City’s Tenth Street Studio Building. Martin was elected as associate of the National Academy of Design, New York, in 1868, and a full academician in 1974. During a trip to Europe in 1876, He was captivated by the Barbizon School and the impressionists, and thereafter his painting style gradually became darker, moodier, and more loosely brushed.
• BRONZE PORTRAIT RELIEF-of Winslow
  BRONZE PORTRAIT RELIEF-of Winslow Homer by Leonard Baskin ( Am. 1922 - 2000) H. 12'' x W.8 1/2''. From the Marvin Sadik Collection.
• HAMILTON HAMILTON (CT/CA,
  HAMILTON HAMILTON (CT/CA, 1847-1928) AFTER WINSLOW HOMER (MA/ME/UK, 1836-1910) "Fog Warning", etching on paper by Hamilton after the Homer painting, signed in print and pencil by both Hamilton and Homer, with a pen & ink remarque of a barrel float by Homer, copyright 1887 by Fischel, Adler & Schwartz, New York. Housed in a silverleaf molded frame, linen mat with silver lip, under plexiglas, OS: 38" x 48", image: 20" x 31 1/2", toned.
• CLARENCE JOHN LAUGHLIN
  CLARENCE JOHN LAUGHLIN (AMERICAN)Clarence John Laughlin (American/Louisiana, 1905-1985), "The Luminous Columns (#3) (Madewood Plantation)", 1945, silver gelatin print mounted to board, signed and titled lower margin of backing board, print date (June 18, 1945), negative and batch number in Laughlin's hand en verso of backing board, 14 1/16 in. x 19 1/6 in., framed. Ill., Laughlin, Clarence John. Ghosts along the Mississippi. New York: American Legacy Press, 1987 revised edition, pl. 66
• An Italian white marble bust of
  An Italian white marble bust of Homer Late 19th / early 20th century Naples signed ''Chiurazzi Napoli'' depicted facing front and wearing a fillet over curling locks a full beard and drapery his brow deeply furrowed mounted on a waisted socle of black-veined white marble on a square grey marble plinth 18'' H x 8.5'' W x 7.75'' D
• HOMER GREEN FOLK ART SCULPTURE,
  HOMER GREEN FOLK ART SCULPTURE, TALL ANGEL FIGUREHomer Green (Tennessee, 1910-2002) tall carved wood and polychrome standing yellow angel-like figure with outstretched wings/arms to each side, all in colorful yellow, brown, off-white, black, and applied silk ribbon. Unsigned. 54 3/4"H x 40 1/2"W x 11"D. Condition: Overall good condition. Shrinkage cracks to wood body and base. Faded and stained ribbon. Light surface wear and abrasion.
• HOMER LAWRENCE (CT, 1889-1968) BIRD
  HOMER LAWRENCE (CT, 1889-1968) BIRD CARVING Scarlet Tanager, carved and painted wood, with incised signature on base, depicting a red and black songbird with glass eyes, mounted on a round live edge wood base, with excellent original surface and mellow patina. Early examples such as this, when Lawrence painted on his own, are hard to come by; 4" high, 6 1/2" x 3".
• CLARENCE JOHN LAUGHLIN
  CLARENCE JOHN LAUGHLIN (AMERICAN/LOUISIANA, 1905)Clarence John Laughlin (American/Louisiana, 1905-1985), "Elegy for the Old South (No.6) Woodlawn Plantation", 1946 negative creation date, gelatin silver print mounted to board, signed, titled and dated lower margin, artist stamp, title, negative creation date and printing dates in artist's hand en verso of mounting board, 10 3/4 in. x 13 1/2 in., framed . Provenance: A Gallery for Fine Photography, New Orleans, LA; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans. Ill.: Laughlin,Clarence John. Ghosts Along the Mississippi. New York: John Scribner's Sons, 1951, pl. 98
• CLARENCE JOHN LAUGHLIN
  CLARENCE JOHN LAUGHLIN (AMERICAN)Clarence John Laughlin (American/Louisiana, 1905-1985), "The Enigma (Windsor Plantaion)", 1945, silver gelatin print mounted to board, signed and titled lower margin of backing board, print date (June 19, 1945), negative and batch number in Laughlin's hand en verso of backing board, 19 7/16 in. x 15 1/16 in., framed
• Clarence John Laughlin
  Clarence John Laughlin (American/New Orleans 1905-1985) "Mother Brown: Images of the Lost Series" 1945 silver gelatin print signed dated titled and inscribed on lower margin photographer stamp with description of the photograph and inscribed "neg #431 B# 254 11/30/45 #1" en verso 9 3/4 in. x 7 1/2 in. image 14 in. x 11 in. board framed.
• OIL ON PANEL RESTAURANT SCENE,
  OIL ON PANEL RESTAURANT SCENE, ETC.Oil on panel restaurant scene signed Laughlin , 8" x 10", together with a Hugh H. Campbell (1905-1997), oil on artist board On Mt. Holly Ave. , inscribed verso Painting Spring/1946 Mt. Holly , 7 3/4" x 10", and a Giovanni Casadei (20th c.), oil on artist board view of Rome with a bridge, 9" x 12". Provenance: The Hahn Gallery. Competitive in-house shipping is available for this lot. Condition: Good condition. No apparent damages or repairs.
• Homer Gunn (American 1919-2001)
  Homer Gunn (American 1919-2001) sheet bronze sculpture abstract spiral form untitled signed ''Homer Gunn'' 25 1/4'' h. Gunn was born in Woonsocket RI and studied at the Rhode Isalnd School of Design. Gunn was also taught at the Deerfield Academy and is notable for his work on the monumental Greenfield War Memorial and his works for the Boston Symphony Orchestra located at Tanglewood.
• Homer Green (American/Tennessee,
  Homer Green (American/Tennessee, 1910-2002) "Cat", painted wood sculpture, c. 1980's, h. 19", w. 7", d. 7".
• HOMER DODGE MARTIN (AMERICAN,
  HOMER DODGE MARTIN (AMERICAN, 1836-1897), LANDSCAPE WITH RIVER Watercolor on paper, signed at lower left, matted and presented under Conservation glass within a gilt frame.
• ATTRIBUTED TO CLARENCE JOHN
  ATTRIBUTED TO CLARENCE JOHN LAUGHLINAttributed to Clarence John Laughlin (American/Louisiana, 1905-1985), "Ashland (Belle Hélène) Plantation", silver gelatin print, unsigned, sight 18 1/4 in. x 14 7/8 in., framed
• CLARENCE JOHN LAUGHLIN
  CLARENCE JOHN LAUGHLIN (AMERICAN/LOUISIANA, 1905)Clarence John Laughlin (American/Louisiana, 1905-1985), "The Apparition, Woodlawn Plantation (No.5)", 1941 negative creation date, 1973 print date, gelatin silver print mounted to board, unsigned, 2 artist stamps one with date, inscribed with title, date and "Historic New Orleans Collection" stamp on reverse of mount, handwritten label with title and date on backing board, 10 3/8 in. x 13 7/16 in., framed, overall 16 1/4 in. x 20 1/8 in. x 1 in. Ill.: Laughlin, Clarence John. Ghosts Along the Mississippi. New York: John Scribner's Sons, 1921, pl. 96.
• Chauncey Homer (American, b.
  Chauncey Homer (American, b. 1966) Footloose an Fancy Free, triptych oil on panel signed Chauncey Homer (lower left, leftmost panel) each panel 10 x 10 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• HOMER DAVISSON IMPRESSIONIST
  HOMER DAVISSON IMPRESSIONIST CITYSCAPE PAINTING Homer Gordon DavissonIndiana,1866-1957Winter street scene depicting a man and woman walking with umbrellas on the sidewalk with cars on the street and Brownstone houses to the right. The painting was finished on New Year's Day, 1916.Oil on boardSigned " H G Davisson" and dated "1-1-16".Board 9 3/8" x 7 1/4",Frame 12" x 10"Painting retains partial label from an Indiana state art exhibition.
• Clyde J. Singer (American
  Clyde J. Singer (American 1908-1999) Sketch for the painting titled "Homecoming" (Malvern) 1939. Graphite on paper signed lower right circa 1939. In black wood frame with cream mat and non-glare glass. Exhibited: Clyde Singer's American Canton Museum of Art & The Butler Institute of American Art September 7 2008-January 7 2009. Illustrated in "Clyde Singer's America" M.J. Albacete Kent State University Press 2008 Fig. 34. The artist exhibited at the Malvern annual homecoming celebration between 1935 and 1940.
• Homer E. Turner
  Homer E. Turner (American/Louisiana, 20th Century) "Southern Scene", oil on canvas board, signed lower right "H. E. Turner", retains Art Association of New Orleans exhibition entry label en verso, 18" x 21-1/2". Framed. Provenance: Private collection, Lafayette, Louisiana.