A few examples of appraisal values for
KAMMER

• 3 PROFESSIONALLY FRAMED PRINTED
  3 PROFESSIONALLY FRAMED PRINTED GEBURTS AND TAUFSCca. 1821, 1836 & 1879; printed by Ritter in Reading, record of Lewina Klein, daughter of Eva (Deis) & Johannes Klein, born 1821 in Bethel, Berks Co., PA, framed in a grain painted frame, 17 1/4"x 20 1/2", Condition: roll creasing, complete with some repairs; Allentown printed record of Jonas Klein, son of Heinrich and Lydia (Kämmer) Klein, born Lehigh Co., PA 1836, signed by scrivener Anthony Birchhoff, in a mahogany frame, 17 1/4"x 20 1/2", Condition: extensive roll creasing and separation; printed by Eagle Bookshop, Reading, record of William Wenzel, son of William and Mary (Kammer), born in Berks Co., PA 1879, signed by scrivener George Hainbach (?), in a painted corner block frame, 16 1/2"x 19 1/2", Condition: restoration infill noted, extensive roll creasing, poor-fair condition
• DAVID KAMMERZELL (20TH CENTURY-
  DAVID KAMMERZELL (20TH CENTURY- ), STARDUST Title: David Kammerzell (20th Century- ), Stardust Medium: oil on canvas Dimensions: 24 x 24 Framed dimension: 25 7/8 x 25 7/8 x 2 5/8
• BOOKS ON MUSIC, PIANOS, AND
  BOOKS ON MUSIC, PIANOS, AND COMPOSERS, 14 Group of 14 Books on Music, Pianos, and Composers comprising: foreword by Wilhelm Altmann "Zwei Konzerte fur Pianoforte von Johannes Brahms", foreword by Wilhelm Altmann "Kammermusik von Johannes Brahms", foreword by Theodor Kroyer "Sechs Symphonien von W.A. Mozart", "Symphonie No. 5 C moll Ludwig Van Beethoven Op. 67", "Symphonie No. 9 D moll mit Schlusschor uber Schillers Ode an die Freude von Ludwig Van Beethoven Op. 125", Walter Damrosch "My Musical Life", Busch "Verdi's Aida: The History of an Opera in Letters and Documents", ed. Robert Winter and Robert Martin "The Beethoven Quartet Companion", Paul Stefan "Arturo Toscanini", Samuel Holland Rous "The Victrola Book of the Opera: Stories of One-Hundred and Twenty Opera with Seven-Hundred Illustrations and Descriptions of Twelve-Hundred Victor Opera Records", Autographed copy of James Barron "Piano: The Making of a Steinway Concert Grand", ed. Neal Zaslow "The Compleat Mozart: A Guide to the Musical Works of Wolfgang Amadeus Mozart", Alex Ross "The Rest is Noise: Listening to the Twentieth Century", largest: 9.25" H x 6.25" W x 2.25" D. Keywords: Sheet Music, Musicians, Reading, Library
• TWO GERMAN BISQUE HEAD DOLLSTwo
  TWO GERMAN BISQUE HEAD DOLLSTwo German bisque head dolls, to include a J. D. Kestner character doll, stamped 211 , with sleep eyes, open closed mouth, composition toddler body, 14" h.; and a Kammer & Reinhardt character baby, stamped 100 , with painted eyes, open closed mouth, composition toddler body, 19" h.; together with a bisque piano baby stamped 436 , 12" l. NO in-house shipping for this lot. Condition: Kestner - Outfit with stains, loss to back of wig, soles of shoes almost detached. K star R - redressed Other - good condition.
• GERMAN MEISSEN STYLE PORCELAIN
  GERMAN MEISSEN STYLE PORCELAIN GARNITURE BOXGerman porcelain covered garniture box, attributed to Kammer Volkstedt, 20th c., the lid with a figural surmount of Venus with cupids and peacock, after Paul Helmig for Meissen, parcel gilt pink case, reserves with floral sprays and putti, corners mounted with putti and flowers in relief, open interior, rising on scrolled feet, blue underglaze mark of a crown over K, approx 17.75"h, 11"w, 11"d, 14.75lbs
• (2) VINTAGE GERMAN BLACK FOREST
  (2) VINTAGE GERMAN BLACK FOREST CUCKOO CLOCKS(lot of 2) Black Forest cuckoo clocks, West Germany, mid to late 20th c., with carved walnut cases, including: (1) Helmut Kammerer, with bird crest, featuring rotating dancing figures, dial with roman numerals, triple weight-driven Swiss musical movement, retaining pine cone weights, restoration to crest, approx 16.5"h, 11.75"w, 6.75"d, (1) F. Schmeckenbeacher, Regula, with stag crest over crossed guns, game bird and rabbit with inset eyes, dial with roman numerals, lacking weights, approx 22.5"h, 14"w, 12"d
• RUDOLPH KAMMER FIELD OF CLOTH OF
  RUDOLPH KAMMER FIELD OF CLOTH OF GOLD CHESS SET Porcelain chess set, kings appx. 7.25" tall. Henry VIII Vs. Francis I. Good large pieces signed on the base and from a Bedford, NY estate. Dimensions: King 7"H Condition: Needs cleaning and old repair on neck Knight of blue side.
• A MIDCENTURY PAIR OF EBONISED ARM
  A MIDCENTURY PAIR OF EBONISED ARM CHAIRS. Attributed to Marcel Kammerer .Nice quality and style with slatted arms. From an East 96th St NYC estate. Dimensions: 37"h x 22.25"d x 20.25"w Condition: Good, brass tip on foot as / is (see image).
• ANTIQUE AUSTRIAN STARKE &
  ANTIQUE AUSTRIAN STARKE & KAMMERER WIEN THEODOLITE A cased antique Austrian ebonized brass Starke & Kammerer Wien theodolite serial No. 9200', with accoutrements. From a Riverdale, NY estate Dimensions: case measures approx. 9" w x 7.25" d x 9.50" h. Condition: Item exhbits wear consistent with age. Not tested for functionality. Item is sold regardless of functionality. Matching numbers case.
• Robert Kammerer (German, 1870-1950)
  Robert Kammerer (German, 1870-1950) Autumn in the Mountains oil on canvas signed RKammerer (lower right) 23 3/4 x 28 3/4 inches.
• Marcel Kammerer. Chairs model
  Marcel Kammerer. Chairs model 414, set of three. c. 1908, mahogany, mixed wood inlay, cane, brass. 38½ h × 23¼ w × 23 d in. result: $2,210. estimate: $1,500–2,500. Lot is comprised of two armchairs and one side chair. Paper manufacturer's label to underside of each example ‘Thonet Wien’ and stamped manufacturer's mark to underside of each example ‘Thonet 1’.
• RARE ORIGINAL GRAMOPHONE BY EMILE
  RARE ORIGINAL GRAMOPHONE BY EMILE BERLINER CIRCA 1890-1...Rare Original Gramophone by Emile Berliner circa 1890-1893 first series of production by Kammer & Reinhardt of Germany for playing 5 inch (12.5cm) Berliner records, patent D.R.P 45048, with hand-cranked mechanism, soundbox with patent date 8th Nov. 1887 and original shipping box, rare cast iron model, size: 7" x 8 1/4", good original condition, missing tension belt and paper mache horn, box and machine labeled with matching serial number, the German emigrant Emile Berliner patented his invention on 8th November 1887 in Germany and America simultaneously, followed by patents in several other countries. Berliner's machine, however, awoke little interest in America at this time thanks to Thomas Edison's unveiling of an improved cylinder phonograph at the Paris World Exhibition of 1889. A year into his return to Germany, Berliner met with more success. Berliner carried out improvements to his design in the telephone factory of his brother Joseph in Hanover and entered into a contact with toy and doll manufacturer Kämmer and Reinhardt who were willing to put his design into production. Despite European success, Berliner's big break-through in America came a few years later, with a slightly modified design and appearance for the transatlantic market. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• 19TH CENTURY DUFOUR & CIE FRAMED
  19TH CENTURY DUFOUR & CIE FRAMED WALLPAPER PANELSParis, circa 1818, "Les Incas", three panels of one scene from series of 30, color print from woodblock on board, based on 18th century book by Jean-Francois Marmontel's "Les Incas ou la Destruction de l'empire de Perou", set in faux bamboo frame, panels visible 72-1/2 x 61 in.; frame 77-1/2 x 65 in. Note: Illustrated: Odile Nouvel-Kammerer, "French Scenic Wallpaper 1795-1865", Musee des Arts d?coratifs, Flammarion, France, 1990, p. 125 and 265. For a similar example, see: Victoria & Albert Museum, London, accession number E-814.1939 Provenance: Estate of David R. Hayworth, High Point, North Carolina Condition: glued to board, some bumps in wallpaper where unevenly applied, losses to printed image throughout, panels overlap, cut unevenly, some discoloration, areas of water damage to upper right corner, frame discoloration, scuffing, scratching, residue, minor chips
• DAVID KAMMERZELL, WILLIAMDavid
  DAVID KAMMERZELL, WILLIAMDavid Kammerzell, (20th/21st Century) William, oil on wood panel signed lower left: Kammerzell inscribed verso: D Kammerzell oil on wood panel Dimensions: 24 x 24 in. (60.96 x 60.96 cm.), Frame: 25 5/8 x 25 5/8 x 2 3/4 in. (65.09 x 65.09 x 6.99 cm.) Provenance: Private Collection, Florida
• DAVID KAMMERZELL, CHARLIEDavid
  DAVID KAMMERZELL, CHARLIEDavid Kammerzell, (b. 1953) Charlie, oil on panel signed lower left: KAmmerZell inscribed verso: D Kammerzel oil on panel Dimensions: 24 x 20 in. (60.96 x 50.80 cm.), frame: 25 5/8 x 21 5/8 x 3 in. (65.09 x 54.93 x 7.62 cm.) Provenance: Private Collection, Florida
• DAVID KAMMERZELL, THE NEXT
  DAVID KAMMERZELL, THE NEXT CHAPTERDavid Kammerzell, (b. 1953) The Next Chapter, oil on panel signed lower right: Kammerzell inscribed verso: D Kammerzell oil on panel Dimensions: 24 x 24 in. (60.96 x 60.96 cm.), frame: 25 3/4 x 25 3/4 x 2 3/4 in. (65.41 x 65.41 x 6.99 cm.) Provenance: Private Collection, Florida
• MARCEL KAMMERER (ATTRIB.), DRESSING
  MARCEL KAMMERER (ATTRIB.), DRESSING TABLE c. 1910, Austria, Secessionist style black lacquered wood cabinet, mirrored glass, white granite, aluminum fittings including hand-hammered base strip, Thonet metal label verso, 59"h x 40"w x 21"d
• (2) DRESDEN STYLE PORCELAIN COMPOTE
  (2) DRESDEN STYLE PORCELAIN COMPOTE CENTERPIECES(pair) Dresden style parcel gilt porcelain compote centerpieces, Rudolf Kammer, 20th c., having reticulated center bowl with applied flowers, over standard with young girls in floral dress and putti figures, parcel gilt accents and transferred floral motifs, rising on paw feet, typical small chips to applied elements, approx 19"h, 14"w, 9"d; 35lbs total
• (3) FRENCH LIMOGES PORCELAIN
  (3) FRENCH LIMOGES PORCELAIN NAPOLEONIC BUSTS(lot of 3) French polychrome painted miniature porcelain busts, Limoges, after Rudolf Kammer, Napoleonic figures, rising on gilt socles, including: (1) King Joachim Murat, (1) Eugene, (1) General; largest: approx 4.5"h, 2.75"w, 2.5"d; 0.50lbs total
• TWO FRENCH SILVER OVER COPPER
  TWO FRENCH SILVER OVER COPPER DRESSER ACCESSORIES, 19TH CENTURY The first a circular dresser tray with finely engraved and etched design titled Une Noce Sous Le Directoire above "D'Apres Kammerer," marked "Susse Fres Paris" to underside (6 in. diameter) (wear to plating, minor nicking and some minor denting to rim); the second a rectangular box with finely engraved and etched design to hinged cover titled La Partie de Cartes after a painting by A. Ricci and engraved by B. Wicker (1 x 5 3/8 x 3 5/8 in.) (some wear to plating, minor pinpoint dent to underside, minor dent to front left corner of cover).
• KAMMER & REINHARDT/SIMON & HALBIG
  KAMMER & REINHARDT/SIMON & HALBIG BISQUE HEAD DOLLKammer & Reinhardt / Simon & Halbig bisque head doll. Bisque head, open mouth, blonde wig, sleep glass eyes with eyelashes. Composition body with ball joints. Marked on the bisque head K&R Simon & Halbig. Germany 62. Form number 403. Circa early 20th century. Missing pinkies on both hands. Repairs to left knee joint. Wig detached from head. Cracks to right knee joint. With original clothing, socks and shoes. Crack to left side of body. Head lose from body. 25" H.
• THREE GERMAN BISQUE SOCKET HEAD
  THREE GERMAN BISQUE SOCKET HEAD DOLLS: KESTNER, MTHREE GERMAN BISQUE SOCKET HEAD DOLLS: Kestner, mold #174, with blond wig, brown glass sleep eyes, open mouth, on ball-jointed composition body, 11"H; a Heubach Koppelsdorf, #320, auburn hair , brown glass sleep eyes, on composition body with jointed limbs, 19"H; plus the Kammer & Reinhardt, #126, brown hair, brown glass sleep eyes, and open mouth with teeth and tongue, on a jointed composition body, 22"H.
• EIGHT RUDOLPH KAMMER VOLKSTEDT
  EIGHT RUDOLPH KAMMER VOLKSTEDT PORCELAIN BUSTS OF NAPOLEONIC GENERALSEIGHT RUDOLPH KAMMER VOLKSTEDT PORCELAIN BUSTS OF NAPOLEONIC GENERALS, in gilt decorated white porcelain, marked to underside, largest is h: 4.5 in. (8) Provenance: Estate of Col. Robert E. Bartos and Sharon Bartos, Puerto Rico
• EBONIZED & MARQUETRY INLAID
  EBONIZED & MARQUETRY INLAID KUNSTKAMMERCondition: missing hobnails to front mount; 76 inches high; 26 inches wide; 19 inches deep Condition:
• PAINTED TRUMEAU MIRROR &
  PAINTED TRUMEAU MIRROR & FIREPLACE SURROUNDthe fireplace surround: 41 1/2 inches wide; 12 inches deep; 40 inches high; the mirror: 36 1/2 inches wide; 61 inches high; the painted oil on canvas mounted to panel: 25 3/4 inches x 26 3/4 inches; Provenance: The F.G. Kammer Estate, Santa Barbara, CA; Condition:
• EGYPTIAN STONE STELEProvenance: The
  EGYPTIAN STONE STELEProvenance: The F.G. Kammer Estate, Santa Barbara, CA, purchased from Sadigh Gallery, New York, NY; 10 inches wide; 6 inches deep; 21 inches high Condition:
• AFTER AGOSTINO CARACCI: LAST
  AFTER AGOSTINO CARACCI: LAST COMMUNION OF ST. JEROMEoil on canvas, relined; unsigned; Provenance: The F.G. Kammer Estate, Santa Barbara, CA; 35 x 21 1/2 inches; 39 3/4 x 25 inches frame Condition:
• MANNER OF NICOLAS POUSSIN: HOLY
  MANNER OF NICOLAS POUSSIN: HOLY FAMILY & ST. JOHNoil on canvas; unsigned; Provenance: Property from the F.G. Kammer Estate, Santa Barbara, CA: 29 x 20 1/2 inches; 45 x 38 1/2 inches frame Condition:
• TWO EGYPTIAN STYLE
  TWO EGYPTIAN STYLE FRAGMENTSContemporary reproductions; Provenance: The F.G. Kammer Estate, Santa Barbara, CA, purchased from Sadigh Gallery, New York, NY; the smaller stone "pharaoh of the sun": 8 inches wide; 2 inches deep; 11 inches high; the other: 15 inches wide; 4 inches deep; 12 inches high) Condition:
• AFTER GIOVANNI BATTISTA PIRANESI:
  AFTER GIOVANNI BATTISTA PIRANESI: THREE WORKSeach etching on wove paper, matted, framed and glazed; each with Regia Calcografia blindstamp; one 21 1/4 x 15 3/4 inches image; 37 x 31 inches frame; the other two: 16 1/4 x 21 3/4 inches image; 33 1/4 x 37 1/4 inches frame; Provenance: The Estate of George Kammer, Santa Barbara, CA; Condition:
• ITALIAN SCHOOL: RUINS18th/19th
  ITALIAN SCHOOL: RUINS18th/19th century; oil on canvas laid down on board; Provenance: The Estate of George Kammer, Santa Barbara, CA; 19 3/4 x 25 3/4 inches; 23 x 29 inches frame Condition:
• REMBRANDT HARMENSZOON VAN RIJN
  REMBRANDT HARMENSZOON VAN RIJN (1606 - 1669): JOSEPH'S COAT BROUGHT TO JACOBcirca 1633; engraving on thin paper, framed floating under acrylic; Bartsch, 38; Provenance: The Estate of George Kammer, Santa Barbara, CA; 4 1/4 x 3 1/8 inches sheet; 15 1/2 x 13 1/2 inches frame Condition:
• PIERRE RENOIR (1841 - 1919): LE
  PIERRE RENOIR (1841 - 1919): LE FLEUVE SCAMANDREetching on wove paper, matted, framed and glazed; ink-stamped signature lower right; Provenance: The Estate of George Kammer, Santa Barbara, CA; 13 x 9 3/4 inches sheet; 19 1/2 x 15 1/2 inches frame Condition:
• LUIGI ROSSINI (ITALIAN, 1790–1857):
  LUIGI ROSSINI (ITALIAN, 1790–1857): TWO WORKSeach: engraving, matted, framed and glazed; the first: View of the Temple of Remo in the Forum (20 x 16 inches sight); the second: View of the Capitoline Steps (23 x 16 1/2 inches sight); Provenance: The Estate of George Kammer, Santa Barbara, CA; each 31 x 22 inches frame Condition:
• PIRANESI: TEMPLE OF MINERVA
  PIRANESI: TEMPLE OF MINERVA MEDICA1764; etching, matted, framed and glazed; signed in printing lower left, Regio Calcografia blindstamp lower right; Provenance: The Estate of George Kammer, Santa Barbara; Condition: glass to frame has a break lower right; 19 1/2 x 28 1/2 inches sight; 24 1/4 x 34 1/4 inches frame Condition:
• FRAMED ITALIAN ETCHING OF PALAZZO
  FRAMED ITALIAN ETCHING OF PALAZZO FARNESE, CAPRAROLAmatted, framed and glazed; Provenance: The Estate of George Kammer, Santa Barbara, CA; 21 1/2 x 30 1/2 inches sight; 28 x 38 inches frame Condition: